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Training Shakespeare's Yes in the Era of No 在否定时代训练莎士比亚的“是”
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-07-04 DOI: 10.1080/17450918.2023.2229800
D. Spector
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引用次数: 0
Counting to One: ‘One Flesh’ Marriage in Shakespeare and Fletcher’s The Two Noble Kinsmen 数到一:莎士比亚和弗莱彻的《两个高贵的亲戚》中的“一体”婚姻
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-27 DOI: 10.1080/17450918.2023.2228287
Will Stockton
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引用次数: 0
Indict the Author of Affection: Affectation and Catachresis in Hamlet 控诉情感的作者:《哈姆雷特》中的矫揉造作与宣泄
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1080/17450918.2023.2226134
L. Hopkins
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引用次数: 0
Reading Robert Greene: Recovering Shakespeare’s Rival 阅读罗伯特·格林:找回莎士比亚的对手
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-21 DOI: 10.1080/17450918.2023.2226119
Nathan Dooner
W. B. Yeats and James Joyce. This is a rich and complex book. Ostensibly it is an enormous footnote on a phrase in Hamlet, and the close, etymologically-informed examination of the language of that play inevitably produces aperçus, but it achieves much more than that. It casts light on other plays (I was especially struck by the comments on Troilus and Cressida) and on Shakespeare’s use of language more generally. I’ll also treasure the image of Hamlet as Harpo Marx (156), a comparison whose presence is an indication of the fact that although the argument is learned and detailed, it is never dull.
叶芝和乔伊斯。这是一本内容丰富、内容复杂的书。表面上看,这是对《哈姆雷特》中的一个短语的一个巨大的脚注,对该剧语言的细致的、对词源学的考察不可避免地产生了偏见,但它的成就远不止于此。它对其他戏剧(我对《特洛伊罗斯》和《克蕾西达》的评论尤其印象深刻)和莎士比亚更广泛的语言运用有所启发。我也会珍视哈姆雷特作为哈波·马克思(Harpo Marx)的形象(156),这一比较的存在表明了这样一个事实,即尽管争论是有学问的和详细的,但它从不乏味。
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引用次数: 0
Review of Charlie Dupré's Compositor E (Directed by Amie Burns Walker) at the Network Theatre, London, 16 February 2023 查理·杜普雷的《作曲家E》(艾米·伯恩斯·沃克执导)于2023年2月16日在伦敦网络剧院上映
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-20 DOI: 10.1080/17450918.2023.2223528
Emily Rowe
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引用次数: 0
Review of Shakespeare’s Cymbeline (Directed by Gregory Doran for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 23 May 2023 2023年5月23日,在埃文河畔斯特拉特福德皇家莎士比亚剧院,莎士比亚的《辛白林》评论(格雷戈里·多兰为皇家莎士比亚剧团执导)
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-16 DOI: 10.1080/17450918.2023.2224288
Alexander Thom
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引用次数: 0
William Shakeshafte, Player William Shakeshaft,演奏家
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1080/17450918.2023.2214536
Matthew Steggle
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引用次数: 0
Review of Shakespeare’s Richard III (Directed by Adjoa Andoh) at Liverpool Playhouse Theatre, 13 April 2023 2023年4月13日,利物浦剧院莎士比亚戏剧《理查三世》评论(阿乔亚·安多执导)
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-31 DOI: 10.1080/17450918.2023.2214535
Andrew Duxfield
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引用次数: 0
‘The Tale of Tereus’ and the Story of Procne: Innogen’s Bedside Reading 《泰瑞厄斯的故事》和《普罗克尼的故事》:Innogen的床边阅读
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-25 DOI: 10.1080/17450918.2023.2214115
Bettina Boecker
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引用次数: 0
Review of Shakespeare’s Romeo and Juliet (Directed by José Zayas for the American Shakespeare Center) at the Blackfriars Playhouse, Staunton, Virginia, 25 February 2022 2022年2月25日,在弗吉尼亚州斯汤顿的黑衣修士剧院回顾莎士比亚的《罗密欧与朱丽叶》(由乔斯·扎亚斯执导,美国莎士比亚中心)
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-18 DOI: 10.1080/17450918.2023.2197864
Matthew M. Davis
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引用次数: 0
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