Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18654
Nayeli G. Jiménez Cano, C. V. Lorenzo
La Blanca is an urban settlement located in the department of Petén, Guatemala. The site played an important role due to its strategic location alongside the Mopán River basin. This paper presents results of the zooarchaeological studies conducted on this archaeological site during the Classic Terminal period (850-1000 A.D.), a time of social upheaval in which the elite of La Blanca left the city and new inhabitants occupied the rooms of its monumental palaces. The animal remains analyzed came from the excavation of the south wing of Palace 6J2 at the Acropolis and represent a unique opportunity to understand the faunal use and management in a period of social and economic crisis. The animals deposited in these rooms pointed to the ritual character of the assemblage as well as the importance of the nearby environment as a means of providing resources for subsistence. The study of the archaeofaunal assemblages represents a first approach to provide clues about the economic importance of the animals and their role in ritual activities during a so debated period in Maya history as the Terminal Classic in the Lowlands.
{"title":"Rituales de terminación y consumo en el Palacio 6J2 de La Blanca: una perspectiva zooarqueológica del Clásico Terminal en el Petén guatemalteco","authors":"Nayeli G. Jiménez Cano, C. V. Lorenzo","doi":"10.19130/IIFL.ECM.57.2021.18654","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18654","url":null,"abstract":"La Blanca is an urban settlement located in the department of Petén, Guatemala. The site played an important role due to its strategic location alongside the Mopán River basin. This paper presents results of the zooarchaeological studies conducted on this archaeological site during the Classic Terminal period (850-1000 A.D.), a time of social upheaval in which the elite of La Blanca left the city and new inhabitants occupied the rooms of its monumental palaces. The animal remains analyzed came from the excavation of the south wing of Palace 6J2 at the Acropolis and represent a unique opportunity to understand the faunal use and management in a period of social and economic crisis. The animals deposited in these rooms pointed to the ritual character of the assemblage as well as the importance of the nearby environment as a means of providing resources for subsistence. The study of the archaeofaunal assemblages represents a first approach to provide clues about the economic importance of the animals and their role in ritual activities during a so debated period in Maya history as the Terminal Classic in the Lowlands.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44866641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18660
Pedro E. Nahuat, Indira Angélica Estrada Riaño, Flor Peraza Romero, Michael Oswaldo Uitzil Colli, Rommel Adán Basora Dorantes, Soemy de los Ángeles Buenfil Morales
The relationship between Mexican ethnic groups and wildlife is known by its use for nutritional and medicinal purposes. Particularly, in the Maya culture ornamental and ceremonial uses have been attributed to the fauna. Similarly, different beliefs, stories and legends have been developed around it. The studies conducted to document these relationships in the state of Yucatan are scarce; therefore this work was raised to determine the uses and beliefs of the wildlife in the Maya town of Zavala. 174 semi-structured interviews were conducted among men and women of different ages. The significant species were then divided into seven categories of use: food, medicine, pets, ornamental, ceremonial, mythical, and ominous. 54 species related with the worldview of the residents were identified, and divided into three classes, 20 orders, 38 families, and 54 genera. The birds were the most represented with 30 species, followed by Mammalia class with 19, and Reptilia with 5. Mammals were the group with the highest general use index. With this work, it was concluded that the inhabitants of Zavala preserve in their daily activities the ancestral uses and knowledge of the wildlife. Likewise, the information collected contributes to the knowledge of ethnozoology in Yucatán.
{"title":"Conocimiento y aprovechamiento tradicional de vertebrados silvestres en la comunidad maya de Zavala, municipio de Sotuta, Yucatán, México","authors":"Pedro E. Nahuat, Indira Angélica Estrada Riaño, Flor Peraza Romero, Michael Oswaldo Uitzil Colli, Rommel Adán Basora Dorantes, Soemy de los Ángeles Buenfil Morales","doi":"10.19130/IIFL.ECM.57.2021.18660","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18660","url":null,"abstract":"The relationship between Mexican ethnic groups and wildlife is known by its use for nutritional and medicinal purposes. Particularly, in the Maya culture ornamental and ceremonial uses have been attributed to the fauna. Similarly, different beliefs, stories and legends have been developed around it. The studies conducted to document these relationships in the state of Yucatan are scarce; therefore this work was raised to determine the uses and beliefs of the wildlife in the Maya town of Zavala. 174 semi-structured interviews were conducted among men and women of different ages. The significant species were then divided into seven categories of use: food, medicine, pets, ornamental, ceremonial, mythical, and ominous. 54 species related with the worldview of the residents were identified, and divided into three classes, 20 orders, 38 families, and 54 genera. The birds were the most represented with 30 species, followed by Mammalia class with 19, and Reptilia with 5. Mammals were the group with the highest general use index. With this work, it was concluded that the inhabitants of Zavala preserve in their daily activities the ancestral uses and knowledge of the wildlife. Likewise, the information collected contributes to the knowledge of ethnozoology in Yucatán.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43293516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18659
Fredy Alfonso Ochoa Fonseca, Eduardo Bello Baltazar, E. E. Lugo, C. Z. Lomelí, Gloria Mariel Suárez Gutiérrez
The matrilocal system of residence of the Lacandons of Lacanjá Chansayab, Chiapas, has been described by several authors as a fundamental cultural element that is still conserved. This system is associated to the social reproduction of the ethnic group and the sustainability of the Lacandon jungle. This form of organization transcends the residence group and combines the domestic group and the family. Through ethnography, this research shows how this form of organization, called vejo’ovex, has changed towards ambilocality. The article aims to discuss the causes and implications of such change which is framed in the theory of cultural control, focused on the material elements associated with territory and home. Three triggers of change are identified, the sedentary and subsequent land titling in the 70s, the immigration of Lacandons from other areas, and the conformation of family businesses dedicated to ecotourism. Among the conclusions found, the elements: territory, vejo’ovex and work, transit between appropriated culture to alienated culture, linked with transformations in the concepts of inheritance, property, residence, and family.
{"title":"Cambios en el sistema de residencia, los grupos domésticos y la familia en Lacanjá Chansayab desde la teoría de control cultural","authors":"Fredy Alfonso Ochoa Fonseca, Eduardo Bello Baltazar, E. E. Lugo, C. Z. Lomelí, Gloria Mariel Suárez Gutiérrez","doi":"10.19130/IIFL.ECM.57.2021.18659","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18659","url":null,"abstract":"The matrilocal system of residence of the Lacandons of Lacanjá Chansayab, Chiapas, has been described by several authors as a fundamental cultural element that is still conserved. This system is associated to the social reproduction of the ethnic group and the sustainability of the Lacandon jungle. This form of organization transcends the residence group and combines the domestic group and the family. Through ethnography, this research shows how this form of organization, called vejo’ovex, has changed towards ambilocality. The article aims to discuss the causes and implications of such change which is framed in the theory of cultural control, focused on the material elements associated with territory and home. Three triggers of change are identified, the sedentary and subsequent land titling in the 70s, the immigration of Lacandons from other areas, and the conformation of family businesses dedicated to ecotourism. Among the conclusions found, the elements: territory, vejo’ovex and work, transit between appropriated culture to alienated culture, linked with transformations in the concepts of inheritance, property, residence, and family.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49563824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18663
Martha Ilia Nájera Coronado
{"title":"In Memoriam María del Carmen Valverde Valdés (1962-2020)","authors":"Martha Ilia Nájera Coronado","doi":"10.19130/IIFL.ECM.57.2021.18663","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18663","url":null,"abstract":"","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":"57 1","pages":"317-322"},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48198284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18656
Cédric Becquey
The writing-image association is one of the fundamental characteristics of art in pre-Columbian Mesoamerica. This combination was particularly developed and used by the Maya for almost 20 centuries. Far from constituting only an artistic process, the joint use of these two modes of visual communication allowed the transcription of a very complex symbolic thought and was one of the main tools of the propaganda of the (political) power of the Maya elites. In this article, the main principles that govern the pre-Hispanic Maya scriptural and iconological systems will be exposed, especially insisting on the continuum comprised by text and image in their artistic expressions. Here will be particularly examined and discussed the swinging and mixing games between iconic or non-iconic figurativeness and symbolism in the construction of the signs used to generate meanings with which they entertain relationships of different kinds, often metaphorical, based on cultural conventions, rich of teachings for our understanding of the ancient Maya.
{"title":"Artes gráficas mayas precolombinas: consideraciones semióticas sobre el continuo escritura-imagen","authors":"Cédric Becquey","doi":"10.19130/IIFL.ECM.57.2021.18656","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18656","url":null,"abstract":"The writing-image association is one of the fundamental characteristics of art in pre-Columbian Mesoamerica. This combination was particularly developed and used by the Maya for almost 20 centuries. Far from constituting only an artistic process, the joint use of these two modes of visual communication allowed the transcription of a very complex symbolic thought and was one of the main tools of the propaganda of the (political) power of the Maya elites. In this article, the main principles that govern the pre-Hispanic Maya scriptural and iconological systems will be exposed, especially insisting on the continuum comprised by text and image in their artistic expressions. Here will be particularly examined and discussed the swinging and mixing games between iconic or non-iconic figurativeness and symbolism in the construction of the signs used to generate meanings with which they entertain relationships of different kinds, often metaphorical, based on cultural conventions, rich of teachings for our understanding of the ancient Maya.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49530093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18655
E. Heredia, Péter Bíró, Sylviane Boucher Le Landais
In this paper we present a review about the murals located in the Temples of the Descending God (Temple 5) and the Frescos (Temple 16) at the pre-Columbian city of Tulum, Quintana Roo. We first study some of the characters dressed as gods, as Chahk, K’awil, Quetzalcóatl, and Xólotl. Secondly, we analyze the ritual paraphernalia, mostly composed of ceramic objects in the form of effigy urns, incense burners, idols, containers with offerings of corn in different preparations, and large jars used to contain liquids, presenting correspondences with the archaeological record. Afterwards, we analyze the intertwined serpents, as well as the vegetal elements that we identify with the flower and fruits of balché tree. Finally, these data are integrated in order to interpret the meaning of the Tulum murals in relation to the practice of bending over the maize stalks in the autumn, and also to the first fruits harvest, which coincides with the flowering of the balché tree and the beginning of the harvest of tajonal honey in Yucatán.
在本文中，我们对位于金塔纳罗奥州图伦市前哥伦布时期的降下神神庙(神庙5)和壁画(神庙16)的壁画进行了回顾。我们首先研究了一些装扮成神的角色，如Chahk, K 'awil, Quetzalcóatl和Xólotl。其次，我们分析了仪式用具，主要是由陶制物品组成的雕像瓮，香炉，偶像，装有不同准备的玉米的容器，以及用于盛放液体的大罐子，与考古记录相对应。然后，我们分析了缠绕在一起的蛇，以及我们认同的植物元素，balch树的花和果实。最后，将这些数据整合起来，以解释图卢姆壁画的含义，这些壁画与秋天弯腰弯腰的玉米秸秆有关，也与第一次收获的果实有关，这与balch树的开花和Yucatán的tajonal蜂蜜的收获开始相吻合。
{"title":"Maíz y balché. Una revisión de la iconografía de los murales de Tulum","authors":"E. Heredia, Péter Bíró, Sylviane Boucher Le Landais","doi":"10.19130/IIFL.ECM.57.2021.18655","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18655","url":null,"abstract":"In this paper we present a review about the murals located in the Temples of the Descending God (Temple 5) and the Frescos (Temple 16) at the pre-Columbian city of Tulum, Quintana Roo. We first study some of the characters dressed as gods, as Chahk, K’awil, Quetzalcóatl, and Xólotl. Secondly, we analyze the ritual paraphernalia, mostly composed of ceramic objects in the form of effigy urns, incense burners, idols, containers with offerings of corn in different preparations, and large jars used to contain liquids, presenting correspondences with the archaeological record. Afterwards, we analyze the intertwined serpents, as well as the vegetal elements that we identify with the flower and fruits of balché tree. Finally, these data are integrated in order to interpret the meaning of the Tulum murals in relation to the practice of bending over the maize stalks in the autumn, and also to the first fruits harvest, which coincides with the flowering of the balché tree and the beginning of the harvest of tajonal honey in Yucatán.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43579242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-27DOI: 10.19130/IIFL.ECM.57.2021.18661
José Alejos García
{"title":"Gabriela Eugenia Rodríguez Ceja (editora). Pueblos mayas en el siglo XXI. Desigualdades, transformaciones y retos. México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Filológicas, 2019, 314 pp. ISBN: 978-607-30-1696-4.","authors":"José Alejos García","doi":"10.19130/IIFL.ECM.57.2021.18661","DOIUrl":"https://doi.org/10.19130/IIFL.ECM.57.2021.18661","url":null,"abstract":"","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":"57 1","pages":"307-310"},"PeriodicalIF":0.2,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45310997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-29DOI: 10.19130/iifl.ecm.2020.56.2.0004
M. J. Nájera, Mariana Castellanos
The visual language of the paintings has undergone a theoretical and pragmatic process, which is different than that of textual linguistics. In this paper we propose a method of analysis based on semiotics to elucidate and compare the visual response of six paintings of the pre-Columbian Maya Dresden Codex. The Venus table was chosen because it presents a calendrical-astronomical message through a visual language that makes its interpretation complex. We consider that the visual semiotics of the Quebec School represented by Saint-Martin and Shannon´s entropic comparison of the Venus table paintings may be applied to both classical and contemporary pictorial works to support the work of art historians.
{"title":"Elucidating the Visual Language of the Venus Table in the Dresden Codex: A Visual Semiotics Approach","authors":"M. J. Nájera, Mariana Castellanos","doi":"10.19130/iifl.ecm.2020.56.2.0004","DOIUrl":"https://doi.org/10.19130/iifl.ecm.2020.56.2.0004","url":null,"abstract":"The visual language of the paintings has undergone a theoretical and pragmatic process, which is different than that of textual linguistics. In this paper we propose a method of analysis based on semiotics to elucidate and compare the visual response of six paintings of the pre-Columbian Maya Dresden Codex. The Venus table was chosen because it presents a calendrical-astronomical message through a visual language that makes its interpretation complex. We consider that the visual semiotics of the Quebec School represented by Saint-Martin and Shannon´s entropic comparison of the Venus table paintings may be applied to both classical and contemporary pictorial works to support the work of art historians.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":"56 1","pages":"95-126"},"PeriodicalIF":0.2,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41517900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-29DOI: 10.19130/iifl.ecm.2020.56.2.0009
C. Rodríguez, Hugo Rafael Perales Rivera, Daniel Jaffee
What role do emotions play in the creation of interpretive frameworks that allow communities to respond effectively to the challenges posed by climate change? This article explores this question empirically from the perspective of small indigenous peasant communities in the central region of Chiapas, Mexico. The study shows that the spiritual, cultural and material meanings that indigenous communities assign to the traditional milpa agroecosystem and to their native seeds, particularly maize, converge in a conjunction of emotions that enables these communities to recognize the risks posed by environmental degradation and climate change, and to mobilize politically around the frame of seed sovereignty. Particularly important is the informal system by which children inherit maize seed from their parents, which imposes on new generations the moral and social obligation of reproducing the milpa. This reproduction is necessary to keep alive the spirits of their ancestors and deities, which are thought to be embodied in the seeds, and to preserve the environmental conditions needed for future generations to live from the maize and the land. The regional social movement around seed sovereignty embraces and amplifies the emotions that underlie this moral and cultural commitment, at the same time as it emphasizes the risks posed by conventional agricultural practices (agrochemical use, deforestation, and quasi-monoculture) and environmental deterioration to the sustenance of the milpa and seeds. Three key foci comprise the agenda of this movement: agroecology, agrobiodiversity conservation, and adaptation of the milpa to climate change.
{"title":"Emociones, Semillas Nativas y Cambio Climático: El Movimiento de Soberanía de las Semillas en Chiapas, México","authors":"C. Rodríguez, Hugo Rafael Perales Rivera, Daniel Jaffee","doi":"10.19130/iifl.ecm.2020.56.2.0009","DOIUrl":"https://doi.org/10.19130/iifl.ecm.2020.56.2.0009","url":null,"abstract":"What role do emotions play in the creation of interpretive frameworks that allow communities to respond effectively to the challenges posed by climate change? This article explores this question empirically from the perspective of small indigenous peasant communities in the central region of Chiapas, Mexico. The study shows that the spiritual, cultural and material meanings that indigenous communities assign to the traditional milpa agroecosystem and to their native seeds, particularly maize, converge in a conjunction of emotions that enables these communities to recognize the risks posed by environmental degradation and climate change, and to mobilize politically around the frame of seed sovereignty. Particularly important is the informal system by which children inherit maize seed from their parents, which imposes on new generations the moral and social obligation of reproducing the milpa. This reproduction is necessary to keep alive the spirits of their ancestors and deities, which are thought to be embodied in the seeds, and to preserve the environmental conditions needed for future generations to live from the maize and the land. The regional social movement around seed sovereignty embraces and amplifies the emotions that underlie this moral and cultural commitment, at the same time as it emphasizes the risks posed by conventional agricultural practices (agrochemical use, deforestation, and quasi-monoculture) and environmental deterioration to the sustenance of the milpa and seeds. Three key foci comprise the agenda of this movement: agroecology, agrobiodiversity conservation, and adaptation of the milpa to climate change.","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45430979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-29DOI: 10.19130/iifl.ecm.2020.56.2.0012
Lynneth S. Lowe
{"title":"Pablo Alberto Mumary Farto, Los señores de la serpiente. Poder y organización de la dinastía Kaan. México: Palabra de Clío, 2019, 332 pp. ISBN 978-607-98296-5-0.","authors":"Lynneth S. Lowe","doi":"10.19130/iifl.ecm.2020.56.2.0012","DOIUrl":"https://doi.org/10.19130/iifl.ecm.2020.56.2.0012","url":null,"abstract":"","PeriodicalId":43489,"journal":{"name":"Estudios de Cultura Maya","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47418266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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