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The happiness of the British working class 英国工人阶级的幸福
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-04 DOI: 10.1080/08905495.2023.2241267
Susan Zlotnick
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引用次数: 0
Melville’s other lives: bodies on trial in The Piazza Tales 梅尔维尔的其他生活:《广场故事》中受审的尸体
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-03 DOI: 10.1080/08905495.2023.2241271
Timothy Helwig
line. Genres do not evolve by natural selection: the unwritten plot is so significant in part because it preserves as potentially possible even that which is not currently accessible, challenging the realist order it has helped to establish. Different stories, and ways of telling, are dominant in different times, and few have been so thoroughly rejected that they could not and do not emerge again, modified but still recognizable. (Glatt 2022, 32)
线。体裁并不是自然选择的结果:未写出来的情节之所以如此重要,部分原因是它保留了那些目前还无法触及的潜在可能性,挑战了它帮助建立的现实主义秩序。不同的故事和讲述方式在不同的时代占主导地位,很少有人被彻底拒绝,以至于它们不能也不会再次出现,经过修改,但仍然可以辨认。(Glatt 2022, 32)
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引用次数: 2
The science of life and death in Frankenstein 《弗兰肯斯坦》中的生死科学
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-02 DOI: 10.1080/08905495.2023.2241276
Richard C. Sha
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引用次数: 0
Victorian metafiction 维多利亚元小说
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-02 DOI: 10.1080/08905495.2023.2241277
Alison Booth
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引用次数: 0
Narrative and its nonevents: the unwritten plots that shaped Victorian realism 叙事及其非事件:塑造维多利亚现实主义的不成文情节
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-08-01 DOI: 10.1080/08905495.2023.2241269
Suzanne Keen
Carra Glatt’s ebullient Narrative and its Nonevents announces through its rhyming title an affinity with D. A. Miller’s Narrative and its Discontents (1981). In that work one can find a description of nonnarratable events with no narrative future, incapable of generating story, and productively in tension with the narratable. While Miller famously investigated the traditional novel’s vexed relationship with its condition of possibilities and narratability, on the one hand, and the narrowing event of closure, on the other, Glatt plumbs the depths of the unrealized possibilities, deselected plotlines, and unwritten events of Victorian fiction. These nonexistent or counterfactual materials are not quite the absent presences of the deconstructive 1980s. They make up the ocean of story in which Victorian realist novels bob like icebergs, their relatively probable, nonidealized, verisimilar surfaces concealing vaster volumes of deselected genres, allegorical character types, implausible outcomes, and fantastical imaginary worlds that, though mainly unrepresented in the visible novels above, accrete below the waterline to preserve the buoyant powers of romance. Glatt discerns three major types of unwritten plot: shadow plots from the romance tradition that act as underplots to the main plots in works by Charles Dickens; proxy narratives (implied, unnarratable alternatives) to the main plots in sensation fiction by Mary Elizabeth Braddon and Wilkie Collins as well as in the psychological realism of late Henry James; and hypothetically realist unwritten plots in novels by Thomas Hardy and Elizabeth Gaskell— those that “expand the limits of narrative and social possibility... envision[ing] possibilities that are currently inaccessible but potentially attainable in an improved future” (Glatt 2022, 31). She illustrates the productive potentialities of her proposed categories of the unwritten plot in lively, extended interpretations of episodes from eleven Victorian novels and a recent Booker-prize winning novel, Paul Beatty’s The Sellout (2015). Briefer treatments of dozens of other (mostly English) novels from the eighteenth-century onwards convey both Glatt’s wide reading and her open-mindedness about the variety and worth of diverse fictions in many modes and genres. Though her subject is a phenomenon of Victorian realism, she has a capacious sense of works deserving of that label (by back-formation), and if her range of reference overlaps with a Leavisean Great Tradition, it extends that canon by eschewing snobby border-patrolling. To read Narrative and its Nonevents is to keep company with an enthusiastic novel-reader, informed but not limited by narratology and theories of the novel, acute in her judgments, occasionally hilarious, and possessed of a pungent prose style. Reading Victorian fiction over the shoulder of such an author invites critical conversation: indeed, Glatt addresses us genially as Dear Readers, the co-creators whose opinions and deci
卡拉·格拉特的热情洋溢的《叙述及其非事件》通过其押韵的标题与d·a·米勒的《叙述及其不满》(1981)相似。在那部作品中,人们可以找到对不可叙述的事件的描述,这些事件没有叙述的未来,无法产生故事,并且与可叙述的内容产生张力。米勒著名地研究了传统小说的复杂关系,一方面是可能性和可叙事性的条件,另一方面是封闭的狭窄事件,而格拉特则深入探究了维多利亚小说中未实现的可能性、未选择的情节线和未写的事件。这些不存在或反事实的材料并不完全是解构主义的20世纪80年代的缺席。它们构成了一个故事的海洋,维多利亚时代的现实主义小说就像冰山一样漂浮在其中,它们相对可能的、非理想化的、真实的表面隐藏着大量未经选择的体裁、讽喻的人物类型、令人难以置信的结果和幻想的想象世界,这些虽然在上面的可见小说中主要没有表现出来,但在水线以下积聚起来,以保持浪漫的浮力。Glatt区分了三种主要类型的未写情节:来自浪漫主义传统的影子情节,作为查尔斯·狄更斯作品中主要情节的潜在情节;玛丽·伊丽莎白·布莱登和威尔基·柯林斯的感觉小说以及亨利·詹姆斯后期的心理现实主义小说中主要情节的代理叙事(隐含的,不可叙述的替代);以及托马斯·哈代和伊丽莎白·盖斯凯尔小说中虚构的现实主义未写情节——这些情节“扩大了叙事和社会可能性的界限……设想目前无法实现,但在改善的未来有可能实现的可能性”(Glatt 2022, 31)。她对11本维多利亚时代的小说和最近获得布克奖的小说——保罗·比蒂的《出卖》(2015)中的情节进行了生动、深入的解读,展示了她提出的未写情节类别的生产潜力。对18世纪以来的其他几十部小说(主要是英语小说)的简要分析,既体现了格拉特的广泛阅读,也体现了她对多种模式和体裁的各种小说的多样性和价值的开放思想。虽然她的主题是维多利亚时代现实主义的现象,但她对作品的理解却很宽泛(通过反向形成),如果她的参考范围与里维斯的伟大传统重叠,那么她通过避免势利的边境巡逻来扩展了这一经典。阅读《叙事》和《非事件》是与一位热情的小说读者为伴,她了解小说的叙事学和理论,但不受其限制,她的判断敏锐,偶尔令人捧腹,并拥有辛辣的散文风格。在这样一位作家的肩膀上阅读维多利亚时代的小说,会引发批判性的对话:事实上,格拉特亲切地称呼我们为亲爱的读者,我们是共同的创作者,我们的观点和决定将参与想象小说及其解读的未来。这是我的两分意见。当Glatt写到旧的叙事形式和新占主导地位的现实主义之间的普遍斗争,这些斗争被视为“过去的遗迹”,被视为不成文的东西,或者是“贬低”现实主义的未来预兆(Glatt 2022, 32)时,我想到了雷蒙德·威廉姆斯关于剩余形式、主导形式和新兴形式的文化理论(1977,121 - 127)。威廉姆斯和米勒一样,都是《叙事及其非事件》的指导精神,正如格拉特写道:
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引用次数: 2
The fantasy of a Trans-Saharan railway: geographies of violence and the (in)visibility of colonialism 跨撒哈拉铁路的幻想:暴力的地理位置和殖民主义的可见性
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-27 DOI: 10.1080/08905495.2023.2213594
A. Dubois
as a utopia, an anti-economic folly? It will nonetheless remain – whether we can make it happen or not – one of the biggest conceptions of our time, and one day we will realize, maybe too late, that the wisest thing to do was to have the audacity to set about doing the Trans-saharan railway, when M. Duponchel suggested it, twelve years ago already].
作为一个乌托邦,一个反经济的愚蠢行为?尽管如此,它仍然是我们这个时代最大的概念之一,无论我们是否能实现它,总有一天我们会意识到,也许为时已晚,最明智的做法是大胆地开始修建横贯撒哈拉铁路,正如M.Duponchel在12年前提出的那样。
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引用次数: 0
Victorian women writers and the other Germany, cross-cultural freedoms and female opportunity 维多利亚女作家与其他德国人,跨文化自由与女性机会
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-27 DOI: 10.1080/08905495.2023.2219483
R. Whittle
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引用次数: 0
Climate change, interrupted: representation and the remaking of time 气候变化,中断:代表性和时间的重塑
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-27 DOI: 10.1080/08905495.2023.2219485
E. Miller
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引用次数: 0
Desperate remedies: psychiatry’s turbulent quest to cure mental illness 绝望的疗法:精神病学治疗精神疾病的动荡探索
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-27 DOI: 10.1080/08905495.2023.2219480
J. Boardman
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引用次数: 3
Strangers in the archive: literary evidence and London’s East End 档案中的陌生人:文学证据与伦敦东区
IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-27 DOI: 10.1080/08905495.2023.2219478
John Marriott
twentieth century American psychiatry. He views modern psychiatry as a Curate’s egg, good in places, and regrets that policy makers placed all their eggs in the one basket of neuroscience. He points to several problem areas for the future: political and public attitudes to the provision of welfare, an over reliance on the market, the lack of recognition of the social and political dimensions of mental health and the provision of mental health services, intra-professional obstacles with its public and, above all, a lack of political will. After his excellent historical exposé of American psychiatry, I would have liked him to provide a more robust epilogue to the book. Perhaps that is for another time.
二十世纪美国精神病学。他将现代精神病学视为Curate的鸡蛋,在某些地方很好,并对政策制定者将所有鸡蛋放在神经科学的一个篮子里感到遗憾。他指出了未来的几个问题领域:政治和公众对提供福利的态度、过度依赖市场、对心理健康的社会和政治层面以及心理健康服务的提供缺乏认识、与公众的专业内部障碍,最重要的是缺乏政治意愿。在他出色地揭露了美国精神病学的历史之后,我希望他能为这本书提供一个更有力的结语。也许这是另一次。
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引用次数: 0
期刊
Nineteenth-Century Contexts-An Interdisciplinary Journal
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