Pub Date : 2022-05-11DOI: 10.5406/21638195.94.2.05
Julie K. Allen
{"title":"Religious Otherness and National Identity in Scandinavia, c. 1790–1960: The Construction of Jews, Mormons, and Jesuits as Anti-citizens and Enemies of Society by Frode Ulvund (review)","authors":"Julie K. Allen","doi":"10.5406/21638195.94.2.05","DOIUrl":"https://doi.org/10.5406/21638195.94.2.05","url":null,"abstract":"","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44282668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-11DOI: 10.5406/21638195.94.2.02
Christine Ekholst
{"title":"\"Unable to Defend Him\": Conflicting Views of Female Violence in Swedish Medieval Law","authors":"Christine Ekholst","doi":"10.5406/21638195.94.2.02","DOIUrl":"https://doi.org/10.5406/21638195.94.2.02","url":null,"abstract":"","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43317393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-11DOI: 10.5406/21638195.94.2.01
S. Eriksen
{"title":"Readings in Times of Crisis: New Interpretations of Stories about the Settlement of Iceland","authors":"S. Eriksen","doi":"10.5406/21638195.94.2.01","DOIUrl":"https://doi.org/10.5406/21638195.94.2.01","url":null,"abstract":"","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48019913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-11DOI: 10.5406/21638195.94.2.03
Mattias Pirholt
{"title":"Imagery, Irony, and Transcendence in Carl Jonas Love Almqvist's The Queen's Tiara","authors":"Mattias Pirholt","doi":"10.5406/21638195.94.2.03","DOIUrl":"https://doi.org/10.5406/21638195.94.2.03","url":null,"abstract":"","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48805600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-01DOI: 10.5406/21638195.94.1.08
Anatoly Liberman
{"title":"Poetic Style and Innovation in Old English, Old Norse, and Old Saxon","authors":"Anatoly Liberman","doi":"10.5406/21638195.94.1.08","DOIUrl":"https://doi.org/10.5406/21638195.94.1.08","url":null,"abstract":"","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46314658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.5406/21638195.94.1.09
Jenna Coughlin
and formality; the Guthlac A poet, in contrast, wishes to draw attention to the transitions in his poem, while still creating a character with authentic speech patterns whose words hold power over the devils who attempt to persecute him; and the Exodus poet saves his hypermetric passage until the end, where it can stand apart from the rest of the poem and immortalize the story the poet is trying to tell in totem. (p. 51)
{"title":"The Power of the Periphery: How Norway Became an Environmental Pioneer for the World by Peder Anker (review)","authors":"Jenna Coughlin","doi":"10.5406/21638195.94.1.09","DOIUrl":"https://doi.org/10.5406/21638195.94.1.09","url":null,"abstract":"and formality; the Guthlac A poet, in contrast, wishes to draw attention to the transitions in his poem, while still creating a character with authentic speech patterns whose words hold power over the devils who attempt to persecute him; and the Exodus poet saves his hypermetric passage until the end, where it can stand apart from the rest of the poem and immortalize the story the poet is trying to tell in totem. (p. 51)","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45583727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.5406/21638195.94.1.04
Bettina Perregaard
In 2015, Linn Ullmann published her autobiographical novel De urolige (2015; Unquiet [2019]). The novel deals with the relationship between parents and children. The main characters are simply referred to as the mother, the father, and the girl. Although they appear nameless, Ullmann’s parents are easily identifiable as the Swedish director, author, and producer Ingmar Bergman, and the Norwegian actress, author, and director Liv Ullmann. The novel alternates between a third-person perspective and a first-person narrative written from the girl’s point of view as she grows into adulthood. The mother, the father, and the girl do not constitute a family in the ordinary sense: “Jeg var hans barn og hennes barn, men ikke deres barn, det var aldri oss tre” (Ullmann 2015, 10) [“I was his child and her child, but not their child, it was never us three” (Ullmann 2019, 4)]. The girl suffers from the way things are: “Egentlig tror jeg at jeg har sørget over foreldrene mine hele livet” (2015, 74) [“To be honest, I think I have mourned my parents all my life” (2019, 68)]. In focusing on the relationship between parents and children, De urolige resembles other autobiographical novels recently published in Norway: Knausgård (2009), Wassmo (2013), Hjorth (2016), to mention only a few. But unlike the parents depicted in these novels,
2015年，Linn Ullmann出版了她的自传体小说《De urolige》（2015；Unquiet[199]）。这部小说讲述了父母和孩子之间的关系。主要人物被简单地称为母亲、父亲和女孩。尽管他们看起来没有名字，但乌尔曼的父母很容易被认出是瑞典导演、作家和制片人英格玛·伯格曼，以及挪威女演员、作家和导演丽夫·乌尔曼。这部小说在第三人称视角和第一人称叙事之间交替，从女孩成年后的角度出发。母亲、父亲和女孩并不构成一个普通意义上的家庭：“Jeg var hans barn og hennes barn，men ikke deres barn，det var aldri oss tre”（Ullmann 2015，10）[“我是他的孩子和她的孩子，但不是他们的孩子，从来不是我们三个人”（Ulrmann 2019，4）]。女孩忍受着现状：“Egentlig tror jeg at jeg har sørget over foredrene mine hele livet”（2015，74）[“说实话，我想我一辈子都在哀悼我的父母”（2019，68）]。在关注父母和孩子之间的关系方面，De urolige类似于最近在挪威出版的其他自传体小说：Knausgård（2009）、Wassmo（2013）、Hjorth（2016），仅举几例。但与这些小说中描绘的父母不同，
{"title":"Despair of Self: Strategies of Seeing and Becoming in Linn Ullmann’s De urolige","authors":"Bettina Perregaard","doi":"10.5406/21638195.94.1.04","DOIUrl":"https://doi.org/10.5406/21638195.94.1.04","url":null,"abstract":"In 2015, Linn Ullmann published her autobiographical novel De urolige (2015; Unquiet [2019]). The novel deals with the relationship between parents and children. The main characters are simply referred to as the mother, the father, and the girl. Although they appear nameless, Ullmann’s parents are easily identifiable as the Swedish director, author, and producer Ingmar Bergman, and the Norwegian actress, author, and director Liv Ullmann. The novel alternates between a third-person perspective and a first-person narrative written from the girl’s point of view as she grows into adulthood. The mother, the father, and the girl do not constitute a family in the ordinary sense: “Jeg var hans barn og hennes barn, men ikke deres barn, det var aldri oss tre” (Ullmann 2015, 10) [“I was his child and her child, but not their child, it was never us three” (Ullmann 2019, 4)]. The girl suffers from the way things are: “Egentlig tror jeg at jeg har sørget over foreldrene mine hele livet” (2015, 74) [“To be honest, I think I have mourned my parents all my life” (2019, 68)]. In focusing on the relationship between parents and children, De urolige resembles other autobiographical novels recently published in Norway: Knausgård (2009), Wassmo (2013), Hjorth (2016), to mention only a few. But unlike the parents depicted in these novels,","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45699730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.5406/21638195.94.1.01
Esben Myren-Svelstad
of
属于的
{"title":"The Witch in the Closet: Disney’s Frozen as Adaptation and Its Potential for Queer and Feminist Readings","authors":"Esben Myren-Svelstad","doi":"10.5406/21638195.94.1.01","DOIUrl":"https://doi.org/10.5406/21638195.94.1.01","url":null,"abstract":"of","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43028258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-17DOI: 10.5406/21638195.94.1.03
Anna Tomi
There are piles, heaps, and catalogues of all sorts of things, all loosely arranged for an extravagant show-and-tell. In Wunderkammer (2008), a collection of collage poems by the Finland-Swedish poet Ralf Andtbacka, lists of things are a recurring element that halts the flow of the otherwise voluminous and narrative expression. In a poem called “Thing” (“Ting”), whose name admits close affinity to Rainer Maria Rilke’s Dinggedichte (Thing Poems), one such list starts by cataloguing the most mundane, everyday objects. Very soon, however, the list becomes more fantastic, opening up vistas to various countries,
这里有成堆的各种各样的东西和目录，所有这些都是为了一场奢华的展示和讲述而松散地安排的。在芬兰-瑞典诗人拉尔夫·安德巴克的拼贴诗集《Wunderkammer》（2008）中，事物列表是一个反复出现的元素，它阻止了原本庞大而叙事性的表达。在一首名为“Thing”（“Ting”）的诗中，这首诗的名字与Rainer Maria Rilke的Dinggedichte（Thing Poems）有着密切的联系，其中一个列表首先对最平凡的日常物品进行了编目。然而，很快，这份名单就变得更加精彩，为各个国家打开了前景，
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