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Communicatio-South African Journal for Communication Theory and Research最新文献

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Who Are the Arbiters of Truth? Mainstream Journalists’ Responses to Fake News during the 2017 Zimbabwe Coup 谁是真理的仲裁者?2017年津巴布韦政变期间主流记者对假新闻的回应
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-10-01 DOI: 10.1080/02500167.2020.1854805
Allen Munoriyarwa, Collen Chambwera
Abstract This article reports on a study that was situated at the intersection of fake news and the daily news production practices of mainstream journalists during the November 2017 “soft coup” in Zimbabwe. There is a paucity of research on journalists’ responses to fake news, during military coups, despite increasing research on the influence of fake news on traditional news production practices. Conceptualised on social organisation of news work, the study deployed qualitative interviews with purposively selected political reporters from mainstream press newsrooms in Zimbabwe, to explore how they responded to fake news during the coup. The study found that faced with an avalanche of fake news, the journalists responded by re-evaluating their news sourcing routines and engaged in collective efforts to identify sources and pressure points of fake news that interfered with their work. Yet, overt reliance on unreliable websites and social media sources to produce news still persisted. Based on this and other related findings, the authors recommend that journalists should evolve their own platforms and mechanisms to verify and challenge fake news prevalent on social media and websites. They further recommend a “triangular approach” that can, in the long term, reduce the influence of fake news.
摘要本文报道了一项研究,该研究位于2017年11月津巴布韦“软政变”期间假新闻与主流记者日常新闻制作实践的交叉点。尽管越来越多的研究表明假新闻对传统新闻制作实践的影响,但对军事政变期间记者对假新闻的反应的研究却很少。该研究基于新闻工作的社会组织,对津巴布韦主流新闻编辑室中有意挑选的政治记者进行了定性采访,以探讨他们在政变期间如何应对假新闻。研究发现,面对雪崩般的假新闻,记者们的反应是重新评估他们的新闻来源,并共同努力找出干扰他们工作的假新闻的来源和压力点。然而,公开依赖不可靠的网站和社交媒体来源来制作新闻仍然存在。基于这一发现和其他相关发现,作者建议记者应该发展自己的平台和机制,以验证和挑战社交媒体和网站上流行的假新闻。他们进一步建议采取“三角方法”,从长远来看,可以减少假新闻的影响。
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引用次数: 5
The Airwaves Belong to the People: A Critical Analysis of Radio Broadcasting and Licensing in Zimbabwe 电波属于人民:对津巴布韦无线电广播和许可的批判性分析
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-31 DOI: 10.1080/02500167.2020.1796729
Last Alfandika, Gift Gwindingwe
Abstract This article reports on a study that focused on the radio broadcasting and licensing scene in Zimbabwe between 2000 and 2020. The study interrogated the sincerity of the Zimbabwean government in advancing both media pluralism and diversity. Opposition political parties and civic organisations pressured Zimbabwe into adopting a liberal approach that they hoped would widen the political and media space. The study examined how the government has taken and implemented such a liberal approach. Drawing on the competitive authoritarianism concept, the study argued that the cosmetic application of contested and undemocratic media laws that pretended to be democratising the media was indeed gagging democracy. This is called a pseudo-progressive stance. The study gathered data using qualitative interviews with three media activists, three policymakers, two media professionals, and two media scholars in Zimbabwe. In total, 10 qualitative key informant in-depth interviews were carried out. The analysis revealed a silhouette of grandiose but empty media laws that have continued to impede democracy in Zimbabwe. Therefore, the study concluded that the monopoly of media influence and concentration of broadcasting media ownership within the ruling party is dire and not conducive to the development of diverse and creative content for the nation. Thus, collaborative efforts are needed for real change to be achieved in the broadcasting media in Zimbabwe.
本文报告了一项研究,重点研究了2000年至2020年间津巴布韦的无线电广播和许可情况。这项研究质疑了津巴布韦政府在推进媒体多元化和多样性方面的诚意。反对党和民间组织向津巴布韦施加压力,迫使其采取一种自由的方式,他们希望这种方式能扩大政治和媒体空间。这项研究调查了政府是如何采取和实施这种自由的方法的。根据竞争性威权主义的概念,该研究认为,表面上应用有争议的、不民主的媒体法律,假装使媒体民主化,实际上是在扼杀民主。这被称为伪进步立场。本研究通过对津巴布韦的三名媒体活动家、三名政策制定者、两名媒体专业人士和两名媒体学者进行定性访谈来收集数据。总共进行了10次定性关键信息提供者深度访谈。分析揭示了一些浮夸但空洞的媒体法律的轮廓,这些法律继续阻碍着津巴布韦的民主。因此,该研究得出的结论是,媒体影响力的垄断和广播媒体所有权集中在执政党内部是可怕的,不利于为国家发展多样化和创造性的内容。因此,要在津巴布韦的广播媒体中实现真正的变革,就需要进行合作努力。
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引用次数: 4
M. King ADKINS (2018), Television Storyworlds as Virtual Space M. King ADKINS(2018),《作为虚拟空间的电视故事世界》
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12243
Andréa Semprini
Malgre son format relativement compact (160 pages, bibliographie incluse), cet ouvrage aborde plusieurs problematiques, de maniere plus ou moins approfondie. L’ouvrage est structure en trois sections, dont la premiere et une partie de la troisieme sont consacrees a l’exposition du cadre theorique, tandis que la deuxieme section et une bonne partie de la troisieme sont occupees par la presentation de nombreuses etudes de cas de series televisuelles qui s’etalent sur un grand arc temporel, pres...
尽管它的格式相对紧凑(160页,包括参考书目),这本书或多或少地深入地处理了几个问题。该书是三个章节结构,其中第一和第三部分是框架的第二次展览按1.2,而第二节和第三大部分由呈递从业的许多案例研究》丛书televisuelles s’etalent时间上一块弧形,...身边
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引用次数: 0
Compromis lors d’une recherche-action à La Poste 在邮局的行动研究中妥协
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12753
E. Blanc
L’auteure a mene, dans le cadre de sa recherche doctorale, une demarche de recherche-action sur la prevention des risques psychosociaux au sein du Centre financier de Toulouse (Groupe La Poste), alors qu’elle etait assistante sociale au sein de cette entreprise. Elle montre comment cette recherche-action va devoir progressivement se reajuster en fonction des exigences dictees par le terrain et afin de concilier des interets parfois opposes. Ces reajustements poseront la question des tensions entre le processus d’engagement et celui de distanciation de la praticienne-chercheuse.
作为博士研究的一部分,作者在图卢兹金融中心(La Poste集团)领导了一项关于预防心理社会风险的行动研究项目,当时她是该公司的社会工作者。它表明,这项行动研究将如何根据实地规定的要求逐步调整,以协调有时相互冲突的利益。这些调整将提出参与过程与从业者-研究者距离之间的紧张关系问题。
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引用次数: 0
Marianne BLOCH-ROBIN (2017), Carlos Saura : paroles et musique au cinéma 玛丽安·布洛赫·罗宾(2017),卡洛斯·索拉:电影中的歌词和音乐
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12287
Pascale Gossin
La musique represente pour Carlos Saura, realisateur et scenariste espagnol, un pilier esthetique fondamental de son œuvre. Porque te vas, melodie obsedante dans Cria Cuervos, reste a l’issue de la projection irremediable memorisee par le spectateur. « Tous mes films sont musicaux ! » affirme le cineaste (p. 9). Dans l’esprit general, lorsque l’on parle cinema, l’image l’emporte sur l’environnement sonore. Cette opinion est a relativiser chez Saura. Dans ses films, la musique rivalise avec l’...
对于西班牙导演和风景画家卡洛斯·绍拉来说,音乐是他作品的基本美学支柱。《Porque te vas》是克里亚·库埃沃斯(Cria Cuervos)令人着迷的旋律,在观众不可挽回的记忆中,它仍然存在。“我所有的电影都是音乐电影!”一般来说,当我们谈论电影时,图像比声音环境更重要。这种观点在Saura中是相对的。在他的电影中,音乐与……
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引用次数: 0
Mesures objectives et biais d’estime de soi 客观测量和自尊偏差
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12781
J. Pernin, J. Pernin, Flora Lallau
A l’occasion d’une recherche-action concernant la pertinence d’un eventuel changement d’appellation des produits du commerce equitable et la question du capital marque du commerce equitable, les auteurs se demandent quel est l’impact, sur le plan methodologique, des mesures objectives sur les mesures subjectives qui sont placees a la suite dans leur questionnaire. Ces mesures objectives provoquent-elles des biais par rapport aux mesures subjectives ?
曾在一次关于相关性的一个行动研究有时更改名称曾在公平贸易产品的品牌和资本的问题在公平贸易,作者们争论,方法论上的影响是什么,主观客观的措施,这些措施的不良评价了之后,在他们的问卷。这些客观测量是否与主观测量有偏差?
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引用次数: 0
Tourya GUAAYBESS (2019), Les médias dans les pays arabes : des théories de développement contrariées aux politiques de coopération émergentes Tourya Guaaybess(2019),《阿拉伯国家的媒体:从发展理论到新兴合作政策》
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12356
Khaled Zamoum
A l’ere des communications numeriques et des environnements economiques et sociaux mouvants, Tourya Guaaybess presente une critique des theories occidentales touchant le developpement des medias dans les pays du Sud et arabes et les nouvelles politiques de cooperation dans les pays et societes arabes. Sa presentation de sujets et d’idees parfois complexes, aux contours difficiles a delimiter, est depouillee mais entiere. L’auteur s’en remet a des sources multiples de premiere main (les travau...
在数字通信和不断变化的经济和社会环境的时代,Tourya Guaaybess对西方关于南方和阿拉伯国家媒体发展的理论以及阿拉伯国家和社会合作的新政策提出了批评。他对有时复杂的主题和想法的介绍,其轮廓难以界定,是完整的。作者依赖于多个来源的第一手资料(工作。。。
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引用次数: 0
Véronique PRINCE et Thierry GIASSON (2019), Là, tout de suite ? La gestion de crise gouvernementale à l’ère de l’instantanéité médiatique Véronique Prince和Thierry Giasson(2019),现在?媒体即时性时代的政府危机管理
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12422
L. Lacôte-Gabrysiak
Cet ouvrage est tire d’un travail de master en communication politique de Veronique Prince, journaliste politique a l’Assemblee nationale du Quebec. Il rend compte d’une serie d’entretiens realises aupres de communicants politiques et de fonctionnaires des services de communication publique et inclut des cas de communication de crise (instauration du projet de loi 78 sur les frais d’inscription dans les colleges et les universites en 2012, accident ferroviaire de Lac-Megantic en 2013 qui a ca...
这本书摘自魁北克国民议会政治记者维罗妮克·普林斯(Veronique Prince)的政治传播硕士学位。它报告了对政治传播者和公共传播服务官员的一系列采访,包括危机传播案例(2012年引入了关于学院和本科注册费的第78号法案,2013年发生了Lac Megantic铁路事故,导致。。。
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引用次数: 0
Michael SCHUDSON (2018), Why Journalism Still Matters Michael SCHUDSON(2018),《为什么新闻仍然重要》
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12428
Érik Neveu
Le plus recent ouvrage de Michael Schudson sur le journalisme pourrait etre designe par le curieux nom de plat qu’on trouve dans certains romans de Balzac : un arlequin. C’est ainsi que les restaurateurs du debut du XIXe siecle designaient une assiette qui, pour pouvoir etre delicieuse, etait composee de fragments de divers plats. « Arlequin » parce que ce volume d’une petite douzaine de chapitres est pour une moitie fait de la reprise, parfois de l’actualisation, de chapitres ou articles dej...
迈克尔·舒德森(Michael Schudson)最近出版的一本关于新闻学的书,可以用巴尔扎克小说中一个奇怪的名字来命名:小丑。因此,19世纪初的餐馆老板们设计了一种盘子,为了美味,它是由各种菜肴的碎片组成的。“Arlequin”,因为这一卷只有十几个章节,其中一半是重复的,有时是更新的,章节或文章在…
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引用次数: 0
Olivier BELIN et Florence FERRAN (dir.) (2018), Les éphémères et l’événement Olivier Belin和Florence Ferran(编辑)(2018年),《短暂与事件》
IF 0.8 Q4 COMMUNICATION Pub Date : 2020-08-03 DOI: 10.4000/communication.12268
Izabeau Legendre
A partir du moment ou l’histoire ne s’est plus situee en opposition radicale avec cette vision concurrente du passe qu’est la memoire, et qu’elle s’est emparee a son tour de ses lieux et de ses objets, les ephemeres, ces petits imprimes du quotidien temoins et agents des evenements ordinaires ou extraordinaires qui le ponctuent, ont vu leur place s’accroitre dans l’etude de l’evenement (p. 14-15). S’inscrivant dans la continuite des travaux de Jean-Yves Mollier qui en signe d’ailleurs la post...
从那一刻起,历史不再与记忆这一相互竞争的过去观发生根本性的对立,而记忆又抓住了它的位置和对象,短暂的记忆,这些日常生活的小印记,普通或非凡事件的见证人和代理人,他们在事件研究中的地位有所增加(第14-15页)。这是Jean-Yves Mollier继续工作的一部分,他签署了这篇文章。。。
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引用次数: 0
期刊
Communicatio-South African Journal for Communication Theory and Research
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