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Grand Blue Mother 蓝奶奶
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/00447471.2022.2039054
Iris Yirei hu
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引用次数: 0
Alfred & Min U: A Cold War Family Story 阿尔弗雷德和敏:一个冷战家庭故事
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/00447471.2022.2036565
A. Flores
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引用次数: 0
Reeducation Camps & States of Suspension 再教育营和停课状态
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/00447471.2022.2038042
Patricia Nguyễn
ABSTRACT After the Vietnam/American War, an estimated 1–2.5 million people were imprisoned in reeducation camps or trại học tập cải tạo with no formal charges or trials and 165,000 people were estimated to have died in the camps either from malnourishment, disease, or execution. In this article, I analyze my father Tam Van Nguyen’s oral history of reeducation camps with excerpts from the Socialist Republic of Vietnam’s memorandum to Amnesty International. I do so in order to theorize states of suspension as an embodied analytic that further draws on Frantz Fanon’s discussion of the importance of “knowing the strength of their own muscles” in national struggle to further push the boundaries of what freedom can feel like in the body. I locate states of suspension at the crux between three states of being: deprivation and indulgence, citizenship and criminality, and life and death, as they are enacted through the techniques of torture and punishment, performances of sovereign power, and modes of bodily capture. This research seeks to nuance Cold War dichotomies of promises of freedom by U.S. liberal war and Marxist-Leninist communist revolution to challenge our relationship to nation-state building as the ultimate achievement of national independence.
越南/美国战争后,估计有100万至250万人被关押在再教育营或trại học tập cải tạo,没有正式的指控或审判,估计有16.5万人死于营养不良、疾病或处决。在这篇文章中,我分析了我父亲Tam Van Nguyen关于再教育营的口述历史,并摘录了越南社会主义共和国给国际特赦组织的备忘录。我这样做是为了将悬浮状态理论化,作为一种具体化的分析,进一步借鉴弗朗茨·法农(Frantz Fanon)关于在民族斗争中“了解自己肌肉的力量”的重要性的讨论,以进一步推动自由在身体中可以感受到的界限。我将暂停状态定位于三种存在状态之间的关键:剥夺与放纵,公民与犯罪,生与死,因为它们是通过酷刑和惩罚的技术,主权权力的表现,以及身体捕获的模式来实现的。本研究试图通过美国自由主义战争和马克思列宁主义共产主义革命对冷战中自由承诺的二分法进行细微的区分,以挑战我们将民族国家建设作为民族独立的最终成就的关系。
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引用次数: 1
Listening to a Photograph 听照片
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/00447471.2022.2036561
C. Baik
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引用次数: 0
Thương
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/00447471.2021.2048576
V. Lê, Richard Gessert
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引用次数: 0
Refugee Community Gardens and the Politics of Self-Help 难民社区花园和自助政治
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/00447471.2021.1973943
C. Tsu
ABSTRACT This article examines the history of community gardens set up for refugees from Vietnam, Cambodia, and Laos in the 1980s as a window into debates surrounding resettlement, economic inequality, and welfare dependency in the United States. It argues that despite advocates’ emphasis on the continuity to the past that gardening has provided for refugees, refugee gardeners identified a vast disjuncture between their rural existence in Southeast Asia and the functions of vegetable growing in the U.S. Through community gardening, refugees nonetheless leveraged their intimate knowledge of nature and the environment to gain a measure of economic empowerment.
本文考察了20世纪80年代为来自越南、柬埔寨和老挝的难民建立的社区花园的历史,作为一个窗口,探讨了围绕重新安置、经济不平等和福利依赖在美国的争论。它认为,尽管倡导者强调园艺为难民提供了对过去的连续性,但难民园丁发现,他们在东南亚的农村生活与美国蔬菜种植的功能之间存在巨大的脱节。通过社区园艺,难民们利用他们对自然和环境的深入了解,获得了一定程度的经济赋权。
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引用次数: 1
Bearing Witness: Using Video Ethnography to Map Embodied Geographies of Home 见证:用影像人种学绘制家的具体地理
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/00447471.2021.1981195
Son-Ca Lam
ABSTRACT Bearing witness through video ethnography is a generative practice for revealing nuanced elements of non-verbal sociocultural practices that otherwise remain hidden in interview-based research methods. I share how I used this methodology to highlight the sociocultural practices and sensory worlds that constitute the assemblage forming the everyday embodied geographies of home for post-1975 Vietnamese refugee women. Intervening in discourses that portray refugee women as victims of their circumstance, I center Vietnamese refugee women’s subjecthood to show how they exercise agency and make home in the face of the on-going sociospatial displacements that punctuate their everyday lives after resettlement.
通过视频民族志见证是非语言社会文化实践的一种生成实践,它揭示了非语言社会文化实践的微妙元素,否则这些元素就会隐藏在基于访谈的研究方法中。我分享了我是如何使用这种方法来突出社会文化实践和感官世界的,它们构成了1975年后越南难民妇女日常体现的家庭地理的集合。在将难民妇女描述为其环境受害者的话语中,我以越南难民妇女的主体性为中心,展示她们在重新安置后的日常生活中,面对持续不断的社会空间流离失所,是如何行使权力和建立家园的。
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引用次数: 0
The Nexus of Asian Indigeneity, Refugee Status, and Asian Settler Colonialism in the Case of Indigenous Cham Muslim Refugees 亚洲愤怒、难民地位和亚洲定居者殖民主义的联系——以查姆穆斯林土著难民为例
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/00447471.2021.1990001
Marimas Hosan Mostiller
ABSTRACT Cham peoples are typically recognized as ethnic or religious minorities in Southeast Asia and the U.S. We are never recognized as Indigenous on any national or international platform despite our Indigeneity to the Kingdom of Champa (present-day central and southern Vietnam). This essay examines the complex positions of Cham refugees of the Vietnam War and Khmer Rouge genocide who necessarily resettled in the U.S. Utilizing Yến Lê Espiritu’s concept of “critical juxtaposition,” this essay critically juxtaposes two Cham identities, often viewed as separate identities: “Indigenous” and “refugee.” As Indigenous Asian peoples in diaspora, Cham peoples complicate the discussion of Asian settler colonialism.
摘要在东南亚和美国,占族通常被视为少数民族或宗教少数群体。尽管我们对占巴王国(今越南中南部)感到愤怒,但在任何国家或国际平台上,我们从未被承认为原住民。本文考察了越南战争和红色高棉种族灭绝时期的占难民的复杂处境,他们必须重新安置在美国ế在LêEspiritu的“批判性并置”概念中,这篇文章批判性地并置了两种Cham身份,这两种身份通常被视为独立的身份:“土著”和“难民”。作为散居海外的亚洲土著民族,Cham民族使对亚洲定居者殖民主义的讨论复杂化。
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引用次数: 0
Refugee Worlding: M.I.A. and the Jumping of Global Borders 难民世界:M.I.A.与全球边界的跳跃
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/00447471.2021.1981536
L. Bui
ABSTRACT This article analyzes the life and work of refugee-turned-singer M.I.A. to explain the concept of refugee worlding, the transversal intersectional modes of being a refugee. Exploring the artist’s unique aesthetics as well as her play with time-space, I indicate the ways such a practice is emblematic of the creative and critical methodology of Critical Refugee Studies (CRS). As a border hopper, M.I.A.’s imaginative mobilization and weaponizing of refugee-ness jump scales, musical and otherwise, a disruption of the militarized contexts that drive the flight of migrants. Such artprop takes stock of the many world(s) forged, embodied, performed, and crafted on refugee-centered terms.
本文通过分析难民歌手M.I.A.的生活和工作,来解释难民世界的概念,以及作为难民的横向交叉模式。探索艺术家独特的美学以及她对时空的玩弄,我指出这种做法是批判性难民研究(CRS)创造性和批判性方法论的象征。作为一个边境跳跃者,M.I.A富有想象力的动员和对难民的武器化跳跃,音乐和其他方面,破坏了推动移民逃离的军事化环境。这样的艺术道具反映了以难民为中心的许多世界的锻造、体现、表演和制作。
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引用次数: 1
Locating Palestinians at the Intersections: Indigeneity, Critical Refugee Studies, and Decolonization 定位巴勒斯坦人在十字路口:土著,关键的难民研究,和非殖民化
IF 0.4 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-02 DOI: 10.1080/00447471.2021.1981807
Eman Ghanayem, Jennifer Mogannam, Rana Sharif
ABSTRACT This forum traces the specificity and complexity of the Palestinian refugee. In centering Palestinian subjectivity and the nature of settler colonial displacement, the authors illuminate the contributions of the Palestinian refugee experience to various fields, especially the field of critical refugee studies. As they respond to key concerns in the context of Palestine and its refugees, the contributors interrogate the power dynamics that work to determine refugee fate, situate ancestral knowledge and the revolutionary role of Palestinian women, challenge discursive trends that racialize Palestinians, and illuminate the land-based struggle and the actions and hopes of the Palestinian project of decolonization.
本论坛探讨巴勒斯坦难民的特殊性和复杂性。在以巴勒斯坦人的主体性和定居者殖民流离失所的性质为中心的过程中,作者阐明了巴勒斯坦难民经历对各个领域的贡献,特别是对批判性难民研究领域的贡献。当他们回应巴勒斯坦及其难民背景下的关键问题时,作者询问了决定难民命运的权力动态,定位了祖先的知识和巴勒斯坦妇女的革命作用,挑战了将巴勒斯坦人种族化的话语趋势,并阐明了基于土地的斗争以及巴勒斯坦非殖民化项目的行动和希望。
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引用次数: 0
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