{"title":"Ignacio Arellano (ed.), Antología de la literatura burlesca del Siglo de Oro. Volumen 1, Poesía de Lope de Vega, Góngora y Quevedo, New York, IDEA, 2020, (ISBN: 978-1-938795-65-7)","authors":"S. Santa-Aguilar","doi":"10.15581/017.24.39724","DOIUrl":"https://doi.org/10.15581/017.24.39724","url":null,"abstract":" \u0000 ","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42280876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper focuses on the image of the Thirty Years War as it was depicted in Francisco de Quevedo’s only play, Como ha de ser el privado. The antagonism between Protestants and Catholics, one of the main conflicts of the Thirty Years War is illustrated through two of the main opposed characters of the play, the Transylvania ambassador and the prince of Denmark. Moreover, this article aims at demonstrating how Quevedo’s ideology, already expressed in previous works, has an impact on the events presented by the author in his play, creating a highly propagandistic ensemble.
本文主要研究弗朗西斯科·德·克维多唯一一部戏剧《Como ha de ser el privado》中描绘的三十年战争形象。新教徒和天主教徒之间的对抗，是三十年战争的主要冲突之一，通过剧中两个主要的对立人物，特兰西瓦尼亚大使和丹麦王子来说明。此外，本文旨在证明克维多的意识形态，已经在以前的作品中表达，如何影响作者在他的戏剧中呈现的事件，创造一个高度宣传的合奏。
{"title":"Intención propagandística y maniobras políticas en \"Cómo ha de ser el privado\": el embajador transilvano y el príncipe de Dinamarca","authors":"O. Sâmbrian","doi":"10.15581/017.23.351-361","DOIUrl":"https://doi.org/10.15581/017.23.351-361","url":null,"abstract":"This paper focuses on the image of the Thirty Years War as it was depicted in Francisco de Quevedo’s only play, Como ha de ser el privado. The antagonism between Protestants and Catholics, one of the main conflicts of the Thirty Years War is illustrated through two of the main opposed characters of the play, the Transylvania ambassador and the prince of Denmark. Moreover, this article aims at demonstrating how Quevedo’s ideology, already expressed in previous works, has an impact on the events presented by the author in his play, creating a highly propagandistic ensemble.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43577541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article tries to examine how Quevedo makes use of Lucifer (the devil, or the fallen angel) in his political treatise Politica de Dios and in his menippean satire Sueno del infierno in order to criticise the king and his minister (valido) when treating the polemical question of reason of State.
{"title":"El ángel caído en \"Política de Dios\" y \"Sueño del infierno\" de Quevedo","authors":"Randi Lise Davenport","doi":"10.15581/017.23.301-316","DOIUrl":"https://doi.org/10.15581/017.23.301-316","url":null,"abstract":"This article tries to examine how Quevedo makes use of Lucifer (the devil, or the fallen angel) in his political treatise Politica de Dios and in his menippean satire Sueno del infierno in order to criticise the king and his minister (valido) when treating the polemical question of reason of State.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43805254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarraman, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jacaras to the specificity of the artistic and sociocultural context of the Uruguay around the years 1960-1970.
{"title":"\"Escarramán, rufianes y la muerte\" (1966), de Carlos Fossatti: un Escarramán uruguayo","authors":"Emmanuel Marigno-Vázquez","doi":"10.15581/017.23.281-297","DOIUrl":"https://doi.org/10.15581/017.23.281-297","url":null,"abstract":"The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarraman, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jacaras to the specificity of the artistic and sociocultural context of the Uruguay around the years 1960-1970.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49665371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The essay analyses a corpus of three jacaras by Quevedo: two of them are letters (numbers 849 and 851), where a burlesque language predominates, and a third text —without the form of an epistle— which features vulgar and impudent expressions (number 864). There are few works known in Italy of this kind, with some gaps in their annotation, so their Italian translation appears to be a challenge, having no previous models to rely upon. The study reflects on the modalities for translating sentences or poetic fragments, suggesting the translation of culturally-marked images and terms, which are difficult to render in the target language. The aim of the work is to try to preserve the sharp humour, the burlesque charge and the iconographic focus of these Golden Age poems.
{"title":"Quevedo y las jácaras: deformación idiomática e iconográfica y su (im)posible traducción al italiano","authors":"Beatrice Garzelli","doi":"10.15581/017.23.263-280","DOIUrl":"https://doi.org/10.15581/017.23.263-280","url":null,"abstract":"The essay analyses a corpus of three jacaras by Quevedo: two of them are letters (numbers 849 and 851), where a burlesque language predominates, and a third text —without the form of an epistle— which features vulgar and impudent expressions (number 864). There are few works known in Italy of this kind, with some gaps in their annotation, so their Italian translation appears to be a challenge, having no previous models to rely upon. The study reflects on the modalities for translating sentences or poetic fragments, suggesting the translation of culturally-marked images and terms, which are difficult to render in the target language. The aim of the work is to try to preserve the sharp humour, the burlesque charge and the iconographic focus of these Golden Age poems.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46312630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quevedo y las jácaras en el Siglo de Oro. Presentación","authors":"Emmanuel Marigno-Vázquez","doi":"10.15581/017.23.38098","DOIUrl":"https://doi.org/10.15581/017.23.38098","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44407151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Llamas Martínez, Jacobo, Tradición y originalidad en la poesía funeral de Quevedo, Vigo, Editorial Academia del Hispanismo, 2016, 253 pp. (ISBN: 978-84-16187-36-2)","authors":"María-del-Rosario Martínez-Navarro","doi":"10.15581/017.23.38111","DOIUrl":"https://doi.org/10.15581/017.23.38111","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49026625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The topic of «privanza» was very important in the Spanish Literature of the 17th century. Don Alvaro de Luna represented the rise to power and the tragic fall of the «privados» or favourites. Quevedo wrote a poem around 1627 about the personality of the favourite in which he used his history to warn the Count duke of Olivares on the dangers of power. The buffoon adopts the role of a preacher and becomes the spokesperson of the author to give advice and recriminate the noble for his life. The critical and annotated edition of the «romance» will help us to know better Quevedo’s political and philosophical thought.
{"title":"Las predicaciones de un bufón: “A los pies de la Fortuna”, Romance de Quevedo a don Álvaro de Luna","authors":"V. Roncero-López","doi":"10.15581/017.23.151-180","DOIUrl":"https://doi.org/10.15581/017.23.151-180","url":null,"abstract":"The topic of «privanza» was very important in the Spanish Literature of the 17th century. Don Alvaro de Luna represented the rise to power and the tragic fall of the «privados» or favourites. Quevedo wrote a poem around 1627 about the personality of the favourite in which he used his history to warn the Count duke of Olivares on the dangers of power. The buffoon adopts the role of a preacher and becomes the spokesperson of the author to give advice and recriminate the noble for his life. The critical and annotated edition of the «romance» will help us to know better Quevedo’s political and philosophical thought.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43173439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
After reviewing the schematic structure of Francisco de Quevedo’s jacaras, based on a series of microcontexts —composed of external references and above all literary topics—, this article explains the introductory verses of the jacara number 7: «Vida y milagros de Montilla» (Blecua, num. 855, vv. 1-28). The article is focused on the historical references that appear in the text; then, a new dating is suggested, and new explanations are proposed for some obscure passages related to the punishment of galleys.
在回顾了弗朗西斯科·德·克维多的jacaras的概要结构之后，基于一系列微观语境——由外部参考文献和所有文学主题组成——本文解释了jacaras第7号的引言:“Vida y milagros de Montilla”(Blecua，第855号，vv.)。28)。本文主要关注文本中出现的历史参考文献;然后，提出了一个新的年代，并提出了新的解释，对一些晦涩的段落有关的苦役犯的惩罚。
{"title":"El microcontexto de las galeras en la jácara “Vida y milagros de Montilla” de Quevedo","authors":"Carlos-F. Cabanillas-Cárdenas","doi":"10.15581/017.23.231-250","DOIUrl":"https://doi.org/10.15581/017.23.231-250","url":null,"abstract":"After reviewing the schematic structure of Francisco de Quevedo’s jacaras, based on a series of microcontexts —composed of external references and above all literary topics—, this article explains the introductory verses of the jacara number 7: «Vida y milagros de Montilla» (Blecua, num. 855, vv. 1-28). The article is focused on the historical references that appear in the text; then, a new dating is suggested, and new explanations are proposed for some obscure passages related to the punishment of galleys.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43382857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Panoramic and comparative study of the conceptual metaphor of man under siege in Quevedo’s work. The study shows the central andstructuring role of this concept in Quevedo’s thought and poetic imagination, in a triple dimension: ideological and political, natural and cosmic, individual and metaphysical. The study focuses on the moral sonnet «I looked upon my native country’s walls» as representative of this philosophical and poetic worldview. The sonnet is read through its presence in modern and contemporary thought and literature.
{"title":"El imaginario del cerco en Quevedo. “Miré los muros de la patria mía” y su eco en la literatura contemporánea","authors":"H. Sánchez-Martínez-de-Pinillos","doi":"10.15581/017.23.181-207","DOIUrl":"https://doi.org/10.15581/017.23.181-207","url":null,"abstract":"Panoramic and comparative study of the conceptual metaphor of man under siege in Quevedo’s work. The study shows the central andstructuring role of this concept in Quevedo’s thought and poetic imagination, in a triple dimension: ideological and political, natural and cosmic, individual and metaphysical. The study focuses on the moral sonnet «I looked upon my native country’s walls» as representative of this philosophical and poetic worldview. The sonnet is read through its presence in modern and contemporary thought and literature.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42015624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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