The villa-complex of Theodoric in Galeata is one of the latest examples, at least within the Italian peninsula, of the great private residences of late antiquity. The site is multi-layered and has evidence of seventeen centuries of occupation, from the 6th century BC to the 12th century AD Important new knowledge of the pre-Roman (a settlement of the Late Iron age) and Roman (a large villa) phases of the site has been acquired. The most significant results, however, concern the late antiquity phase. The excavations, in fact, have led to a new interpretation of the complex known as the ‘Palace’ or villa of the Goth king Theodoric. In this long-running excavation it has been possible to test the transformations of excavation methods and techniques, which have evolved over the years.
{"title":"Ricerche nell’area della villa di Teoderico a Galeata (FC): un dialogo fra nuove tecnologie e tradizionali metodi di scavo","authors":"Riccardo Villicich, A. Morigi, E. Rinaldi","doi":"10.19282/AC.30.2019.12","DOIUrl":"https://doi.org/10.19282/AC.30.2019.12","url":null,"abstract":"The villa-complex of Theodoric in Galeata is one of the latest examples, at least within the Italian peninsula, of the great private residences of late antiquity. The site is multi-layered and has evidence of seventeen centuries of occupation, from the 6th century BC to the 12th century AD Important new knowledge of the pre-Roman (a settlement of the Late Iron age) and Roman (a large villa) phases of the site has been acquired. The most significant results, however, concern the late antiquity phase. The excavations, in fact, have led to a new interpretation of the complex known as the ‘Palace’ or villa of the Goth king Theodoric. In this long-running excavation it has been possible to test the transformations of excavation methods and techniques, which have evolved over the years.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"183-204"},"PeriodicalIF":0.4,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68144991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this paper is to accurately and realistically describe the condition of the archives in which the documentation of excavations and, more in general, of the intervention related to archaeology in Italy should be kept. It is clear that, because of the backwardness of the regulations and the lack of personnel in the Archaeology Superintendencies, every project of data sharing and data advertising needs to start from an absolutely matter-of-fact evaluation of the state of affairs. Additionally, the author notes that the Bray-Franceschini reform, which separates Museums from the Archaeology Superintendencies, has worsened the situation adding cumbersome and almost insurmountable bureaucracy
{"title":"Il meglio è nemico del bene","authors":"L. Malnati","doi":"10.19282/AC.29.2018.02","DOIUrl":"https://doi.org/10.19282/AC.29.2018.02","url":null,"abstract":"The aim of this paper is to accurately and realistically describe the condition of the archives in which the documentation of excavations and, more in general, of the intervention related to archaeology in Italy should be kept. It is clear that, because of the backwardness of the regulations and the lack of personnel in the Archaeology Superintendencies, every project of data sharing and data advertising needs to start from an absolutely matter-of-fact evaluation of the state of affairs. Additionally, the author notes that the Bray-Franceschini reform, which separates Museums from the Archaeology Superintendencies, has worsened the situation adding cumbersome and almost insurmountable bureaucracy","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"13-18"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68142046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article illustrates the main research lines promoted at a national level by Law n. 113/1991, as amended by Law 6/2000, for the dissemination of the scientific culture and the active support and participation of the Accademia Nazionale dei Lincei. As part of this initiative, the main CNR-ISMA projects approved and funded by Ministry of Education, University and Research are then described, including, in particular, the two projects ‘20 years of Archeologia e Calcolatori’ and ‘The Virtual Museum of Archaeological Computing’. They both are intended to offer open access resources for documenting and disseminating archaeological research data.
{"title":"La diffusione della cultura scientifica: documentazione e disseminazione nei progetti di ricerca dell’ISMA","authors":"P. Moscati","doi":"10.19282/ac.29.2018.11","DOIUrl":"https://doi.org/10.19282/ac.29.2018.11","url":null,"abstract":"The article illustrates the main research lines promoted at a national level by Law n. 113/1991, as amended by Law 6/2000, for the dissemination of the scientific culture and the active support and participation of the Accademia Nazionale dei Lincei. As part of this initiative, the main CNR-ISMA projects approved and funded by Ministry of Education, University and Research are then described, including, in particular, the two projects ‘20 years of Archeologia e Calcolatori’ and ‘The Virtual Museum of Archaeological Computing’. They both are intended to offer open access resources for documenting and disseminating archaeological research data.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"93-100"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68141596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper addresses two of the main issues discussed during the workshop: the photographic reproduction of Cultural Heritage and the sharing of archaeological data. As far as photographic reproductions are concerned, an overview of the Italian laws on this topic is proposed, in particular about the evolution of art. 108 of the Cultural Heritage Code, recently modified. The new regulations reflect a more open attitude of the Ministry of Culture towards private photographic reproductions, which have been liberalised for personal use (study, research, education, non-profit use in general), while they still are subject to payment of fees in case of profit uses. The second part of the paper gives an overview of the activities of the Istituto Centrale per l’Archeologia (Central Institute for Archaeology) - ICA, aimed at the promotion of open access to archaeological data. ICA, which has among its tasks precisely the definition of standards and guidelines for publishing open archaeological data, is developing the National Geoportal of Archaeology, to foster the online consultation of topographic archaeological data; a first experimentation of its content started in 2018 with the digital cataloguing of information produced by preventive archaeology.
{"title":"Tra riproduzione e condivisione dei beni culturali: il ruolo dell’Istituto Centrale per l’Archeologia","authors":"E. Calandra, V. Boi","doi":"10.19282/ac.29.2018.08","DOIUrl":"https://doi.org/10.19282/ac.29.2018.08","url":null,"abstract":"The paper addresses two of the main issues discussed during the workshop: the photographic reproduction of Cultural Heritage and the sharing of archaeological data. As far as photographic reproductions are concerned, an overview of the Italian laws on this topic is proposed, in particular about the evolution of art. 108 of the Cultural Heritage Code, recently modified. The new regulations reflect a more open attitude of the Ministry of Culture towards private photographic reproductions, which have been liberalised for personal use (study, research, education, non-profit use in general), while they still are subject to payment of fees in case of profit uses. The second part of the paper gives an overview of the activities of the Istituto Centrale per l’Archeologia (Central Institute for Archaeology) - ICA, aimed at the promotion of open access to archaeological data. ICA, which has among its tasks precisely the definition of standards and guidelines for publishing open archaeological data, is developing the National Geoportal of Archaeology, to foster the online consultation of topographic archaeological data; a first experimentation of its content started in 2018 with the digital cataloguing of information produced by preventive archaeology.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"53 3 1","pages":"63-72"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68141715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RTI is a photographic method that allows to enhance any unevenness on the surface ofan object. In archaeology, the RTI method is used for various purposes, for instance, to study superficial markings on ceramic artefacts and to understand their possible causes (natural unevenness of the materials, manufacturing techniques, intended use). This article describes a research that has been conducted thanks to the RTI method on some ceramic artefacts dating back to the Bronze Age, from the village located in Via Ordiere, in Solarolo (RA). The research aims to test the limits of use of this instrument and its actual potential to give information on certain aspects of the production process of a ceramic artefact, such as the tools used to refine the surface (smoothing or polishing). Moreover, the RTI images have been tested as auxiliary tool for archaeological design of lithic artefacts from the same sites (arrowheads). The first part of the article is dedicated to the methodological aspects of the research: the processing chain, the tools and the time needed to complete each phase of the work. In the second part, the results of the research and the possible developments are discussed. The points of strength and the limits of this method are both summarised in the last section of the article.
RTI是一种摄影方法，可以增强物体表面的任何不均匀性。在考古学中，RTI方法被用于各种目的，例如，研究陶瓷制品上的表面标记并了解其可能的原因(材料的自然不均匀，制造技术，预期用途)。本文描述了一项研究，该研究得益于RTI方法对一些青铜时代的陶瓷文物进行了研究，这些文物来自位于Solarolo (RA) Via Ordiere的村庄。这项研究的目的是测试这种仪器的使用限制，以及它在陶瓷制品生产过程的某些方面提供信息的实际潜力，例如用于改善表面(平滑或抛光)的工具。此外，RTI图像已被测试为来自同一地点(箭头)的石器文物考古设计的辅助工具。文章的第一部分致力于研究的方法论方面:处理链，工具和完成工作的每个阶段所需的时间。第二部分对研究结果和可能的发展进行了讨论。这种方法的优点和局限性都在文章的最后一节进行了总结。
{"title":"Il metodo fotografico RTI (Reflectance Transformation Imaging) per la documentazione delle superfici archeologiche. L’applicazione ai materiali di età protostorica","authors":"A. Fiorini","doi":"10.19282/ac.29.2018.20","DOIUrl":"https://doi.org/10.19282/ac.29.2018.20","url":null,"abstract":"RTI is a photographic method that allows to enhance any unevenness on the surface ofan object. In archaeology, the RTI method is used for various purposes, for instance, to study superficial markings on ceramic artefacts and to understand their possible causes (natural unevenness of the materials, manufacturing techniques, intended use). This article describes a research that has been conducted thanks to the RTI method on some ceramic artefacts dating back to the Bronze Age, from the village located in Via Ordiere, in Solarolo (RA). The research aims to test the limits of use of this instrument and its actual potential to give information on certain aspects of the production process of a ceramic artefact, such as the tools used to refine the surface (smoothing or polishing). Moreover, the RTI images have been tested as auxiliary tool for archaeological design of lithic artefacts from the same sites (arrowheads). The first part of the article is dedicated to the methodological aspects of the research: the processing chain, the tools and the time needed to complete each phase of the work. In the second part, the results of the research and the possible developments are discussed. The points of strength and the limits of this method are both summarised in the last section of the article.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"241-258"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68143125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper approaches the rights of reproducing Cultural Heritage items, in every possible aspects and for both commercial and non-commercial purposes. The legal situation is currently vague and not defined, as it is in other parts of Europe and the world. Two valid arguments are confronting each other: on the one hand, the public demand for data openness, on the other, the public institutions’ desire to earn money, at least enough to justify conservation expenses. After a discussion on the current situation, where digital revolution and 3D technology changed even the common understanding of ‘reproduction’ processes, a possible solution is presented, in order to satisfy both needs.
{"title":"Riproducibilità a vario titolo del patrimonio: situazione e prospettive","authors":"A. Palombini","doi":"10.19282/AC.29.2018.10","DOIUrl":"https://doi.org/10.19282/AC.29.2018.10","url":null,"abstract":"The paper approaches the rights of reproducing Cultural Heritage items, in every possible aspects and for both commercial and non-commercial purposes. The legal situation is currently vague and not defined, as it is in other parts of Europe and the world. Two valid arguments are confronting each other: on the one hand, the public demand for data openness, on the other, the public institutions’ desire to earn money, at least enough to justify conservation expenses. After a discussion on the current situation, where digital revolution and 3D technology changed even the common understanding of ‘reproduction’ processes, a possible solution is presented, in order to satisfy both needs.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"87-92"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68141911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Alberto Urcia, Simone Zambruno, A. Vazzana, Michael Anderson, C. Darnell
This paper aims to highlight the importance of 3D printing to support Cultural Heritage and related activities. We will demonstrate the advantages that a conscious employment of techniques and methods, together with the right expertise, could offer to an exhibition. We will detail the steps we took to produce a 1:1 copy of a medieval sphinx for the exhibition Echoes of Egypt: Conjuring the Land of the Pharaohs which took place at the Yale Peabody Museum of Natural History (USA). This paper highlights the project’s workflow, from the digital 3D scan, data processing, 3D printing, to the artistic finishing to prepare the object for display.
{"title":"Prototyping an Egyptian revival. Laser scanning, 3D prints and sculpture to support the Echoes of Egypt exhibition","authors":"Alberto Urcia, Simone Zambruno, A. Vazzana, Michael Anderson, C. Darnell","doi":"10.19282/AC.29.2018.24","DOIUrl":"https://doi.org/10.19282/AC.29.2018.24","url":null,"abstract":"This paper aims to highlight the importance of 3D printing to support Cultural Heritage and related activities. We will demonstrate the advantages that a conscious employment of techniques and methods, together with the right expertise, could offer to an exhibition. We will detail the steps we took to produce a 1:1 copy of a medieval sphinx for the exhibition Echoes of Egypt: Conjuring the Land of the Pharaohs which took place at the Yale Peabody Museum of Natural History (USA). This paper highlights the project’s workflow, from the digital 3D scan, data processing, 3D printing, to the artistic finishing to prepare the object for display.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"317-341"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68144175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The research project VisualVersilia 3D aims at offering a new method to record andvisualize the territory and its heritage by matching the traditional reading of documents and the potential use of modern communication technologies. The purpose of the project is to define a methodology that can be applied to material culture, as well as to other types of contents and contexts, to enhance the characteristic features of the territory and its heritage. The innovation of the project consists in the development of a procedure for documenting current and past historical times and integrating their 3D visualizations with rendering, capable of returning an immersive virtual reality for a successful enhancement of the heritage. The research implements the methodology in the archaeological complex of Massaciuccoli (Massarosa, LU), one of the best preserved Roman site of the Versilia area (Tuscany, Italy). The activities briefly consist in: 1) analysis of all types of available sources; 2) metric three-dimensional survey by laser scanning technology addressed to the structures and buildings of the complex; 3) laser scanning data processing; 4) realization of virtual 3D rendering related to Roman and current condition for documentation and conservation purposes; 5) creation of virtual tour of the site in its current form, on the basis of spherical images then enhanced by texts, and 3D models of the Roman age.
{"title":"Un approccio multidisciplinare per documentare e visualizzare un sito archeologico: la villa d’otium di Massaciuccoli (Massarosa, LU)","authors":"Martina Giannini, Cristina Castagnetti","doi":"10.19282/ac.29.2018.22","DOIUrl":"https://doi.org/10.19282/ac.29.2018.22","url":null,"abstract":"The research project VisualVersilia 3D aims at offering a new method to record andvisualize the territory and its heritage by matching the traditional reading of documents and the potential use of modern communication technologies. The purpose of the project is to define a methodology that can be applied to material culture, as well as to other types of contents and contexts, to enhance the characteristic features of the territory and its heritage. The innovation of the project consists in the development of a procedure for documenting current and past historical times and integrating their 3D visualizations with rendering, capable of returning an immersive virtual reality for a successful enhancement of the heritage. The research implements the methodology in the archaeological complex of Massaciuccoli (Massarosa, LU), one of the best preserved Roman site of the Versilia area (Tuscany, Italy). The activities briefly consist in: 1) analysis of all types of available sources; 2) metric three-dimensional survey by laser scanning technology addressed to the structures and buildings of the complex; 3) laser scanning data processing; 4) realization of virtual 3D rendering related to Roman and current condition for documentation and conservation purposes; 5) creation of virtual tour of the site in its current form, on the basis of spherical images then enhanced by texts, and 3D models of the Roman age.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"29 1","pages":"279-295"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68144144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article summarizes the ethical implications in the following areas: a) open access of data and results related to cultural heritage; b) recognition/loss of intellectual property and paternity of moral rights; c) dissemination of the results of knowledge according to the article 30 of the Second Additional Protocol to the Hague Convention of 1954 and the Faro Convention.
{"title":"Aspetti etici nel campo dell’open access","authors":"S. Chiodi","doi":"10.19282/AC.29.2018.13","DOIUrl":"https://doi.org/10.19282/AC.29.2018.13","url":null,"abstract":"The article summarizes the ethical implications in the following areas: a) open access of data and results related to cultural heritage; b) recognition/loss of intellectual property and paternity of moral rights; c) dissemination of the results of knowledge according to the article 30 of the Second Additional Protocol to the Hague Convention of 1954 and the Faro Convention.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"111-116"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68142963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Different conflicting ideas and values cross the debate about freedom of access to cultural heritage. This is nothing new: a similar debate arose in the past decades with confrontation among free software and proprietary software. The future will depend on the evolution of this cultural conflict and the political choices that will follow.
{"title":"Riflessioni sul diritto d’accesso ai beni culturali","authors":"M. Ciurcina","doi":"10.19282/AC.29.2018.07","DOIUrl":"https://doi.org/10.19282/AC.29.2018.07","url":null,"abstract":"Different conflicting ideas and values cross the debate about freedom of access to cultural heritage. This is nothing new: a similar debate arose in the past decades with confrontation among free software and proprietary software. The future will depend on the evolution of this cultural conflict and the political choices that will follow.","PeriodicalId":43161,"journal":{"name":"Archeologia e Calcolatori","volume":"1 1","pages":"59-62"},"PeriodicalIF":0.4,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68141688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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