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Matylda Włodarczyk, Jukka Tyrkkö & Elżbieta Adamczyk (eds.). Multilingualism from manuscript to 3D: Intersections of modalities from medieval to modern times. New York: Routledge. 2023. ISBN 9781003166634. 274 pp. Matylda Włodarczyk, Jukka Tyrkkö & Elżbieta Adamczyk (eds.).从手稿到 3D 的多语言使用:从中世纪到现代的模式交叉。纽约:Routledge.2023.ISBN 9781003166634.274 pp.
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-11-12 DOI: 10.1080/00393274.2023.2261499
Zilong Zhong
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引用次数: 0
Jakub Przybył & Mirosław Pawlak. Personality as a factor affecting the use of language learning strategies: The case of university students . Cham: Springer Nature. 2023. ISBN 978-3-031-25254-9, (hardcover), ISBN 978-3-031-25257-0 (softcover) ISBN 978-3-031-25255-6 (ebook). xi + 210 pp. Jakub przybyov &pswlak米罗ł哦。人格是影响语言学习策略使用的因素:以大学生为例。Cham: Springer Nature. 2023。ISBN 978-3-031-25254-9(精装),ISBN 978-3-031-25257-0(软装)ISBN 978-3-031-25255-6(电子书)。
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-11-03 DOI: 10.1080/00393274.2023.2253290
Yabo Yan, Yong Mei
Click to increase image sizeClick to decrease image size Disclosure statementThe authors declare that they have no potential conflict of interest.Additional informationFundingThis work is supported by the Fund for the Humanities and Social Sciences sponsored by the Department of Education of Hubei Province (Grant No. 22Y002), the Provincial Teaching Reform Research Project in Hubei Province (Grant No. 2020319), and the Wuhan Educational Science Planning Project (Grant No. 2022ZG21).
点击增大图片尺寸点击减小图片尺寸声明作者声明他们没有潜在的利益冲突。项目资助:湖北省教育厅人文社会科学基金(批准号:22Y002)、湖北省省级教学改革研究项目(批准号:2020319)和武汉市教育科学规划项目(批准号:2022ZG21)。
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引用次数: 0
The feebleminded and unfit should not have babies – American eugenics in K.D. Alden’s A Mother’s Promise 弱智和不健康的人不应该生孩子——K.D.奥尔登《母亲的承诺》中的美国优生学
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-10-31 DOI: 10.1080/00393274.2023.2228831
Irina Rabinovich
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引用次数: 0
Andreas and the Cynewulfian poetic sociolect Andreas和cynewulian诗学家
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-10-29 DOI: 10.1080/00393274.2023.2251561
Paul Battles
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引用次数: 0
The language of Wealhtheow’s speech 韦斯利演讲的语言
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-10-29 DOI: 10.1080/00393274.2023.2251539
Leonard Neidorf, Nirada Chitrakara
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引用次数: 0
Developing a classification model for graphic devices in early printed books 开发早期印刷书籍中图形设备的分类模型
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-10-26 DOI: 10.1080/00393274.2023.2265985
Sirkku Ruokkeinen, Aino Liira, Mari-Liisa Varila, Otso Norblad, Matti Peikola
This article examines visual modes of information transmission in early modern English books. Images, tables, diagrams, and other graphic devices may be used to support or illustrate the text and to communicate information difficult or even impossible to convey via words alone. Previously established models of graphic representation generally focus either on individual devices or device types, or aim to construct taxonomies of present-day materials; little has been done to combine these approaches to create historical taxonomies of visual communication. This article presents a model for classifying graphic devices in early English print, 1473-1700, based on a cross-disciplinary review of previous scholarly work on graphic and visual devices, and discusses the methodology of constructing a taxonomy of devices suitable for historical, diachronic research.
本文考察了近代早期英语书籍中信息传递的视觉模式。图像、表格、图表和其他图形设备可用于支持或说明文本,并传达难以或甚至不可能仅通过文字传达的信息。以前建立的图形表示模型通常侧重于单个设备或设备类型,或旨在构建当今材料的分类;很少有人将这些方法结合起来,创建视觉传达的历史分类法。本文在对以往关于图形和视觉设备的学术研究进行跨学科回顾的基础上,提出了1473-1700年早期英语印刷中图形设备的分类模型,并讨论了构建适合历史、历时研究的设备分类法的方法。
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引用次数: 0
Widerständige Sprachpraxis und literarische Selbstermächtigung: Postmigrantische Perspektiven auf Ein- und Mehrsprachigkeit in Lena Goreliks Roman Wer wir sind (2021) 不满的语言实践和文学力量:莲娜·戈里克的小说《我们是怎样的》后移民视角
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-10-15 DOI: 10.1080/00393274.2023.2256365
Anna Rutka
ABSTRACTThis article analyses Lena Gorelik’s latest novel Wer wir sind (2021) in terms of cultural debates on postmigration diversity and multilin-gualism in modern Germany in recent years. The novel Wer wir sind can be read as a process of dealing with the family experience of migration, shown across generations, as well as the difficult process of learning German and settling into a culturally different context. The analysis of the novel focuses on linguistic and narratological means through which the opposition to the national concepts of monolingualism and the identity of migrants as ‘others’ is expressed. The process of learning German, the role of the German-speaking writer and multilingual identity are presented in the novel as strategies of opposition to the hegemonic national discourse. On the one hand, learning German and writing literary works in this language appear to be subversive activities in relation to oppressive cultural and social norms and acts of self-empowerment. On the other hand, literary images of linguis-tic resistance and self-determination are marked by an awareness of linguistic unattainability and uncertainty. ‘Mastering’ a language, as well as writing literature, is an ambivalent process and work in progress.KEYWORDS: Russian-Jewish-German proseLena Gorelikpost-migrationempowerment Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Den Begriff Dominanzkultur prägte Birgit Rommelspacher. Sie bezeichnet damit die Mehrheitsgesellschaft, d.h. den Teil einer Gesellschaft, der wegen seines größeren Anteils an der Gesamtbevölkerung die kulturelle, politische und gesellschaftliche Definitionsmacht für sich beansprucht (Rommelspacher Citation1995).2 Die Tendenz der selbstbewussten Performanz von Unterschieden, die in ,,einer Gesellschaft der Vielen“ zur ,,Grundlage des Zusammenlebens“ (Czollek Citation2017, 121) erklärt wird sowie die ,,Selbstermächtigung“ als Widerstand gegen eine Vereinnahmung durch die Mehrheitskultur stehen im Fokus der seit 2017 in Berlin erscheinenden Zeitschrift Jalta. Positionen zur jüdischen Gegenwart. Die erste Ausgabe der Zeitschrift trug den programmatischen Titel Selbstermächtigung (2017).3 Zur Kritik des Othering-Prozesses dem zufolge die Menschen und ihre Lebensgeschichten als Gegenbilder zu einer national/ethnisch abgegrenzten Mehrheitsgesellschaft verhandelt werden, vgl. den Aufsatz von Marina Chernivsky ,,Empowerment und Selbstermächtigung“ (Chernivsky Citation2017: bes. 54).4 An dieser Stelle sei kurz auf das prominente Beispiel von Katja Petrowskaja eingegangen: Petrowskaja gewann 2013 mit dem Ausschnitt aus ihrem Buch Vielleicht Esther (veröffentlicht 2014) den Ingeborg-Bachmann-Preis. Seitdem wurde der Prosatext in einer schier unübersehbaren Flut von internationalen literaturwissenschaftlichen Beiträgen u.a. im Hinblick auf die sprachlichen Übergänge und die Rolle der Mehrsprachigkeit diskutiert. Drei Jahre nach Petrowskajas Klagenfurter Erfolg
摘要本文从近年来现代德国关于移民后多样性和多语言主义的文化争论出发,分析了莱娜·戈雷利克的新作《我们在一起》(2021)。小说《我们在一起》可以被解读为一个处理跨代移民家庭经历的过程,以及学习德语和融入不同文化背景的艰难过程。对小说的分析主要集中在语言和叙事手段上,通过这些手段,对单一语言主义的国家概念和移民作为“他者”的身份的反对得以表达。学习德语的过程、讲德语的作家的角色和多语言身份在小说中被呈现为反对霸权民族话语的策略。一方面,学习德语和用这种语言写作文学作品似乎是与压迫性的文化和社会规范以及自我赋权行为有关的颠覆活动。另一方面,语言抵抗和自我决定的文学形象以语言的不可达性和不确定性为特征。“掌握”一门语言,以及写作文学,是一个矛盾的过程和工作的进展。关键词:俄-犹太-德裔律师selena Gorelikpost-migrationempowerment披露声明作者未报告潜在利益冲突。注1 Den Begriff dominanzkulr prägte Birgit Rommelspacher。[2]〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕〔1〕“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”,“未来发展趋势”position zur j<s:1> dischen gengenwart。2 .《科学与技术》(2017). Selbstermächtigung《其他方面的批判与进步》和《其他方面的批判与进步》,《其他方面的批判与进步》和《其他方面的批判与进步》,《其他方面的批判与进步》,《其他方面的批判与进步》。切尔尼夫斯基,“赋权与Selbstermächtigung”(Chernivsky Citation2017: bes)。54) 4。与此同时,研究人员还发现了一些新的问题,如:peter Petrowskaja gewann 2013; demdem Ausschnitt aus ihrem Buch Vielleicht Esther (veröffentlicht 2014) den ingeburg - bachmann - preis。在德国文学研究中,德国文学研究在国际文学研究中起着重要的作用Beiträgen与德国文学研究在德国文学研究中起着重要的作用Übergänge。2016年9月,在克拉根福尔,德国文学评论家和德国文学评论家在德国文学评论家和德国文学评论家在德国文学评论家和德国文学评论家在德国文学评论家和德国文学评论家在德国文学评论家和德国文学评论家在德国文学评论家。译:在德语中,语序为德语,语序为德语,语序为德语,语序为德语,语序为德语,语序为德语。《罗马人的出版》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人的文学》《罗马人》《罗马人的文学》《罗马人》《罗马人的文学》《罗马人》《罗马人的文学》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《罗马人》《阐释》《罗马人》德国巴赫曼文学研究中心:德国巴赫曼文学研究中心5 Max Czollek和andere Aktivist在柏林的Umfeld des Gorki剧院,entwickelten as Projekt der Desintegration, mitdem es eine grundlegende Revision des herkömmlichen Integrationsdenkens fordern。6 .“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”,“德国,意识形态-文化”[2] [j] .中国当代文学研究进展与发展[j] .中国当代文学研究。
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引用次数: 0
Old English hæleð and the authorship of The Dream of the Rood 古英语hæleð和《路之梦》的作者
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-09-26 DOI: 10.1080/00393274.2023.2253846
Na Xu
ABSTRACTThis article identifies and analyzes new evidence for the theory that The Dream of the Rood is a product of composite authorship. An examination of the attestations of the word hæleð in the corpus of Old English poetry reveals that vocative uses of this word are found only in The Order of the World, Judith, Andreas, Elene, and the second half of The Dream of the Rood. The restriction of the vocative use of hæleð to these works is shown to substantiate the theory of composite authorship for The Dream of the Rood and associate the poem’s second half with the Cynewulfian school of poetic composition.KEYWORDS: The Dream of the RoodhæleðauthorshipCynewulf AcknowledgmentsI thank Professor Leonard Neidorf, Zixuan Wei, Kexin Zhang, and Chenyun Zhu for reading this work in draft and assisting me with the composition of it.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 Among several dozen stylistic inconsistencies, three are especially salient and deserve mentioning at the outset: the disappearance of hypermetric lines (Fleming Citation1966: 55), longer and difficult-to-divide sentences (Lee Citation1972: 470), and the absence of vivid imagery (Burrow Citation1959: 132) in the second half of the poem.2 This edition was originally published in 1934. Scholars prior to them, Albert S. Cook for instance, also perceived that the poem contained interpolations, see Cook Citation1905: xlii.3 See Burrow (Citation1959: 130); Burlin (Citation1968: 42); Patten (Citation1968: 385); Lee (Citation1972); and Swanton (Citation1996: 77).4 See, for instance, Orton (Citation2000: 160); and Neidorf (Citation2016).5 See Hieatt (Citation1971).6 Citations of Old English poems refer to the editions of Krapp and Dobbie (Citation1931–53), The Anglo-Saxon Poetic Records. Translations of The Dream of the Rood are cited throughout from Clayton (Citation2013).7 In this note, Neidorf points out that in the second half of the poem ‘there is a steep decline in the incidence of verses that begin with a finite verb’ (95) and thus proposes that ‘at least two authors with distinct compositional tendencies contributed to its transmitted text’ (96).8 For the comprehensive data for hæleð, see Appendix.9 The translation is cited from Bjork (Citation2014).10 The translation is cited from Hamer (Citation2015).11 All translations of Andreas are cited from Clayton (Citation2013).12 The translation is cited from Bjork (Citation2013).13 See Timmer (Citation1966); Cassidy and Ringer (Citation1974: 346); Griffith (Citation1997: 47); and Orchard (Citation2006).14 See Bjork (Citation2013: x–xviii).15 For the identification of this frame and the conventional use of it, see Louviot (Citation2016: 163; Citation2018: 283–284). I would like to thank the anonymous referee for calling my attention to this point and making my argument stronger.16 See Kemble (Citation1840: 362–3); Thorpe (Citation1842: 501); Dietrich (Citation1865); and Cook (Citation1905: xl). How
摘要本文对《路之梦》是复合作者理论的新证据进行了识别和分析。对古英语诗歌语料库中关于hæleð这个词的证明的研究表明,这个词的感召用法只在《世界秩序》、《朱迪思》、《安德烈亚斯》、《埃琳》和《路之梦》的后半部分中被发现。这些作品对hæleð的称呼使用的限制证明了《路之梦》的复合作者理论,并将这首诗的后半部分与Cynewulfian诗歌创作学派联系起来。感谢Leonard Neidorf、Zixuan Wei、Kexin Zhang和Chenyun Zhu教授对我初稿的阅读和对我写作的帮助。披露声明作者未报告潜在的利益冲突。注1:在几十个文体上的不一致之处中,有三个特别突出,值得一开始就提到:诗的后半部分没有高韵律的线条(Fleming Citation1966: 55),句子较长且难以分割(Lee Citation1972: 470),以及缺乏生动的意象(Burrow Citation1959: 132)这个版本最初出版于1934年。在他们之前的学者,例如Albert S. Cook,也认为这首诗包含了内插,见Cook Citation1905: xlii.3参见Burrow (Citation1959: 130);柏林(Citation1968: 42);模式(Citation1968: 385);李(Citation1972);[3] [j]例如,参见Orton (Citation2000: 160);[5]参见Hieatt (Citation1971)古英语诗歌的引文参考克拉普和多比的版本(Citation1931-53),盎格鲁-撒克逊诗歌记录。《路之梦》的翻译引用自克莱顿(Citation2013)在这篇注释中,Neidorf指出,在这首诗的后半部分,“以限定动词开头的诗的发生率急剧下降”(95),因此提出“至少有两位具有不同创作倾向的作者为其传播的文本做出了贡献”(96)hæleð的综合数据见附录9,翻译引自Bjork (Citation2014)译文引自Hamer (Citation2015)《安德烈亚斯》的所有译本均引自克莱顿(Citation2013)译文引自比约克(Citation2013)参见Timmer (Citation1966);卡西迪和林格(Citation1974: 346);格里菲斯(引文1997:47);与果园(Citation2006).14参见Bjork (Citation2013: x-xviii).15关于此框架的识别及其常规使用,请参见Louviot (Citation2016: 163;Citation2018: 283 - 284)。我要感谢那位匿名推荐人,他使我注意到这一点,使我的论点更加有力参见Kemble (Citation1840: 362-3);索普(Citation1842: 501);迪特里希(Citation1865);库克(Citation1905: xl)。然而,1884年弗里德里克·阿道夫·艾伯特对塞纽伍尔夫的作者论提出了质疑,但埃伯特列举的塞纽伍尔夫诗歌一半以上的风格差异集中在《路之梦》的前半部分,这从另一个角度证明了塞纽伍尔夫的作者论是复合的。参见Cook (Citation1905: xxviii-xxix)参见Cook (Citation1905: 39);斯旺顿(引文1996:130)。关于这三首诗之间相似之处的说明,见《果园》(Citation2009)。本研究得到江苏省研究生科研与实践创新项目[KYCX22_0049]的支持。许娜,南京大学英语系成员,位于中国南京。
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引用次数: 0
The presence of Rome in medieval and early modern Britain: Texts, artefacts and beliefs 罗马在中世纪和近代早期英国的存在:文本、手工艺品和信仰
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-09-07 DOI: 10.1080/00393274.2023.2251550
Suzanne Penuel
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引用次数: 0
Multifunctionality of the discourse marker okay in spoken English: A sociolinguistic examination linked to age 英语口语中话语标记语的多功能性:与年龄相关的社会语言学检验
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-08-21 DOI: 10.1080/00393274.2023.2224831
Ljubica Leone
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引用次数: 0
期刊
STUDIA NEOPHILOLOGICA
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