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The Silver Seal Matrix of John de Wike Found in Bratton Seymour Parish, Somerset 在萨默塞特郡布拉顿西摩教区发现的约翰·德·维克的银印矩阵
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1923810
M. Henig, J. Cherry
This note examines a silver seal matrix set with a very remarkable Roman gem showing the youthful Octavian wearing the petasus (a sunhat with broad brim) of Mercury. From the inscription it belonged to John de Wike. The gem was probably set in the matrix in the late 13th or early 14th century. This note discusses the name of the owner and the design of the gem.
这篇笔记检查了一个银印章矩阵,上面镶嵌着一颗非常引人注目的罗马宝石,显示了年轻的屋大维戴着墨丘利的帕塔索斯(一种宽边太阳帽)。从铭文上看,它属于约翰·德·维克。这颗宝石可能是在13世纪末或14世纪初镶嵌在母体中的。这个笔记讨论了所有者的名字和宝石的设计。
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引用次数: 0
La catedral habitada. Historia viva de un espacio arquitectónico 有人居住的大教堂。建筑空间的活生生的历史
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965323
C. Beltrami
This book’s title, ‘The Inhabited Cathedral: Living History of an Architectural Space’, clearly conveys its contents and aims. ‘Space’ redirects the spotlight from the surfaces of walls and tracery...
这本书的标题,“有人居住的大教堂:一个建筑空间的生活史”,清楚地传达了它的内容和目的。“空间”将聚光灯从墙壁和窗饰的表面重新引导……
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引用次数: 1
Art and Political Thought in Medieval England, 1150–1350. 中世纪英格兰的艺术与政治思想,1150-1350。
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-26 DOI: 10.1080/00681288.2020.1810408
L. De Beer
When William FitzStephen, erstwhile clerk of Thomas Becket, described the early years of Henry II’s reign, he characterised them as follows: Through the industry and counsel of the chancellor, thro...
托马斯·贝克特(Thomas Becket)的前书记官威廉·菲茨斯蒂芬(William FitzStephen)在描述亨利二世统治的早期时,将其描述为:通过财政大臣的行业和顾问,通过。。。
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引用次数: 0
Cut in Alabaster. A Material of Sculpture and its European Traditions 1330–1530 用雪花石膏切割。雕塑材料及其欧洲传统(1330-1530)
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-26 DOI: 10.1080/00681288.2020.1810409
J. Luxford
This book on the use of alabaster for sculpture in the late Middle Ages has been eagerly anticipated, so it is good to have it at last. A spate of work on alabaster has appeared in the last decade,...
这本关于在中世纪晚期使用雪花石膏雕塑的书一直备受期待,所以终于有了它是件好事。在过去的十年里出现了大量关于雪花石膏的作品……
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引用次数: 1
The Mystic Cave. A History of the Nativity Church in Bethlehem 神秘洞穴。伯利恒耶稣诞生教堂的历史
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-25 DOI: 10.1080/00681288.2020.1810413
Manuel Castiñeiras
Michele Bacci’s latest publication is the result of his position as the art historical consultant in a multidisciplinary consortium which, since 2010, has been working in the Basilica of the Nativi...
Michele Bacci的最新出版物是他在一个多学科联盟中担任艺术历史顾问的结果,该联盟自2010年以来一直在国家大教堂工作。。。
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引用次数: 5
Die Kirchen im Landesteil Schleswig 弗伦省的教堂
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-25 DOI: 10.1080/00681288.2020.1810410
Justin Kroesen
The German state of Schleswig-Holstein contains a wealth of medieval art scattered across its museums and churches. The churches in the northern part, Schleswig, are the richest in medieval furnish...
德国石勒苏益格-荷尔斯泰因州的博物馆和教堂中散布着丰富的中世纪艺术。石勒苏益格北部的教堂是中世纪家具最丰富的。。。
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引用次数: 0
The Fabric Accounts of St Stephen’s Chapel, Westminster, 1292–1396 威斯敏斯特圣斯蒂芬礼拜堂的结构记述,1292-1396年
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-23 DOI: 10.1080/00681288.2020.1810412
J. Munby
The loss of the greater part of St Stephen’s Chapel at Westminster in the great fire of 1834 (as a result it must always be remembered, of an archival bonfire of tally sticks) has deprived us of on...
1834年的大火中,威斯敏斯特圣斯蒂芬教堂的大部分被毁(因此,人们必须永远记住,那是一场由理货棒组成的档案篝火),这让我们失去了。。。
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引用次数: 2
Archaeological Investigations at Missenden Abbey, 1983–88 米森登修道院考古调查,1983–88
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-22 DOI: 10.1080/00681288.2020.1810407
David Robinson
In the wake of the Second World War, the Missenden Abbey estate was purchased by Buckinghamshire County Council. At its heart, a not insignificant post-suppression house had been recast in Regency ...
第二次世界大战后,米森登修道院庄园被白金汉郡议会买下。在其核心,一座并非微不足道的镇压后的房子在摄政时期被重新建造。。。
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引用次数: 1
Great Cloister: A History of the Canterbury Cloister, Constructed 1408–14, with Some Account of the Donors and their Coats of Arms. 大修道院:坎特伯雷修道院的历史,建于1408-14年,对捐赠者及其纹章有一些描述。
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-21 DOI: 10.1080/00681288.2020.1810411
M. Carter
There can be no doubt that the great cloister at Canterbury Cathedral is — as asserted in the introduction to this book — one of the glories of medieval English architecture. In this 700-page study...
毫无疑问,正如本书引言中所言,坎特伯雷大教堂的大回廊是中世纪英国建筑的辉煌之一。在这份700页的研究报告中。。。
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引用次数: 0
Anger’s Broken Sword: Prudentius’ Psychomachia and the Iconography of Becket’s Martyrdom 愤怒的断剑:普鲁登修斯的心术与贝克特殉难的肖像学
IF 0.5 2区 历史学 0 ARCHAEOLOGY Pub Date : 2020-09-08 DOI: 10.1080/00681288.2020.1787630
A. Jeffs
In some of the earliest images of Becket’s martyrdom, Reginald FitzUrse is shown breaking his sword on the saint's head; a detail at odds with the literal description of the martyrdom by the first hagiographers, who describe Richard le Bret’s sword breaking not on the head, but on the Cathedral pavement. This article contends that the iconography reflects the hagiographers’ allegorical, rather than literal, treatment of a martyrdom, in which Becket and the knights are polarised as embodiments of virtue and vice. The model for this interpretation was, it is argued, found in illustrated manuscripts of Prudentius’ ‘Psychomachia’, a Late Antique text about a battle between the Virtues and Vices widely read in medieval classrooms. In one episode, commonly illustrated over several scenes, Anger breaks her sword over the head of Patience. Echoes of the characterisation of both figures may be detected in hagiographical descriptions of Becket as unmoving and steadfast and of the knights, especially FitzUrse — the ursine associations of whose name was capitalised upon by the authors — as aggressive and, in the end, self-destructive. Allusions to the ‘Psychomachia’ by Becket’s commentators demonstrate the ways in which authoritative visual and textual sources were mined in the early years of Becket’s cult to lend spiritual weight to the story of his death, especially in the eyes of Christendom’s clerical elite. It shows the potential for visual metaphor to affect subliminally: to shift the focus from historical to allegorical truth, from the event to its meaning.
在贝克特殉难的一些最早的图像中,雷金纳德·菲泽斯(Reginald FitzUrse)在圣徒的头上折断了他的剑;这一细节与最早的圣徒传记作者对殉道的字面描述不一致,后者描述理查德·勒·布雷特的剑不是在头上折断的,而是在大教堂的人行道上折断的。本文认为,圣像学反映了圣徒传记作者对殉难的寓言性处理,而不是字面上的,贝克特和骑士们作为美德和邪恶的化身被两极分化。有人认为,这种解释的模式可以在普鲁登修斯的《心灵之战》(Psychomachia)的插图手稿中找到,这是一篇关于中世纪课堂上广泛阅读的美德与罪恶之战的晚期古文。在一个情节中,愤怒在耐心的头上折断了她的剑。这两个人物的性格特征在贝克特和骑士的传记描述中都可以找到呼应,贝克特是不动的,坚定的,而骑士,尤其是菲兹尔斯——作者利用了熊的名字——是好斗的,最终是自我毁灭的。贝克特的评注者对"精神科马契亚"的暗示表明权威的视觉和文本来源是在贝克特崇拜的早期被挖掘出来的,为他的死亡故事增添了精神上的分量,尤其是在基督教的神职精英眼中。它显示了视觉隐喻潜意识影响的潜力:将焦点从历史转移到寓言真理,从事件转移到其意义。
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引用次数: 0
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Journal of the British Archaeological Association
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