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The Syntax of Mainland Scandinavian 斯堪的纳维亚大陆的句法
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-01 DOI: 10.5406/scanstud.93.4.0595
John D. Sundquist
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引用次数: 0
Audiences and Ideological Work in the "Dream Factory": Halldór Laxness and Cinematic Modernity 观众与“梦工厂”中的思想工作:哈多尔·拉克斯内斯与电影现代性
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0443
Björn Þór Vilhjálmsson
Halldór Laxness was twentyfive years old when he arrived in Los Angeles, California, in the Fall of 1927. The movies, and they were the reason he came, were not much older. While it might seem facile to speak of the congruence of youthful energies, Laxness’s arrival in L.A. in the late 1920s was not a coincidence. From shortly after its inception, the world film market had been characterized by international competition for global motion picture prominence, a struggle that had been proceeding along a variety of avenues for close to 2 decades but was, by the time of Laxness’s arrival, pretty much settled in Hollywood’s favor (Thompson 1985, 124–48). For those who sought a career in the movies, there were few places that could equal the luster and promise of Hollywood.2
1927年秋天,霍尔德·拉克斯内斯抵达加利福尼亚州洛杉矶时,年仅25岁。电影,也正是他来的原因,并没有老多少。虽然说年轻人的能量是一致的似乎很容易,但拉克尼斯在20世纪20年代末来到洛杉矶并不是巧合。从成立后不久,世界电影市场就以争夺全球电影知名度的国际竞争为特征,这场斗争在近20年的时间里一直在各种途径上进行,但在拉克尼斯到来时,几乎已经对好莱坞有利(Thompson 1985124-48)。对于那些想从事电影事业的人来说,几乎没有什么地方能与好莱坞相提并论
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引用次数: 1
Investigating the Lutheran Roots of Social Democracy in Ingeborg Holm 调查英格堡霍尔姆社会民主的路德教根源
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0505
Mads Larsen
The United States is among the developed world’s most incomeunequal countries, American health care and education are uniquely expensive, and youth depression is on a sharp rise1 (Twenge et al. 2019). The Nordic countries are among the most income-equal, health care and higher education are generally free, and Scandinavians rank among the happiest people in the world (Oxfeldt, Nestingen, and Simonsen 2017). These differences could explain why 50 percent of young Americans would “prefer living in a socialist country” (Harris Poll 2019). The Nordic Model is not socialist by the term’s original definition of “state or collective ownership and regulation of the means of production.” In America, socialism has generally become understood as “liberal social democracy which retain[s] a commitment to social justice and social reform.” The Oxford English Dictionary has adjusted its definition accordingly.2 Bernie Sanders and Alexandria Ocasio-Cortez both denounce Soviet or Cuban-style socialism, emphasizing their preference for Scandinavian welfare (CBS News 2019; Washington Post 2015). With liberal economics under global challenge, the United States is only one of many places where the Nordic Model has been suggested as an alternative that could reform capitalism. If these Northern European countries produce
美国是发达国家中收入最不平等的国家之一,美国的医疗保健和教育非常昂贵,青少年抑郁症急剧上升1 (Twenge et al. 2019)。北欧国家是收入最平等的国家之一,医疗保健和高等教育通常是免费的,斯堪的纳维亚人是世界上最幸福的人之一(Oxfeldt, Nestingen, and Simonsen 2017)。这些差异可以解释为什么50%的美国年轻人“更喜欢生活在社会主义国家”(哈里斯民意调查2019)。按照“国家或集体所有制和对生产资料的监管”这一术语最初的定义,北欧模式并不是社会主义。在美国,社会主义通常被理解为“自由的社会民主主义,保留了对社会正义和社会改革的承诺。”牛津英语词典据此调整了其定义伯尼·桑德斯和亚历山大·奥卡西奥-科尔特斯都谴责苏联或古巴式的社会主义,强调他们更喜欢斯堪的纳维亚式的福利(CBS新闻2019;《华盛顿邮报》(2015)。在自由主义经济学面临全球挑战的情况下,北欧模式被认为是改革资本主义的另一种选择,美国只是其中之一。如果这些北欧国家生产
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引用次数: 2
Liv Becomes an Author: On Literary Creativity and Strategic Postponement in Liv Køltzow's "Øyet i treet" Liv成为一名作家:论Liv Køltzow的《Öyet i treet》中的文学创造力和战略延迟
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0533
Anders M. Gullestad
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引用次数: 0
Litteratur som erfaring: Modernisme og modernitet fra Obstfelder til Kjærstad by John Brumo (review) 文学体验:从Obstfield到Kjærstad City的现代主义和现代性John Brumo(综述)
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0599
Benjamin Bigelow
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引用次数: 0
The "Troll-Girl Revelation" Motif: Female Infantile Sexuality and Pedophilia in Hálfdanar saga Brönufóstra and Jökuls þáttr Búasonar “巨魔女孩启示”主题:Hálfdanar saga Brönufóstra和Jökuls þáttr Búasonar中的女性婴儿性行为和恋童癖
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0553
Matthew Harold Roby
This article considers the sexual, gendered, and age-based ramifications of a recurrent motif in medieval Icelandic saga literature that I call the “troll-girl revelation.”1 Despite its popularity, appearing formulaically in four sagas attested from the late medieval and early modern periods, as well as more obliquely elsewhere, this trope has received remarkably little scholarly attention. In this story pattern, the male protagonist encounters a group of hostile troll-women, who display varying—including extreme—degrees of sexual boldness. Saga heroes are not infrequently confronted by such libidinous, supernatural females and, as a default response, the protagonist summarily dispatches these foes. As is also common in such altercations, the protagonist participates to varying extents in the troll-women’s eroticization, including via his symbolically sexual use and abuse of these figures as he conquers them. The sexual aggression of these women is thus
这篇文章考虑了中世纪冰岛传奇文学中一个反复出现的主题的性、性别和基于年龄的影响,我称之为“巨魔女孩启示”。1尽管它很受欢迎,在中世纪晚期和现代早期的四个传奇中公式化地出现,在其他地方也更为间接,但这个比喻很少受到学术关注。在这个故事模式中,男主角遇到了一群充满敌意的巨魔女性,她们表现出不同程度的性勇气,包括极端程度的性大胆。传奇英雄们经常遇到这种性欲旺盛、超自然的女性,作为默认的回应,主角会立即派出这些敌人。在这种争吵中也很常见,主人公在不同程度上参与了巨魔女性的色情化,包括在征服这些人物时对这些人物进行象征性的性使用和虐待。因此,这些妇女的性侵犯
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引用次数: 1
Album Cover Elegies: The Mohammad Cartoons Controversy, Self-Censorship, and Identity: The Case of Jomi Massage's Skandinaviske Klagesange 专辑封面挽歌:穆罕默德漫画的争议、自我审查和身份:Jomi Massage的Skandinaviske Klagesange案例
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-16 DOI: 10.5406/scanstud.93.4.0476
Mikkel Vad
continually the and requirements of governments cur-rents
不断地满足政府的要求
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引用次数: 0
A History of Danish Cinema 《丹麦电影史
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-09-09 DOI: 10.1515/9781474461146
Björn Nordfjörd
The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flourished after the Second World War; the late 1980s brought successive Academy Awards for Best Foreign Film; and Dogme 95 aimed to reinvigorate cinema by stripping filmmaking back to basics. The notoriety of arthouse auteur Lars von Trier has been complemented by the emergence of a generation of Danish filmmakers whose work is characterised by compelling stories, high production values and a strong sense of realism. This book covers all these aspects of Danish cinema history, and also encompasses a range of genres, figures and institutions that have received little coverage in English to date, such as children’s films, popular comedies, immigrant filmmakers, women documentarists, and Greenlandic cinema. The contributors situate filmmakers, genres and trends in their cultural and historical context, taking account of the influence of national film institutions and policies. The volume is organised into four parts: i) From the first ‘Golden Age’ to the Occupation; ii) National Genres; iii) Auteurs and Institutions of the New Golden Age; and iv) Decentring and Diversifying Danish Cinema.
丹麦对世界电影的贡献是巨大的:不仅仅是相对于人口规模,而是以任何标准衡量。在无声时期,诺德电影公司的开创性工作,以及早期电影明星的出现,如阿斯塔·尼尔森,确保了丹麦作为一个领先的电影国家的地位。导演卡尔·西奥多·德雷尔在他50年的职业生涯中赢得了全球声誉。第二次世界大战后,纪录片和教育电影的制作蓬勃发展;80年代末连续获得奥斯卡最佳外语片奖;而Dogme 95则旨在通过回归电影制作的基本要素来重振电影。在艺术导演拉斯·冯·提尔声名狼藉的同时,新一代丹麦电影制作人的作品也以引人入胜的故事、高制作价值和强烈的现实感为特点。这本书涵盖了丹麦电影史的所有这些方面,也包括了一系列迄今为止在英语中几乎没有报道的类型、人物和机构,如儿童电影、流行喜剧、移民电影制作人、女性纪录片导演和格陵兰电影。作者将电影人、电影类型和趋势置于其文化和历史背景中,同时考虑到国家电影机构和政策的影响。全书分为四个部分:1)从第一个“黄金时代”到占领;ii)民族体裁;iii)新黄金时代的导演和机构;(四)分散和多样化丹麦电影。
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引用次数: 0
Melancholy at a Crossroads: Effeminate Men in Norwegian Fin-de-siècle Literature 十字路口的忧郁:挪威芬兰文学中的女性化男性
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-08-24 DOI: 10.5406/scanstud.93.3.0357
Kjersti Bale
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引用次数: 0
Man as Extension of Media: Finance and Fiction in Bjørnstjerne Bjørnson’s En Fallit 人是媒介的延伸:比约恩松的《法理》中的金融与虚构
IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-08-24 DOI: 10.5406/scanstud.93.3.0405
L. Fodstad
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引用次数: 0
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