Journal for Cultural Research最新文献

英文中文

Emancipation and the position of Albanian women in socialist Montenegro (1945-1955) 阿尔巴尼亚妇女在社会主义黑山的解放和地位（1945-1955）

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-10-02 DOI: 10.1080/14797585.2021.2012495

Milan Ščekić

ABSTRACT The thesis analyzes the position of Albanian women in the first decade of socialist rule in Montenegro, during which women became full members of society. The efforts of the communist authorities to radically end this situation and include Albanian women in public and social life led to misunderstandings between the government and the Albanian national community, which have shown women’s emancipation and social engagement as violating the values of the authoritarian and traditional family. Therefore,with this thesis, we want to point out that the process of emancipation and integration of Albanian women into society, in the first ten years after the war, was significantly hampered by the resistance of the patriarchal environment and the results achieved were far below expectations.

本文分析了阿尔巴尼亚妇女在黑山社会主义统治的第一个十年中的地位，在这个十年中，妇女成为了社会的正式成员。共产党当局努力从根本上结束这种局面，并将阿尔巴尼亚妇女纳入公共和社会生活，导致政府与阿尔巴尼亚民族社区之间产生误解，这表明妇女的解放和社会参与违反了专制和传统家庭的价值观。因此，在这篇论文中，我们想指出，在战后的头十年里，阿尔巴尼亚妇女解放和融入社会的进程受到父权制环境的阻力的严重阻碍，取得的成果远低于预期。

引用次数: 0

Is coolness still cool? 凉爽还是凉爽吗？

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-10-02 DOI: 10.1080/14797585.2021.2000837

Vanessa Brown

ABSTRACT In the 1990s and early 2000s, “cool’ received substantial scholarly attention, some influential studies claiming that cool was becoming the dominant ethic in contemporary consumer societies, with increasingly global resonance. Yet it remains an elusive and complex phenomenon approached from numerous disciplinary islands, though sometimes curiously absent from studies of related phenomena such as fashion, ‘authenticity’, the ‘hipster’ and ‘low affect’. In the light of developments since the early 2000s (including apparently substantial changes to the form and content of coolness), I argue here for the continued relevance of cool and the need for re-evaluation of key ideas of the 1990s and 2000s. The paper briefly suggests why cool has proved so tricky to work with, before identifying five key themes in existing studies, highlighting some contradictions which invite further endeavour, perhaps focused on renewed attention to cool in relation to forms of modernity.

在20世纪90年代和21世纪初，“酷”一词受到了大量学术关注，一些有影响力的研究声称，酷正在成为当代消费社会的主导伦理，并在全球引起越来越多的共鸣。然而，它仍然是一个难以捉摸的、复杂的现象，来自众多学科孤岛，尽管有时奇怪地没有在时尚、“真实性”、“潮人”和“低情感”等相关现象的研究中出现。鉴于21世纪初以来的发展(包括酷的形式和内容的明显实质性变化)，我在这里主张酷的持续相关性，以及重新评估20世纪90年代和21世纪初的关键思想的必要性。在确定现有研究中的五个关键主题之前，本文简要地提出了为什么酷被证明是如此棘手的工作，强调了一些需要进一步努力的矛盾，也许集中在重新关注酷与现代性形式的关系。

引用次数: 3

Heartland television commercials: Cadbury, the EU and Brexit 心脏地带的电视广告:吉百利、欧盟和英国脱欧

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-10-02 DOI: 10.1080/14797585.2021.2022435

J. Stratton

ABSTRACT This article argues that certain Cadbury television advertisements reflect a change in the relationship between the north and the south of England. Historically, the south of England has understood the north, let us say, the North, as a relatively backward and impoverished region while the south, let us say the South, has seen itself as the heartland of England. In the disillusionment felt about the EU, and reflected in the Brexit vote, this distinction was reversed. The South, especially London, became seen as the site of a cosmopolitanism which was giving away English identity for the sake of an unwanted European integration. The North became seen as the site of true Englishness. This article argues that this shift is apparent in a set of television advertisement for Cadbury’s chocolate blocks set in an unspecified northern city

摘要本文认为，吉百利的某些电视广告反映了英格兰南北关系的变化。从历史上看，英格兰南部一直将北部（比如说北部）视为一个相对落后和贫困的地区，而南部（比如说南部）则将自己视为英格兰的心脏地带。在对欧盟的幻灭感中，以及在英国脱欧投票中，这种区别被扭转了。南方，尤其是伦敦，被视为世界主义的发源地，这种世界主义为了不必要的欧洲一体化而放弃了英国人的身份。北方被视为真正英国化的地方。这篇文章认为，这种转变在吉百利巧克力块的一组电视广告中表现得很明显，该广告以一个未指明的北方城市为背景

引用次数: 0

Experiencing gender-role reversal online dating game in Taiwan 台湾体验性别角色反转网络交友游戏

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-07-03 DOI: 10.1080/14797585.2021.1968770

Chih-Ping Chen

ABSTRACT We live in a culture where gender identity and gender roles can be ruled by the social and cultural beliefs that legitimise gender relations. Thus, there is a need to learn and relearn the potentials/processes for experiencing gender fluidity and forming new gender relations due to the changing nature of technology, new media, and their deep impacts on human life. This study employs Netnography and recruited 40 people to examine how a gender-role reversal online dating game, ‘Raising Men for Fun’ affects Taiwanese ways of (re)constructing/(re)presenting alternative gender identities and developing gender relations in contemporary Taiwanese society. The results highlight that a gender-role reversal online dating game provides an opportunity for its participants to experience gender fluidity in Taiwan. The research suggests that more salient reconstructions or representations of the multiplicity of gender roles in educational programs will help Taiwanese adjust to the anxious process of changing behaviour in society.

摘要我们生活在一种文化中，性别认同和性别角色可以由使性别关系合法化的社会和文化信仰来支配。因此，由于技术、新媒体及其对人类生活的深刻影响，有必要学习和重新学习体验性别流动性和形成新的性别关系的潜力/过程。这项研究采用网络摄影，招募了40人来研究一款性别角色反转的网络约会游戏“为乐养男”如何影响当代台湾社会中台湾人（重新）构建/（重新）呈现另类性别身份和发展性别关系的方式。研究结果强调，性别角色逆转网络约会游戏为参与者提供了在台湾体验性别流动性的机会。研究表明，在教育项目中对性别角色多样性进行更显著的重建或表征，将有助于台湾人适应社会行为变化的焦虑过程。

引用次数: 0

Men and cockfight through the lens of multispecies ethnography: from the symbolism of masculinity to multispecies collaboration 多种族人种学视角下的男人与斗鸡：从男子气概的象征到多种族合作

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-07-03 DOI: 10.1080/14797585.2021.1999172

P. Sanjatmiko

ABSTRACT This paper calls for another perspective on cockfight and the symbolism of masculinity. Previous research on cockfighting has its own perspective and interesting findings, one such work on the matter was that of Geertz who focused on the symbolism of cockfighting within the context of Balinese culture. I argue that, as anthropological studies develop a number of anthropological approaches that produce a more holistic ethnography also evolve. One of them is multispecies ethnography. This approach places culture and nature on one equal level of analysis. This research involves Kampung Laut People in Segara Anakan, Indonesia. The data is collected through observation and in-depth interviews through the ‘art of noticing’ method. The findings of this research show a different perspective in understanding the practice of cockfighting through interspecies collaboration. In terms of scientific contributions, this paper introduces a multispecies ethnographic approach as another approach to understanding the socio-cultural phenomenon of cockfighting and human interactions with non-human species. This perspective complements Geertz’s symbolic cultural perspective. In terms of its contribution to humanitarian issues, the holistic multispecies perspective employed within this research advocates for a balanced interrelation between humans and other species in creating a sustainable ecological system.

本文从另一个角度探讨斗鸡和男子气概的象征意义。以前对斗鸡的研究有自己的观点和有趣的发现，其中一个这样的工作是Geertz，他专注于巴厘文化背景下斗鸡的象征意义。我认为，随着人类学研究的发展，产生更全面的民族志的许多人类学方法也在发展。其中之一是多物种人种学。这种方法把文化和自然放在一个平等的分析水平上。这项研究涉及印度尼西亚塞加拉阿纳坎的甘榜劳人。数据是通过观察和深度访谈，通过“注意的艺术”方法收集的。这项研究的结果显示了通过物种间合作来理解斗鸡实践的不同视角。在科学贡献方面，本文介绍了一种多物种人种志方法，作为理解斗鸡和人类与非人类物种相互作用的社会文化现象的另一种方法。这一观点与格尔茨的象征文化观点相辅相成。就其对人道主义问题的贡献而言，本研究中采用的整体多物种视角倡导人类与其他物种之间的平衡关系，以创造一个可持续的生态系统。

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引用次数: 1

Come Scream with Me: On feminist stories and screaming into the void 来和我一起尖叫:关于女权主义故事和向虚空尖叫

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-07-03 DOI: 10.1080/14797585.2021.1978747

Amber Moore, K. Hare

ABSTRACT In this paper, we apply a scholarly lens to ‘screaming into the void,’ especially in response to similarly intense moments of lived experience as emergent feminist and literacy education scholars. Together, we produce storied soundscapes of screaming – a kind of cartography that we call feminist ‘screamscapes’, largely in response to our experience as cruel optimist early academics. We understand our screamscapes as feminist snaps, or breaking points, that represent us through mappings of our lived experiences – fragments of past selves that demand reflection. Presented using a co-narrative feminist inquiry where we weave our reflections and experiences together, we analyse three parts of screaming: the body screaming, the scream, and the void.

摘要在本文中，我们将学术视角应用于“向虚空尖叫”，尤其是在应对与新兴女权主义和扫盲教育学者类似的激烈生活经历时。我们一起制作了富有传奇色彩的尖叫声景——我们称之为女权主义的“尖叫声景”，这在很大程度上是对我们早期学者残酷乐观主义经历的回应。我们把我们的尖叫声理解为女权主义的快照或断裂点，通过我们生活经历的映射来代表我们——过去自我的片段需要反思。通过一个共同叙事的女权主义调查，我们将我们的反思和经历编织在一起，我们分析了尖叫的三个部分：身体尖叫、尖叫和空虚。

引用次数: 0

Caressing in the age of social immunity: haptics, technology and the sacred 社会免疫时代的爱抚:触觉、科技和神圣

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-06-25 DOI: 10.1080/14797585.2021.1942944

João Nunes de Almeida

ABSTRACT

The emergence of new norms of sociability has historically compromised with segregation of entire communities that enforced certain ways of experiencing reality. Historically speaking, social segregation in capitalist western societies abounds with restrictive norms of touching beings and things in times of viral crisis. This article puts into perspective such paradigms of exclusion by critically addressing the role of haptic technology in promoting social segregation. Firstly, the article historically contextualises the haptic paradigm of social exclusion in two critical moments that define our contemporary regime of tactility: the immunity crisis in sixteenth-century Venice that led to the formation of the Jewish Ghetto and the capitalist secularisation of Protestantism. Drawing on this historical context, the second section starts with Baudrillard´s example of the ‘boy in the bubble’ to reflect on the anaphylactic paradox of authoritarian utopias based on total immunity. Following this discussion, the article critically analyses the haptic device PULSE in the light of the anaphylactic paradox of killing with excess of immunity and advances the relevance of the Levinasian caress to ethically question the role of haptic technology in preventing intersubjective responsibility amongst beings.

摘要社交新规范的出现在历史上与整个社区的隔离相妥协，这种隔离强制了某些体验现实的方式。从历史上看，西方资本主义社会的社会隔离充满了在病毒危机时期接触人与物的限制性规范。本文通过批判性地解决触觉技术在促进社会隔离中的作用，对这种排斥范例进行了透视。首先，本文将社会排斥的触觉范式置于两个关键时刻的历史背景中，这两个关键时刻定义了我们当代的触觉制度:16世纪威尼斯的免疫危机导致了犹太人聚居区的形成，以及新教的资本主义世俗化。在这一历史背景下，第二部分从鲍德里亚的“泡泡里的男孩”的例子开始，反思基于完全免疫的专制乌托邦的过敏性悖论。在此讨论之后，本文根据过度免疫杀死的过敏性悖论批判性地分析了触觉装置PULSE，并提出了列文式爱抚的相关性，以质疑触觉技术在防止人类之间的主体间责任中的作用。

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引用次数: 0

COVID-19 and the ‘Perfectly Governed City’ 新冠肺炎与“完美治理城市”

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-06-23 DOI: 10.1080/14797585.2021.1943816

Laura Glitsos

ABSTRACT In this article, I question the production of certain cultural and geographic zones under the new emergency protocols mandated through COVID-19 governance, by drawing upon the theoretical model of Foucault’s ‘perfectly governed city’ (1977, p. 198). I argue that in the first few months of 2020, in the context of the COVID-19 pandemic response, the rapid absorption of state directives into the home (two-person rule) and the body (social distancing) set a precedent for a new standard of state boundary-crossing that should be monitored by cultural studies academics with prejudice. Using Berger and Luckman, I point to the State’s use of habitualisation through repetition that can be used to monitor and control citizenry at a later time but for different purposes. The purpose of this article is to show that these measures represent a condition of potential COVID-style governance, even after the threat to public health has subsided. In particular, its potentiality lies in the effects of disciplining or training the body (particularly through social distancing practices), routinisation and habitualisation, and the normalisation of bodily surveillance in everyday life.

摘要在本文中，我借鉴福柯“完美治理城市”的理论模型（1977年，第198页），对新冠肺炎治理所规定的新应急协议下某些文化和地理区域的产生提出质疑。我认为，在2020年的前几个月，在新冠肺炎疫情应对的背景下，国家指令迅速融入家庭（两人规则）和身体（保持社交距离），为国家边界交叉的新标准树立了先例，文化研究学者应持偏见地对其进行监测。利用Berger和Luckman，我指出国家通过重复使用习惯化，可以在以后用于监测和控制公民，但目的不同。这篇文章的目的是表明，即使在对公共健康的威胁已经消退之后，这些措施也代表了潜在的新冠肺炎式治理的条件。特别是，它的潜力在于训练或训练身体（特别是通过保持社交距离的做法）、常规化和习惯化，以及日常生活中身体监控的正常化。

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引用次数: 1

Resistance and Exodus 抵抗与逃亡

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-06-22 DOI: 10.1080/14797585.2021.1944243

A. Bove

ABSTRACT Resistance is a puzzle for politics. Its presence is perceived as the sign of a healthy political culture, yet the controversies it raises cannot always be resolved without changing the fabric of the political community. In this, some see it as a fundamental danger, a risk within democracy. Resistance is thought of as a problem to solve, a matter to handle, an irritant to quell, a brake on progress and development. Yet there exists a strong current in political theory, and practice, that stood this perspective on its head. This tradition assigns to resistance the role of prime mover in social ontology, and of creative drive in political relations. This paper discusses this contribution and its legacy.

抵抗是一个政治难题。它的存在被认为是健康政治文化的标志，然而，如果不改变政治社区的结构，它引起的争议并不总是能得到解决。在这一点上，一些人认为这是一种根本性的危险，是民主内部的一种风险。阻力被认为是一个需要解决的问题，一个需要处理的问题，一个需要平息的刺激，一个进步和发展的刹车。然而，在政治理论和实践中，有一股强大的潮流颠覆了这种观点。这一传统赋予抵抗在社会本体论中的原动力角色，以及在政治关系中的创造性动力角色。本文讨论了这一贡献及其遗产。

引用次数: 1

The construction of (white) working-class identity in narrative literary texts and its contribution to socio-cultural and politico-financial inequality 叙事文学文本中（白人）工人阶级身份的构建及其对社会文化和政治经济不平等的贡献

IF 0.9 Q1 CULTURAL STUDIES

Journal for Cultural Research

Pub Date : 2021-05-12 DOI: 10.1080/14797585.2021.1942943

J. Crewe

ABSTRACT Using Fredric Jameson’s theory of the ideologeme to trace representations of working- and white working-class characters through a selection of contemporary literary texts, this article shows how the construction of (white) working-class identity in literature has been influenced by, and fed back into, mainstream representations of the (white) working class in politics and media, thus contributing to cycles of socio-cultural, financial and political exclusion. This article continues by arguing that there is a lack of rounded and developed white working-class characters in British fiction, specifically in London and the South-East, and that contemporary authors continue to rely on typified representations rather than interrogate them, therefore remaining complicit in feedback loops that work to marginalise the (white) working class. To conclude, an argument is put forward in support of opening up space in the public arena for both imagined and real individual voices from marginalised groups to be heard, providing more direct access to channels of representation and an interrogation of the blame narratives that are used to maintain these groups’ socio-economic and political exclusion.

摘要本文运用弗雷德里克·詹姆森的意识形态理论，通过对当代文学文本的选择，追溯工人阶级和白人工人阶级人物的表征，展示了文学中（白人）工人阶级身份的建构是如何受到政治和媒体中（白人工人阶级）主流表征的影响并反馈到其中的，从而助长了社会文化、金融和政治排斥的循环。这篇文章继续认为，英国小说中，特别是在伦敦和东南部，缺乏全面而发达的白人工人阶级角色，当代作家继续依赖典型化的表现，而不是审问他们，因此仍然是边缘化（白人）工人阶级的反馈循环的同谋。总之，有人提出了一个论点，支持在公共舞台上开辟空间，让边缘化群体的想象和真实的个人声音被听到，提供更直接的代表渠道，并审问用来维持这些群体的社会经济和政治排斥的指责叙事。

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