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Ricerche nell’area della villa di Teoderico a Galeata (FC): un dialogo fra nuove tecnologie e tradizionali metodi di scavo 加利亚塔特奥德里科别墅地区的研究:新技术和传统挖掘方法之间的对话
IF 0.4 Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.19282/AC.30.2019.12
Riccardo Villicich, A. Morigi, E. Rinaldi
The villa-complex of Theodoric in Galeata is one of the latest examples, at least within the Italian peninsula, of the great private residences of late antiquity. The site is multi-layered and has evidence of seventeen centuries of occupation, from the 6th century BC to the 12th century AD Important new knowledge of the pre-Roman (a settlement of the Late Iron age) and Roman (a large villa) phases of the site has been acquired. The most significant results, however, concern the late antiquity phase. The excavations, in fact, have led to a new interpretation of the complex known as the ‘Palace’ or villa of the Goth king Theodoric. In this long-running excavation it has been possible to test the transformations of excavation methods and techniques, which have evolved over the years.
Galeata的Theodoric别墅建筑群是古代晚期伟大私人住宅的最新例子之一,至少在意大利半岛是这样。该遗址是多层的,从公元前6世纪到公元12世纪,有17个世纪的占领证据,关于前罗马时期(铁器时代晚期的一个定居点)和罗马时期(一个大型别墅)的重要新知识已经获得。然而,最重要的结果与古代晚期有关。事实上,挖掘工作为哥特国王西奥多里克的“宫殿”或别墅带来了新的解释。在这个长期的挖掘中,有可能测试挖掘方法和技术的转变,这些方法和技术已经发展了多年。
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引用次数: 0
Il meglio è nemico del bene 最好的是善的敌人
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/AC.29.2018.02
L. Malnati
The aim of this paper is to accurately and realistically describe the condition of the archives in which the documentation of excavations and, more in general, of the intervention related to archaeology in Italy should be kept. It is clear that, because of the backwardness of the regulations and the lack of personnel in the Archaeology Superintendencies, every project of data sharing and data advertising needs to start from an absolutely matter-of-fact evaluation of the state of affairs. Additionally, the author notes that the Bray-Franceschini reform, which separates Museums from the Archaeology Superintendencies, has worsened the situation adding cumbersome and almost insurmountable bureaucracy
本文的目的是准确和现实地描述档案的状况,其中挖掘的文件,更一般地说,与考古有关的干预在意大利应该保存。很明显,由于法规的落后和考古监管人员的缺乏,每一个数据共享和数据广告项目都需要从绝对实事求是的现状评估开始。此外,作者指出,布雷-弗兰切斯基尼改革,将博物馆从考古监督中分离出来,使情况恶化,增加了繁琐和几乎无法克服的官僚主义
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引用次数: 0
La diffusione della cultura scientifica: documentazione e disseminazione nei progetti di ricerca dell’ISMA 科学文化的传播:在isma研究项目中记录和传播
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/ac.29.2018.11
P. Moscati
The article illustrates the main research lines promoted at a national level by Law n. 113/1991, as amended by Law 6/2000, for the dissemination of the scientific culture and the active support and participation of the Accademia Nazionale dei Lincei. As part of this initiative, the main CNR-ISMA projects approved and funded by Ministry of Education, University and Research are then described, including, in particular, the two projects ‘20 years of Archeologia e Calcolatori’ and ‘The Virtual Museum of Archaeological Computing’. They both are intended to offer open access resources for documenting and disseminating archaeological research data.
这篇文章说明了经第6/2000号法律修订的第113/1991号法律在国家一级促进的主要研究方向,目的是传播科学文化,并积极支持和参与国家科学院。作为这一倡议的一部分,CNR-ISMA的主要项目由教育部、大学和研究部批准和资助,其中特别包括两个项目“考古和计算的20年”和“考古计算的虚拟博物馆”。它们都旨在为记录和传播考古研究数据提供开放获取的资源。
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引用次数: 0
Tra riproduzione e condivisione dei beni culturali: il ruolo dell’Istituto Centrale per l’Archeologia 文化遗产的复制和共享:中央考古研究所的作用
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/ac.29.2018.08
E. Calandra, V. Boi
The paper addresses two of the main issues discussed during the workshop: the photographic reproduction of Cultural Heritage and the sharing of archaeological data. As far as photographic reproductions are concerned, an overview of the Italian laws on this topic is proposed, in particular about the evolution of art. 108 of the Cultural Heritage Code, recently modified. The new regulations reflect a more open attitude of the Ministry of Culture towards private photographic reproductions, which have been liberalised for personal use (study, research, education, non-profit use in general), while they still are subject to payment of fees in case of profit uses. The second part of the paper gives an overview of the activities of the Istituto Centrale per l’Archeologia (Central Institute for Archaeology) - ICA, aimed at the promotion of open access to archaeological data. ICA, which has among its tasks precisely the definition of standards and guidelines for publishing open archaeological data, is developing the National Geoportal of Archaeology, to foster the online consultation of topographic archaeological data; a first experimentation of its content started in 2018 with the digital cataloguing of information produced by preventive archaeology.
本文讨论了研讨会期间讨论的两个主要问题:文化遗产的摄影复制和考古数据的共享。就摄影复制品而言,建议概述意大利关于这一主题的法律,特别是关于艺术演变的法律。最近修订的《文化遗产法典》第108条。新条例反映了文化部对私人摄影复制品采取更开放的态度,允许个人使用(一般来说是学习、研究、教育和非营利性使用),但如果用于营利用途,仍需支付费用。论文的第二部分概述了中央考古研究所(ICA)旨在促进开放获取考古数据的活动。ICA的任务之一就是制定公开考古数据的标准和指南,它正在开发国家考古地理门户,以促进地形考古数据的在线咨询;其内容的第一次实验始于2018年,对预防性考古产生的信息进行数字编目。
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引用次数: 0
Il metodo fotografico RTI (Reflectance Transformation Imaging) per la documentazione delle superfici archeologiche. L’applicazione ai materiali di età protostorica 用于记录考古表面的反转图像法。应用于原始历史材料
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/ac.29.2018.20
A. Fiorini
RTI is a photographic method that allows to enhance any unevenness on the surface ofan object. In archaeology, the RTI method is used for various purposes, for instance, to study superficial markings on ceramic artefacts and to understand their possible causes (natural unevenness of the materials, manufacturing techniques, intended use). This article describes a research that has been conducted thanks to the RTI method on some ceramic artefacts dating back to the Bronze Age, from the village located in Via Ordiere, in Solarolo (RA). The research aims to test the limits of use of this instrument and its actual potential to give information on certain aspects of the production process of a ceramic artefact, such as the tools used to refine the surface (smoothing or polishing). Moreover, the RTI images have been tested as auxiliary tool for archaeological design of lithic artefacts from the same sites (arrowheads). The first part of the article is dedicated to the methodological aspects of the research: the processing chain, the tools and the time needed to complete each phase of the work. In the second part, the results of the research and the possible developments are discussed. The points of strength and the limits of this method are both summarised in the last section of the article.
RTI是一种摄影方法,可以增强物体表面的任何不均匀性。在考古学中,RTI方法被用于各种目的,例如,研究陶瓷制品上的表面标记并了解其可能的原因(材料的自然不均匀,制造技术,预期用途)。本文描述了一项研究,该研究得益于RTI方法对一些青铜时代的陶瓷文物进行了研究,这些文物来自位于Solarolo (RA) Via Ordiere的村庄。这项研究的目的是测试这种仪器的使用限制,以及它在陶瓷制品生产过程的某些方面提供信息的实际潜力,例如用于改善表面(平滑或抛光)的工具。此外,RTI图像已被测试为来自同一地点(箭头)的石器文物考古设计的辅助工具。文章的第一部分致力于研究的方法论方面:处理链,工具和完成工作的每个阶段所需的时间。第二部分对研究结果和可能的发展进行了讨论。这种方法的优点和局限性都在文章的最后一节进行了总结。
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引用次数: 3
Riproducibilità a vario titolo del patrimonio: situazione e prospettive 各种资产的可复制性:情况和前景
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/AC.29.2018.10
A. Palombini
The paper approaches the rights of reproducing Cultural Heritage items, in every possible aspects and for both commercial and non-commercial purposes. The legal situation is currently vague and not defined, as it is in other parts of Europe and the world. Two valid arguments are confronting each other: on the one hand, the public demand for data openness, on the other, the public institutions’ desire to earn money, at least enough to justify conservation expenses. After a discussion on the current situation, where digital revolution and 3D technology changed even the common understanding of ‘reproduction’ processes, a possible solution is presented, in order to satisfy both needs.
本文从商业和非商业两方面探讨了文化遗产项目复制的权利。与欧洲和世界其他地区一样,目前的法律情况含糊不清,没有明确定义。两个有效的论点相互对立:一方面,公众对数据公开的要求,另一方面,公共机构赚钱的愿望,至少足以证明保护费用是合理的。经过对现状的讨论,数字革命和3D技术甚至改变了对“复制”过程的共同理解,提出了一种可能的解决方案,以满足这两种需求。
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引用次数: 0
Prototyping an Egyptian revival. Laser scanning, 3D prints and sculpture to support the Echoes of Egypt exhibition 埃及复兴的原型。激光扫描,3D打印和雕塑,以支持埃及的回声展览
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/AC.29.2018.24
Alberto Urcia, Simone Zambruno, A. Vazzana, Michael Anderson, C. Darnell
This paper aims to highlight the importance of 3D printing to support Cultural Heritage and related activities. We will demonstrate the advantages that a conscious employment of techniques and methods, together with the right expertise, could offer to an exhibition. We will detail the steps we took to produce a 1:1 copy of a medieval sphinx for the exhibition Echoes of Egypt: Conjuring the Land of the Pharaohs which took place at the Yale Peabody Museum of Natural History (USA). This paper highlights the project’s workflow, from the digital 3D scan, data processing, 3D printing, to the artistic finishing to prepare the object for display.
本文旨在强调3D打印在支持文化遗产和相关活动中的重要性。我们将展示有意识地使用技术和方法,加上正确的专业知识,可以为展览提供的优势。我们将详细介绍为在耶鲁皮博迪自然历史博物馆(美国)举办的“埃及回声:召唤法老的土地”展览制作中世纪狮身人面像1:1复制品的步骤。本文重点介绍了该项目的工作流程,从数字3D扫描,数据处理,3D打印,到艺术精加工,准备展示对象。
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引用次数: 2
Un approccio multidisciplinare per documentare e visualizzare un sito archeologico: la villa d’otium di Massaciuccoli (Massarosa, LU) 记录和显示考古遗址的多学科方法:马萨切科利(卢马萨罗萨)的奥提姆别墅
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/ac.29.2018.22
Martina Giannini, Cristina Castagnetti
The research project VisualVersilia 3D aims at offering a new method to record andvisualize the territory and its heritage by matching the traditional reading of documents and the potential use of modern communication technologies. The purpose of the project is to define a methodology that can be applied to material culture, as well as to other types of contents and contexts, to enhance the characteristic features of the territory and its heritage. The innovation of the project consists in the development of a procedure for documenting current and past historical times and integrating their 3D visualizations with rendering, capable of returning an immersive virtual reality for a successful enhancement of the heritage. The research implements the methodology in the archaeological complex of Massaciuccoli (Massarosa, LU), one of the best preserved Roman site of the Versilia area (Tuscany, Italy). The activities briefly consist in: 1) analysis of all types of available sources; 2) metric three-dimensional survey by laser scanning technology addressed to the structures and buildings of the complex; 3) laser scanning data processing; 4) realization of virtual 3D rendering related to Roman and current condition for documentation and conservation purposes; 5) creation of virtual tour of the site in its current form, on the basis of spherical images then enhanced by texts, and 3D models of the Roman age.
VisualVersilia 3D研究项目旨在通过将传统的文献阅读和现代通信技术的潜在使用相匹配,提供一种记录和可视化领土及其遗产的新方法。该项目的目的是确定一种可以应用于物质文化以及其他类型的内容和背景的方法,以增强该地区及其遗产的特征。该项目的创新之处在于开发了一种记录当前和过去历史时间的程序,并将其3D可视化与渲染相结合,能够返回身临其境的虚拟现实,从而成功地增强了遗产。该研究在马萨库利(马萨罗萨,卢州)的考古建筑群中实施了该方法,这是意大利托斯卡纳地区保存最完好的罗马遗址之一。简要地说,这些活动包括:1)分析所有类型的可用资源;2)利用激光扫描技术对建筑群的结构和建筑物进行度量三维测量;3)激光扫描数据处理;4)实现与罗马和现状相关的虚拟三维渲染,用于文献和保护目的;5)在球形图像的基础上,再加上文字和罗马时代的3D模型,以目前的形式创建虚拟的遗址之旅。
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引用次数: 0
Aspetti etici nel campo dell’open access 开放获取领域的伦理方面
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/AC.29.2018.13
S. Chiodi
The article summarizes the ethical implications in the following areas: a) open access of data and results related to cultural heritage; b) recognition/loss of intellectual property and paternity of moral rights; c) dissemination of the results of knowledge according to the article 30 of the Second Additional Protocol to the Hague Convention of 1954 and the Faro Convention.
本文总结了以下几个方面的伦理影响:a)与文化遗产相关的数据和结果的开放获取;B)承认/丧失知识产权和精神权利的亲子性;c)根据《1954年海牙公约第二附加议定书》第30条和《法鲁公约》传播知识成果。
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引用次数: 0
Riflessioni sul diritto d’accesso ai beni culturali 对文化遗产使用权的思考
IF 0.4 Q2 Arts and Humanities Pub Date : 2018-01-01 DOI: 10.19282/AC.29.2018.07
M. Ciurcina
Different conflicting ideas and values cross the debate about freedom of access to cultural heritage. This is nothing new: a similar debate arose in the past decades with confrontation among free software and proprietary software. The future will depend on the evolution of this cultural conflict and the political choices that will follow.
不同的相互冲突的思想和价值观跨越了关于文化遗产获取自由的辩论。这并不是什么新鲜事:在过去的几十年里,自由软件和专有软件之间的对抗也引发了类似的争论。未来将取决于这种文化冲突的演变以及随之而来的政治选择。
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引用次数: 0
期刊
Archeologia e Calcolatori
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