This article offers a critical and annotated edition of La zurriaga, a hitherto unpublished text, part of the literary polemic triggered by Quevedo in 1632 with his attack against Perez de Montalban. This new text is an anonymous libel attacking Quevedo’s La perinola, while refuting some of the criticism levelled by Quevedo against Perez de Montalban’s Para todos. This critical edition is based on three manuscripts held in libraries in Madrid, one of which attributes the text to father Niseno.
{"title":"\"La zurriaga de Perinola\": edición crítica de un texto inédito contra Quevedo","authors":"F. Plata-Parga","doi":"10.15581/017.23.85-127","DOIUrl":"https://doi.org/10.15581/017.23.85-127","url":null,"abstract":"This article offers a critical and annotated edition of La zurriaga, a hitherto unpublished text, part of the literary polemic triggered by Quevedo in 1632 with his attack against Perez de Montalban. This new text is an anonymous libel attacking Quevedo’s La perinola, while refuting some of the criticism levelled by Quevedo against Perez de Montalban’s Para todos. This critical edition is based on three manuscripts held in libraries in Madrid, one of which attributes the text to father Niseno.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46971275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The use of mummy meat as a therapeutic product was common in the Golden Age. Quevedo shows in his burlesque satirical poems that he knew it well, which allows us to properly interpret several dark passages of his poetry, some of them directed against his greatest adversary, Luis de Gongora.
{"title":"Quevedo, Góngora y la \"carne momia\"","authors":"Víctor de-Lama-de-la-Cruz","doi":"10.15581/017.23.317-329","DOIUrl":"https://doi.org/10.15581/017.23.317-329","url":null,"abstract":"The use of mummy meat as a therapeutic product was common in the Golden Age. Quevedo shows in his burlesque satirical poems that he knew it well, which allows us to properly interpret several dark passages of his poetry, some of them directed against his greatest adversary, Luis de Gongora.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49232665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The discourse of the pharmakon, or ambiguous antidote, permeates the early modern Spanish dramatic corpus and appears also in prose works by Francisco de Quevedo. One possible intertext for these references might be Erasmus’ Enchiridion. This would be surprising, because Erasmus’ text had been banned by the time Quevedo was writing; but we know he was aware of Erasmus’ work because he used Erasmus’ edition of Seneca, among other connections which have been demonstrated between these two writers. This essay examines patterns of intertextual borrowing, especially Quevedo’s probable (but unacknowledged) debt to Erasmus in several of his works. Even if Quevedo did not absorb Erasmian influence directly, he still could have had access to some of the same ideas through Saint Ignatius and the Jesuits as intermediaries. The last part of the essay looks at the Erasmian legacy in Ignatius’ Spiritual Exercises and discusses New Historical self-fashioning as practiced by Quevedo.
{"title":"Quevedo, Reader of Erasmus","authors":"Hilaire Kallendorf","doi":"10.15581/017.23.67-84","DOIUrl":"https://doi.org/10.15581/017.23.67-84","url":null,"abstract":"The discourse of the pharmakon, or ambiguous antidote, permeates the early modern Spanish dramatic corpus and appears also in prose works by Francisco de Quevedo. One possible intertext for these references might be Erasmus’ Enchiridion. This would be surprising, because Erasmus’ text had been banned by the time Quevedo was writing; but we know he was aware of Erasmus’ work because he used Erasmus’ edition of Seneca, among other connections which have been demonstrated between these two writers. This essay examines patterns of intertextual borrowing, especially Quevedo’s probable (but unacknowledged) debt to Erasmus in several of his works. Even if Quevedo did not absorb Erasmian influence directly, he still could have had access to some of the same ideas through Saint Ignatius and the Jesuits as intermediaries. The last part of the essay looks at the Erasmian legacy in Ignatius’ Spiritual Exercises and discusses New Historical self-fashioning as practiced by Quevedo.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43023689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Quevedo y la crítica hispánica norteamericana. Nota preliminar","authors":"V. Roncero-López","doi":"10.15581/017.23.38090","DOIUrl":"https://doi.org/10.15581/017.23.38090","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45893437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article takes up the matter of classifying Quevedo’s jacaras. Two criteria are proposed: one that follows the narrative structure and a second that deals with the predominant themes. In addition, the article studies questions of fencing and astrology in these works. These two disciplines are used by Quevedo to underline his own style of writing jacaras, one that is based on the dissonance between the popular and the learned. This contrast serves to transgress the principle of decorum in the themes utilized. Finally, the essay analyses the possible social and political implications that may emerge from the uses of fencing and astrology in the genre of the jacaras.
{"title":"De espadas y de cañas: esgrima y astrología en las jácaras de Quevedo","authors":"Frederick A. de Armas, Manuel Olmedo-Gobante","doi":"10.15581/017.23.215-230","DOIUrl":"https://doi.org/10.15581/017.23.215-230","url":null,"abstract":"This article takes up the matter of classifying Quevedo’s jacaras. Two criteria are proposed: one that follows the narrative structure and a second that deals with the predominant themes. In addition, the article studies questions of fencing and astrology in these works. These two disciplines are used by Quevedo to underline his own style of writing jacaras, one that is based on the dissonance between the popular and the learned. This contrast serves to transgress the principle of decorum in the themes utilized. Finally, the essay analyses the possible social and political implications that may emerge from the uses of fencing and astrology in the genre of the jacaras.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47420628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article explores the poem «Consultacion de los gatos» following the Animal Studies approach. The analysis reveals that Quevedo goes beyond the anthropomorphist perspective to interpret animal figures that was customary in Golden Age literature. The author also highlights the abuse of the cat, another typical element of his period, to show compassion toward this animal, while criticizing the vices of its masters. Making the cat protagonist of the poem and showing its everyday life sufferings, Quevedo replicates closely the narrative model elaborated by Cervantes in Coloquio de los perros . As a result, Quevedo’s poem stands out among the satiric poetry that deals with animals in Golden Age literature.
本文探讨了遵循动物研究方法的诗歌“Consultacion de los gatos”。分析表明，奎维多超越了拟人主义的视角来解读黄金时代文学中的动物形象。作者还强调了虐待猫的行为，这是他那个时代的另一个典型元素，以表达对这种动物的同情，同时批评主人的罪恶。奎维多是这首诗的主人公，展现了它日常生活中的痛苦，他紧密地复制了塞万提斯在《科罗基奥·德·洛斯·佩罗斯》中阐述的叙事模式。因此，奎维多的诗在黄金时代文学中以动物为主题的讽刺诗中脱颖而出。
{"title":"Quevedo y los estudios de animales: una lectura de “Consultación de los gatos” (núm. 750)","authors":"F. Rodríguez-Mansilla","doi":"10.15581/017.23.129-149","DOIUrl":"https://doi.org/10.15581/017.23.129-149","url":null,"abstract":"This article explores the poem «Consultacion de los gatos» following the Animal Studies approach. The analysis reveals that Quevedo goes beyond the anthropomorphist perspective to interpret animal figures that was customary in Golden Age literature. The author also highlights the abuse of the cat, another typical element of his period, to show compassion toward this animal, while criticizing the vices of its masters. Making the cat protagonist of the poem and showing its everyday life sufferings, Quevedo replicates closely the narrative model elaborated by Cervantes in Coloquio de los perros . As a result, Quevedo’s poem stands out among the satiric poetry that deals with animals in Golden Age literature.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43853095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wehr, Christian, Meditación espiritual e imaginación poética. Estudios sobre Ignacio de Loyola y Francisco de Quevedo, trad. Elvira Gómez Hernández, Madrid, Iberoamericana / Vervuert, 2017, 348 pp. (ISBN: 978-84-16922-15-4)","authors":"D. S. Hendrickson","doi":"10.15581/017.23.38112","DOIUrl":"https://doi.org/10.15581/017.23.38112","url":null,"abstract":"","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45280327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The doubt about the origin of the "jacara" gender can throw different perspectives on its function and characteristics in the works of Quevedo. Initially, the "jacara" does not necessarily have a theatrical origin, but rather a lyrical one, when the poet begins its regeneration and strengthening. Just years later, with the intervention, among others, of Calderon de la Barca, the "jacaras" become fully dramatic and acquire the theatrical values that are few, if not null, in the difficult texts of Quevedo.
对“雅卡拉”性别起源的质疑，可以为其在克维多作品中的功能和特征提供不同的视角。最初，“jacara”不一定有戏剧的起源，而是一个抒情的起源，当诗人开始它的再生和加强。仅仅几年后，在卡尔德隆·德拉·巴萨(Calderon de la Barca)等人的干预下，“jacaras”变得完全戏剧化，并获得了在克维多难懂的文本中很少(如果不是完全没有的话)的戏剧价值。
{"title":"La desdramatización de la jácara en Quevedo reformada por Calderón","authors":"S. Fernández-Mosquera","doi":"10.15581/017.23.251-261","DOIUrl":"https://doi.org/10.15581/017.23.251-261","url":null,"abstract":"The doubt about the origin of the \"jacara\" gender can throw different perspectives on its function and characteristics in the works of Quevedo. Initially, the \"jacara\" does not necessarily have a theatrical origin, but rather a lyrical one, when the poet begins its regeneration and strengthening. Just years later, with the intervention, among others, of Calderon de la Barca, the \"jacaras\" become fully dramatic and acquire the theatrical values that are few, if not null, in the difficult texts of Quevedo.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47210672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study reflects upon La caida para levantarse , focusing in particular on its representation of Saint Paul as a transhistorical model of eloquence. Fusing his authorial project with the apostle’s auratic word, Quevedo endows his own writing with a providential stature. While thus engaging in a deliberate anachronism that obviates the differences between their respective historical horizons, he concomitantly foregrounds the relevance of Pauline language to the conflicted cultural context of the Counter Reformation. Addressed here are both the way in which Quevedo exploits the argumentative versatility already present in the rhetoric of his precursor, and the audacious manipulation entailed in his adaptation of the apostle’s millenarian discourse to the requirements of baroque ingenuity.
{"title":"\"La caída para levantarse\": san Pablo, espejo de Quevedo","authors":"Ariadna García-Bryce","doi":"10.15581/017.23.15-33","DOIUrl":"https://doi.org/10.15581/017.23.15-33","url":null,"abstract":"This study reflects upon La caida para levantarse , focusing in particular on its representation of Saint Paul as a transhistorical model of eloquence. Fusing his authorial project with the apostle’s auratic word, Quevedo endows his own writing with a providential stature. While thus engaging in a deliberate anachronism that obviates the differences between their respective historical horizons, he concomitantly foregrounds the relevance of Pauline language to the conflicted cultural context of the Counter Reformation. Addressed here are both the way in which Quevedo exploits the argumentative versatility already present in the rhetoric of his precursor, and the audacious manipulation entailed in his adaptation of the apostle’s millenarian discourse to the requirements of baroque ingenuity.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46756639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this work the author identifies, analyses, and frames, within the larger Baroque concepts of political prudence and caution, some of the most representative direct and indirect references in Francisco de Quevedo’s Primera parte de la vida de Marco Bruto to the notion of duplicity in all of its variations (simulation / dissimulation). Additionally, and using as a starting point the ideas of Alessandro Martinengo and other researchers, the author tries to prove that the references to duplicity in the final section of the book, the «Suasorias», are critical to understand the connection between this part and the other two main ones, the «Discursos» and the «Cuestion politica», where this topic is absolutely key. In fact, it is believed that it would not be an exaggeration to describe Primera parte de la vida de Marco Bruto primarily as a political manual on prudence, caution, and, very much in particular, duplicity.
在这部作品中，作者识别、分析和框架，在更大的巴洛克政治审慎和谨慎的概念中，弗朗西斯科·德·克维多(Francisco de Quevedo)的《Primera parte de la vida de Marco Bruto》中一些最具代表性的直接和间接参考，以其所有变体(模拟/伪装)的双重概念。此外，以Alessandro Martinengo和其他研究人员的观点为出发点，作者试图证明书中最后一节“Suasorias”中提到的两面三刀对于理解这一部分与其他两个主要部分之间的联系至关重要，“Discursos”和“question politica”，这个话题是绝对关键的。事实上，人们认为，将《马尔科·布鲁托的生活之初》主要描述为一本关于谨慎、谨慎，特别是关于表里不一的政治手册并不夸张。
{"title":"La \"Primera parte de la vida de Marco Bruto\" de Francisco de Quevedo como manual político de prudencia, cautela y duplicidad","authors":"R. Iglesias","doi":"10.15581/017.23.35-66","DOIUrl":"https://doi.org/10.15581/017.23.35-66","url":null,"abstract":"In this work the author identifies, analyses, and frames, within the larger Baroque concepts of political prudence and caution, some of the most representative direct and indirect references in Francisco de Quevedo’s Primera parte de la vida de Marco Bruto to the notion of duplicity in all of its variations (simulation / dissimulation). Additionally, and using as a starting point the ideas of Alessandro Martinengo and other researchers, the author tries to prove that the references to duplicity in the final section of the book, the «Suasorias», are critical to understand the connection between this part and the other two main ones, the «Discursos» and the «Cuestion politica», where this topic is absolutely key. In fact, it is believed that it would not be an exaggeration to describe Primera parte de la vida de Marco Bruto primarily as a political manual on prudence, caution, and, very much in particular, duplicity.","PeriodicalId":42708,"journal":{"name":"Perinola-Revista de Investigacion Quevediana","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42117709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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