Keith Reader's brief, unfinished article ‘Freeze Peach’ situates contemporary controversies surrounding free speech in relation to material and economic concerns. Ian James's response draws attention to the way Keith does this by bringing together four key figures of late twentieth-century philosophy and theory: Louis Althusser, Jean-François Lyotard, Terry Eagleton and Stanley Fish. Ian argues that the conjugation of Marx-inspired theory with thinkers associated with the postmodern would have allowed Keith to develop a uniquely perceptive and productive insight into the present moment of political disorientation, one which demands a renegotiation of the legacies of both modernity and postmodernity.
{"title":"‘Freeze Peach’: A Fruitful Formulation or a Recipe for Heated Discord? Followed by A Response to Keith Reader's ‘Freeze Peach’","authors":"Keith Reader, Ian James","doi":"10.3366/para.2023.0438","DOIUrl":"https://doi.org/10.3366/para.2023.0438","url":null,"abstract":"Keith Reader's brief, unfinished article ‘Freeze Peach’ situates contemporary controversies surrounding free speech in relation to material and economic concerns. Ian James's response draws attention to the way Keith does this by bringing together four key figures of late twentieth-century philosophy and theory: Louis Althusser, Jean-François Lyotard, Terry Eagleton and Stanley Fish. Ian argues that the conjugation of Marx-inspired theory with thinkers associated with the postmodern would have allowed Keith to develop a uniquely perceptive and productive insight into the present moment of political disorientation, one which demands a renegotiation of the legacies of both modernity and postmodernity.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139301127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article considers the recent publications of French philosopher Simone de Beauvoir, and offers an overview of contemporary scholarship in Beauvoir Studies. Beauvoir’s canonization in Gallimard’s La Pléiade collection in 2018 is discussed, specifically Gallimard’s choice of Beauvoir’s Mémoires for these first two volumes. Exploring the imbrication of Beauvoir’s philosophy with her own lived experience, the article traces what Annie Ernaux describes as the ‘running threads’ connecting us, namely the ways in which Beauvoir’s legacy is interwoven in our lives today. Surveying recent scholarship highlights the pertinence of Beauvoir’s work to contemporary contexts on issues ranging from sexual violence, subjective agency and female subjugation to emancipatory politics and transnational feminist solidarities. Thereafter, the importance Beauvoir placed on self–Other relations is explored in relation to scholarship on Beauvoir’s epistolary exchanges, the publication of her lost novella Les Inséparables, and on Beauvoir’s philosophy of alterity and old age in light of the pandemic.
{"title":"Simone de Beauvoir the Memorialist: The Running Threads Connecting Us","authors":"P. Henry-Tierney","doi":"10.3366/para.2023.0433","DOIUrl":"https://doi.org/10.3366/para.2023.0433","url":null,"abstract":"This article considers the recent publications of French philosopher Simone de Beauvoir, and offers an overview of contemporary scholarship in Beauvoir Studies. Beauvoir’s canonization in Gallimard’s La Pléiade collection in 2018 is discussed, specifically Gallimard’s choice of Beauvoir’s Mémoires for these first two volumes. Exploring the imbrication of Beauvoir’s philosophy with her own lived experience, the article traces what Annie Ernaux describes as the ‘running threads’ connecting us, namely the ways in which Beauvoir’s legacy is interwoven in our lives today. Surveying recent scholarship highlights the pertinence of Beauvoir’s work to contemporary contexts on issues ranging from sexual violence, subjective agency and female subjugation to emancipatory politics and transnational feminist solidarities. Thereafter, the importance Beauvoir placed on self–Other relations is explored in relation to scholarship on Beauvoir’s epistolary exchanges, the publication of her lost novella Les Inséparables, and on Beauvoir’s philosophy of alterity and old age in light of the pandemic.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42040974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Contributors","authors":"","doi":"10.3366/para.2023.0434","DOIUrl":"https://doi.org/10.3366/para.2023.0434","url":null,"abstract":"","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135264776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses the ‘live’ virtual human in ABBA Voyage, the long-awaited concert reunion of the Swedish pop group ABBA, via Vilém Flusser’s concept of the digital apparition. It first argues for these virtual performers (dubbed ‘ABBA-tars’) to be understood as externalized computational codes which shift the grounds of ownership over and consent to the use of one’s likeness. They are also key to disproportionate and as yet unaccountable power held by technology companies. Secondly, ABBA Voyage’s presentation of ABBA as their past selves places time in a capitalism of immateriality profiting from the protean temporality of bodies. This temporal discombobulation thwarts finitude and confounds time in meanings of life, death and growth. The article thus addresses urgent confrontations between actual and virtual humans placed in the same physical environment, and paves the way for thinking about how we are going to deal and live with their virtuality.
{"title":"Spooker Trouper: ABBA Voyage, Virtual Humans and the Rise of the Digital Apparition","authors":"J. Ng, Nick Bax","doi":"10.3366/para.2023.0427","DOIUrl":"https://doi.org/10.3366/para.2023.0427","url":null,"abstract":"This article analyses the ‘live’ virtual human in ABBA Voyage, the long-awaited concert reunion of the Swedish pop group ABBA, via Vilém Flusser’s concept of the digital apparition. It first argues for these virtual performers (dubbed ‘ABBA-tars’) to be understood as externalized computational codes which shift the grounds of ownership over and consent to the use of one’s likeness. They are also key to disproportionate and as yet unaccountable power held by technology companies. Secondly, ABBA Voyage’s presentation of ABBA as their past selves places time in a capitalism of immateriality profiting from the protean temporality of bodies. This temporal discombobulation thwarts finitude and confounds time in meanings of life, death and growth. The article thus addresses urgent confrontations between actual and virtual humans placed in the same physical environment, and paves the way for thinking about how we are going to deal and live with their virtuality.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43726849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sigmund Freud’s biologism has historically come with a negative valence, seeming to consign us to passive determination by irrational drives. While the nonhuman turn has recently highlighted the underacknowledged creativity of animal life, this re-evaluation of biology has hardly implicated Freud. I contend that Maurice Merleau-Ponty reveals a nascent ‘other Freud’ able to inform the nonhuman turn, one that sees the human animal as the basis of the free and relational psychoanalytic subject. I follow Merleau-Ponty in reading Freud as engaged with the question of how a shared, intersubjective world is possible. Both thinkers realized that it is in the domain of life, not cognition, that we verify this seemingly human relational potential. Elaborating the Merleau-Pontian Freud, I argue for a psychoanalytic subject that necessitates nonhuman life as its ecstatic unmooring towards the Other and reality. Ecological thinking is not an obstacle to the relationality prized by psychoanalysis, but a necessity.
{"title":"Doing a Psychoanalysis of Nature: Freud and Merleau-Ponty after the Nonhuman Turn","authors":"McNeil Taylor","doi":"10.3366/para.2023.0431","DOIUrl":"https://doi.org/10.3366/para.2023.0431","url":null,"abstract":"Sigmund Freud’s biologism has historically come with a negative valence, seeming to consign us to passive determination by irrational drives. While the nonhuman turn has recently highlighted the underacknowledged creativity of animal life, this re-evaluation of biology has hardly implicated Freud. I contend that Maurice Merleau-Ponty reveals a nascent ‘other Freud’ able to inform the nonhuman turn, one that sees the human animal as the basis of the free and relational psychoanalytic subject. I follow Merleau-Ponty in reading Freud as engaged with the question of how a shared, intersubjective world is possible. Both thinkers realized that it is in the domain of life, not cognition, that we verify this seemingly human relational potential. Elaborating the Merleau-Pontian Freud, I argue for a psychoanalytic subject that necessitates nonhuman life as its ecstatic unmooring towards the Other and reality. Ecological thinking is not an obstacle to the relationality prized by psychoanalysis, but a necessity.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42420004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this essay is to provide an interpretive and evaluative introduction to Franco ‘Bifo’ Berardi’s critical media theory and to situate it with a view to understanding but also thinking beyond the limitations of an aesthetic practice rooted almost exclusively in conscious, language-based thought. It begins by examining the way in which Berardi conceptualizes the techno-social paradigm emerging in the passage from late industrial society to semiocapitalism (a form of capitalism based on immaterial labour and the explosion of the infosphere), connecting this to the ecological-aesthetic concerns of Félix Guattari. It concludes by questioning the prospects of poetry to forge lines of escape from the determinism of techno-linguistic governance, suggesting, by way of N. Katherine Hayles and Donna Haraway, that extra-linguistic, nonconscious resources may provide a broader and more viable theoretical palette for conceiving of indeterminability beyond, behind, and in the interstices of a complex digital ecology.
{"title":"Escape from the Digital Infosphere! Mutation and Disentanglement in Franco Berardi’s Critical Media Theory","authors":"Ethan Stoneman","doi":"10.3366/para.2023.0429","DOIUrl":"https://doi.org/10.3366/para.2023.0429","url":null,"abstract":"The purpose of this essay is to provide an interpretive and evaluative introduction to Franco ‘Bifo’ Berardi’s critical media theory and to situate it with a view to understanding but also thinking beyond the limitations of an aesthetic practice rooted almost exclusively in conscious, language-based thought. It begins by examining the way in which Berardi conceptualizes the techno-social paradigm emerging in the passage from late industrial society to semiocapitalism (a form of capitalism based on immaterial labour and the explosion of the infosphere), connecting this to the ecological-aesthetic concerns of Félix Guattari. It concludes by questioning the prospects of poetry to forge lines of escape from the determinism of techno-linguistic governance, suggesting, by way of N. Katherine Hayles and Donna Haraway, that extra-linguistic, nonconscious resources may provide a broader and more viable theoretical palette for conceiving of indeterminability beyond, behind, and in the interstices of a complex digital ecology.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48197294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman.
本文建立了virginia Despentes 2006年的回忆录兼宣言、King Kong thacimorie和Jack Halberstam的“影子女权主义”理论之间的对话。对哈伯斯塔姆来说，“不成功的女性身份可以提供意想不到的快乐……影子女权主义的形式不是成为、存在和行动，而是不为人知的、模糊的毁灭、不成为和侵犯模式”。我认为，在《金刚》中，Despentes接受了她“成为女人”的失败，她对强奸和强奸幻想的描述呈现出一种对掌握的拒绝，在这种拒绝中，主题可能会被解开，被取消。通过使用金刚的隐喻，Despentes将“不得体的女人”与人类主体的解体联系起来;在文本中，金刚是一种合成的半机械人生物，德彭特斯本人也认同他。因此，在《金刚》中，德彭特斯采用了一种模糊的、混合的定位，为所有未能成为女性或成为女性的生物打造了一个文本空间。
{"title":"Unbecoming Woman: The Shadow Feminism of King Kong théorie by Virginie Despentes","authors":"A. Pugh","doi":"10.3366/para.2023.0430","DOIUrl":"https://doi.org/10.3366/para.2023.0430","url":null,"abstract":"This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42734669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Beyond the only text Jean-Luc Nancy explicitly dedicated to it (‘Rumoration’ in La Ville au loin), rumor lurks in the background — under the surface — of any discourse on community, or on being-with. Following closely Nancy’s thought process in ‘Rumoration’ (Nancy presents himself as walking, wandering in the city), this article interweaves fragments of a genealogy of rumor, from the ancient Greek logopoios to today’s ‘fake news’. But rumor is precisely what evades genealogy, so although it can be thought of as an archimedium (pure mediality, as Maurice Blanchot suggests), its floating texture, made up of references to references, turns it into a kind of anarchistructure.
{"title":"Rumor, an Anarchimedium","authors":"Peter Szendy","doi":"10.3366/para.2023.0426","DOIUrl":"https://doi.org/10.3366/para.2023.0426","url":null,"abstract":"Beyond the only text Jean-Luc Nancy explicitly dedicated to it (‘Rumoration’ in La Ville au loin), rumor lurks in the background — under the surface — of any discourse on community, or on being-with. Following closely Nancy’s thought process in ‘Rumoration’ (Nancy presents himself as walking, wandering in the city), this article interweaves fragments of a genealogy of rumor, from the ancient Greek logopoios to today’s ‘fake news’. But rumor is precisely what evades genealogy, so although it can be thought of as an archimedium (pure mediality, as Maurice Blanchot suggests), its floating texture, made up of references to references, turns it into a kind of anarchistructure.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46628859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article argues that ‘the digital’ and ‘big data’ are metaphors of obfuscation, which are used to screen the real effects of technologies on lived experiences and the planet. Now that technology consumers are connected 24/7 to the Internet (or ‘Web’), their data can be gathered and monetized on a vast scale. The new data economies and AI technologies that have emerged as a result require careful evaluation regarding their effects on bodies, environments and new forms of knowledge. In this piece, I therefore lay out the material impacts of so-called digital phenomena: of data, their large-scale storage in the ‘Cloud’, and their use in training algorithms and emergent forms of artificial intelligence (AI). Building on scholarship by cultural theorists of technology including Donna Haraway, N. Katherine Hayles, Wendy Hui Kyong Chun and Elena Esposito, as well as long-standing philosophies of metaphor and violence by Friedrich Nietzsche, Karl Marx and Hannah Arendt, I make the case that thinking about new media and technology is more ethical where it is less metaphorical, and so more conscious of the entangled nature of technology with human and posthuman life, including AI. The resulting concept of data that matter is proposed with a view to more justice-oriented uses of data and machine cognition in the future.
{"title":"Data that Matter: On Metaphors of Obfuscation, Thinking ‘the Digital’ as Material and Posthuman Cooperation with AI","authors":"Annie Ring","doi":"10.3366/para.2023.0428","DOIUrl":"https://doi.org/10.3366/para.2023.0428","url":null,"abstract":"This article argues that ‘the digital’ and ‘big data’ are metaphors of obfuscation, which are used to screen the real effects of technologies on lived experiences and the planet. Now that technology consumers are connected 24/7 to the Internet (or ‘Web’), their data can be gathered and monetized on a vast scale. The new data economies and AI technologies that have emerged as a result require careful evaluation regarding their effects on bodies, environments and new forms of knowledge. In this piece, I therefore lay out the material impacts of so-called digital phenomena: of data, their large-scale storage in the ‘Cloud’, and their use in training algorithms and emergent forms of artificial intelligence (AI). Building on scholarship by cultural theorists of technology including Donna Haraway, N. Katherine Hayles, Wendy Hui Kyong Chun and Elena Esposito, as well as long-standing philosophies of metaphor and violence by Friedrich Nietzsche, Karl Marx and Hannah Arendt, I make the case that thinking about new media and technology is more ethical where it is less metaphorical, and so more conscious of the entangled nature of technology with human and posthuman life, including AI. The resulting concept of data that matter is proposed with a view to more justice-oriented uses of data and machine cognition in the future.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43333665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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