As is well known, we have lost Aristarchus ’ original works and rely only on excerpta , mostly preserved in scholia and lexica dating back to the Byzantine period. The richest sources are the scholia maiora to Homer, especially those in the famous codex Venetus A (tenth century CE )
{"title":"Aristarchus in his own words? What his ‘most secure’ fragments can tell us about Aristarchus’ commentaries and their transmission","authors":"F. Schironi","doi":"10.1093/bics/qbab001","DOIUrl":"https://doi.org/10.1093/bics/qbab001","url":null,"abstract":"As is well known, we have lost Aristarchus ’ original works and rely only on excerpta , mostly preserved in scholia and lexica dating back to the Byzantine period. The richest sources are the scholia maiora to Homer, especially those in the famous codex Venetus A (tenth century CE )","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"39 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80919162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/bics/qbab023","DOIUrl":"https://doi.org/10.1093/bics/qbab023","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"49 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73362228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/bics/qbab021","DOIUrl":"https://doi.org/10.1093/bics/qbab021","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84488811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/bics/qbab017","DOIUrl":"https://doi.org/10.1093/bics/qbab017","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"46 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76202778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/bics/qbab016","DOIUrl":"https://doi.org/10.1093/bics/qbab016","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"13 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78953825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.1093/bics/qbab013","DOIUrl":"https://doi.org/10.1093/bics/qbab013","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79784325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Abbreviations","authors":"","doi":"10.1093/bics/qbaa020","DOIUrl":"https://doi.org/10.1093/bics/qbaa020","url":null,"abstract":"","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"92 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80416416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The voices of pottery workers across the British Isles during the heyday of the taste for classically themed ceramics are almost silent to us, since so few left memoirs or diaries. But other sources cumulatively build up a picture of skilled male, female, and child workers familiar with multifarious ancient artefacts and books visually reproducing them. At Etruria and Herculaneum, workers were encouraged to see themselves as participants in the rebirth of the ancient ceramic arts; they were trained in painstaking reproduction of details not only from ancient vases but from ancient gems, intaglios, ivories, coins, bas-reliefs, frescoes, friezes, statues, and sarcophagi. They were familiar with the stories of a substantial number of ancient mythical and historical figures, and the different aesthetic conventions of classical Athenian, Hellenistic, and Roman art. Some were even able to study antiquity at institutions of adult education, and had access to well-stocked workers’ libraries.
{"title":"How much did pottery workers know about classical art and civilisation?","authors":"E. Hall","doi":"10.1093/bics/qbaa005","DOIUrl":"https://doi.org/10.1093/bics/qbaa005","url":null,"abstract":"\u0000 The voices of pottery workers across the British Isles during the heyday of the taste for classically themed ceramics are almost silent to us, since so few left memoirs or diaries. But other sources cumulatively build up a picture of skilled male, female, and child workers familiar with multifarious ancient artefacts and books visually reproducing them. At Etruria and Herculaneum, workers were encouraged to see themselves as participants in the rebirth of the ancient ceramic arts; they were trained in painstaking reproduction of details not only from ancient vases but from ancient gems, intaglios, ivories, coins, bas-reliefs, frescoes, friezes, statues, and sarcophagi. They were familiar with the stories of a substantial number of ancient mythical and historical figures, and the different aesthetic conventions of classical Athenian, Hellenistic, and Roman art. Some were even able to study antiquity at institutions of adult education, and had access to well-stocked workers’ libraries.","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"44 1","pages":"17-33"},"PeriodicalIF":0.1,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73166906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jane Ellen Harrison’s early work giving tours and lectures in London’s museums offers an unusual window on visitor experience in the late nineteenth century. This article examines the composition and motivations of her audience, looking at how Harrison’s lectures addressed gendered and class-based anxieties about their access to education and ability to respond appropriately to prestigious objects. Harrison used Greek vases to tell stories from ancient Greek literature. She made the case for the value of Greek vases as a repository of stories that could be understood through comparisons with literature but which also stood as evidence in their own right, hinting at lost stories and the perspectives of ordinary people. Her museum talks demonstrate a belief that Greek vases offered an alternative to Classical literature, one which had been made by ordinary people in the past and could be ‘read’ by ordinary people in the present.
简·艾伦·哈里森(Jane Ellen Harrison)早期在伦敦博物馆进行参观和讲座的工作，为19世纪晚期的游客体验提供了一扇不同寻常的窗口。这篇文章考察了她的听众的构成和动机，看看哈里森的讲座是如何解决性别和基于阶级的焦虑，这些焦虑是关于他们接受教育的机会和对名牌物品做出适当反应的能力的。哈里森用希腊花瓶讲述古希腊文学中的故事。她认为，希腊花瓶的价值在于，它是故事的宝库，可以通过与文学作品的比较来理解，但它们本身也可以作为证据，暗示着失落的故事和普通人的观点。她在博物馆的演讲表明，她相信希腊花瓶为古典文学提供了另一种选择，古典文学是过去普通人制作的，现在普通人可以“阅读”。
{"title":"Myths of the Odyssey in the British Museum (and beyond): Jane Ellen Harrison’s museum talks and their audience","authors":"Abigail Baker","doi":"10.1093/bics/qbaa011","DOIUrl":"https://doi.org/10.1093/bics/qbaa011","url":null,"abstract":"\u0000 Jane Ellen Harrison’s early work giving tours and lectures in London’s museums offers an unusual window on visitor experience in the late nineteenth century. This article examines the composition and motivations of her audience, looking at how Harrison’s lectures addressed gendered and class-based anxieties about their access to education and ability to respond appropriately to prestigious objects. Harrison used Greek vases to tell stories from ancient Greek literature. She made the case for the value of Greek vases as a repository of stories that could be understood through comparisons with literature but which also stood as evidence in their own right, hinting at lost stories and the perspectives of ordinary people. Her museum talks demonstrate a belief that Greek vases offered an alternative to Classical literature, one which had been made by ordinary people in the past and could be ‘read’ by ordinary people in the present.","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83713809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For audiences not familiar with antiquity, the shattering of the Portland Vase at the British Museum in 1845 raised awareness of a classical past which was claimed by many European nations as their cultural heritage. This article explores how the British ceramics industry quickly exploited a ready market, prompted by such interest. A new genre of wares was produced industrially, mainly in Stoke-on-Trent until the 1870s, although manufacture continued sporadically until 1900. Modern techniques, including moulding and transfer-printing, allowed the creation of versions of black- and red-figure ancient Greek ceramics, sometimes in vivid polychrome. Hitherto largely overlooked by museums and standard histories of ceramics, the material evidence of this fashion endures. Although the resulting artefacts were often marketed without reference to their origins in antiquity, an argument is presented here for their having more than merely decorative significance.
{"title":"Archaeology in the home: neoclassical ceramics for new audiences in mid-nineteenth-century Britain","authors":"P. Lewis","doi":"10.1093/bics/qbaa008","DOIUrl":"https://doi.org/10.1093/bics/qbaa008","url":null,"abstract":"\u0000 For audiences not familiar with antiquity, the shattering of the Portland Vase at the British Museum in 1845 raised awareness of a classical past which was claimed by many European nations as their cultural heritage. This article explores how the British ceramics industry quickly exploited a ready market, prompted by such interest. A new genre of wares was produced industrially, mainly in Stoke-on-Trent until the 1870s, although manufacture continued sporadically until 1900. Modern techniques, including moulding and transfer-printing, allowed the creation of versions of black- and red-figure ancient Greek ceramics, sometimes in vivid polychrome. Hitherto largely overlooked by museums and standard histories of ceramics, the material evidence of this fashion endures. Although the resulting artefacts were often marketed without reference to their origins in antiquity, an argument is presented here for their having more than merely decorative significance.","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":"1 1","pages":"72-88"},"PeriodicalIF":0.1,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91145987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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