Pub Date : 2022-08-21DOI: 10.1080/14797585.2022.2111220
S. Hadley, B. Heidelberg, Eleonora Belfiore
ABSTRACT Discourses of social justice offer the sense of a progressive and developing narrative within the arts sector. Cultural democracy, cultural equity and cultural diversity address broad policy issues related to production, consumption and representation. This article questions whether these approaches have failed in their challenge to the long-established power dynamics of the cultural sector. We take this position of failure as a starting point for a self-reflexive account of the lack of progressive change in the sector. We argue that reflexivity is needed to avoid the elision of the progressive impulse through the inauthentic and rhetorical promotion of ‘fakequity’. As scholars from divergent yet mutually Anglo-centric traditions, our aim is to better understand how a self-reflexive approach might counter the (non)performative behaviour of the cultural sector. Without such an approach, initiatives supposedly designed to be culturally democratic risk enforcing structures of exclusion and facilitating a ‘non-performative woke democratisation of culture’.
{"title":"Reflexivity and the perpetuation of inequality in the cultural sector: half awake in a fake empire?","authors":"S. Hadley, B. Heidelberg, Eleonora Belfiore","doi":"10.1080/14797585.2022.2111220","DOIUrl":"https://doi.org/10.1080/14797585.2022.2111220","url":null,"abstract":"ABSTRACT Discourses of social justice offer the sense of a progressive and developing narrative within the arts sector. Cultural democracy, cultural equity and cultural diversity address broad policy issues related to production, consumption and representation. This article questions whether these approaches have failed in their challenge to the long-established power dynamics of the cultural sector. We take this position of failure as a starting point for a self-reflexive account of the lack of progressive change in the sector. We argue that reflexivity is needed to avoid the elision of the progressive impulse through the inauthentic and rhetorical promotion of ‘fakequity’. As scholars from divergent yet mutually Anglo-centric traditions, our aim is to better understand how a self-reflexive approach might counter the (non)performative behaviour of the cultural sector. Without such an approach, initiatives supposedly designed to be culturally democratic risk enforcing structures of exclusion and facilitating a ‘non-performative woke democratisation of culture’.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44710512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.1080/14797585.2022.2111221
A. Mura
ABSTRACT Carl Schmitt’s critical insights into ‘economic-technical thinking’ and the dominant role that a ‘magical technicity’ is said to assume in the social horizon of his times offers an opportunity to reframe contemporary debates on political and economic theology, exposing a theological core behind technocratic administration. Starting from this premise, the article engages with recent inquiries into so-called ‘debt economy’, assessing the affective function that ‘deferment’ and ‘confession’ perform as dominant operators in the social imaginary of neoliberal governance.
{"title":"Political and economic theology after Carl Schmitt: the confessional logic of deferment","authors":"A. Mura","doi":"10.1080/14797585.2022.2111221","DOIUrl":"https://doi.org/10.1080/14797585.2022.2111221","url":null,"abstract":"ABSTRACT Carl Schmitt’s critical insights into ‘economic-technical thinking’ and the dominant role that a ‘magical technicity’ is said to assume in the social horizon of his times offers an opportunity to reframe contemporary debates on political and economic theology, exposing a theological core behind technocratic administration. Starting from this premise, the article engages with recent inquiries into so-called ‘debt economy’, assessing the affective function that ‘deferment’ and ‘confession’ perform as dominant operators in the social imaginary of neoliberal governance.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45619724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-07DOI: 10.1080/14797585.2022.2106444
M. Mazzoni, Roberto Mincigrucci
ABSTRACT In contemporary democracies, the image that political leaders project is of central importance to their electoral appeal, however, studies of image projection have mainly been based on textual messages, undermining often visual content such as photos, memes and postcards. This study explores populist leaders image projection through visuals on Facebook in a cross-national context, with the aim of verifying if politicians use images to promote their political action or if they instead implement more complex strategies of self-branding and personalisation. The analysis focuses on the election campaign period for the 2019 European elections and proposes a comparison between four leaders that joined the European Parliament’s Group of Identity and Democracy, namely Matteo Salvini for Italy, Heinz-Christian Strache for Austria, Marine Le Pen for France and Alice Weidel for Germany. According to our analysis, important differences emerge in the use that leaders make of the images disseminated on Facebook. Some of them, in fact, disseminate almost exclusively images that are strictly related to their electoral campaign, while others seek a true identification with their voters, following the pattern of intimization.
{"title":"Storytelling through images: how leaders managed their visual communication on Facebook during the 2019 European election campaign","authors":"M. Mazzoni, Roberto Mincigrucci","doi":"10.1080/14797585.2022.2106444","DOIUrl":"https://doi.org/10.1080/14797585.2022.2106444","url":null,"abstract":"ABSTRACT In contemporary democracies, the image that political leaders project is of central importance to their electoral appeal, however, studies of image projection have mainly been based on textual messages, undermining often visual content such as photos, memes and postcards. This study explores populist leaders image projection through visuals on Facebook in a cross-national context, with the aim of verifying if politicians use images to promote their political action or if they instead implement more complex strategies of self-branding and personalisation. The analysis focuses on the election campaign period for the 2019 European elections and proposes a comparison between four leaders that joined the European Parliament’s Group of Identity and Democracy, namely Matteo Salvini for Italy, Heinz-Christian Strache for Austria, Marine Le Pen for France and Alice Weidel for Germany. According to our analysis, important differences emerge in the use that leaders make of the images disseminated on Facebook. Some of them, in fact, disseminate almost exclusively images that are strictly related to their electoral campaign, while others seek a true identification with their voters, following the pattern of intimization.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45893843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14797585.2022.2097881
A. Ullah
ABSTRACT The purpose of this article is to look at how migration and culture interact to shape the migration landscape in Southeast Asian countries. Within the scope of migration study, there has been a lack of attention paid to the importance of culture. Scholars may have lost sight of the importance of culture due to a sustained and continuous concentration on socioeconomic concerns. The research claims that one of the aspects that influences migration decision-making is culture. To back up our claim, we performed qualitative research in Malaysia, Thailand, and Brunei. Through the lens of acculturation, enculturation, and deculturation, the study highlights a vital problem of whether migration influences culture or the other way around or whether migration itself becomes a part of a culture.
{"title":"The culture of migration in Southeast Asia: Acculturation, enculturation and deculturation","authors":"A. Ullah","doi":"10.1080/14797585.2022.2097881","DOIUrl":"https://doi.org/10.1080/14797585.2022.2097881","url":null,"abstract":"ABSTRACT The purpose of this article is to look at how migration and culture interact to shape the migration landscape in Southeast Asian countries. Within the scope of migration study, there has been a lack of attention paid to the importance of culture. Scholars may have lost sight of the importance of culture due to a sustained and continuous concentration on socioeconomic concerns. The research claims that one of the aspects that influences migration decision-making is culture. To back up our claim, we performed qualitative research in Malaysia, Thailand, and Brunei. Through the lens of acculturation, enculturation, and deculturation, the study highlights a vital problem of whether migration influences culture or the other way around or whether migration itself becomes a part of a culture.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43174224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14797585.2022.2097013
Haoxing Wu
ABSTRACT Dreamcore originates from a video (or image) form submitted on 21 April 2018, when an anonymous user posted a thread on 4chan’s paranormal section collecting images that would make people feel ‘uncomfortable', and another user’s comment under it gained the attention of the community. And it has been a new subculture that uses familiar scenes to make the audience nostalgic but uneasy, with two important characteristics: ‘Lost items’ and ‘exposed shame’. In contrast to the philosophical concept ‘sense of material’, the absolutely independent defamiliarization, or liminal space’s ‘neither … nor … ’, ‘lost items’ pursues the familiarity in strangeness without resorting to the expression of magical reality, or using ambiguity between the two to create a ‘either … or …’ atmosphere; Compared with modern urban planning based on the principle of ‘ecology’, ‘exposed shame’ reveals infrastructures that do not match the natural setting in the image, causing abruptness and embarrassment. Both point to the dreamcore’s playful ambiguity, thus not being governed by serious art and symbolising the original intention of free creation.
{"title":"Lost items and exposed shame – dreamcore’s inheritance and transcendence of liminal space and defamiliarization","authors":"Haoxing Wu","doi":"10.1080/14797585.2022.2097013","DOIUrl":"https://doi.org/10.1080/14797585.2022.2097013","url":null,"abstract":"ABSTRACT Dreamcore originates from a video (or image) form submitted on 21 April 2018, when an anonymous user posted a thread on 4chan’s paranormal section collecting images that would make people feel ‘uncomfortable', and another user’s comment under it gained the attention of the community. And it has been a new subculture that uses familiar scenes to make the audience nostalgic but uneasy, with two important characteristics: ‘Lost items’ and ‘exposed shame’. In contrast to the philosophical concept ‘sense of material’, the absolutely independent defamiliarization, or liminal space’s ‘neither … nor … ’, ‘lost items’ pursues the familiarity in strangeness without resorting to the expression of magical reality, or using ambiguity between the two to create a ‘either … or …’ atmosphere; Compared with modern urban planning based on the principle of ‘ecology’, ‘exposed shame’ reveals infrastructures that do not match the natural setting in the image, causing abruptness and embarrassment. Both point to the dreamcore’s playful ambiguity, thus not being governed by serious art and symbolising the original intention of free creation.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59916718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14797585.2022.2097880
A. Castelli, Barbara Sonzogni
ABSTRACT As the twenty-first century begins, Benjamin’s aura as the quality of an authentic-art-object might be outdated, but the notion of kitsch remains essential in a post-Warholian world. The following discussion is an attempt to assess Western contemporaneity. By using a few examples, so to dissect problems into their smallest components, I suggest that the current popularity of kitsch inclinations and behaviours in Western societies are not a means to resist cultural and aesthetic elitism, but an implication of widespread bad taste.
{"title":"The taste of contemporaneity: is the west kitsch?","authors":"A. Castelli, Barbara Sonzogni","doi":"10.1080/14797585.2022.2097880","DOIUrl":"https://doi.org/10.1080/14797585.2022.2097880","url":null,"abstract":"ABSTRACT As the twenty-first century begins, Benjamin’s aura as the quality of an authentic-art-object might be outdated, but the notion of kitsch remains essential in a post-Warholian world. The following discussion is an attempt to assess Western contemporaneity. By using a few examples, so to dissect problems into their smallest components, I suggest that the current popularity of kitsch inclinations and behaviours in Western societies are not a means to resist cultural and aesthetic elitism, but an implication of widespread bad taste.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47655537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14797585.2022.2097882
Ekkarat Ruanglertsilp
ABSTRACT Due to the increasing concern about gender equity in the U.S., song lyrics with political activism are receiving more attention. As reflected through lyrics and the artist’s tumultuous life events, ‘thank u, next,’ Ariana Grande’s fifth album, has been reviewed by media outlets, such as Billboard as mirroring Grande’s public persona of self-empowerment. iTunes (2019) describes the album as Grande’s embraced position of – ‘complex, independent, tenacious and flawed.’ This study investigates how these claims came about by adopting Fairclough’s Critical Discourse Analysis three-dimensional framework. It examines how the discourse of self-empowerment is portrayed in her lyrics, and what linguistic strategies are deployed to portray the discourse. This study hopes to add texture to existing literature by examining the production of young women’s empowerment ideology and the meanings of neoliberal feminism in relations to the use of language in song lyrics. Linguistic strategies such as the use of metaphors, overstatements and presupposition manipulation have been investigated through textual, and social analyses of the songs to demonstrate the ideological concepts of a ‘self-empowered woman’. The concepts found include independence, self-love/growth, owning of sexuality, and being needy. The concepts also revealed that Grande’s lyrics mostly support ideals of gender equity and female empowerment.
随着美国社会对性别平等问题的日益关注，带有政治激进主义色彩的歌词越来越受到人们的关注。爱莉安娜·格兰德(Ariana Grande)的第五张专辑《谢谢你，下一张》(thank u, next)的歌词和她动荡的生活事件反映了这一点。《公告牌》(Billboard)等媒体评论称，这张专辑反映了格兰德自强的公众形象。iTunes(2019)将这张专辑描述为格兰德的“复杂、独立、顽强和有缺陷”。本研究采用费尔克劳的批评话语分析的三维框架来调查这些说法是如何产生的。它考察了自我赋权的话语是如何在她的歌词中被描绘出来的，以及使用了什么语言策略来描绘这种话语。本研究希望通过考察年轻女性赋权意识形态的产生，以及新自由主义女权主义与歌词语言使用的关系，为现有文献增添质感。通过对歌曲的文本和社会分析，研究了诸如隐喻、夸张和预设操纵等语言策略，以展示“自我赋权的女性”的意识形态概念。这些概念包括独立、自爱/成长、拥有性以及有需要。这些概念还表明，格兰德的歌词大多支持性别平等和女性赋权的理想。
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Pub Date : 2022-03-15DOI: 10.1080/14797585.2022.2049976
Ö. Özden
ABSTRACT In this paper reling on Agamben’s genealogical endeavour with regard to the concept of oath, I shall try to discuss how he renders the relation between language and the destituent power that will lead me to address ‘the new experience of the word’, namely, pistis (faith), which is placed at the centre of the messianic announcement. In order to open up this point, I will take into consideration Jacques Derrida’s arguments related to faith and language which appear to be one of the main addressees of Agamben’s critical undertaking, even though he is never mentioned in Agamben’s later book The Sacrament of Language, in which he elaborates the contours of the relation between language and pistis. For Derrida the opening of language is based on an oath, a promise of saying ‘yes’ and thus, speaking is an act of faith. However, it is this functioning of language that has to be suspended according to Agamben, since it is this very dispositif that is connected to sovereign power. It is through this suspension the living being who has language may cease to be homo sacer before language and sovereign power.
{"title":"How to stop the torture machine? Language and destituent power","authors":"Ö. Özden","doi":"10.1080/14797585.2022.2049976","DOIUrl":"https://doi.org/10.1080/14797585.2022.2049976","url":null,"abstract":"ABSTRACT In this paper reling on Agamben’s genealogical endeavour with regard to the concept of oath, I shall try to discuss how he renders the relation between language and the destituent power that will lead me to address ‘the new experience of the word’, namely, pistis (faith), which is placed at the centre of the messianic announcement. In order to open up this point, I will take into consideration Jacques Derrida’s arguments related to faith and language which appear to be one of the main addressees of Agamben’s critical undertaking, even though he is never mentioned in Agamben’s later book The Sacrament of Language, in which he elaborates the contours of the relation between language and pistis. For Derrida the opening of language is based on an oath, a promise of saying ‘yes’ and thus, speaking is an act of faith. However, it is this functioning of language that has to be suspended according to Agamben, since it is this very dispositif that is connected to sovereign power. It is through this suspension the living being who has language may cease to be homo sacer before language and sovereign power.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46671480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-13DOI: 10.1080/14797585.2022.2048185
Marcelle Trote Martins
ABSTRACT The main objective of this work is to contribute to the literature on memory in post-conflict societies by considering how the choice of an official language is entangled in memory politics. Particularly, in Timor-Leste, the choice of Portuguese as the official language reflects an effort to create a narrative of the heroism of the ‘Generation of 75’ whilst silencing the efforts and memories of the ‘Geração Foun’ (young generation)’ during the fight for independence. Therefore, in the constituency of the new state, language plays a crucial role in post-conflict efforts to (re) establish political foundations for the state and define how individuals will be remembered. This paper analyses the case of Timor-Leste and disputes over the choice of an official language after the re-establishment of independence in 2002.
本研究的主要目的是通过考虑官方语言的选择如何与记忆政治纠缠在一起，为冲突后社会的记忆文献做出贡献。特别是在东帝汶，选择葡萄牙语作为官方语言，反映了一种努力，即创造一种“75世代”的英雄主义叙事，同时沉默“gera o Foun”(年轻一代)在争取独立期间的努力和记忆。因此，在新国家的选区中，语言在冲突后为国家(重新)建立政治基础和确定个人将如何被记住的努力中起着至关重要的作用。本文以东帝汶为例，分析2002年东帝汶重新独立后，官方语言选择的争议。
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Pub Date : 2022-02-21DOI: 10.1080/14797585.2022.2040338
S. Das
ABSTRACT In his posthumously published Broken Hegemonies, Reiner Schürmann shows how the ‘tragic denial’ of the differend – between the universal and the singular, natality and mortality, institution and destitution – gives rise to hegemonies. When ‘the sovereign fantasm’ that grounds and anchors the hegemony expires, the hegemony gets withered away. Taking Schürmann’s insights as point of departure, this paper attempts to think of singularisation to come in messianic sense, as truly anarchic thought worthy of our time, that is, to think without hegemonies. Such a messianic/eschatological tragic-anarchic thought can’t be understood as the dialectical operation of the universal’s antagonism to the particular. Beyond the dialectical opposition of the universal and the particular, differend of the singularisation to come can only be understood as the unheard of an-arché, that is, living without ‘why’.
{"title":"The singularity to come","authors":"S. Das","doi":"10.1080/14797585.2022.2040338","DOIUrl":"https://doi.org/10.1080/14797585.2022.2040338","url":null,"abstract":"ABSTRACT In his posthumously published Broken Hegemonies, Reiner Schürmann shows how the ‘tragic denial’ of the differend – between the universal and the singular, natality and mortality, institution and destitution – gives rise to hegemonies. When ‘the sovereign fantasm’ that grounds and anchors the hegemony expires, the hegemony gets withered away. Taking Schürmann’s insights as point of departure, this paper attempts to think of singularisation to come in messianic sense, as truly anarchic thought worthy of our time, that is, to think without hegemonies. Such a messianic/eschatological tragic-anarchic thought can’t be understood as the dialectical operation of the universal’s antagonism to the particular. Beyond the dialectical opposition of the universal and the particular, differend of the singularisation to come can only be understood as the unheard of an-arché, that is, living without ‘why’.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":null,"pages":null},"PeriodicalIF":0.9,"publicationDate":"2022-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47808464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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