This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman.
本文建立了virginia Despentes 2006年的回忆录兼宣言、King Kong thacimorie和Jack Halberstam的“影子女权主义”理论之间的对话。对哈伯斯塔姆来说，“不成功的女性身份可以提供意想不到的快乐……影子女权主义的形式不是成为、存在和行动，而是不为人知的、模糊的毁灭、不成为和侵犯模式”。我认为，在《金刚》中，Despentes接受了她“成为女人”的失败，她对强奸和强奸幻想的描述呈现出一种对掌握的拒绝，在这种拒绝中，主题可能会被解开，被取消。通过使用金刚的隐喻，Despentes将“不得体的女人”与人类主体的解体联系起来;在文本中，金刚是一种合成的半机械人生物，德彭特斯本人也认同他。因此，在《金刚》中，德彭特斯采用了一种模糊的、混合的定位，为所有未能成为女性或成为女性的生物打造了一个文本空间。
{"title":"Unbecoming Woman: The Shadow Feminism of King Kong théorie by Virginie Despentes","authors":"A. Pugh","doi":"10.3366/para.2023.0430","DOIUrl":"https://doi.org/10.3366/para.2023.0430","url":null,"abstract":"This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42734669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this essay is to provide an interpretive and evaluative introduction to Franco ‘Bifo’ Berardi’s critical media theory and to situate it with a view to understanding but also thinking beyond the limitations of an aesthetic practice rooted almost exclusively in conscious, language-based thought. It begins by examining the way in which Berardi conceptualizes the techno-social paradigm emerging in the passage from late industrial society to semiocapitalism (a form of capitalism based on immaterial labour and the explosion of the infosphere), connecting this to the ecological-aesthetic concerns of Félix Guattari. It concludes by questioning the prospects of poetry to forge lines of escape from the determinism of techno-linguistic governance, suggesting, by way of N. Katherine Hayles and Donna Haraway, that extra-linguistic, nonconscious resources may provide a broader and more viable theoretical palette for conceiving of indeterminability beyond, behind, and in the interstices of a complex digital ecology.
{"title":"Escape from the Digital Infosphere! Mutation and Disentanglement in Franco Berardi’s Critical Media Theory","authors":"Ethan Stoneman","doi":"10.3366/para.2023.0429","DOIUrl":"https://doi.org/10.3366/para.2023.0429","url":null,"abstract":"The purpose of this essay is to provide an interpretive and evaluative introduction to Franco ‘Bifo’ Berardi’s critical media theory and to situate it with a view to understanding but also thinking beyond the limitations of an aesthetic practice rooted almost exclusively in conscious, language-based thought. It begins by examining the way in which Berardi conceptualizes the techno-social paradigm emerging in the passage from late industrial society to semiocapitalism (a form of capitalism based on immaterial labour and the explosion of the infosphere), connecting this to the ecological-aesthetic concerns of Félix Guattari. It concludes by questioning the prospects of poetry to forge lines of escape from the determinism of techno-linguistic governance, suggesting, by way of N. Katherine Hayles and Donna Haraway, that extra-linguistic, nonconscious resources may provide a broader and more viable theoretical palette for conceiving of indeterminability beyond, behind, and in the interstices of a complex digital ecology.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48197294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Beyond the only text Jean-Luc Nancy explicitly dedicated to it (‘Rumoration’ in La Ville au loin), rumor lurks in the background — under the surface — of any discourse on community, or on being-with. Following closely Nancy’s thought process in ‘Rumoration’ (Nancy presents himself as walking, wandering in the city), this article interweaves fragments of a genealogy of rumor, from the ancient Greek logopoios to today’s ‘fake news’. But rumor is precisely what evades genealogy, so although it can be thought of as an archimedium (pure mediality, as Maurice Blanchot suggests), its floating texture, made up of references to references, turns it into a kind of anarchistructure.
{"title":"Rumor, an Anarchimedium","authors":"Peter Szendy","doi":"10.3366/para.2023.0426","DOIUrl":"https://doi.org/10.3366/para.2023.0426","url":null,"abstract":"Beyond the only text Jean-Luc Nancy explicitly dedicated to it (‘Rumoration’ in La Ville au loin), rumor lurks in the background — under the surface — of any discourse on community, or on being-with. Following closely Nancy’s thought process in ‘Rumoration’ (Nancy presents himself as walking, wandering in the city), this article interweaves fragments of a genealogy of rumor, from the ancient Greek logopoios to today’s ‘fake news’. But rumor is precisely what evades genealogy, so although it can be thought of as an archimedium (pure mediality, as Maurice Blanchot suggests), its floating texture, made up of references to references, turns it into a kind of anarchistructure.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46628859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article argues that ‘the digital’ and ‘big data’ are metaphors of obfuscation, which are used to screen the real effects of technologies on lived experiences and the planet. Now that technology consumers are connected 24/7 to the Internet (or ‘Web’), their data can be gathered and monetized on a vast scale. The new data economies and AI technologies that have emerged as a result require careful evaluation regarding their effects on bodies, environments and new forms of knowledge. In this piece, I therefore lay out the material impacts of so-called digital phenomena: of data, their large-scale storage in the ‘Cloud’, and their use in training algorithms and emergent forms of artificial intelligence (AI). Building on scholarship by cultural theorists of technology including Donna Haraway, N. Katherine Hayles, Wendy Hui Kyong Chun and Elena Esposito, as well as long-standing philosophies of metaphor and violence by Friedrich Nietzsche, Karl Marx and Hannah Arendt, I make the case that thinking about new media and technology is more ethical where it is less metaphorical, and so more conscious of the entangled nature of technology with human and posthuman life, including AI. The resulting concept of data that matter is proposed with a view to more justice-oriented uses of data and machine cognition in the future.
{"title":"Data that Matter: On Metaphors of Obfuscation, Thinking ‘the Digital’ as Material and Posthuman Cooperation with AI","authors":"Annie Ring","doi":"10.3366/para.2023.0428","DOIUrl":"https://doi.org/10.3366/para.2023.0428","url":null,"abstract":"This article argues that ‘the digital’ and ‘big data’ are metaphors of obfuscation, which are used to screen the real effects of technologies on lived experiences and the planet. Now that technology consumers are connected 24/7 to the Internet (or ‘Web’), their data can be gathered and monetized on a vast scale. The new data economies and AI technologies that have emerged as a result require careful evaluation regarding their effects on bodies, environments and new forms of knowledge. In this piece, I therefore lay out the material impacts of so-called digital phenomena: of data, their large-scale storage in the ‘Cloud’, and their use in training algorithms and emergent forms of artificial intelligence (AI). Building on scholarship by cultural theorists of technology including Donna Haraway, N. Katherine Hayles, Wendy Hui Kyong Chun and Elena Esposito, as well as long-standing philosophies of metaphor and violence by Friedrich Nietzsche, Karl Marx and Hannah Arendt, I make the case that thinking about new media and technology is more ethical where it is less metaphorical, and so more conscious of the entangled nature of technology with human and posthuman life, including AI. The resulting concept of data that matter is proposed with a view to more justice-oriented uses of data and machine cognition in the future.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43333665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay compares the poetic and political theories of contemporary philosopher Giorgio Agamben with the poetry of Wallace Stevens in order to outline a dynamic of ‘inoperativity’ that foregrounds the intimate relationship between language, form and an existential expression of possibility. Through a reading of Stevens’s prose essays and poetry, I demonstrate how Agamben’s reconceptualization of potentiality as a power kept in a non-relational relationship towards its formal realization can be mapped onto the self-conscious articulations of Stevens’s poetic speakers who employ poetic tropes and forms only to question and expose their claims to truth and foundationality. Rather than follow a tradition of poststructuralist readings of Stevens’s destabilizations, I argue for a framework of ‘inoperativity’ that preserves Stevens’s poetic attitude towards life, while showing how his emphasis on potentiality delineates an imaginative vigour that brings the poetic self into renewed attunement with his or her environment.
{"title":"Imaginative Capacity as Form-of-Life: Giorgio Agamben, Wallace Stevens and the ‘Inoperative’ Potential of Poetry","authors":"Ian Y. H. Tan","doi":"10.3366/para.2023.0432","DOIUrl":"https://doi.org/10.3366/para.2023.0432","url":null,"abstract":"This essay compares the poetic and political theories of contemporary philosopher Giorgio Agamben with the poetry of Wallace Stevens in order to outline a dynamic of ‘inoperativity’ that foregrounds the intimate relationship between language, form and an existential expression of possibility. Through a reading of Stevens’s prose essays and poetry, I demonstrate how Agamben’s reconceptualization of potentiality as a power kept in a non-relational relationship towards its formal realization can be mapped onto the self-conscious articulations of Stevens’s poetic speakers who employ poetic tropes and forms only to question and expose their claims to truth and foundationality. Rather than follow a tradition of poststructuralist readings of Stevens’s destabilizations, I argue for a framework of ‘inoperativity’ that preserves Stevens’s poetic attitude towards life, while showing how his emphasis on potentiality delineates an imaginative vigour that brings the poetic self into renewed attunement with his or her environment.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49326453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Looking at Paul B. Preciado’s relationship to psychoanalysis across texts, but especially the recent book Can the Monster Speak?: A Report to an Academy of Psychoanalysts, I seek to disentangle a possible vision for a new psychoanalysis from Preciado’s concerns, ambivalence and disgust with the professional field. I call this a somato-militant psychoanalysis that leans on Freud’s notion of conversion as the creation of a parasitic traumatic kernel that insists on the side of the body and shows a potential for mutuation, transference, amplified potentia gaudendi, surgical intervention and a radical exteriorization of the subject through access to desire. This somatic archival work runs against an idea of psychoanalysis as merely a privatization and interiorization of the subject, a site for upholding the colonial-patriarchal regime of gender norms and an attempt at therapeutic re-territorialization. In the end, the meeting between Preciado and psychoanalysis is given a name: terminal, meaning both at the very limit, the end point, and incurable.
{"title":"Somato-militancy: A New Vision for Psychoanalysis in the Work of Paul B. Preciado","authors":"J. Webster","doi":"10.3366/para.2023.0422","DOIUrl":"https://doi.org/10.3366/para.2023.0422","url":null,"abstract":"Looking at Paul B. Preciado’s relationship to psychoanalysis across texts, but especially the recent book Can the Monster Speak?: A Report to an Academy of Psychoanalysts, I seek to disentangle a possible vision for a new psychoanalysis from Preciado’s concerns, ambivalence and disgust with the professional field. I call this a somato-militant psychoanalysis that leans on Freud’s notion of conversion as the creation of a parasitic traumatic kernel that insists on the side of the body and shows a potential for mutuation, transference, amplified potentia gaudendi, surgical intervention and a radical exteriorization of the subject through access to desire. This somatic archival work runs against an idea of psychoanalysis as merely a privatization and interiorization of the subject, a site for upholding the colonial-patriarchal regime of gender norms and an attempt at therapeutic re-territorialization. In the end, the meeting between Preciado and psychoanalysis is given a name: terminal, meaning both at the very limit, the end point, and incurable.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41914251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This discussion takes up the politics of gestational labour and uterine productivity in connection with genetic self-reproduction and the family in the oeuvre of Paul B. Preciado. In his autotheoretical treatise Testo Junkie, Preciado dispensed with the standard Marxist-feminist term ‘sexual division of labour’, positing instead a ‘technogestational division of labour’ to describe the mechanism by which capitalism segments people’s bodies and constructs the capacity to make babies. Taking up that coinage, with enthusiasm for the political horizon it illuminates, I nevertheless read Preciado against Preciado. I identify moments (including in An Apartment on Uranus) of oscillation away from the earlier work’s posit of always already non-sovereign ‘politically assisted procreation’; moments which break faith with the ‘copyleft’ spirit of collective gestational anti-authorship insofar as they call for trans and queer individuals’ equal access to ‘genetic speech’ and for our reappropriation of parental property rights qua ‘confiscated patrimony’.
{"title":"Paul Preciado’s Uterine Politics: Abolish the Family or Reclaim Confiscated Queer Genetic Patrimony?","authors":"Sophie A. Lewis","doi":"10.3366/para.2023.0419","DOIUrl":"https://doi.org/10.3366/para.2023.0419","url":null,"abstract":"This discussion takes up the politics of gestational labour and uterine productivity in connection with genetic self-reproduction and the family in the oeuvre of Paul B. Preciado. In his autotheoretical treatise Testo Junkie, Preciado dispensed with the standard Marxist-feminist term ‘sexual division of labour’, positing instead a ‘technogestational division of labour’ to describe the mechanism by which capitalism segments people’s bodies and constructs the capacity to make babies. Taking up that coinage, with enthusiasm for the political horizon it illuminates, I nevertheless read Preciado against Preciado. I identify moments (including in An Apartment on Uranus) of oscillation away from the earlier work’s posit of always already non-sovereign ‘politically assisted procreation’; moments which break faith with the ‘copyleft’ spirit of collective gestational anti-authorship insofar as they call for trans and queer individuals’ equal access to ‘genetic speech’ and for our reappropriation of parental property rights qua ‘confiscated patrimony’.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45522581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article considers the idea of gender hacking, particularly as it circulates in Paul B. Preciado’s Testo Junkie, and places this in the context of wider discourses of both bio- and computer hacking. Of particular interest is how a hacking paradigm has come to inform twenty-first-century theories of activist intervention, and the implications of this for contemporary conceptions of political agency. Drawing out the parallels between conceptualizations of hacking and transgression, the article considers both the possibilities and the potential limitations of thinking about sociopolitical changemaking in these terms. Ultimately, it uses theories of transgression to propose a rethinking of the distinction between engineering and hacking, with a view to negotiating the conflict between micropolitical hormonal intervention and ambitions toward re-engineering biotechnical hegemony in gender-hacking projects.
{"title":"The Art of the Exploit: Gender Hacking and Political Agency","authors":"H. Hester","doi":"10.3366/para.2023.0415","DOIUrl":"https://doi.org/10.3366/para.2023.0415","url":null,"abstract":"This article considers the idea of gender hacking, particularly as it circulates in Paul B. Preciado’s Testo Junkie, and places this in the context of wider discourses of both bio- and computer hacking. Of particular interest is how a hacking paradigm has come to inform twenty-first-century theories of activist intervention, and the implications of this for contemporary conceptions of political agency. Drawing out the parallels between conceptualizations of hacking and transgression, the article considers both the possibilities and the potential limitations of thinking about sociopolitical changemaking in these terms. Ultimately, it uses theories of transgression to propose a rethinking of the distinction between engineering and hacking, with a view to negotiating the conflict between micropolitical hormonal intervention and ambitions toward re-engineering biotechnical hegemony in gender-hacking projects.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47413674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Inspired by Paul B. Preciado’s work of autotheory, Testo Junkie, and the various processes of self-shaping that circulate through his corpus, this visual piece and its accompanying personal essay draw upon the artist’s familial and ancestral knowledge of their grandmother’s confinement in an asylum. Developing a visual methodology based on the holographic philosophy of Nondual Śaiva Tantra, Techno-Tantrik Embodiment seeks to offer analogous holistic technologies that harness the power of the repressed and the taboo, to transform mind, body and environment. The piece questions how technological scale sets conditions for relations, feelings, democratic processes and infrastructures, and it provides a mixed-reality approach to consciousness, asking: what types of engagement with image-based systems can subvert and transform our worldview? Utilizing a queer framework that eschews respectability or a quest for ‘positive’ counternarratives, it explores the possible synergies between Tantrik and digital technologies, to build meaningful connections with ourselves and alterity.
{"title":"On Techno-Tantrik Embodiment","authors":"Clémentine Bedos","doi":"10.3366/para.2023.0418","DOIUrl":"https://doi.org/10.3366/para.2023.0418","url":null,"abstract":"Inspired by Paul B. Preciado’s work of autotheory, Testo Junkie, and the various processes of self-shaping that circulate through his corpus, this visual piece and its accompanying personal essay draw upon the artist’s familial and ancestral knowledge of their grandmother’s confinement in an asylum. Developing a visual methodology based on the holographic philosophy of Nondual Śaiva Tantra, Techno-Tantrik Embodiment seeks to offer analogous holistic technologies that harness the power of the repressed and the taboo, to transform mind, body and environment. The piece questions how technological scale sets conditions for relations, feelings, democratic processes and infrastructures, and it provides a mixed-reality approach to consciousness, asking: what types of engagement with image-based systems can subvert and transform our worldview? Utilizing a queer framework that eschews respectability or a quest for ‘positive’ counternarratives, it explores the possible synergies between Tantrik and digital technologies, to build meaningful connections with ourselves and alterity.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48988918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：