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THEISM AND REALISM: GOD IN THE (HUMANLY CONSTITUTED) WORLD 有神论与现实主义:(人构成的)世界中的上帝
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3770
C. M. Gómez, Ángel Rivera-Novoa
This paper attempts to delineate a kind of realism, which incorporates some anti-realistic insights regarding the perspective, situated, and historical character of our forms of knowing and being in the world, and which resonates with the basic tenets of Christian theism. The first part of the paper analyzes the challenges anti-realism poses to Christian theism, particularly regarding the role, which the doctrine of creation played in securing the correspondence theory of truth as well as the fundamental experience of God as the foundation of order and meaning. Using Heidegger’s hermeneutics in the second part, it is shown that epistemic pluralism can be made compatible with realism. Given that this form of hermeneutic realism still has problems with integrating the transcendence of God, as well as his/ her presence and action in the “world,” the notion of continuous co-creation as the basis for a pluralist realism that is amenable to Christian theism is explored in the final part.
本文试图描绘一种现实主义,它包含了一些关于我们在世界上的认识和存在形式的视角、位置和历史特征的反现实主义见解,并与基督教有神论的基本原则产生共鸣。本文的第一部分分析了反实在论对基督教有神论的挑战,特别是关于创造论在确保真理的对应论以及作为秩序和意义基础的上帝的基本经验方面所起的作用。第二部分运用海德格尔的解释学理论,论证了认识多元论可以与实在论相容。鉴于这种形式的解释性现实主义在整合上帝的超越性以及他/她在“世界”中的存在和行动方面仍然存在问题,因此,在最后一部分中,我们将探讨作为符合基督教有神论的多元现实主义基础的持续共同创造的概念。
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引用次数: 0
Secular Worldviews: Scientific Naturalism and Secular Humanism 世俗世界观:科学自然主义与世俗人文主义
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3640
M. Stenmark
In this essay, I maintain that although atheism, minimally construed, consists simply of the belief that there is no God or gods, atheists must embrace a secular worldview of one kind or another. Since they cannot be without a worldview, atheists must develop an alternative to the religious, especially the theistic, worldviews which they, by implication, reject. Further, I argue that there are, at the very least, two options available to atheists and that these should not be conflated or treated as one and the same. The two options that I explore and distinguish are scientism and secular humanism. I also maintain that the things that might count as good grounds for or against secular or religious worldviews are shaped significantly by whether atheists embrace scientism or secular humanism.
在这篇文章中,我坚持认为,虽然无神论,最低限度地解释,包括简单地相信没有上帝或诸神,无神论者必须接受一种或另一种世俗的世界观。因为他们不能没有世界观,无神论者必须发展出一种替代宗教,特别是有神论的世界观,这是他们含蓄地拒绝的。此外,我认为至少有两种选择对无神论者来说是可行的,它们不应该被混为一谈,也不应该被视为一种。我探索和区分的两种选择是科学主义和世俗人文主义。我还认为,无神论者是信奉科学主义还是信奉世俗人文主义,在很大程度上决定了支持或反对世俗或宗教世界观的理由。
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引用次数: 1
The Open Future: Why Future Contingents are All False by Patrick Todd 《开放的未来:为什么未来偶然事件都是假的》作者:帕特里克·托德
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3983
ELIJAH HESS
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引用次数: 0
An Agnostic Defends God: How Science and Philosophy Support Agnosticism by Bryan Frances 《不可知论者捍卫上帝:科学和哲学如何支持不可知论》作者:布莱恩·弗朗西斯
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3987
YUVAL AVNUR
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引用次数: 0
Comparative philosophical analysis of the rational ethics of I. Kant and the spiritual and moral values of Confucianism 康德理性伦理学与儒家精神道德价值的比较哲学分析
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3781
N. Kudaibergenova, Zh. Amirkulova, T. Ospanov, Zhadyra Omirbekova, Zh. Kumganbayev
Nowadays, there is a growing interest in the study of various philosophical concepts. One of the relevant topics is the mutual influence or antagonism of Eastern and Western teachings about ethics and morality. One of the insufficiently studied problems is the mutual influences of I. Kant’s ideas and Confucius’ teachings. The goal of the study is to analyse the rational ethics of I. Kant and the spiritual and moral values of Confucianism within the comparative philosophical perspective, to consider their common and distinctive features. The novelty of this study is an integrated approach and a detailed approach to the study of the outlined problems. In this study, the directions for further research were outlined, which deal with a deeper analysis of certain aspects of the teachings of I. Kant and Confucius. The materials and conclusions can be used for the preparation of various courses
如今,人们对各种哲学概念的研究越来越感兴趣。其中一个相关的话题是东西方关于伦理道德的教义的相互影响或对立。其中一个研究不足的问题是康德思想与孔子学说的相互影响。本研究的目的是从比较哲学的角度来分析康德的理性伦理学和儒家的精神道德价值观,以考虑它们的共同性和独特性。本研究的新颖之处在于采用综合方法和详细方法来研究概述的问题。在本研究中,概述了进一步研究的方向,即对康德和孔子教义的某些方面进行更深入的分析。这些材料和结论可用于各种课程的准备
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引用次数: 0
DO RELIGIOUS JEWS HAVE FAITH IN THE PRINCIPLES OF JUDAISM 信奉犹太教的犹太人相信犹太教的原则吗
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-16 DOI: 10.24204/ejpr.2022.3980
N. VERBIN
Sam Lebens’ The Principles of Judaism is an extraordinary book in its rigor and richness. It is a sophisticated examination of three central propositions, which Lebens maintains, are the fundamental doctrines that “can make sense of continued commitment to an Orthodox Jewish lifestyle
Sam Lebens的《犹太教原理》是一本严谨而丰富的书。这是对三个核心命题的复杂审视,Lebens坚持认为,这三个核心主张是“有意义继续致力于正统犹太生活方式”的基本教义
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引用次数: 0
Religious Interpretation of Yungang Grottoes: Blending of Chinese and Western Cultures 云冈石窟的宗教解读:中西文化交融
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-12-11 DOI: 10.24204/ejpr.2021.3954
YongMing Hua, Shuwen Yang, Nan Li, Fang Li
The grotto art in China has a long history. Yungang grotto is a representative grotto with China characteristics that has been preserved so far in the Northern Wei Dynasty, and it is an important cultural heritage of the Northern Wei Dynasty, which embodies the culture of the Northern Wei Dynasty. Yungang grotto is also the beginning of the localization of China grotto art. The unique artistic charm of Yungang Grottoes lies in the organic combination of Indian Buddhist culture and China traditional culture, which incorporates the inherent culture of Xianbei people. This paper briefly expounds and analyzes the statue model of Yungang Grottoes bred by multiculturalism; From the perspective of cultural thought, this paper explores the consciousness of statues in Yungang Grottoes. From the perspective of blending Chinese and western cultures, this paper studies the architecture and Buddhist sculptures of Yungang Grottoes from the religious level. By studying the characteristics of Yungang Grottoes' architecture and Buddhist sculptures, this paper tries to demonstrate the Xianbei cultural characteristics of Yungang Grottoes and discuss the design of Yungang Grottoes and the blending characteristics of Chinese and western cultures embodied in the design. It is hoped that this study will shed some light on understanding and exploring the grotto culture, the blending of Chinese and western cultures and the China-oriented Buddhism.
中国的石窟艺术历史悠久。云冈石窟是北魏至今保存下来的具有中国特色的代表性石窟,是北魏重要的文化遗产,体现了北魏文化。云冈石窟也是中国石窟艺术本土化的开端。云冈石窟独特的艺术魅力在于印度佛教文化与中国传统文化的有机结合,融合了鲜卑人固有的文化。本文简要阐述和分析了多元文化孕育的云冈石窟造像模式;本文从文化思想的角度,探讨云冈石窟造像的自觉。本文从中西文化交融的角度,从宗教层面对云冈石窟的建筑与佛教雕塑进行研究。本文通过对云冈石窟建筑和佛教雕塑特点的研究,试图展示云冈石窟鲜卑文化的特点,并对云冈石窟的设计以及设计中所体现的中西文化交融的特点进行探讨。希望通过本文的研究,对洞窟文化、中西文化交融和中国佛教的认识和探索有所启发。
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引用次数: 0
Re-examination of religion, philosophy and art in contemporary China's oil paintings 宗教、哲学与艺术在当代中国油画中的再审视
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-11-17 DOI: 10.24204/ejpr.2021.3906
Xiaomin Xiang
Up to now, China's painting has not completely shaken off the influence of the spirit of European philosophy or a fundamental change in the way of viewing. The spirit of the unity of subject and object in ancient China philosophy influenced the formation and development of China's paintings. Since China Art Institute introduced figurative expressionism, a new art, into the contemporary art education system of China, it has shown its unique value in professional theory and practical skills. It not only provides new opportunities for reforming contemporary art education in China but also adds a new development direction for contemporary oil painting art in China. This article attempts to reveal the existence and artistic concept of violence in contemporary Chinese oil painting through the description and analysis of painting images and artists' emotional expression, combined with interviews with artists. Based on the development of contemporary Chinese society, the rise of new literary and artistic trends, and the influence of western painting, this paper analyses the historical causes of violence in contemporary Chinese oil painting, and examines the value of contemporary Chinese oil painting in terms of aesthetics and sociology. Therefore, establishing cultural core values is still the indispensable spiritual power of contemporary artists' artistic creation.
到目前为止,中国绘画还没有完全摆脱欧洲哲学精神的影响,也没有从根本上改变观看方式。中国古代哲学的主客体统一精神影响了中国绘画的形成和发展。中国美术学院将具象表现主义这一新兴艺术引入中国当代艺术教育体系以来,在专业理论和实践技能上显示出其独特的价值。它不仅为中国当代美术教育改革提供了新的机遇,也为中国当代油画艺术增添了新的发展方向。本文试图通过对绘画形象和艺术家情感表达的描述和分析,结合对艺术家的访谈,揭示中国当代油画中暴力的存在及其艺术观念。本文立足于中国当代社会的发展、新文艺思潮的兴起以及西方绘画的影响,分析了中国当代油画暴力的历史原因,并从美学和社会学的角度考察了中国当代绘画的价值。因此,确立文化核心价值仍是当代艺术家艺术创作不可或缺的精神力量。
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引用次数: 0
The influence of Confucianism on China's dulcimer performance 儒家思想对中国扬琴演奏的影响
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-11-17 DOI: 10.24204/ejpr.2021.3907
Xue Shu
Confucianism is an important theoretical support of the Chinese national spirit. It started with the Confucian school founded by Confucius. After the continuous enrichment and creation of Confucianism, it gradually formed an important guiding ideology covering people, people, society, people and nature, which had a far-reaching impact on politics, economy, literature, social life, and other fields. In the 1980s, the stable social environment brought by the reform and opening up provided a good external condition for developing dulcimer art in China. The increasing communication between Chinese and western cultures and ideas has brought new ideas for developing dulcimer art in China. Yangqin, in the form of "singing, dancing and telling stories,” shows the living state and ideal pursuit of literati in the Yuan Dynasty by shaping specific events and characters, thus being regarded as a "living fossil" that reflects the social outlook of the Yuan Dynasty. There is no doubt that the culture of Chinese dulcimer is based on Chinese traditional culture. It has obvious characteristics of the cultural orientation of Confucianism and Taoism and is also the result of the interaction between Chinese and Western cultural trends. This cultural orientation will involve the future development trend of Chinese dulcimer culture and will profoundly impact Chinese dulcimer culture in the 21st century.
儒家思想是中华民族精神的重要理论支撑。它始于孔子创立的儒家学派。儒家思想经过不断的丰富和创造,逐渐形成了一种涵盖人、人、社会、人与自然的重要指导思想,对政治、经济、文学、社会生活等领域产生了深远的影响。20世纪80年代,改革开放带来的稳定的社会环境为扬琴艺术在中国的发展提供了良好的外部条件。中西方文化和思想的交流日益频繁,为扬琴艺术在中国的发展带来了新的思路。扬琴以“唱歌、跳舞、讲故事”的形式,通过塑造具体的事件和人物,展现了元代文人的生存状态和理想追求,被视为反映元代社会面貌的“活化石”。毫无疑问,扬琴文化是建立在中国传统文化的基础上的。它具有明显的儒道文化取向特征,也是中西文化思潮相互作用的结果。这种文化取向将涉及中国扬琴文化未来的发展趋势,并将深刻影响21世纪的中国扬琴文化。
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引用次数: 0
Aesthetic Education in the New Media Era: From the Perspective of Aesthetic Education Philosophy 新媒体时代的美育:美育哲学的视角
IF 0.5 3区 哲学 Q1 Arts and Humanities Pub Date : 2022-11-17 DOI: 10.24204/ejpr.2021.3902
ZHAO Yong
Aesthetic education plays an important role in people's education and training. Guided by the Marxist aesthetic education view, studying the construction of aesthetic education in the new era is not only an important condition for shaping a good personality and an inevitable requirement for guiding people's better life in the new era, but also a theoretical basis for guiding the cultivation of innovative talents in the new era, and a real need for dealing with the misunderstanding of aesthetic education in the new era. As an important part of socialist cultural construction, aesthetic education can cultivate people's perception, acceptance and creativity of beauty, shape individual's lofty ideals and sentiments by purifying the soul and casting the soul, transform the objective world and beautify the subjective world according to the law of beauty, establish a beautiful world outlook, outlook on life and values, and promote people's quality promotion and all-round development. From the perspective of aesthetic education, we media's characteristics enable it to become a platform for teachers' teaching and students' learning at the same time. With the new changes shown by the relationship between the media and the audience, we media can become an effective carrier to enhance college students' aesthetic education, providing us with a good opportunity to enhance college students' aesthetic education effectively.
美育在人的教育和训练中起着重要的作用。在马克思主义美育观的指导下,研究新时代美育建设,既是塑造良好人格的重要条件,也是引导新时代人民美好生活的必然要求,也是指导新时代创新人才培养的理论基础,也是新时期处理美育误区的现实需要。美育作为社会主义文化建设的重要组成部分,可以培养人们对美的感知、接受和创造力,通过净化灵魂和铸魂来塑造个人的远大理想和情操,根据美的规律改造客观世界和美化主观世界,树立美丽的世界观、人生观和价值观,促进人的素质提升和全面发展。从美育的角度来看,自媒体的特点使其成为教师教学和学生学习的平台。随着媒体与受众关系的新变化,自媒体可以成为加强大学生美育的有效载体,为我们有效加强大学生美育提供了良好的机会。
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引用次数: 0
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European Journal for Philosophy of Religion
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