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From Theory to Action: Staging a Feminist Production of The Taming of the Shrew 从理论到行动:女性主义作品《驯悍记》的上演
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-12 DOI: 10.1080/17450918.2023.2208104
Sara Reimers
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引用次数: 0
Polychronic Actants: Modern Promptbooks as Anticipated Acts, Unanticipated Acts, and Ideal Assemblages 多元行为:作为预期行为、非预期行为和理想集合的现代提示书
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-10 DOI: 10.1080/17450918.2023.2207553
Mark Kaethler, Toby Malone, Jennifer Roberts-Smith
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引用次数: 0
Review of Shakespeare’s King Lear (Directed by Simon Godwin for the Shakespeare Theatre Company) at the Klein Theatre, Washington, DC, 15 March 2023 2023年3月15日,华盛顿特区克莱因剧院,莎翁剧作《李尔王》(由西蒙·戈德温执导,莎士比亚剧团)剧评
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-10 DOI: 10.1080/17450918.2023.2207569
M. Collins
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引用次数: 0
Review of William Shakespeare’s The Tempest (Directed by Elizabeth Freestone for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 8 February 2023 2023年2月8日,威廉·莎士比亚的《暴风雨》(由伊丽莎白·弗雷斯通执导,皇家莎士比亚剧团)在埃文河畔斯特拉特福的皇家莎士比亚剧院上演
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-03 DOI: 10.1080/17450918.2023.2205837
William David Green
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引用次数: 0
Review of Thomas Middleton’s Michaelmas Term (Directed by Perry Mills for Edward’s Boys) at the Inner Temple, London, 17 March 2023 2023年3月17日,在伦敦内殿剧院,回顾托马斯·米德尔顿的《米迦勒节》(由佩里·米尔斯导演,爱德华男孩)
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-03 DOI: 10.1080/17450918.2023.2206374
Bethan Davies
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引用次数: 0
Review of William Shakespeare’s Julius Caesar (Directed by Atri Banerjee for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 29 March 2023 2023年3月29日,威廉·莎士比亚的《朱利叶斯·凯撒》(由阿特里·班纳吉为皇家莎士比亚剧团执导)在埃文河畔斯特拉特福的皇家莎士比亚剧院上演
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-05-03 DOI: 10.1080/17450918.2023.2205382
William David Green
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引用次数: 0
Waugh’s Green World: Reconceptualising The Ordeal of Gilbert Pinfold as a Transcoded Production of King Lear 沃的绿色世界:将吉尔伯特·平福德的苦难重新定义为《李尔王》的转码版
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-04-25 DOI: 10.1080/17450918.2023.2196968
B. Cooke
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引用次数: 0
Disabled for England: Crip/Queer Veterans in Henry V 英国残疾人:亨利五世的Crip/Queer退伍军人
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-04-17 DOI: 10.1080/17450918.2023.2198992
Kelly Duquette
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引用次数: 0
Trees, Ballads, Iconoclasm and the Garden in Shakespeare’s Richard II 莎士比亚《理查二世》中的树木、歌谣、反偶像主义和花园
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/17450918.2023.2195844
Bonnie Lander Johnson
ABSTRACT This article reads Richard II’s garden scene in the context of early modern debates about sacramentalism and the created world. The garden scene reveals its awareness of these debates and the ways in which they occurred in genres both high (learned tracts, printed books) and low (oral cultures, cheap print). The gardener demonstrates his political and theological sophistication through his hands-on knowledge of gardening. In the same way, ordinary people off-stage participated in their culture’s most urgent controversies through popular genre that were frequently dismissed by their social betters.
摘要本文将理查二世的花园场景置于现代早期关于圣礼主义和受造世界的争论的背景下进行解读。花园的场景揭示了它对这些争论的意识,以及它们在高类型(学术小册子,印刷书籍)和低类型(口头文化,廉价印刷品)中发生的方式。这位园丁通过他对园艺的实际知识展示了他在政治和神学上的老练。同样,舞台下的普通人也通过流行类型参与了他们文化中最紧迫的争议,而这些流行类型往往被他们的社会长辈所忽视。
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引用次数: 0
Shakespeare and Gardens: Special Issue Introduction 莎士比亚与花园:特刊简介
IF 0.3 3区 文学 Q3 Arts and Humanities Pub Date : 2023-04-03 DOI: 10.1080/17450918.2023.2195830
T. Borlik
Gardens are ideal sites for communing not only with nature but also with the past. Shakespeare’s contemporaries tended to imagine gardens as portals to an Edenic golden age when humans co-existed in harmony with a lush and bountiful environment. In the twenty-first century, Tudor gardens fulfil a similar function, providing access to the vibrant sensory world of Shakespeare and his era and exuding a whiff of the real as powerful as Orsino's odorous violets. Stratford-upon-Avon is positively begemmed with them, from the Birthplace at Henley Street to the knot gardens and mulberry trees of New Place (allegedly descended from a sapling planted by Shakespeare), to the herbaceous borders, willow cabin, and trellis-climbing roses adorning Anne Hathaway’s Cottage. The tally will soon increase by one more. In 2022, the Shakespeare Birthplace Trust received a £ 300,000 grant to recreate the herb garden of Shakespeare’s daughter Susanna and her physician husband John Hall at Hall’s Croft. Never mind the fact these replica gardens are idealised confections or, at best, highly embellished restorations. Most of the land abutting the Hathaway house, for example, would have been a working farmyard, complete with hayricks, dunghills, barking dogs, and squawking geese, and only took on its present quaint appearance in the 1920s when the Birthplace Trust hired the renowned horticulturalist Ellen Willmott to relandscape it as a cottage garden in line with Arts & Crafts ideals. That such places continue to enthral even in our brave new digital world is evident from glossy coffeetable books like Jackie Bennett’s Shakespeare’s Gardens and the trending of ‘cottagecore’ on social media. But the proximity of these teeming gardens to Shakespearean houses is also an act of historical interpretation: curating a past defined by its immediacy to the natural world. A similar moral awaits those who wander inside a Shakespeare Garden, which gathers all (or nearly) of the 175 plants mentioned by the playwright into one pleasant place. While researchers have debunked the legend that a misguided ornithologist and Shakespeare enthusiast imported starlings to America
花园不仅是与自然交流的理想场所,也是与过去交流的理想地点。莎士比亚的同时代人倾向于将花园想象成伊甸园黄金时代的门户,那时人类与郁郁葱葱的环境和谐共存。在21世纪,都铎花园也发挥了类似的功能,提供了进入莎士比亚及其时代充满活力的感官世界的机会,并散发出一股与奥尔西诺的气味紫罗兰一样强大的真实气息。埃文河畔斯特拉特福德对它们非常着迷,从亨利街的出生地到新地方的结花园和桑树(据称是莎士比亚种植的树苗的后裔),再到安妮·海瑟薇小屋的草本植物边界、柳树小屋和爬架玫瑰。统计数字很快还会再增加一个。2022年,莎士比亚出生地信托基金会获得了30万英镑的拨款,用于重建莎士比亚女儿苏珊娜和她的医生丈夫约翰·霍尔在霍尔克罗夫特的香草园。别介意这些复制花园是理想化的糖果,或者充其量是高度装饰的修复品。例如,海瑟薇故居附近的大部分土地原本是一个正在工作的农场庭院,里面有干草垛、粪堆、吠叫的狗和嘎嘎作响的鹅,直到20世纪20年代,出生地信托基金会聘请了著名的园艺家艾伦·威尔莫特,将其重新设计成符合工艺美术理想的小屋花园,才呈现出现在的古雅外观。即使在我们勇敢的新数字世界里,这些地方也会继续吸引人,这一点从杰基·贝内特的《莎士比亚花园》等精美的咖啡桌书籍和社交媒体上的“cottagecore”趋势中可以明显看出。但是,这些拥挤的花园与莎士比亚的房子很近,这也是一种历史解读:通过对自然世界的直接性来管理过去。类似的寓意等待着那些在莎士比亚花园里漫步的人,莎士比亚花园将剧作家提到的175种植物中的所有(或几乎)都聚集在一个令人愉快的地方。虽然研究人员已经揭穿了一个被误导的鸟类学家和莎士比亚爱好者将八哥进口到美国的传说
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引用次数: 1
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Shakespeare
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