Abstract Fiction has often shown that our sense of time can be affected by the spaces and things around us. In particular, the houses in which characters live can make the passing of time dilate, accelerate, even to seem to skip or stop. These interactions between place and time may represent more than metaphor or literary artifice, but rather genuine cognitive processes of embodied subjective time. This is demonstrated in an analysis of Lisa Gorton’s The Life of Houses, supplementing traditional stylistic analysis with cognitive poetics to explore an influence of the central house, the Sea House, on the young protagonist’s experience of time. Exploring the text through the fictional mental functioning of a main character offers a new way to understand The Life of Houses, and, more broadly, the cognitive approach set out in this article—one which takes into account various active and interactive influences on subjective time—may have implications for the interpretation of other works which analyse the connections between time, place, and self.
{"title":"Subjective time, place, and language in Lisa Gorton’s The Life of Houses","authors":"Isabelle Wentworth","doi":"10.1515/jls-2021-2033","DOIUrl":"https://doi.org/10.1515/jls-2021-2033","url":null,"abstract":"Abstract Fiction has often shown that our sense of time can be affected by the spaces and things around us. In particular, the houses in which characters live can make the passing of time dilate, accelerate, even to seem to skip or stop. These interactions between place and time may represent more than metaphor or literary artifice, but rather genuine cognitive processes of embodied subjective time. This is demonstrated in an analysis of Lisa Gorton’s The Life of Houses, supplementing traditional stylistic analysis with cognitive poetics to explore an influence of the central house, the Sea House, on the young protagonist’s experience of time. Exploring the text through the fictional mental functioning of a main character offers a new way to understand The Life of Houses, and, more broadly, the cognitive approach set out in this article—one which takes into account various active and interactive influences on subjective time—may have implications for the interpretation of other works which analyse the connections between time, place, and self.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47483704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contemporary French and Francophone Narratology","authors":"Sandrine Sorlin","doi":"10.1515/jls-2021-2037","DOIUrl":"https://doi.org/10.1515/jls-2021-2037","url":null,"abstract":"","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41617743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Explicitation is a key concept in translation studies referring to turning what is implicitly narrated in a source text into explicit narration in a target text; it has been widely studied from different aspects across language pairs and genres. However, while most previous studies investigate explicitation through a few indicators of explicitness, most of which are specific logical links and connectives, textual explicitness encompasses far beyond these. To date, little attention has been paid, especially in literary translation, to semantic explicitation, which is realized through cohesive chains in textual development. Since cohesive chains represent the development of events and characters throughout the text, it is assumed the more there are of them, the more tangible a text is in realizing its meaning within its context. This research, therefore, sets out to investigate the cohesive chains in a Chinese classic novel, Hong Lou Meng, and in its two English translations, The Dream of the Red Mansions and A Story of the Stone, with an emphasis on how the texts are manifested as narratives in the respective contexts with different readers. It has found a trend of explicitation in translation from Chinese source text to English target texts in terms of the numbers of cohesive chains and the lexical items forming the chains. It has also found differences in the distribution of different types of cohesive chains (identity chains and similarity chains), which represent distinctive patterns of realizing the context in each text. The interpretation of these different stylistic features in narrative reflects both typological differences and translators’ choices.
{"title":"Reframed narrativity in literary translation: an investigation of the explicitation of cohesive chains","authors":"Xi Li, Long Li","doi":"10.1515/jls-2021-2035","DOIUrl":"https://doi.org/10.1515/jls-2021-2035","url":null,"abstract":"Abstract Explicitation is a key concept in translation studies referring to turning what is implicitly narrated in a source text into explicit narration in a target text; it has been widely studied from different aspects across language pairs and genres. However, while most previous studies investigate explicitation through a few indicators of explicitness, most of which are specific logical links and connectives, textual explicitness encompasses far beyond these. To date, little attention has been paid, especially in literary translation, to semantic explicitation, which is realized through cohesive chains in textual development. Since cohesive chains represent the development of events and characters throughout the text, it is assumed the more there are of them, the more tangible a text is in realizing its meaning within its context. This research, therefore, sets out to investigate the cohesive chains in a Chinese classic novel, Hong Lou Meng, and in its two English translations, The Dream of the Red Mansions and A Story of the Stone, with an emphasis on how the texts are manifested as narratives in the respective contexts with different readers. It has found a trend of explicitation in translation from Chinese source text to English target texts in terms of the numbers of cohesive chains and the lexical items forming the chains. It has also found differences in the distribution of different types of cohesive chains (identity chains and similarity chains), which represent distinctive patterns of realizing the context in each text. The interpretation of these different stylistic features in narrative reflects both typological differences and translators’ choices.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42328016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article offers a critical response to the discussion in Carina Rasse and Raymond W. Gibbs, Jr. article in JLS 50(1) entitled, Metaphorical Thinking in Our Literary Experiences of J.D. Salinger’s “The Catcher in the Rye”. My paper reconsiders how different the paradigm of cognitive linguistics, particularly in the tradition of conceptual metaphor research, is to that of discourse linguistics, especially in the hermeneutic tradition. Do the two approaches aim at irreconcilable objectives, particularly as cognitive linguistics is focussed on what happens in people’s heads and/or bodies when creating an utterance, whereas I argue that as language is social, it is about the communication of meaning. Discourse linguistics explores what it takes to make sense, to consciously interpret utterances in their contexts, as what an utterance means is how it is intertextually linked to other related utterances. In other words, the meaning of any segment of an utterance of a text, is the sum of the ways in which this segment has been paraphrased in related occurrences. In this paper, I present the two frameworks from my own, strongly biased, perspective.
{"title":"Embodiment is not the answer to meaning: a discussion of the theory underlying the article by Carina Rasse and Raymond W. Gibbs, Jr. in JLS 50(1)","authors":"W. Teubert","doi":"10.1515/jls-2021-2038","DOIUrl":"https://doi.org/10.1515/jls-2021-2038","url":null,"abstract":"Abstract This article offers a critical response to the discussion in Carina Rasse and Raymond W. Gibbs, Jr. article in JLS 50(1) entitled, Metaphorical Thinking in Our Literary Experiences of J.D. Salinger’s “The Catcher in the Rye”. My paper reconsiders how different the paradigm of cognitive linguistics, particularly in the tradition of conceptual metaphor research, is to that of discourse linguistics, especially in the hermeneutic tradition. Do the two approaches aim at irreconcilable objectives, particularly as cognitive linguistics is focussed on what happens in people’s heads and/or bodies when creating an utterance, whereas I argue that as language is social, it is about the communication of meaning. Discourse linguistics explores what it takes to make sense, to consciously interpret utterances in their contexts, as what an utterance means is how it is intertextually linked to other related utterances. In other words, the meaning of any segment of an utterance of a text, is the sum of the ways in which this segment has been paraphrased in related occurrences. In this paper, I present the two frameworks from my own, strongly biased, perspective.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48368376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Literary stylistics, whose subject matter is literary language, straddles the disciplines of literary criticism and linguistics, as Henry Widdowson pointed out 45 years ago. Since then, developments in discourse analysis and multimodal studies have had the potential to expand the map of the interactions between different disciplines. This case study performs a traditional stylistic analysis of the poem ‘From Far, from Eve and Morning’ from A E Housman’s A Shropshire Lad but also demonstrates the potential for a multimodal perspective on stylistics by relating it to a musical analysis of Vaughan-Williams’ setting of the poem. It begins with a linguistic analysis of phonology, graphology and punctuation, lexis, phrase structure, clause structure and clausal semantics. It proceeds to a discourse analysis of pragmatics and discourse structure. And it ends by relating the linguistic and discoursal analysis to the music through music criticism. By way of conclusion, it suggests that both linguistic analysis and appreciation of musical structure and mood are useful ways into Spitzer’s philological circle, by which linguistic analysis and musical appreciation can pave the way for literary appreciation.
{"title":"Locating stylistics in the discipline of English studies: a case study analysis of A.E. Housman’s ‘From Far, from Eve and Morning’","authors":"A. Goatly","doi":"10.1515/jls-2021-2034","DOIUrl":"https://doi.org/10.1515/jls-2021-2034","url":null,"abstract":"Abstract Literary stylistics, whose subject matter is literary language, straddles the disciplines of literary criticism and linguistics, as Henry Widdowson pointed out 45 years ago. Since then, developments in discourse analysis and multimodal studies have had the potential to expand the map of the interactions between different disciplines. This case study performs a traditional stylistic analysis of the poem ‘From Far, from Eve and Morning’ from A E Housman’s A Shropshire Lad but also demonstrates the potential for a multimodal perspective on stylistics by relating it to a musical analysis of Vaughan-Williams’ setting of the poem. It begins with a linguistic analysis of phonology, graphology and punctuation, lexis, phrase structure, clause structure and clausal semantics. It proceeds to a discourse analysis of pragmatics and discourse structure. And it ends by relating the linguistic and discoursal analysis to the music through music criticism. By way of conclusion, it suggests that both linguistic analysis and appreciation of musical structure and mood are useful ways into Spitzer’s philological circle, by which linguistic analysis and musical appreciation can pave the way for literary appreciation.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47244443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poetry in the Mind: The Cognition of Contemporary Poetic Style","authors":"Furzeen Ahmed","doi":"10.1515/jls-2021-2036","DOIUrl":"https://doi.org/10.1515/jls-2021-2036","url":null,"abstract":"","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41681173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article explores how literary texts, in this case the novel “Catcher in the Rye” by J.D. Salinger, elicit metaphorical thinking as a major part of readers’ interpretive experiences. Our main argument is that metaphorical thinking does not arise only given our encounter with individual verbal metaphors, but emerges in various ways as part of our habitual forms of imaginative metaphorical understandings. Metaphorical thinking is closely linked to embodied simulation processes by which readers project themselves imaginatively into the lives of story characters. Embodied simulation processes capture readers’ rich phenomenological characteristics (e.g., immersion, absorption, transportation) of literary experience. Metaphorical thinking unfolds in hierarchical layers across different time spans during literary reading.
{"title":"Metaphorical thinking in our literary experiences of J.D. Salinger’s “The Catcher in the Rye”","authors":"Carina Rasse, R. Gibbs","doi":"10.1515/jls-2021-2027","DOIUrl":"https://doi.org/10.1515/jls-2021-2027","url":null,"abstract":"Abstract This article explores how literary texts, in this case the novel “Catcher in the Rye” by J.D. Salinger, elicit metaphorical thinking as a major part of readers’ interpretive experiences. Our main argument is that metaphorical thinking does not arise only given our encounter with individual verbal metaphors, but emerges in various ways as part of our habitual forms of imaginative metaphorical understandings. Metaphorical thinking is closely linked to embodied simulation processes by which readers project themselves imaginatively into the lives of story characters. Embodied simulation processes capture readers’ rich phenomenological characteristics (e.g., immersion, absorption, transportation) of literary experience. Metaphorical thinking unfolds in hierarchical layers across different time spans during literary reading.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jls-2021-2027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49052411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monika Fludernik: Metaphors of Confinement: the Prison in Fact, Fiction and Fantasy","authors":"C. Gregoriou","doi":"10.1515/jls-2021-2031","DOIUrl":"https://doi.org/10.1515/jls-2021-2031","url":null,"abstract":"","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jls-2021-2031","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44126320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The present paper explores the semantics of Hemingway’s ‘plain style’ in The Sun Also Rises by combining corpus linguistic methodology with event semantics theory. The focus of the study is on how the narrator of the novel segments experienced situations in terms of semantic events. Corpus linguistic analysis shows that the ‘plain style’ of the narrative section of the novel is realized by means of coordinated clauses and that the narrator’s event segmentation is associated with a small set of preferred lexical items. These results are interpreted in terms of event semantics to show that preferred lexical items are indicative of event types typical of the narrative section. The semantic analysis of relations between coordinated clauses indicates that these relations are not simply about the juxtaposition of disjoined events. Finally, the study demonstrates that an approach combining corpus linguistic methodology with insights from event semantics can offer new understanding of the propositional meaning of literary texts, and the way narrators encode experienced situations.
{"title":"The event semantics of conjuncts in ‘The Sun Also Rises’","authors":"Aleksandar Trklja","doi":"10.1515/jls-2021-2030","DOIUrl":"https://doi.org/10.1515/jls-2021-2030","url":null,"abstract":"Abstract The present paper explores the semantics of Hemingway’s ‘plain style’ in The Sun Also Rises by combining corpus linguistic methodology with event semantics theory. The focus of the study is on how the narrator of the novel segments experienced situations in terms of semantic events. Corpus linguistic analysis shows that the ‘plain style’ of the narrative section of the novel is realized by means of coordinated clauses and that the narrator’s event segmentation is associated with a small set of preferred lexical items. These results are interpreted in terms of event semantics to show that preferred lexical items are indicative of event types typical of the narrative section. The semantic analysis of relations between coordinated clauses indicates that these relations are not simply about the juxtaposition of disjoined events. Finally, the study demonstrates that an approach combining corpus linguistic methodology with insights from event semantics can offer new understanding of the propositional meaning of literary texts, and the way narrators encode experienced situations.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jls-2021-2030","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43965469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The aim of this paper is to investigate the effect of the racial slurs nigger and negro in Heart of Darkness on readers’ perception of dehumanisation, discrimination, and racism. It compares data collected through online questionnaires to test whether the absence or different frequencies of the slurs influence how participants perceive the fictional representation of the African people in the text. Three versions of the same questionnaire are used: one with unmodified passages from Heart of Darkness, one with the same passages but without the racial slurs, and one with the same passages but with more slurs than in the original. Findings show that the absence or overabundance of slurs compared to the original does not alter reader perception of dehumanisation, discrimination, and racism. By comparing the results, this paper makes two interconnected contributions. First, it contributes to the critical discussion about racism in Conrad’s novel, by providing evidence on whether the representation of the Africans is perceived as dehumanising, discriminatory, and racist by readers. Second, it offers an empirical perspective on the usefulness of the “sanitising” (removing or substituting of all racial slurs) of literary texts with potential racist implications, adopted by some publishing houses and applied to novels like Conrad’s The Nigger of the “Narcissus” and Mark Twain’s The Adventures of Huckleberry Finn.
{"title":"Racial slurs and perception of racism in Heart of Darkness","authors":"Lorenzo Mastropierro, K. Conklin","doi":"10.1515/jls-2021-2028","DOIUrl":"https://doi.org/10.1515/jls-2021-2028","url":null,"abstract":"Abstract The aim of this paper is to investigate the effect of the racial slurs nigger and negro in Heart of Darkness on readers’ perception of dehumanisation, discrimination, and racism. It compares data collected through online questionnaires to test whether the absence or different frequencies of the slurs influence how participants perceive the fictional representation of the African people in the text. Three versions of the same questionnaire are used: one with unmodified passages from Heart of Darkness, one with the same passages but without the racial slurs, and one with the same passages but with more slurs than in the original. Findings show that the absence or overabundance of slurs compared to the original does not alter reader perception of dehumanisation, discrimination, and racism. By comparing the results, this paper makes two interconnected contributions. First, it contributes to the critical discussion about racism in Conrad’s novel, by providing evidence on whether the representation of the Africans is perceived as dehumanising, discriminatory, and racist by readers. Second, it offers an empirical perspective on the usefulness of the “sanitising” (removing or substituting of all racial slurs) of literary texts with potential racist implications, adopted by some publishing houses and applied to novels like Conrad’s The Nigger of the “Narcissus” and Mark Twain’s The Adventures of Huckleberry Finn.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/jls-2021-2028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45915800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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