Journal of the British Archaeological Association最新文献

英文中文

Annual Report of The Council for the Year Ended 31 December 2020 理事会截至2020年12月31日的年度报告

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1957268

A. Gransden, Helen E. Lunnon

1. CONSTITUTION AND AIMS. The British Archaeological Association is a registered company limited by guarantee (no. 2747476) and a registered charity (no. 1014821). It is concerned to promote and further the study of archaeology and the preservation of antiquities, to carry out and encourage research into art, architecture and antiquities, and to publish material in furtherance of its activities. The Association organises an annual lecture programme, conference and study days, and publishes an annual Journal in addition to the Transactions of its conferences.

1. 章程和目标。英国考古协会是一家注册担保有限公司(编号:2747476)及注册慈善机构(编号:1014821)。它致力于促进和进一步研究考古学和保护古物，开展和鼓励对艺术、建筑和古物的研究，并出版促进其活动的材料。协会每年组织一次讲座、会议和学习日，除了会议记录外，还出版年度期刊。

引用次数: 0

The Romanesque Abbey of St Peter at Gloucester (Gloucester Cathedral). 格洛斯特的罗马式圣彼得修道院(格洛斯特大教堂)。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965325

Eric Cambridge

ces of basilican naves presented a compositional challenge, though it was one which pales when compared with the challenge of maintaining narrative continuity over undulating and articulated surfaces. This is made easier to recognise by the high quality of the illustrations used throughout the volume, and those involved in the production of the book are to be commended for the decision to reproduce the superb, rectified double-page colour photographs of the nave elevations of the Cappella Palatina in Palermo. One awaits the companion volume on Saint-Savin with high expectations.

basilican中殿的结构呈现出一种构图上的挑战，尽管与在起伏和铰接式表面上保持叙事连续性的挑战相比，这种挑战显得微不足道。这本书中使用的高质量插图使这一点更容易识别，并且那些参与制作这本书的人应该受到赞扬，因为他们决定复制巴勒莫Cappella Palatina中殿立面的精湛，校正的双页彩色照片。人们满怀期待地等待着圣萨文的同伴卷。

引用次数: 0

Index to Vols 169–173, 2016–2020

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1938828

A. Hudson

Note: volume numbers are given in bold type. A page reference in italic type indicates an illustration. A page reference including n indicates a note: for example, 165n1 refers to note 1 on page 165. County and district names used in the index are those current in 2020; an exception is the ceremonial county of Berkshire, where locating places by the county name is likely to be more helpful to readers than giving the names of the districts into which Berkshire is now divided.

注:卷号以粗体字表示。斜体字的页面引用表示插图。包含n的页引用表示注释，如165n1表示165页的注释1。指数中使用的县、区名称为2020年的县、区名称;一个例外是礼仪上的伯克郡，在那里，用郡名来定位地名可能比给出伯克郡现在划分的地区的名称更有帮助。

引用次数: 0

Les strategies de la narration dans la peinture médiévale: La representation de l’Ancien Testament aux IVe–XIIe siècles 中世纪绘画中的叙事策略:4 - 12世纪旧约的表现

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965328

J. McNeill

Prompted by the 2005–08 restoration of the nave of Saint-Savin-sur-Gartempe and the related research project organised by the Centre d’etudes de civilisation medievale (CESCM) in Poitiers, the volu...

在2005-2008年修复Gartempe河畔圣Savin教堂中殿以及普瓦捷中世纪文明研究中心（CESCM）组织的相关研究项目的推动下。。。

引用次数: 3

The Art and Architecture of the Cistercians in Northern England, c.1300 − 1540. 英格兰北部西多会教徒的艺术与建筑，约1300 - 1540年。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965330

D. Robinson

引用次数: 0

The North Aisle at Ducklington: Liturgy and Commemoration in an Oxfordshire Parish Church 达克灵顿的北走道:牛津郡教区教堂的礼拜仪式和纪念仪式

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1961385

Nicola Lowe

This article discusses a neglected funerary monument of the 1340s and its much-embellished architectural setting in the north aisle of the parish church of Ducklington (Oxon.). The monument takes the unusual form of a Tree of Jesse while the walls carry a series of sculptural reliefs depicting scenes from the Life of the Virgin. It is argued that the space was a Lady chapel housing a chantry, and that the sculpture draws on imagery associated with the liturgy of the Mass and the liturgical hours to create an integrated devotional and commemorative programme of benefit to patrons and parishioners alike. The patrons have been traditionally identified as members of the Dyve family, long-standing proprietors of Ducklington manor until the mid-14th century. The connection is fully explored for the first time, drawing on antiquarian accounts of lost stained glass. Martha, widow of Henry Dyve (d. 1327) who held the manor in dower, is proposed as the likely originator of the monument.

这篇文章讨论了一座被忽视的1340年代的陪葬纪念碑，以及它在达克林顿教区教堂（Oxon）北过道上装饰得很好的建筑背景。纪念碑采用了杰西树的不同寻常的形式，而墙壁上则有一系列描绘圣母生平场景的雕塑浮雕。有人认为，这个空间是一个圣母小教堂，里面有一个唱诗班，雕塑利用了与弥撒礼拜仪式和礼拜时间相关的图像，创造了一个综合的奉献和纪念计划，造福于赞助人和教区居民。传统上，赞助人被认为是达夫家族的成员，直到14世纪中期，达夫家族一直是达克林顿庄园的所有者。这种联系首次被充分探索，借鉴了古董商对丢失的彩色玻璃的描述。亨利•戴夫（公元1327年）的遗孀玛莎（Martha）在多维尔（dower）拥有庄园，被认为可能是纪念碑的创始人。

引用次数: 0

Reliquary Tabernacles in Fourteenth-Century Italy: Image, Relic and Material Culture. 14世纪意大利的圣髑龛:形象、遗迹和物质文化。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965326

Stefania Gerevini

those bread-and-water loving ascetics of the formative years represented a counterculture, a new ‘example for all monks’, with a way of life offering ‘the surest road to heaven’. In late medieval England, at least, there is nothing to compare with their self-consciously different approach, or with the sheer magnitude of their building achievements. The volume is well illustrated, though there are just eight colour plates. Of greater significance, Brepols has become of increasing importance in our field of study, and yet its pricing model is such that even libraries must now baulk. For a volume that deserves to be read, sadly a cost of close to £100 will put it beyond the reach of all but the most dedicated Cistercian student.

那些在成长期喜欢面包和水的苦行僧代表了一种反主流文化，一种新的“所有僧侣的榜样”，他们的生活方式提供了“通往天堂的最可靠的道路”。至少在中世纪晚期的英格兰，没有什么可以与他们自觉不同的方法或他们建筑成就的巨大程度相比。尽管只有八个彩色图版，但这本书的插图很好。更重要的是，Brepols在我们的研究领域已经变得越来越重要，然而它的定价模式是如此的重要，以至于现在连图书馆都必须望而却步。对于一本值得一读的书来说，遗憾的是，除了最敬业的西多会学生之外，近100英镑的费用将使它超出所有人的承受能力。

引用次数: 4

In the Northern Cemetery of Roman London. Excavations at Spitalfields Market, London E1, 1991–2007. 在罗马伦敦北部墓地。斯皮塔菲尔德市场的挖掘，伦敦E1, 1991-2007。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965327

M. Henig

This volume is one of three reports on excavations at Spitalfields Market, to the north-east of the historic City of London. The others describe the medieval priory and hospital of St Mary Spital, and the post-medieval developments on the site. These later uses of the area have meant that in some areas, for example on the street frontage of Bishopsgate, the Roman layers have been lost through medieval quarrying, while elsewhere grave cuts have been truncated and so none of them retain traces of surface markers, if they ever existed. The cemeteries of Londinium, as at other Roman cities, were spaced along the roads leading out of the pomerium, to the west, the east, south of the Thames (Southwark) and here to the north along Bishopsgate (Ermine Street). The cemetery came into use only late in the 1st century but continued until the end of the 4th century, and this report describes 169 inhumations and five cremations surviving or partially surviving from the area. As one might have expected from MOLA, the excavation was meticulous in execution for what must have been a difficult site, and the report is of the very highest standard. All concerned deserve our gratitude. After a general introduction describing the excavation, there follow chapters detailing the archaeological sequence, describing the interments as excavated, discussing funerary and burial practice, analysing grave goods and assessing what the bones of the people tell us about demography, health, disease and trauma. After a concluding section, a catalogue of the individual burials (with their associated finds when present) allows the reader to revisit what has been discussed in previous chapters in a far more focused way. Finally, there are specialist appendices, at least one of which (see below) is of extraordinary interest. Different readers will find particular points of interest, but each of the sections adds something valuable to our knowledge of Roman London and its heterogeneous and cosmopolitan population. The organisation of the graves themselves, probably originally set out within enclosures to the east of Bishopsgate, are almost all laid west to east, at right angles to the line of the road or of enclosure boundaries (p. 62). However, as the authors admit, cultural and religious factors must have been involved. There is no evidence for Christianity in this cemetery, even in the 4th century and, in any case, many of the graves are too early, but perhaps

本卷是在历史悠久的伦敦市东北部的斯皮塔菲尔德市场挖掘的三份报告之一。其他的描述了中世纪的修道院和圣玛丽医院，以及中世纪后的发展。该地区后来的使用意味着，在某些地区，例如在主教门的临街处，罗马人的地层已经在中世纪的采石中消失了，而在其他地方，坟墓的切割被截断了，所以没有一个地方保留了表面标记的痕迹，如果它们曾经存在过的话。和其他罗马城市一样，Londinium的墓地沿着通往波美利姆的道路分布，向西、向东、泰晤士河以南(Southwark)，向北沿着Bishopsgate (Ermine Street)分布。该墓地在1世纪后期才开始使用，但一直持续到4世纪末，这份报告描述了该地区幸存或部分幸存的169次土葬和5次火葬。正如人们可能从MOLA所预料的那样，对于一个一定是困难的地点，挖掘工作是非常细致的，报告是最高标准的。所有有关的人都值得我们感激。在总体介绍了发掘情况之后，接下来的章节详细介绍了考古顺序，描述了发掘的墓葬，讨论了丧葬和埋葬习俗，分析了墓葬物品，并评估了人们的骨头告诉我们的关于人口、健康、疾病和创伤的信息。在结语部分之后，个别墓葬的目录(如果有相关的发现)允许读者以更集中的方式回顾前几章所讨论的内容。最后，还有专门的附录，其中至少有一个(见下文)非常有趣。不同的读者会发现不同的兴趣点，但每一部分都为我们对罗马伦敦及其异质和世界性人口的了解增添了一些有价值的东西。坟墓本身的组织，可能最初是在毕晓普斯盖特以东的围栏内，几乎都是由西向东排列的，与道路线或围栏边界成直角(第62页)。然而，正如作者所承认的那样，文化和宗教因素一定涉及其中。这个墓地里没有基督教的证据，即使是在4世纪，无论如何，许多坟墓都太早了，但也许

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引用次数: 2

Notre-Dame of Amiens: Life of the Gothic Cathedral. 亚眠圣母院:哥特式大教堂的生活。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965331

Zachary Stewart

Well over a century ago, Eug ene Lef evre-Pontalis published a ground-breaking guide for prospective authors of medieval church monographs, outlining a series of organisational, terminological and illustrative principles that continue to characterise the genre into the present day. While conceding there could be no substitute for the on-site explication of architectural conditions — a claim that attendees of the BAA’s annual conferences would be hard-pressed to contest — the eminent French archaeologist argued that there did exist numerous techniques for rendering a written account of a church ‘clear and interesting’ (claire et int eressante). At the level of substance, he recommended alternating between small-scale analysis and large-scale comparison, beginning with a section on historical context and concluding with sections on fittings and furnishings. At the level of style, he recommended proceeding through the building in a systematic fashion (west to east, bottom to top, inside to outside), employing technical terminology and enlisting professional photography. Only by implementing such practices, Lef evre-Pontalis contended, might an aspiring scholar be considered a practitioner of ‘the new archaeological method’ (la nouvelle m ethode arch eologique). Stephen Murray’s latest book on Amiens Cathedral, the publication of which marks the 800th anniversary of the building’s foundation, represents a quiet referendum on this enduring approach to the study of medieval churches. Murray is a well-known authority on what has long been celebrated as a seminal achievement in the history of Gothic architecture (he was made an honorary citizen of Amiens in 1998 and an honorary doctor of the University of Picardy, Jules Verne, in 2019). Two of his earlier books anticipate the present work. The first, NotreDame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge 1996), delivered a boldly revisionist account of the construction of the edifice between c. 1220 and c. 1270. The second, A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley 2004), mobilised a local mid13th-century sermon text to analyse issues of production, reception and meaning. Many of the findings delineated in these pioneering studies recur here. But the new book expands on its predecessors by extending their chronological, spatial and social parameters — tactics that reflect the subtitle’s stated aim of presenting a more comprehensive ‘life’ of the famous building. The resulting work is organised into six chapters bookended by a prologue and an epilogue. The prologue opens with a provocative question: ‘How can we hope to create a written structure to match the cathedral’ (p. 1)? Murray, citing decades of teaching experience, recommends a ‘Socratic method’ in which the specialist (‘interlocuter’) employs a form of ekphrasis conceptualised less in terms of the agency of the author-subject and more in terms of the agency of the buildingobject (p

早在一个多世纪前，Eug ene Lef evre Pontalis就为中世纪教会专著的潜在作者出版了一本开创性的指南，概述了一系列组织、术语和说明原则，这些原则一直延续到今天。这位著名的法国考古学家承认，没有什么可以替代对建筑条件的现场解释——英国建筑协会年会的与会者很难对此提出质疑——但他认为，确实存在许多技术可以使教堂的书面描述“清晰有趣”（claire et int eressante）。在实质内容方面，他建议在小规模分析和大规模比较之间交替进行，从关于历史背景的一节开始，到关于配件和家具的一节结束。在风格层面，他建议以系统的方式（从西到东、从下到上、从内到外）穿过建筑，使用技术术语并聘请专业摄影。Lef evre Pontalis认为，只有实施这些实践，一个有抱负的学者才能被视为“新考古方法”（新考古方法）的实践者。斯蒂芬·默里（Stephen Murray）关于亚眠大教堂（Amiens Cathedral）的最新著作是在该建筑建成800周年之际出版的，这本书代表了对中世纪教堂研究这种持久方法的一次无声的公投。默里是哥特式建筑史上长期以来被誉为开创性成就的著名权威（1998年被授予亚眠荣誉公民，2019年被授予皮卡第大学荣誉博士儒勒·凡尔纳）。他早期的两本书预见了现在的工作。第一部作品是《亚眠大教堂：哥特式变革的力量》（NotreDame，Cathedral of Amiens：The Power of Change in Gothic）（剑桥，1996年），对该建筑在约1220年至约1270年间的建造进行了大胆的修正主义描述。第二本《哥特式布道：与圣母亚眠圣玛丽签订合同》（伯克利，2004年）动员了当地13世纪中期的布道文本来分析生产、接受和意义问题。这些开创性研究中的许多发现在此重复出现。但这本新书在前几本书的基础上扩展了它们的时间、空间和社会参数，这些策略反映了副标题所宣称的展示这座著名建筑更全面“生活”的目标。由此产生的作品分为六章，以序言和结语结尾。序言以一个挑衅性的问题开场：“我们怎么能希望创造一个与大教堂相匹配的书面结构呢？”（第1页）？Murray引用了几十年的教学经验，推荐了一种“苏格拉底方法”，在这种方法中，专家（“中介人”）采用了一种ekphrasis形式，这种形式的概念化较少涉及作者主体的代理，而更多涉及构建主体的代理（第2页）。令人遗憾的是，没有人试图研究这种操作方式与其他史学理论或实践之间的关系，但它确实阐明了以下内容的结构。第一章对大教堂进行了分为两部分的介绍。第一部分，“消失的过去”，关注城市、政治和社会经济状况

{"title":"Notre-Dame of Amiens: Life of the Gothic Cathedral.","authors":"Zachary Stewart","doi":"10.1080/00681288.2021.1965331","DOIUrl":"https://doi.org/10.1080/00681288.2021.1965331","url":null,"abstract":"Well over a century ago, Eug ene Lef evre-Pontalis published a ground-breaking guide for prospective authors of medieval church monographs, outlining a series of organisational, terminological and illustrative principles that continue to characterise the genre into the present day. While conceding there could be no substitute for the on-site explication of architectural conditions — a claim that attendees of the BAA’s annual conferences would be hard-pressed to contest — the eminent French archaeologist argued that there did exist numerous techniques for rendering a written account of a church ‘clear and interesting’ (claire et int eressante). At the level of substance, he recommended alternating between small-scale analysis and large-scale comparison, beginning with a section on historical context and concluding with sections on fittings and furnishings. At the level of style, he recommended proceeding through the building in a systematic fashion (west to east, bottom to top, inside to outside), employing technical terminology and enlisting professional photography. Only by implementing such practices, Lef evre-Pontalis contended, might an aspiring scholar be considered a practitioner of ‘the new archaeological method’ (la nouvelle m ethode arch eologique). Stephen Murray’s latest book on Amiens Cathedral, the publication of which marks the 800th anniversary of the building’s foundation, represents a quiet referendum on this enduring approach to the study of medieval churches. Murray is a well-known authority on what has long been celebrated as a seminal achievement in the history of Gothic architecture (he was made an honorary citizen of Amiens in 1998 and an honorary doctor of the University of Picardy, Jules Verne, in 2019). Two of his earlier books anticipate the present work. The first, NotreDame, Cathedral of Amiens: The Power of Change in Gothic (Cambridge 1996), delivered a boldly revisionist account of the construction of the edifice between c. 1220 and c. 1270. The second, A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley 2004), mobilised a local mid13th-century sermon text to analyse issues of production, reception and meaning. Many of the findings delineated in these pioneering studies recur here. But the new book expands on its predecessors by extending their chronological, spatial and social parameters — tactics that reflect the subtitle’s stated aim of presenting a more comprehensive ‘life’ of the famous building. The resulting work is organised into six chapters bookended by a prologue and an epilogue. The prologue opens with a provocative question: ‘How can we hope to create a written structure to match the cathedral’ (p. 1)? Murray, citing decades of teaching experience, recommends a ‘Socratic method’ in which the specialist (‘interlocuter’) employs a form of ekphrasis conceptualised less in terms of the agency of the author-subject and more in terms of the agency of the buildingobject (p","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":"174 1","pages":"198 - 200"},"PeriodicalIF":0.5,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46593822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Basketry and Beyond: Constructing Cultures. 编织及超越:构建文化。

IF 0.5 2区历史学 0 ARCHAEOLOGY

Journal of the British Archaeological Association

Pub Date : 2021-01-01 DOI: 10.1080/00681288.2021.1965324

S. Bunn

引用次数: 1

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