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Sister Gertrude Morgan: A Ministry of Divergence—Exhibit review 格特鲁德-摩根修女分歧之部--展览回顾
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2024-07-11 DOI: 10.1111/muan.12302
Lisa Katina Armstrong PhD

The discourse around Black History in Florida's public schools and public spaces has been notably controversial and in high demand in recent years. Black museums are few in the Tampa Bay area, making the Woodson African American History Museum in St. Petersburg, Florida, a community treasure. The Woodson Museum partnered with the Montague Collection, launching Women's History Month in March 2024 by featuring the “Sister Gertrude Morgan: A Ministry of Divergence” exhibition. This exhibit centers on religion, rhythms, and artistry. Sister Gertrude Morgan was an African American, New Orleans-based, multidisciplinary artist and street evangelist from the late 1950s to the mid-1970s. Morgan repurposed the streets into her muse, medium, pulpit, and exhibition space in a way that can serve as a Black museum praxis framework.

近年来,佛罗里达州公立学校和公共场所围绕黑人历史的讨论一直备受争议和追捧。坦帕湾地区的黑人博物馆很少,因此位于佛罗里达州圣彼得堡的伍德森非裔美国人历史博物馆成为社区的珍宝。伍德森博物馆与蒙塔古收藏馆合作,于 2024 年 3 月推出 "格特鲁德-摩根修女 "妇女历史月:分歧之部 "展览。该展览以宗教、节奏和艺术为中心。格特鲁德-摩根修女是 20 世纪 50 年代末至 70 年代中期在新奥尔良生活的非裔美国人,她是一位多学科艺术家和街头布道者。摩根将街道重新利用为她的缪斯、媒介、讲坛和展览空间,这种方式可以作为黑人博物馆的实践框架。
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引用次数: 0
Making kin is more than metaphor: Implications of responsibilities toward Indigenous knowledge and artistic traditions for museums 亲缘关系不仅仅是隐喻:对土著知识和艺术传统的责任对博物馆的影响
IF 0.4 Q1 Arts and Humanities Pub Date : 2024-05-31 DOI: 10.1111/muan.12283
Gwyneira Isaac, Klint Burgio‐Ericson, Lea McChesney, Adriana Greci Green, Karen Kahe Charley, Kelly Church, Renee Wasson Dillard
Many Indigenous communities do not regard objects as inanimate, but rather as animate kin. Based on our work as a collaborative group of museum coordinators and Hopi, Anishinaabe, and Penobscot artists, we explore narratives and kinship concepts emerging from working with collections of baskets and pottery. We question how recent theoretical conceptualizations of kinship have become overly rhetorical and, therefore, risk diminishing the tangible responsibilities that Indigenous knowledge systems teach. We explore how the new social networks forged through collaborative practices implicate museum personnel in kinship‐like relationships, which raises the question: What are the critical lessons museums can learn from the work of making and sustaining kin? Conventional western museology rarely contemplates these imperatives. The implications for museums that come with recognizing such networks are not only about conceptualizing kin in new ways, but also developing shared ethical protocols and responsibilities toward Indigenous knowledge and the environment over multiple generations.
许多原住民社区并不将物品视为无生命的,而是将其视为有生命的亲属。根据我们作为博物馆协调员与霍皮族、阿尼西纳比族和佩诺布斯科特族艺术家合作小组的工作,我们探讨了从篮子和陶器藏品中产生的叙事和亲属关系概念。我们质疑近来关于亲属关系的理论概念如何变得过于修辞化,从而有可能削弱土著知识体系所教导的实际责任。我们探讨了通过合作实践形成的新的社会网络如何将博物馆人员卷入类似亲属的关系中,这就提出了一个问题:博物馆可以从建立和维系亲属关系的工作中学到哪些重要经验?传统的西方博物馆学很少考虑这些必要因素。认识到这种网络对博物馆的影响不仅在于以新的方式对亲属关系进行概念化,还在于制定共同的伦理协议,以及对土著知识和多代环境的责任。
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引用次数: 0
African American heritage space: The plight to build a home for history 非裔美国人遗产空间:为历史建造家园的困境
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2024-05-22 DOI: 10.1111/muan.12293
Alisha R. Winn PhD

With one African American museum in the county, many heritage organizations have attempted to build a museum to house artifacts and present community narratives for years. This commentary describes heritage organizations' efforts to establish a museum in a South Florida city.

由于该郡只有一座非裔美国人博物馆,许多遗产组织多年来一直试图建立一座博物馆,用于收藏文物和展示社区故事。这篇评论描述了遗产组织在南佛罗里达州一个城市建立博物馆的努力。
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引用次数: 0
Visual narrative research: African American cemeteries in Alachua County, Florida 视觉叙事研究:佛罗里达州阿拉瓜县的非裔美国人墓地
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2024-05-15 DOI: 10.1111/muan.12292
Queenchiku Ngozi DBA

Ella Spencer (my mom) was born in 1908 and died in 2002. She once told me that people of color were treated worse than farm animals, especially when they died. “They didn't get funeral rites like White folks,” she said. I contend the problem is that no one is keeping vital records such as photographs, maps, and burial ledgers of where African Americans were buried. After numerous years, several American states, cities, and counties had reported bountiful discoveries of unknown African American remains of all ages during constructions or demolitions. In 2023, more than a few news outlets were continuously reporting the findings of African American remains from beneath buildings, parking lots, overgrown vegetation, and woods. This qualitative research project was based on digital archival data research methodology and theoretical visual anthropology framework adding creativity components (e.g., photography, painting, and photo bashing technique) to effectively collect data of Alachua County, Florida African American cemeteries. This paper aims to add to the academic literature and fill the gap in African American life after death acknowledgment. In conclusion, this is a project that has many branches that need to be researched to get the whole story of African American cemeteries' survival.

艾拉-斯宾塞(我母亲)生于 1908 年,死于 2002 年。她曾告诉我,有色人种受到的待遇比农场里的牲畜还差,尤其是当他们死后。"她说:"他们没有白人那样的葬礼仪式。我认为,问题在于没有人保存非裔美国人埋葬地点的重要记录,如照片、地图和墓葬分类账。许多年后,美国一些州、市和县报告说,在建筑或拆迁过程中发现了大量不知名的非裔美国人遗骸。2023 年,多家新闻媒体连续报道了在建筑物、停车场、杂草丛生的植被和树林下发现非裔美国人遗骸的消息。本定性研究项目以数字档案数据研究方法和视觉人类学理论框架为基础,增加了创意元素(如摄影、绘画和照片粉碎技术),以有效收集佛罗里达州阿拉瓜县非裔美国人墓地的数据。本文旨在为学术文献添砖加瓦,填补非裔美国人死后生活认知方面的空白。总之,这是一个有许多分支需要研究的项目,以了解非裔美国人墓地生存的整个故事。
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引用次数: 0
Empowering African-American museums: The vital role of black museum anthropologists in grantmaking 增强非裔美国人博物馆的能力:黑人博物馆人类学家在捐赠中的重要作用
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2024-05-08 DOI: 10.1111/muan.12291
Leslie P. Walker

Many African American museums face financial constraints and need resources to preserve their collections, create exhibits, and offer educational programs. Grant funding is crucial for the sustainability of these museums. Black anthropologists are essential in grant writing because they provide their extensive knowledge of African American history and culture to help museums develop compelling narratives that resonate with grant funders. Additionally, Black anthropologists are needed as reviewers of grant proposals. By leveraging their unique insights from professional training and personal experiences, Black anthropologists can champion the cause of these museums in the grant-making process. Their expertise allows them to assess proposals from a culturally sensitive perspective, considering the unique needs, goals, and challenges African American museums face. This essay highlights the significant contributions of Black anthropologists who have advocated for and strengthened grant applications from African American museums, ensuring that they align with the mission and vision of the grant-making institutions. By helping African American museums secure grant support, Black anthropologists also convey the significance and value of other African American museums.

许多非裔美国人博物馆面临财政困难,需要资源来保存藏品、制作展品和提供教育项目。拨款对于这些博物馆的可持续发展至关重要。黑人人类学家在撰写赠款申请时至关重要,因为他们可以提供有关非裔美国人历史和文化的广泛知识,帮助博物馆编写引人入胜的叙事,引起赠款资助者的共鸣。此外,还需要黑人人类学家担任赠款提案的评审员。黑人人类学家可以利用他们从专业培训和个人经历中获得的独特见解,在拨款过程中为这些博物馆的事业提供支持。他们的专业知识使他们能够从文化敏感的角度评估提案,考虑非裔美国人博物馆的独特需求、目标和面临的挑战。这篇文章重点介绍了黑人人类学家的重大贡献,他们为非裔美国人博物馆的赠款申请提供了支持和帮助,确保这些申请符合赠款机构的使命和愿景。通过帮助非裔美国人博物馆获得拨款支持,黑人人类学家还传达了其他非裔美国人博物馆的意义和价值。
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引用次数: 0
Black cemeteries as archives 作为档案的黑人墓地
IF 0.7 Q3 ANTHROPOLOGY Pub Date : 2024-05-08 DOI: 10.1111/muan.12290
Elgin L. Klugh PhD

This commentary argues for the recognition and preservation of historic black cemeteries as primary components within associated archival networks. Such networks include death certificates, historic newspapers, maps, church records, oral histories, and a host of other conventional and nonconventional sources. These sources, when viewed in tandem, work to corroborate and provide insights into other sources and spur new investigations. As the primary components of such networks, both extant cemeteries and burial grounds hidden within the landscape can be utilized as active sites for research, education, and commemoration. This place-based remembrance encourages the identification and retrieval of local histories and works to increase the number of individuals interested and involved in preservation efforts.

这篇评论主张承认并保护黑人历史墓地,将其作为相关档案网络的主要组成部分。这些网络包括死亡证书、历史性报纸、地图、教堂记录、口述历史以及大量其他常规和非常规资料来源。将这些资料串联起来看,可以对其他资料进行确证和深入了解,并促进新的调查。作为这种网络的主要组成部分,现存的墓地和隐藏在景观中的墓地都可以作为研究、教育和纪念活动的积极场所。这种以地方为基础的纪念活动鼓励识别和检索地方历史,并致力于增加对保护工作感兴趣和参与保护工作的人数。
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引用次数: 0
Rethinking heritage for sustainable development By Sophia Labadi, London: UCL Press. 2022. 256 pages. $45 (paperback). ISBN: 9781800081932; $0 (ebook). ISBN: 9781800081925 为可持续发展重新思考遗产 SophiaLabadi 著,伦敦:UCL Press.2022.256 页。45美元(平装本)。ISBN:9781800081932;0 美元(电子书)。ISBN: 9781800081925
IF 0.4 Q1 Arts and Humanities Pub Date : 2024-03-15 DOI: 10.1111/muan.12287
Christopher Hernandez

Sophia Labadi begins her book by asking us to consider why of the United Nations 17 Sustainable Development Goals (SDGs)—which include a total of 169 sub-goals—only one (Target 11.4) directly mentions culture and heritage. The singular recognition aims at strengthening “efforts to protect and safeguard the world's cultural and natural heritage…” to create more inclusive, safe, resilient, and sustainable human settlements (p. 2). Although this aim is worthwhile, Labadi draws from her extensive field experience and body of published works to highlight the pitfalls in this approach. Culture, and by extension heritage, are resources for development, though, as she fully demonstrates in the book, ones that need to be considered in greater depth to actually increase well-being for peoples across the globe. Labadi supports her argument by examining how culture and heritage were employed in projects funded as part of the UN Millenium Development Goals Achievement Fund (MDG-F). Each project had varying lengths but took place within a 5-year span (2008–2013). The MDG-F, which included support for “Culture and Development” projects, was established by the Spanish government to help achieve the Millenium Development Goals, which are a precursor to the SDGs. She applies her analytical focus to examine projects in Ethiopia, Mozambique, Namibia, and Senegal. Labadi's aim through the case studies is “to understand whether and how heritage has contributed the three key dimensions of sustainable development (namely poverty reduction, gender equality and environmental sustainability) within the context of its marginalisation from the SDGs and from previous international development agendas” (p. 3).

The book is organized as a historical and conceptual overview of cultural approaches to development, namely at UNESCO, followed by an analysis of the case studies. After the introduction, Labadi examines, in Chapters 2 and 3, how UNESCO and its partner institution, the World Bank, have historically engaged with culture in their broader development agendas. She begins her discussion in the 1970s with the efforts of postcolonial nations to have their national and cultural sovereignty recognized at the international level. This section concludes by demonstrating how the emphasis on culture for (sustainable) development expanded in the 2000s. Labadi also highlights how the limited attention given to culture or heritage in the SDGs was due, in large part, to political machinations of various parties, including the United States and UNESCO Director-General Irina Bokova. Bokova created a crisis during her administration by recognizing Palestine as a member state. As a result, to appease the United States and strengthen her case for becoming UN Secretary General, Bokova, did not motivate UNESCO to lobby for greater inclusion of culture in the SDGs. By the first decade of the new millennium, culture had become a “politicized” term that United States delegates and those f

因此,拉巴迪所分析的项目中采用了许多创新的、自下而上的方法,包括对居住在文化遗址或遗址附近的居民进行培训并与他们合作。通过这种能力建设过程,取得了一些小规模的成果,例如莫桑比克的旅游经营者认为自己更有能力担任导游,或者至少可以利用他们在联合国教科文组织接受的培训进行广告宣传。然而,拉巴迪谨慎地强调,旅游遗产项目的重点仍然是吸引外国游客(通常是西方游客),在与生活在遗产地或遗产地附近的人们接触时,他们的参与是浮躁的。拉巴迪展示了她所研究的每一个项目,无论它们声称要实现联合国千年发展目标中的哪一个目标,往往都无法实现真正的合作。例如,在第 6 章中,她讨论了在每个项目开始时,性别是如何被二元对立的、以欧洲为中心的定义的。因此,男人和女人(或男性和女性)被视为固定的类别,任何基于当地文化的性别认同理解都被抹杀或排除在外。因此,旨在促进性别平等的项目都侧重于增强 "妇女 "的权能。拉巴迪认为,即使在这种以欧洲为中心的框架下,发展项目也可以找到合作和促进福祉的途径。例如,在莫桑比克开展的一项重要工作就是通过讨论非物质遗产,特别是寡妇洁身的习俗来防治艾滋病毒/艾滋病。本案例研究的独特之处在于,这些重要的讨论是由当地人通过自己的方式进行的,如广播电台和口口相传。因此,生活在莫桑比克伊尼扬巴内省的人们决定改变他们的寡妇净化习俗,用草药和水代替性作为净化剂。尽管在莫桑比克取得了成功,但拉巴迪考察过的每个发展项目都采用了自上而下的结构,这通常会排斥本应得到帮助的人们的声音和观点。例如,塞内加尔提供了能力建设机会,但妇女的参与却很有限。这在很大程度上是由于不承认妇女在社区中的其他角色,如看护人,这使得她们很难参加培训活动。第 7 章简明扼要地总结了保护环境(或通常简单地称为自然)必须与文化相结合。拉巴迪强调,将自然与文化割裂开来是错误的,她展示了生活在贫困中的人们是如何从事偷猎和砍伐森林活动的,如果这些活动是缓解他们困境的少数可用手段的话。然而,她也谨慎地指出,可持续发展的方法必须是多领域的。人们常常把环境恶化归咎于当地人,而忽略了更广泛的地缘政治和经济力量是如何影响非洲和全球其他地区的决策的。塞内加尔萨卢姆三角洲的情况就是如此。长期以来,渔业一直是该地区文化的重要组成部分,国家开发商认为手工渔业旅游业的发展可带来潜在的经济效益。然而,人们担心以捕鱼为基础的旅游经济会导致过度捕捞。当地人很快指出,自从塞内加尔沿海开始工业化捕鱼以来,该地区的鱼类数量一直在减少。拉巴迪有力地证明了自上而下的发展项目往往无法实现其既定目标,因为这些项目强加了一种新殖民主义结构,抹杀并剥夺了当地人民的权利。因此,她在书中呼吁采用更多自下而上的合作发展方法,并在结论中强调了这一点。生活在发展项目实施地的人们不仅应该被征求意见,还必须成为这些项目的积极合作伙伴。在此基础上,拉巴迪的研究提供了经验证据,证明国际发展模式的彻底颠覆是有道理的。这一进程不应由联合国、外国运营商或非政府组织以及民族国家来控制,而应由更多的地方团体来推动和完成。
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引用次数: 0
From Lapland to Sápmi: Collecting and returning Sámi craft and culture By Barbara Sjoholm, Minneapolis, MN: University of Minnesota Press. 2023 从拉普兰到萨米:收藏和回归萨米工艺与文化 BarbaraSjoholm 著,明尼苏达州明尼阿波利斯:明尼苏达大学出版社。2023
IF 0.4 Q1 Arts and Humanities Pub Date : 2024-03-08 DOI: 10.1111/muan.12288
Emily Mayagoitia
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引用次数: 0
Excavating Whiteness in the African Archive: The Story of Amandus Johnson's 1920s Expedition to Angola for the Penn Museum 在非洲档案中发掘白人:阿曼达斯-约翰逊 20 年代为宾夕法尼亚博物馆远征安哥拉的故事
IF 0.4 Q1 Arts and Humanities Pub Date : 2024-03-03 DOI: 10.1111/muan.12285
Monique Scott PhD

As we further seek to “decolonize” museum images of Africa, the museum archives of African Collections—the correspondence, ledgers, diaries, photographs, and other documents of White explorers working in Africa—suture the colonial practices that produced ways of seeing Africa—and Blackness more broadly—back onto the objects that museums maintain and display today. As increasing scholarly attention seeks to rectify the anti-Black colonial violence of the archive, this research aims to situate the pedestrian colonial ethnographic practices and spectacular African explorer mythmaking found in museum archives within the foundation of museum anthropology and the museum itself. It also looks to the possibilities of contemporary museum practice to reframe and repair colonial museum constructions of Africa.

当我们进一步寻求 "非殖民化 "博物馆中的非洲形象时,博物馆中的非洲收藏档案--在非洲工作的白人探险家的通信、分类账、日记、照片和其他文件--将产生非洲--以及更广泛意义上的黑人观看方式的殖民主义实践缝合到今天博物馆保存和展示的物品上。随着越来越多的学者试图纠正档案中的反黑人殖民暴力,本研究旨在将博物馆档案中的殖民人种学实践和非洲探险家的壮观神话置于博物馆人类学和博物馆本身的基础之中。研究还着眼于当代博物馆实践的可能性,以重构和修复殖民时期博物馆对非洲的建构。
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引用次数: 0
Museum families: Canadian kinship and material culture 博物馆家庭:加拿大的亲属关系和物质文化
IF 0.4 Q1 Arts and Humanities Pub Date : 2024-02-25 DOI: 10.1111/muan.12282
Jessaca B. Leinaweaver

Understanding and documenting the ways that objects become entangled in, produce, sustain, and rupture family relations are crucial contributions of museum studies to anthropological kinship theory. This article analyzes a Canadian exhibit entitled “Family: Bonds and Belonging,” developed in response to Canada's 150th anniversary, in 2017, by a British Columbia provincial museum, then brought to Canada's national immigration museum in Nova Scotia in 2019. The article demonstrates how curators invite objects to narrate kinship, and entangle visitors as theoretical accomplices, all while building national projects. Layered concepts of “family” plays a central role in this exhibit, simultaneously introducing “family” as complex, diverse, and varied while also reproducing middle-class conventions of family. I argue that this contradiction partly undercuts the representational content of the exhibit, and that the simultaneous multivalence and ideological uniformity of family in this setting points to how museum practices and procedures can unintentionally reproduce conventional ideas that implicitly counter curatorial work.

了解和记录物品与家庭关系纠缠、产生、维持和破裂的方式,是博物馆研究对人类学亲属关系理论的重要贡献。本文分析了加拿大一个名为 "家庭:纽带与归属 "的展览:纽带与归属 "的加拿大展览,该展览于 2017 年由不列颠哥伦比亚省的一家省级博物馆为庆祝加拿大建国 150 周年而举办,随后于 2019 年被带到位于新斯科舍省的加拿大国家移民博物馆。文章展示了策展人如何邀请物品叙述亲缘关系,并将参观者作为理论上的帮凶,同时建设国家项目。分层的 "家庭 "概念在该展览中发挥了核心作用,在介绍 "家庭 "的复杂性、多样性和多变性的同时,也再现了中产阶级对家庭的约定俗成。我认为,这一矛盾部分削弱了展览的代表性内容,而且在这一环境中,家庭的多重性和意识形态的统一性同时指出了博物馆的实践和程序如何能够无意中再现传统观念,从而暗中对抗策展工作。
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引用次数: 0
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Museum Anthropology
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