Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030579
E. Jones
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Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030545
Lisabeth G. Dashman
Abstract According to the US Census Bureau, the 2019 population of the Village of Ossining, New York, was 24,812. Officially, “Hispanic or Latino” residents were 44.3% of the population—a percentage that has grown steadily since at least 1980, when it was less than 9%. One way this change is reflected is through the composition of the enterprises in Ossining’s main commercial district; in particular, through each store’s faҫade sign. This billboard-like display serves to identify and advertise the store. But what is it advertising, really? Why are some of the signs monolingual and others multilingual? Can diverse nationalities stake out a place for themselves through their signs? By analysing both their language(s) and paralanguage, some conclusions can be made about their (intended) meaning, their (intended) audience, and about the shifting language ideology in the village. The faҫade signs capture the diverse ethnic make-up of this village, constructing a particular public space and revealing a dynamic linguistic landscape.
{"title":"“El Mofongo Deli Restaurant”: Advertising Discourse, Language Ideology, and Shop Signs in the Village of Ossining, New York","authors":"Lisabeth G. Dashman","doi":"10.1080/14682737.2021.2030545","DOIUrl":"https://doi.org/10.1080/14682737.2021.2030545","url":null,"abstract":"Abstract According to the US Census Bureau, the 2019 population of the Village of Ossining, New York, was 24,812. Officially, “Hispanic or Latino” residents were 44.3% of the population—a percentage that has grown steadily since at least 1980, when it was less than 9%. One way this change is reflected is through the composition of the enterprises in Ossining’s main commercial district; in particular, through each store’s faҫade sign. This billboard-like display serves to identify and advertise the store. But what is it advertising, really? Why are some of the signs monolingual and others multilingual? Can diverse nationalities stake out a place for themselves through their signs? By analysing both their language(s) and paralanguage, some conclusions can be made about their (intended) meaning, their (intended) audience, and about the shifting language ideology in the village. The faҫade signs capture the diverse ethnic make-up of this village, constructing a particular public space and revealing a dynamic linguistic landscape.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"22 1","pages":"189 - 211"},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45924778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030544
Carlos Fernández González
RESUMEN Este artículo presenta una lectura de las tres novelas que conforman la Trilogía involuntaria de Mario Levrero (La ciudad, El lugar, París), basada en el análisis crítico de las relaciones entre entendimiento e interpretación y su articulación en el proceso narrativo. En las tres novelas, estos actos/conceptos subvierten presupuestos que la tradición filosófica, de Anaxágoras a Steiner, ha venido sosteniendo sobre los vínculos existentes entre entendimiento y orden, así como entre la interpretación y la exteriorización verbal de dicho orden. Desde la sospecha levreriana hacia esta primacía de la razón (Derrida, Jung, Freud), se sostiene que en estas tres ficciones la realidad se presenta como incomprensible y que, (de)construyendo al paso la trama, la pulsión interpretativa de sus narradores surge creativamente de esta imposibilidad.
{"title":"El entendimiento bajo sospecha: Una hermenéutica de la resistencia en la Trilogía involuntaria de Mario Levrero","authors":"Carlos Fernández González","doi":"10.1080/14682737.2021.2030544","DOIUrl":"https://doi.org/10.1080/14682737.2021.2030544","url":null,"abstract":"RESUMEN Este artículo presenta una lectura de las tres novelas que conforman la Trilogía involuntaria de Mario Levrero (La ciudad, El lugar, París), basada en el análisis crítico de las relaciones entre entendimiento e interpretación y su articulación en el proceso narrativo. En las tres novelas, estos actos/conceptos subvierten presupuestos que la tradición filosófica, de Anaxágoras a Steiner, ha venido sosteniendo sobre los vínculos existentes entre entendimiento y orden, así como entre la interpretación y la exteriorización verbal de dicho orden. Desde la sospecha levreriana hacia esta primacía de la razón (Derrida, Jung, Freud), se sostiene que en estas tres ficciones la realidad se presenta como incomprensible y que, (de)construyendo al paso la trama, la pulsión interpretativa de sus narradores surge creativamente de esta imposibilidad.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"22 1","pages":"173 - 188"},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48176899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030547
Fco. Javier Lasarte Valcárcel
{"title":"Writing and the Revolution: Venezuelan Metafiction (2004–2012)","authors":"Fco. Javier Lasarte Valcárcel","doi":"10.1080/14682737.2021.2030547","DOIUrl":"https://doi.org/10.1080/14682737.2021.2030547","url":null,"abstract":"","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"22 1","pages":"227 - 260"},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45625157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030517
Aurelia Martín Casares, Tamara Iáñez Ramírez
RESUMEN Este artículo se centra en el estudio de la población esclava femenina en Puerto Rico durante la primera mitad del siglo XIX. La principal fuente utilizada es la Gaceta de Puerto Rico, el periódico oficial en la época, donde se recogen 111 anuncios relativos a mujeres esclavas. La información obtenida ha sido analizada cualitativa y cuantitativamente para concluir que las mujeres esclavas eran una parte esencial de la sociedad de la época, que trabajaban tanto en el campo como en las casas, de lavanderas, cocineras, planchadoras o nodrizas. De hecho, según el censo de 1841, el 47% de los esclavos eran esclavas, y había más mulatas y negras libres que hombres de su mismo grupo. Igualmente, hemos constatado que una parte de las esclavas portaban tatuajes tradicionales de sus pueblos de origen, que otras llegaron a formar familias, y que algunas, desgraciadamente, fueron asesinadas. En definitiva, este artículo pretende recuperar las experiencias vitales de las esclavas de Puerto Rico, un grupo extremadamente vulnerable que merece ser recordado y cuya memoria debemos preservar.
本文提出了一种新的方法，通过这种方法，我们分析了在墨西哥和拉丁美洲的不同地区，以及在墨西哥和拉丁美洲的不同地区之间的差异。使用的主要来源是当时的官方报纸《波多黎各公报》(Gaceta de Puerto Rico)，其中有111个关于奴隶妇女的广告。对所获得的信息进行了定性和定量分析，得出的结论是，奴隶妇女是当时社会的重要组成部分，她们在农村和家庭中工作，如洗衣女工、厨师、熨烫女工或护士。事实上，根据1841年的人口普查，47%的奴隶是奴隶，黑白混血儿和自由黑人的数量比同族男性还要多。我们还注意到，一些奴隶身上有来自其原籍国的传统纹身，另一些人组建了家庭，有些人不幸被谋杀。简而言之，这篇文章旨在恢复波多黎各奴隶的生活经历，这是一个极其脆弱的群体，值得记住，我们必须保存他们的记忆。
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Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030546
I. Vinogradov
Abstract One of the first written sources containing information about the Poqomchi’ language (Mayan family, Guatemala) is the trilingual Poqomchi’-Spanish-Latin dictionary dating from the beginning of the seventeenth century. Its author was a Dominican missionary, Dionisio de Zúñiga, although his work is based on earlier dictionaries of his predecessors. This paper analyses Zúñiga’s dictionary in the context of Dominican evangelizing tradition. Whereas the descriptions of certain lexical entries prove that the author was familiar with the culture and customs of the Poqomchi’ people, some other terms, specifically those denoting pre-Columbian deities and native religious concepts, seem to be derived from earlier missionary texts including Domingo de Vico’s famous Theologia Indorum. These intertextualities confirm the intellectual continuity among Dominican missionaries in Highland Guatemala during the early colonial period.
摘要包含Poqomchi语（危地马拉玛雅家族）信息的最早书面来源之一是17世纪初的三语Poqomchi'-西班牙语-拉丁语词典。该书的作者是多明尼加传教士Dionisio de Zúñiga，尽管他的作品是基于其前任的早期词典。本文以多明尼加的传福音传统为背景，分析苏尼加的字典。尽管对某些词条的描述证明作者熟悉波克姆奇人的文化和习俗，但其他一些术语，特别是那些表示前哥伦布时期的神和本土宗教概念的术语，似乎源于早期的传教文本，包括多明戈·德维科著名的《印度神学》。这些互文性证实了早期殖民时期在危地马拉高地的多明尼加传教士在知识上的连续性。
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Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030543
Sofía González Gómez
RESUMEN En 1939, Ramón J. Sender publicó la novela El lugar del hombre. Casi veinte años después, en 1958, decidió reeditarla con el título El lugar de un hombre. No fue el único cambio de envergadura. Este artículo pretende analizar las supresiones que el autor realizó y, al mismo tiempo, tratar de aportar claves sobre los motivos que le movieron a ello en relación con sus circunstancias biográficas, posicionamientos políticos y su condición de exiliado. Tomaremos como fuentes las distintas ediciones de la obra y los informes, expedientes de censura y otros materiales conservados en el Archivo General de la Administración. Con todo, queremos explorar y discernir cuáles fueron los factores que determinaron que la novela no se publicase en España hasta 1974. Ese año coincide, como veremos, con la organización de una “operación retorno” que favorecía el regreso de Sender a España. Pretendemos, en definitiva, reflexionar sobre por qué Josep Vergés, editor de Destino, no consiguió la aprobación de El lugar de un hombre hasta 1974 y qué supone esto a la hora de abordar, hoy, la producción literaria de Sender y el canon literario del franquismo.
{"title":"Ramón J. Sender y El lugar de un hombre: Itinerario editorial de una “operación retorno”","authors":"Sofía González Gómez","doi":"10.1080/14682737.2021.2030543","DOIUrl":"https://doi.org/10.1080/14682737.2021.2030543","url":null,"abstract":"RESUMEN En 1939, Ramón J. Sender publicó la novela El lugar del hombre. Casi veinte años después, en 1958, decidió reeditarla con el título El lugar de un hombre. No fue el único cambio de envergadura. Este artículo pretende analizar las supresiones que el autor realizó y, al mismo tiempo, tratar de aportar claves sobre los motivos que le movieron a ello en relación con sus circunstancias biográficas, posicionamientos políticos y su condición de exiliado. Tomaremos como fuentes las distintas ediciones de la obra y los informes, expedientes de censura y otros materiales conservados en el Archivo General de la Administración. Con todo, queremos explorar y discernir cuáles fueron los factores que determinaron que la novela no se publicase en España hasta 1974. Ese año coincide, como veremos, con la organización de una “operación retorno” que favorecía el regreso de Sender a España. Pretendemos, en definitiva, reflexionar sobre por qué Josep Vergés, editor de Destino, no consiguió la aprobación de El lugar de un hombre hasta 1974 y qué supone esto a la hora de abordar, hoy, la producción literaria de Sender y el canon literario del franquismo.","PeriodicalId":42561,"journal":{"name":"Hispanic Research Journal-Iberian and Latin American Studies","volume":"22 1","pages":"157 - 172"},"PeriodicalIF":0.1,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48474227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030560
C. Byrne
nos treinta. A la luz de los estudios cr ıticos de audiencia, las ideas de Maravall sobre la recepci on pasiva y colectiva de las comedias nuevas son inasumibles. Wheeler opta por explicar la prevalencia de las ideas de Maravall como fruto de “la falta de una verdadera tradici on esc enica” (79). En alguna ocasi on, ciertas afirmaciones categ oricas ser ıan matizables. Por ejemplo, su desd en hacia algunas adaptaciones contempor aneas y el impacto actual del teatro de Siglo de Oro. Me cuesta estar de acuerdo con que el descubrimiento de la comedia de Lope Mujeres y criados tuvo “muy poca cobertura” medi atica, cuando El Pa ıs la destac o en su portada y la noticia abri o los Telediarios (221). Algunas evaluaciones sobre la pr actica esc enica contempor anea ten ıan sentido en el momento en que el autor produjo estos ensayos, pero pueden confundir al lector cuando no se explicita el marco temporal espec ıfico al que se refiere cuando usa el t ermino contempor aneo. Wheeler admite en el pr ologo que los trabajos que conforman este libro tienen “un car acter testimonial” (viii), y ciertamente ofrecen una visi on bastante completa de la producci on esc enica de la primera d ecada del siglo XXI. La publicaci on de esta colecci on de art ıculos es representativa de la variedad de enfoques y de la contribuci on a la renovaci on del campo del teatro del Siglo de Oro que hemos de reconocer a su autor. David Rodr ıguez-Sol as University of Massachusetts Amherst dsolas@umass.edu
我们三十。鉴于研究crıticos听询,消极思想问题Maravall recepci on和集体的新喜剧是inasumibles。惠勒选择将马拉瓦尔思想的流行解释为“在经济上缺乏真正的传统”的结果(79)。在某个ocasi on某些断言categ oricasıan matizables。例如，他的目标是一些当代改编和当前黄金时代戏剧的影响。我发现很难同意,发现喜剧的大步慢跑妇女和仆人有很少的覆盖”海信atica,当爸爸ıs destac岩洞的封面和消息或电视台(221)。一些pr actica考核esc enica contempor芦苇上要ıan意义时,提交人对这些试验,但令读者感到混乱,因为根据这个框架特别临时ı所涵盖的菲乔当使用t ermino contempor aneo。惠勒在序言中承认，构成这本书的作品具有“证明car行为”(8)，当然也提供了一个相当完整的21世纪初的科学生产的观点。本colecci publicaci on on artı驴是具有代表性的各种做法和现场contribuci on a La renovaci on世纪剧院的黄金比我们意识到的。大卫Rodrıguez-Sol as University of Massachusetts Amherst dsolas@umass.edu
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Pub Date : 2021-05-04DOI: 10.1080/14682737.2021.2030561
Araceli Iravedra
need to negotiate more within the prison. Garc ıa Madrid’s text is shown to describe more relationships than the other texts Fisher studies, which focus on the authors’ own internal struggles, and this is perhaps telling of the somewhat vulnerable roles these women had within the prison system compared to that of their Communist counterparts. There are several areas that pique interest and warrant further investigation, but, overall, Fisher’s work analyses the nuances of the prison narrative effectively and thoroughly. She recognizes these texts as a direct reaction to the Transition, and frames them within their broader contexts, such as the Communist life writing model and the need to confront the injustice that the authors were subjected to both during and after the dictatorship. The result is a fresh and valuable addition to the field of Spanish life writing, which provides a phenomenal introduction to these women’s stories, ensuring that their voices continue to be heard while also laying the groundwork for further investigation in this area.
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Pub Date : 2021-01-12DOI: 10.1080/14682737.2021.1874758
Francesca Pasciolla
Certain expectations may be confirmed whenever a new title on Fernando Pessoa appears... yet one might make a similar claim in respect of, say, Franz Kafka or Jorge Luis Borges. For the pantheon of celebrated modern writers is entered at a cost. Acolytes abound, bringing with them their literary proclivities: some biographists, others indispensable archival detectives, dedicated geneticists, or committed textualists determined to offer close readings including those, but few, who do so with recourse to the instrumentalities of complex critical theories. Rui Gonçalves Miranda, undoubtedly a pioneer of the latter approach, has guaranteed, in Personal Infinitive: Inflecting Fernando Pessoa, that it will be primarily those with an already deep awareness of Pessoa’s textuality, and an open-mindedness and readiness to deploy the most appropriate analytical tools, who will rise to the challenge of this ground-breaking study. Miranda’s engagement with the thinking of Mallarm e, Nietzsche, Heidegger, Barthes, Derrida, Eco, Barbara Johnson, and Terry Eagleton is never incidental and, in each case, the insights drawn upon are applied the better to explicate—never to explain away—the toughest nodal tropes exploited, inexhaustibly in Pessoa’s poetry and, judiciously explored here, his numerous other writings. As Roberto Vecchi observes in the “Foreword”:
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