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2020 Hubbell Prize Awarded 获得2020年哈贝尔奖
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-12-01 DOI: 10.1353/cwh.2020.0027
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引用次数: 0
The Record of Murders and Outrages: Racial Violence and the Fight over Truth at the Dawn of Reconstruction by William A. Blair (review) 《谋杀与暴行的记录:重建初期的种族暴力与真相之争》威廉·a·布莱尔著(书评)
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0042
Gregory Laski
catastrophic damage that spring rains and summer droughts inflicted on the Confederacy, resulting in food shortages south of the Mason-Dixon line. The Howling Storm, with just shy of five hundred pages of text, is not a quick read. Nor is it a page-turner. The many descriptions of soldiers suffering through the mud, rain, heat, and cold might prove monotonous to some readers. That being said, The Howling Storm is a very useful book. Its achievement lies in gathering an enormous amount of information about Civil War weather in one volume. In the past, good military historians included information about the weather in their campaign studies, but Noe’s book provides a relatively compact resource that historians can reference to see what the weather was up to at crucial moments of the Civil War. Because of the book’s broad approach, Noe is able to see larger patterns in the weather, conclusions that would escape more focused studies. For instance, he will note when a cold snap or a torrential downpour that affected one campaign was part of a larger weather system that was also affecting operations in a different theater. One concern that I have about this book is that it could mislead those who read it to think that weather was the most important factor controlling the events of the war. I do not mean to say that Noe asserts this or intended this outcome. Rather, it is simply a danger that comes with relying on any one analytical lens to tell a story. While Noe’s work provides a nice corrective to those who might have been tempted to ignore the weather’s influence, I think it is best read in conjunction with other military histories of the war, allowing readers to weigh the merits of weather as an explanatory tool. The Howling Storm is a great resource for those wanting to add a little information about the weather to their Civil War course, especially for historians who do not specialize in military history. All in all, lay readers and historians alike owe Noe a collective “Huzzah!” for this mammoth work and important contribution to Civil War history. Adam H. Petty History Department Church of Jesus Christ of Latter-Day Saints
春雨和夏季干旱对邦联造成了灾难性的破坏,导致梅森-迪克逊线以南的粮食短缺。《嚎叫的风暴》只有不到500页的文字,读起来不容易。它也不是一本引人入胜的书。对一些读者来说,许多关于士兵在泥泞、雨水、炎热和寒冷中受苦的描述可能会显得单调乏味。话虽如此,《嚎叫的风暴》是一本非常有用的书。它的成就在于在一卷书中收集了大量关于内战天气的信息。在过去,优秀的军事历史学家在他们的战役研究中包括了有关天气的信息,但诺伊的书提供了一个相对简洁的资源,历史学家可以参考它来了解内战关键时刻的天气状况。由于这本书的方法广泛,诺伊能够看到更大的天气模式,这些结论可能无法进行更集中的研究。例如,他会指出,当寒流或倾盆大雨影响一个战役时,它是一个更大的天气系统的一部分,这个天气系统也影响了另一个战区的行动。我对这本书的一个担忧是,它可能会误导读者,使他们认为天气是控制战争事件的最重要因素。我并不是说诺伊断言了这一点,也不是有意要造成这样的结果。更确切地说,依赖于任何一种分析视角来讲述故事都是一种危险。虽然诺伊的作品很好地纠正了那些可能试图忽视天气影响的人,但我认为它最好与其他战争军事史结合起来阅读,让读者权衡天气作为解释工具的优点。对于那些想在内战课程中添加一些天气信息的人来说,嚎叫的风暴是一个很好的资源,特别是对于那些不专门研究军事史的历史学家来说。总而言之,外行读者和历史学家都欠诺伊一个集体的“哈扎!”为这部庞大的作品和对内战历史的重要贡献。亚当·佩蒂历史系耶稣基督后期圣徒教会
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引用次数: 0
Fighting for Citizenship: Black Northerners and the Debate over Military Service in the Civil War by Brian Taylor (review) 《为公民身份而战:南北战争中北方黑人与兵役之争》作者:布莱恩·泰勒(书评)
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0040
J. G. Méndez
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引用次数: 0
The Generals’ Civil War: What Their Memoirs Can Teach Us Today by Stephen Cushman (review) 《将军们的内战:他们的回忆录今天对我们的启示》作者:斯蒂芬·库什曼
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0043
T. Williams
Thomas and Sharon Kennedy-Nolle, as well as a forthcoming collection examining the writing of Albion W. Tourgée (edited by Sandra Gustafson and Robert Levine), show that though Reconstruction-era authors turned to imaginative works as their weapons, they were no less invested in discerning how to get the reading public to accept as true information about conditions in the South. In a moving epilogue, Blair extends his exploration into the latter decades of the nineteenth century with an exploration of Ida B. Wells’s anti-lynching activism. Like the Freedmen’s Bureau reporting, the work of Wells and other African American activists drew on data collection techniques to center the perspectives of Black citizens and influence policy; however, as Blair points out, in contrast to the efforts of the 1860s, “the anti-lynching campaign lacked the backing of the federal government” (135). Further, the supposedly empirically motivated scholarship on Reconstruction that was emerging in the same late nineteenth-century period repeated the erasure of African American perspectives and dismissed the data collected by the Freedmen’s Bureau just as partisans of the early Reconstruction years did. In beautifully written closing paragraphs, Blair shows how present-day organizations like the Equal Justice Initiative redress these abiding distortions via the National Memorial for Peace and Justice, a lynching monument. “It is significant to have a record of wrongdoing,” Blair concludes, because such a record leaves “the possibility of an accounting” (139). As the 2022 Zinn Education Project National Report on the Teaching of Reconstruction discloses, attending to the records of Reconstruction and accounting for their impact is necessary—and very much unfinished—work. The Record of Murders and Outrages contributes to that effort powerfully and should find a ready place on course syllabi as well as on the bookshelves of scholars and any reader interested in Reconstruction. Gregory Laski US Air Force Academy
托马斯和莎伦·肯尼迪-诺勒,以及即将出版的一本关于阿尔比恩·w·图尔格萨梅写作的文集(由桑德拉·古斯塔夫森和罗伯特·莱文编辑)都表明,尽管重建时期的作家们把富有想象力的作品作为武器,但他们在如何让读者接受关于南方状况的真实信息方面也投入了同样多的精力。在感人的结语中,布莱尔将他的探索延伸到了19世纪后几十年,探讨了艾达·b·威尔斯(Ida B. Wells)反对私刑的激进主义。就像自由民局的报告一样,威尔斯和其他非裔美国人活动人士的工作利用数据收集技术来集中黑人公民的观点并影响政策;然而,正如布莱尔指出的,与19世纪60年代的努力相比,“反私刑运动缺乏联邦政府的支持”(135页)。此外,在19世纪晚期出现的所谓的以经验为动机的重建学术,重复了对非裔美国人观点的抹除,并驳斥了自由民局收集的数据,就像重建早期的游击队员所做的那样。在文笔优美的结束语中,布莱尔展示了像“平等司法倡议”这样的现代组织是如何通过私刑纪念碑“国家和平与正义纪念碑”来纠正这些长期存在的扭曲现象的。布莱尔总结道:“有不当行为的记录是很重要的”,因为这样的记录留下了“会计核算的可能性”(139)。正如《2022年津恩教育项目全国重建教学报告》所披露的那样,关注重建的记录并考虑其影响是必要的,也是尚未完成的工作。《谋杀与暴行记录》有力地促进了这一努力,应该在课程大纲以及学者和任何对重建感兴趣的读者的书架上找到一个现成的位置。格雷戈里·拉斯基美国空军学院
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引用次数: 0
2022 Hubbell Prize Awarded 2022年哈贝尔奖获奖
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0044
In lieu of an abstract, here is a brief excerpt of the content:

  • 2022 Hubbell Prize Awarded

EDWARD VALENTIN JR. has won the John T. Hubbell Prize for the best article published in Civil War History during 2021 for his March 2021 article, “Local Knowledge: Black Texans, the Freedmen’s Bureau, and Military Occupation in Reconstruction Texas.”

The prize selection committee, comprised of a subgroup of members of the journal’s editorial advisory board, praised the article as “well written, deftly argued, and creatively conceived.” Although focused on a local story, “Local Knowledge” sheds new light on the larger national process of Reconstruction. Valentin skillfully incorporates the source material, using it not only to establish a narrative but also to analyze and show the interplay between freedpeople and federal authorities. As a result, Valentin is able to map paths and sources of intelligence and support for the Freedmen’s Bureau, while at the same time suggesting the woefully insufficient resources the government applied to the welfare of freedpeople in Texas. As they had in the end of slavery itself, formerly enslaved people played a central role in determining their own fate in partnership with the US government.

PRIZE SELECTION COMMITTEE MEMBERS

Lisa Tendrich Frank

John Hennessy

Paul Quigley

EDWARD VALENTIN JR. is a curator at the National Museum of the United States Navy in Washington, DC. He received his bachelor of science in history from the United States Military Academy in 2010 and his doctorate in history from Rice University in May 2020. His work focuses on nineteenth-century US history and the experiences of Black soldiers in the US-Mexico borderlands during the post–Civil War era. He is currently working on a book manuscript, Black Men in Army Blue: Race, Citizenship, and Military Occupation, 1866–1900, under contract with the University of Virginia Press.

Now in its 68th year of publication, Civil War History is published quarterly by The Kent State University Press. Edited by Jim Downs (Gettysburg College) [End Page 345] and Associate Editor Crystal Feimster (Yale University), it is a long-standing leader in the study of the American Civil War.

Awarded annually by The Kent State University Press, the John T. Hubbell Prize recognizes the extraordinary contribution to the field of its namesake, who served as editor of Civil War History for thirty-five years. The winner is determined by the journal’s prize selection committee, and the prize earns the recipient a $1,000 award from The Kent State University Press. [End Page 346]

Copyright © 2022 The Kent State University Press ...

为了代替摘要,这里有一个简短的内容摘录:2022年哈贝尔奖授予爱德华·瓦伦丁(EDWARD VALENTIN JR.),他在2021年3月的文章《地方知识:黑人德克萨斯人、自由民局和重建德克萨斯的军事占领》获得了2021年内战历史上发表的最佳文章约翰·t·哈贝尔奖。由期刊编辑顾问委员会成员组成的评奖委员会称赞这篇文章“写得好,论证巧妙,构思新颖”。虽然《地方知识》关注的是一个地方故事,但它为更大范围的国家重建进程提供了新的视角。瓦伦丁巧妙地结合了原始材料,不仅用它来建立叙述,而且还分析和展示了自由人与联邦当局之间的相互作用。因此,瓦伦丁能够绘制出自由民局的情报和支持的路径和来源,同时指出政府用于德克萨斯自由民福利的资源严重不足。正如他们在奴隶制结束时所做的那样,以前被奴役的人与美国政府合作,在决定自己命运方面发挥了核心作用。奖项评选委员会成员Lisa Tendrich Frank John Hennessy Paul Quigley EDWARD VALENTIN JR.是华盛顿特区美国海军国家博物馆的馆长。2010年获美国军事学院历史学学士学位,2020年5月获莱斯大学历史学博士学位。他的作品主要关注19世纪的美国历史,以及南北战争后美墨边境黑人士兵的经历。他目前正在与弗吉尼亚大学出版社合作撰写一本书的手稿,《穿蓝军的黑人:种族、公民身份和军事占领,1866-1900》。肯特州立大学出版社每季度出版一本《内战历史》,今年是其出版的第68年。由吉姆·唐斯(葛底斯堡学院)和副编辑克里斯特·费姆斯特(耶鲁大学)编辑,它是美国内战研究的长期领导者。约翰·t·哈贝尔奖由肯特州立大学出版社每年颁发一次,以表彰约翰·t·哈贝尔在其同名领域的杰出贡献,他担任《内战历史》的编辑长达35年。获奖者由该杂志的奖项评选委员会决定,获奖者将获得肯特州立大学出版社提供的1000美元奖金。[End Page 346]版权所有©2022 The Kent State University Press…
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引用次数: 0
A Notable Bully: Colonel Billy Wilson, Masculinity, and the Pursuit of Violence in the Civil War Era by Robert E. Cray (review) 《著名的恶霸:内战时期的比利·威尔逊上校、男子气概和对暴力的追求》作者:罗伯特·e·克雷
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0041
K. Wongsrichanalai
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引用次数: 0
Williams’ Gang: A Notorious Slave Trader and His Cargo of Black Convicts by Jeff Forret (review) 《威廉姆斯帮:臭名昭著的奴隶贩子和他的黑奴》杰夫·福瑞特著(书评)
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0038
J. Wells
Before 1850, in the putative land of liberty, several slave-trading firms operated with abandon in the nation’s capital. Among these nefarious businesses, William H. Williams’ Yellow House was one of the most profitable and the best known, a preeminent capitalist enterprise with tentacles reaching far across the slave South. Untold numbers of Black captives were bought and sold, transactions that would likely mean forced transportation to the newly opened and fertile fields of Mississippi, Alabama, and Louisiana, where once Native lands would be converted into cotton and sugarcane fields to clothe and feed consumers in rapidly globalizing markets. In this highly detailed, meticulously researched, and engagingly written study, historian Jeff Forret recounts the shady dealings and shrouded lives of the slaver Williams and the twenty-one men and six women who would become the prime figures in a highly interesting series of antebellum court cases that would endure into the Civil War. The controversy launched in 1840 when the enslaved men and women were “convicted”—without due process, of course, and via ad hoc county courts of oyer and terminer—of serious felonies, such as murder and arson. Sentenced to be executed, the enslaved had their lives spared by the Virginia governor, who ordered them to be sold outside of the United States. Upon purchasing the enslaved convicts, Williams promised to sell them in Texas, which was yet to become a part of the Union. The problem, however, was that Williams’ reputation for underhandedness meant that Virginia officials, including Alexandria mayor Bernard Hooe, remained suspicious that he would renege on his promise and sell them in New Orleans instead. Hooe kept a wary eye on Williams’ movements, and when the latter loaded his human cargo onto the Uncas, Virginia officials sent word to counterparts in Mobile and New Orleans that Williams might dock in their ports.
1850年以前,在这片被认为是自由的土地上,几家奴隶贸易公司在美国首都肆意经营。在这些邪恶的企业中,威廉·h·威廉姆斯(William H. Williams)的“黄房子”(Yellow House)是最赚钱、最知名的企业之一,是一家卓越的资本主义企业,其触角远远延伸到蓄奴的南方。数不清的黑人俘虏被买卖,这些交易可能意味着被迫转移到密西西比州、阿拉巴马州和路易斯安那州新开辟的肥沃土地上,在那里,曾经的土著土地将被改造成棉花和甘蔗田,为迅速全球化的市场中的消费者提供衣服和食物。在这本细致入微、研究细致、笔法引人入胜的书中,历史学家杰夫·福瑞特(Jeff Forret)讲述了奴隶贩子威廉姆斯(Williams)的阴暗交易和隐秘生活,以及后来成为一系列非常有趣的内战前法庭案件的主要人物的21名男子和6名女子,这些案件一直持续到内战。1840年,当被奴役的男男女女被“定罪”——当然,没有经过正当程序,而是通过特设的县法院——犯了谋杀和纵火等严重重罪时,这场争论就开始了。被判处死刑的奴隶们得到了维吉尼亚州州长的宽恕,州长下令将他们卖到美国境外。在购买这些被奴役的罪犯时,威廉姆斯承诺将他们卖给尚未成为联邦一部分的德克萨斯州。但问题是,威廉斯以卑劣手段著称,这意味着弗吉尼亚的官员,包括亚历山大市市长伯纳德·胡(Bernard Hooe),仍然怀疑他会违背承诺,转而在新奥尔良出售它们。胡伊对威廉姆斯的一举一动都保持着警惕,当威廉姆斯把他的人类货物装上恩加斯号时,弗吉尼亚官员向莫比尔和新奥尔良的官员发出消息,说威廉姆斯可能会在他们的港口停靠。
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引用次数: 0
“We Are Now at Gettysburg”: Gender and Place in the Iowa Woman’s Relief Corps’ Monument to Jennie Wade “我们现在在葛底斯堡”:爱荷华州妇女救济团珍妮·韦德纪念碑上的性别和位置
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0036
Lindsey Peterson
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引用次数: 0
Contributors 贡献者
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0033
<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span><p> <ul> <li><!-- html_title --> Contributors <!-- /html_title --></li> </ul> <p><strong>DAVID W. BLIGHT</strong> is Sterling Professor of American History at Yale University. He is the author of <em>Frederick Douglass: Prophet of Freedom</em> (2018), <em>American Oracle: The Civil War in the Civil Rights Era</em> (2011), and <em>Race and Reunion: The Civil War in American Memory</em> (2001).</p> <p><strong>JIM DOWNS</strong> is the author of <em>Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine</em> (2021). His other books include <em>Sick from Freedom: African American Sickness and Suffering during the Civil War and Reconstruction</em> (2012) and <em>Stand by Me: The Forgotten History of Gay Liberation</em> (2016). He has published essays in the <em>Atlantic, New Yorker, Washington Post, New York Times, Vice, Slate, Lancet, LA Times</em>, among others. He is the editor of <em>Civil War History</em>. Downs is the Gilder Lehrman–National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.</p> <p><strong>CHERYL FINLEY</strong> is director of the Atlanta University Center Art History + Curatorial Studies Collective, Distinguished Visiting Professor in the Department of Art and Visual Culture at Spelman College and associate professor of art history at Cornell University. Finley leads an innovative undergraduate program at the world’s largest historically Black college and university consortium in preparing the next generation of African American museum and visual arts professionals. She has written widely on photography for academic and popular publications, including <em>Aperture, Nka: Journal of Contemporary African Art, American Quarterly, Art Forum</em> and <em>Small Axe</em>. She is also the award-winning author of <em>Committed to Memory: The Art of the Slave Ship Icon</em> (2018). Finley’s current research examines the global art economy, focusing on the relationship among artists, museums, biennials and migration in the book project, “Black Art Futures,” and the interdisciplinary project “Mapping Art History at HBCUs.”</p> <p><strong>MATTHEW FOX-AMATO</strong> is associate professor of history at the University of Idaho. He is the author of <em>Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America</em> (2019), the runner-up for the 2021 Shapiro Book Prize of the Huntington Library, a finalist for the Gilder Lehrman Lincoln Prize, and a finalist for the Association of American Publishers PROSE Award. The book was also named one of the Advocate’s “Must-Read Books on Race and Hate.” Currently, Fox-Amato is working on two books, the first examining the memory of American slavery in photography and other forms of visual culture and the second book the history of the White House photographer.</p> <p><strong>IAN IVERSON</strong> is an editorial s
这里是内容的一个简短摘录,而不是摘要:撰稿人DAVID W. BLIGHT是耶鲁大学美国历史斯特林教授。他是《弗雷德里克·道格拉斯:自由的先知》(2018)、《美国先知:民权时代的内战》(2011)和《种族与团聚:美国记忆中的内战》(2001)的作者。吉姆·唐斯是《帝国之病:殖民主义、奴隶制和战争如何改变医学》(2021)一书的作者。他的其他著作包括《因自由而生病:非裔美国人在内战和重建期间的疾病和痛苦》(2012年)和《伴我同行:被遗忘的同性恋解放历史》(2016年)。他曾在《大西洋月刊》、《纽约客》、《华盛顿邮报》、《纽约时报》、《Vice》、《Slate》、《柳叶刀》、《洛杉矶时报》等杂志上发表文章。他是《内战历史》的编辑。唐斯是葛底斯堡学院内战时期研究和历史的吉尔德·莱曼国家人文基金会教授。谢丽尔·芬利是亚特兰大大学艺术史与策展研究中心主任,斯佩尔曼学院艺术与视觉文化系杰出客座教授,康奈尔大学艺术史副教授。芬利在世界上历史上最大的黑人学院和大学联盟领导一个创新的本科项目,为下一代非裔美国人博物馆和视觉艺术专业人员做准备。她为学术和流行出版物撰写了大量关于摄影的文章,包括《光圈》、《Nka:当代非洲艺术杂志》、《美国季刊》、《艺术论坛》和《小斧头》。她也是《致力于记忆:奴隶船图标的艺术》(2018)的获奖作者。芬利目前的研究考察了全球艺术经济,重点关注艺术家、博物馆、双年展和移民之间的关系,在图书项目“黑人艺术未来”和跨学科项目“绘制HBCUs艺术史”中。马修·福克斯-阿马托(MATTHEW FOX-AMATO)是爱达荷大学历史学副教授。他是《揭露奴隶制:摄影、人类束缚和美国现代视觉政治的诞生》(2019)的作者,是2021年亨廷顿图书馆夏皮罗图书奖的亚军,是吉尔德·莱尔曼·林肯奖的决赛选手,也是美国出版商协会散文奖的决赛选手。这本书还被《倡导者》杂志评为“关于种族和仇恨的必读书籍”之一。目前,福克斯-阿马托正在写两本书,第一本是关于美国奴隶制在摄影和其他形式的视觉文化中的记忆,第二本书是关于白宫摄影师的历史。伊恩·艾弗森(IAN IVERSON)是肯塔基州历史学会“肯塔基州内战州长数字纪录片版”的编辑专家。他毕业于普林斯顿大学,并于2022年在弗吉尼亚大学获得博士学位。他目前正在修改他的论文,“温和的男人和保守的影响:伊利诺伊州和联盟的政治,1854年至1861年,”为图书出版。格雷戈里·拉斯基是《不合时宜的民主:奴隶制后的政治进步》(2018)一书的作者。他目前是美国空军学院的英语文职副教授。他是纽伯里图书馆(Newberry Library) 2021 - 2022年梅隆研究员,目前正在进行一个新书项目:重建时期漫长的复仇思想史。莎拉·伊丽莎白·刘易斯是哈佛大学艺术史和建筑史以及非洲和非裔美国人研究的副教授,也是“愿景与正义项目”的创始人。她的著作和编辑的书籍包括《崛起:创造力、失败的礼物和对掌握的追求》(2014年)和《嘉莉·梅·威姆斯》(2021年),后者获得了2021年摄影网络图书奖,以及《视觉与正义》杂志,该杂志获得了2017年国际摄影中心的批判性写作和研究无限奖。2022年,她被任命为安德鲁·卡内基研究员。她即将出版的出版物包括《高加索战争:种族如何改变美国的视野》(2023年)、《视野》(Vision &;《正义》(2024年)和《基础:坚守阵地法时代的种族与美学》(2023年春季)。”她也是内战历史编辑委员会的成员。JAMES G. MENDEZ,现任Loyola University Chicago Stritch School of Medicine的学生事务高级副院长和医学教育系助理教授。他是《伟大的牺牲》一书的作者。
{"title":"Contributors","authors":"","doi":"10.1353/cwh.2022.0033","DOIUrl":"https://doi.org/10.1353/cwh.2022.0033","url":null,"abstract":"&lt;span&gt;&lt;span&gt;In lieu of&lt;/span&gt; an abstract, here is a brief excerpt of the content:&lt;/span&gt;\u0000&lt;p&gt; &lt;ul&gt; &lt;li&gt;&lt;!-- html_title --&gt; Contributors &lt;!-- /html_title --&gt;&lt;/li&gt; &lt;/ul&gt; &lt;p&gt;&lt;strong&gt;DAVID W. BLIGHT&lt;/strong&gt; is Sterling Professor of American History at Yale University. He is the author of &lt;em&gt;Frederick Douglass: Prophet of Freedom&lt;/em&gt; (2018), &lt;em&gt;American Oracle: The Civil War in the Civil Rights Era&lt;/em&gt; (2011), and &lt;em&gt;Race and Reunion: The Civil War in American Memory&lt;/em&gt; (2001).&lt;/p&gt; &lt;p&gt;&lt;strong&gt;JIM DOWNS&lt;/strong&gt; is the author of &lt;em&gt;Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine&lt;/em&gt; (2021). His other books include &lt;em&gt;Sick from Freedom: African American Sickness and Suffering during the Civil War and Reconstruction&lt;/em&gt; (2012) and &lt;em&gt;Stand by Me: The Forgotten History of Gay Liberation&lt;/em&gt; (2016). He has published essays in the &lt;em&gt;Atlantic, New Yorker, Washington Post, New York Times, Vice, Slate, Lancet, LA Times&lt;/em&gt;, among others. He is the editor of &lt;em&gt;Civil War History&lt;/em&gt;. Downs is the Gilder Lehrman–National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;CHERYL FINLEY&lt;/strong&gt; is director of the Atlanta University Center Art History + Curatorial Studies Collective, Distinguished Visiting Professor in the Department of Art and Visual Culture at Spelman College and associate professor of art history at Cornell University. Finley leads an innovative undergraduate program at the world’s largest historically Black college and university consortium in preparing the next generation of African American museum and visual arts professionals. She has written widely on photography for academic and popular publications, including &lt;em&gt;Aperture, Nka: Journal of Contemporary African Art, American Quarterly, Art Forum&lt;/em&gt; and &lt;em&gt;Small Axe&lt;/em&gt;. She is also the award-winning author of &lt;em&gt;Committed to Memory: The Art of the Slave Ship Icon&lt;/em&gt; (2018). Finley’s current research examines the global art economy, focusing on the relationship among artists, museums, biennials and migration in the book project, “Black Art Futures,” and the interdisciplinary project “Mapping Art History at HBCUs.”&lt;/p&gt; &lt;p&gt;&lt;strong&gt;MATTHEW FOX-AMATO&lt;/strong&gt; is associate professor of history at the University of Idaho. He is the author of &lt;em&gt;Exposing Slavery: Photography, Human Bondage, and the Birth of Modern Visual Politics in America&lt;/em&gt; (2019), the runner-up for the 2021 Shapiro Book Prize of the Huntington Library, a finalist for the Gilder Lehrman Lincoln Prize, and a finalist for the Association of American Publishers PROSE Award. The book was also named one of the Advocate’s “Must-Read Books on Race and Hate.” Currently, Fox-Amato is working on two books, the first examining the memory of American slavery in photography and other forms of visual culture and the second book the history of the White House photographer.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;IAN IVERSON&lt;/strong&gt; is an editorial s","PeriodicalId":43056,"journal":{"name":"CIVIL WAR HISTORY","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138540203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Howling Storm: Weather, Climate, and the American Civil War by Kenneth W. Noe (review) 《咆哮的风暴:天气、气候与美国内战》肯尼斯·w·诺伊著(书评)
IF 0.2 3区 历史学 Q2 HISTORY Pub Date : 2022-10-21 DOI: 10.1353/cwh.2022.0045
A. Petty
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引用次数: 0
期刊
CIVIL WAR HISTORY
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