Pub Date : 2021-09-24DOI: 10.1080/19376529.2021.1960840
Margaret Moe
ABSTRACT Market research has established that podcast advertising earns high approval ratings from listeners, resulting in positive consumer behaviors; however, limited academic research on this topic exists. This article examines listeners’ attitudes toward podcast advertising and investigates the effect of host-read advertisements. Using both quantitative and qualitative data, the study builds a layered understanding of host-read ads’ impact on listeners. The mechanism of a host-read ad is integral because it accesses the listeners’ relationships with both the host and the podcast team, shaping their estimation of credibility and providing narrative transport.
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Pub Date : 2021-07-03DOI: 10.1080/19376529.2021.1944718
Devin Stroink, Elizabeth Edwards
Adeyeye, B., Amodu, L., Oscar, O., Omojola, O., Adesina, E., & Ben-Enukora, C. A. (2020). A SWOT analysis of indigenous language use in agricultural radio programming in Nigeria. In K. O. Oyesomi & A. Salawu (Eds.), Emerging trends in Indigenous language media, communication, gender, and health (pp. 188–209). IGI Global. Aitkin, H., Hambly, H., & McKnight-Howe, T. (2020). Three Helens: Canadian women in international farm radio. In G. A. Bonin-Labelle (Ed.), Women in radio: Unfiltered voices from Canada (pp. 183–208). Ottawa: University of Ottawa Press. Alfandika, L., & Gwindingwe, G. (2020). The airwaves belong to the people: A critical analysis of radio broadcasting and licensing in Zimbabwe. Communicatio, 1–17. Almeida, E. M., & Viana, L. H. V. (2020). Technology and community communication: the use of the radio broadcasting as a strategy for urban sustainability. Culture & Territory, 4, 215–226. Akrofi-Quarcoo, S., & Gadzekpo, A. (2020). Indigenizing radio in Ghana. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 95–112. Anderson, H., Backhaus, B., Fox, J., & Bedford, C. (2020). Fifty years of resistance and representation: A historical account of Australian community radio. Journal of Radio & Audio Media, 27(2), 234–254. Aujla-Sidhu, G. (2020). Producing diversity in BBC radio. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 113–129. Awofadeju, P. O., & Ogwuche, P. O. (2020). Journalists’ perception of the role of research in investigative journalism in Nigeria: Case of unique 103.1 FM radio station, Ilesa, Osun State, Nigeria. Media & Communication Currents, 4(1), 91–114. Barber, J. F. (2020). The war of the worlds broadcast: Fake news or engaging storytelling? In J. A. Hendricks (Ed.), Radio’s second century: Past, present, and future perspectives (pp. 96–118). New Jersey: Rutgers University Press. Barnett, K. (2020). Record cultures: The transformation of the U.S. recording industry. Ann Arbor: University of Michigan Press. Bathgate, G. (2020). Radio broadcasting: A history of the airwaves. Yorkshire: Pen and Sword History. Berry, R. (2020). Radio, music, podcasts BBC sounds: Public service radio and podcasts in a platform world. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 63–78. Blaney, J. R. (2020). Social media analytics, radio advertising, and strategic partnerships. Radio’s second century: Past, present, and future perspectives (pp. 53–64). New Jersey: Rutgers University Press. JOURNAL OF RADIO & AUDIO MEDIA 2021, VOL. 28, NO. 2, 344–354 https://doi.org/10.1080/19376529.2021.1944718
Adeyeye, B.， Amodu, L.， Oscar, O.， Omojola, O.， Adesina, E.和Ben-Enukora, C.(2020)。尼日利亚农业广播节目中土著语言使用的SWOT分析。见K. O. Oyesomi和A. Salawu(编)，《土著语言媒体、交流、性别和健康的新趋势》(第188-209页)。IGI全球。艾特金，H.， Hambly, H.， & McKnight-Howe, T.(2020)。三个海伦:加拿大妇女在国际农业电台。在G. A. Bonin-Labelle(编)，妇女在广播:未经过滤的声音从加拿大(页183-208)。渥太华:渥太华大学出版社。Alfandika, L.和Gwindingwe, G.(2020)。电波属于人民:对津巴布韦无线电广播和许可的批判性分析。通信,1卷。阿尔梅达，e.m.，和维亚纳，l.h.v.(2020)。技术与社区交流:利用无线电广播作为城市可持续发展的一项战略。文化与地域，4,215-226。Akrofi-Quarcoo, S.和Gadzekpo, A.(2020)。加纳广播本土化。广播学报:国际广播与音频媒体研究，18(1)，95-112。安德森，H.，巴克豪斯，B.，福克斯，J.和贝德福德，C.(2020)。五十年的抵抗和代表:澳大利亚社区电台的历史记录。广播音频媒体学报，27(2)，234-254。Aujla-Sidhu, G.(2020)。制作BBC广播节目的多样性。广播学报，18(1)，113-129。Awofadeju, P. O.和Ogwuche, P. O.(2020)。记者对研究在尼日利亚调查性新闻中的作用的看法:以尼日利亚奥孙州伊莱萨独特的103.1调频广播电台为例媒体与传播，4(1)，91-114。巴伯，j.f.(2020)。世界大战广播:假新闻还是引人入胜的故事?在J. A.亨德里克斯(编)，广播的第二个世纪:过去，现在和未来的观点(第96-118页)。新泽西州:罗格斯大学出版社。Barnett, K.(2020)。唱片文化:美国唱片业的转型。安娜堡:密歇根大学出版社。巴斯盖特，G.(2020)。无线电广播:电波的历史。约克郡:笔与剑的历史。贝瑞，R.(2020)。广播，音乐，播客BBC声音:公共服务广播和播客在一个平台的世界。广播学报，18(1)，63-78。布莱尼，j.r.(2020)。社交媒体分析、广播广告和战略合作伙伴关系。无线电的第二个世纪:过去、现在和未来的观点(第53-64页)。新泽西州:罗格斯大学出版社。《广播与音频媒体学报》2021年第28卷第1期。2,344 - 354 https://doi.org/10.1080/19376529.2021.1944718
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Pub Date : 2021-07-03DOI: 10.1080/19376529.2021.1950724
K. Curran
The first 100 years of radio were marked by constant change from the cacophony of the airwaves pre-regulation to the radical change of the industry with the development of television, regulatory ch...
无线电的前100年标志着不断的变化，从无线电波预先监管的不和谐，到随着电视的发展，监管机构……
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Pub Date : 2021-07-03DOI: 10.1080/19376529.2021.2006443
Anne F. MacLennan
Radio and audio media are remarkable for their appeal globally as well as their ability to address many diverse groups, communities, languages, and cultures. The enduring appeal and flexibility of radio and other audio media has sustained it despite competition and change. This issue contains a variety of original research that reflects the ongoing and emerging fields in radio and audio media research. Diversity in playlists, community radio, creating community, representation, digital radio, podcasting, and linguistic communities are all part of this issue. Heikki Hellman and Arto Vilkko’s article, “Is There Diversity on Popular Music Radio? Developing a Methodology for a Quantitative Analysis of Radio Playlists,” “develop[s] indicators that cover four components of musical diversity: origin, ownership, repetition, and epoch of music (Hellman & Vilkko, 2021, p. 193).” This study of the diversity of Finland’s radio playlists proposes relevant variables and indicators that can be applied to the further study of radio, in particular diversity. “Sonic Borderscapes in Richard Curtis’ Film the Boat that Rocked (2009)” by Jopi Nyman examines pirate radio with respect to sonic borders and community (Nyman, 2021). Nyman tackles the concepts of shared national cultural values, borderscapes, belonging, and becoming. The article’s focus on “transgressive programming emanating from beyond the border offers moments of affect and pleasure for the new generation by bringing them together, which leads to the formation of an alternative public space (Nyman, 2021, p. 227)” allows for an investigation of audience identity and alternative culture of dissent. In “Characteristics of the Classic Radio Experience Perceived by Young Listeners and Design Implications for Their Digital Transformation,” Stefan Hirschmeier and Vanessa Beule examine the changes in consumption of radio with the advent of nonlinear radio automated playlists (Hirschmeier & Beule, 2021). This examination of the traditional radio experience as it moves into digital radio is based on interviews with a younger audience. It identifies 5 categories of 37 radio characteristics that frame the experience of radio. “Missing, or Just Missed? Mediating Loss in the Missing Richard Simmons Podcast” by Kelli S. Boling, Kevin Hull, and Leigh M. Moscowitz examines “the Missing Richard Simmons podcast to explore how both podcast producers and audiences use new media forms to define and process JOURNAL OF RADIO & AUDIO MEDIA 2021, VOL. 28, NO. 2, 189–192 https://doi.org/10.1080/19376529.2021.2006443
广播和音频媒体因其在全球的吸引力以及针对许多不同群体、社区、语言和文化的能力而引人注目。尽管存在竞争和变化，但广播和其他音频媒体的持久吸引力和灵活性使其得以维持。本期包含各种原创研究，反映了广播和音频媒体研究中正在进行和新兴的领域。播放列表、社区广播、创建社区、代表性、数字广播、播客和语言社区的多样性都是这个问题的一部分。Heikki Hellman和Arto Vilkko的文章《流行音乐电台是否存在多样性？开发电台播放列表定量分析方法》“开发涵盖音乐多样性四个组成部分的指标：音乐的起源、所有权、重复和时代（Hellman&Vilkko，2021，p.193）。“这项关于芬兰广播播放列表多样性的研究提出了相关变量和指标，可用于进一步研究广播，特别是多样性。乔皮·尼曼（Jopi Nyman）的《理查德·柯蒂斯（Richard Curtis）的电影《摇晃的船》（2009）中的声波边界猿》（Sonic Borderscapes in the Film the Boat Rocked）探讨了海盗电台关于声波边界和社区的问题（尼曼，2021）。尼曼探讨了共同的民族文化价值观、边界景观、归属感和成为的概念。这篇文章的重点是“来自边境之外的越轨节目通过将新一代人聚集在一起，为他们提供了情感和快乐的时刻，从而形成了一个替代的公共空间（Nyman，2021，第227页）”，这允许对观众身份和持不同政见的替代文化进行调查。Stefan Hirschmeier和Vanessa Beule在《年轻听众感知的经典广播体验的特征及其数字化转型的设计意义》一书中研究了随着非线性广播自动播放列表的出现，广播消费的变化（Hirschmeiser&Beule，2021）。随着传统广播进入数字广播，这种对传统广播体验的审视是基于对年轻观众的采访。它确定了5类37种无线电特征，这些特征构成了无线电体验的框架。Kelli S.Boling、Kevin Hull和Leigh M.Moscowitz的“失踪，还是只是失踪？在失踪的Richard Simmons播客中调解损失”研究了“失踪的Richard Simon播客，以探索播客制作人和观众如何使用新的媒体形式来定义和处理《广播与音频媒体杂志2021》，第28卷，第2期，189-192https://doi.org/10.1080/19376529.2021.2006443
{"title":"Editorial Remarks: Diversity, Endurance, and Community","authors":"Anne F. MacLennan","doi":"10.1080/19376529.2021.2006443","DOIUrl":"https://doi.org/10.1080/19376529.2021.2006443","url":null,"abstract":"Radio and audio media are remarkable for their appeal globally as well as their ability to address many diverse groups, communities, languages, and cultures. The enduring appeal and flexibility of radio and other audio media has sustained it despite competition and change. This issue contains a variety of original research that reflects the ongoing and emerging fields in radio and audio media research. Diversity in playlists, community radio, creating community, representation, digital radio, podcasting, and linguistic communities are all part of this issue. Heikki Hellman and Arto Vilkko’s article, “Is There Diversity on Popular Music Radio? Developing a Methodology for a Quantitative Analysis of Radio Playlists,” “develop[s] indicators that cover four components of musical diversity: origin, ownership, repetition, and epoch of music (Hellman & Vilkko, 2021, p. 193).” This study of the diversity of Finland’s radio playlists proposes relevant variables and indicators that can be applied to the further study of radio, in particular diversity. “Sonic Borderscapes in Richard Curtis’ Film the Boat that Rocked (2009)” by Jopi Nyman examines pirate radio with respect to sonic borders and community (Nyman, 2021). Nyman tackles the concepts of shared national cultural values, borderscapes, belonging, and becoming. The article’s focus on “transgressive programming emanating from beyond the border offers moments of affect and pleasure for the new generation by bringing them together, which leads to the formation of an alternative public space (Nyman, 2021, p. 227)” allows for an investigation of audience identity and alternative culture of dissent. In “Characteristics of the Classic Radio Experience Perceived by Young Listeners and Design Implications for Their Digital Transformation,” Stefan Hirschmeier and Vanessa Beule examine the changes in consumption of radio with the advent of nonlinear radio automated playlists (Hirschmeier & Beule, 2021). This examination of the traditional radio experience as it moves into digital radio is based on interviews with a younger audience. It identifies 5 categories of 37 radio characteristics that frame the experience of radio. “Missing, or Just Missed? Mediating Loss in the Missing Richard Simmons Podcast” by Kelli S. Boling, Kevin Hull, and Leigh M. Moscowitz examines “the Missing Richard Simmons podcast to explore how both podcast producers and audiences use new media forms to define and process JOURNAL OF RADIO & AUDIO MEDIA 2021, VOL. 28, NO. 2, 189–192 https://doi.org/10.1080/19376529.2021.2006443","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43497856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-03DOI: 10.1080/19376529.2021.1953274
Len O’Kelly
A common buzzword in any discussion of the media business is consolidation. It’s often regarded as a modern trend, the term used to describe the consolidation of ownership as it relates to broadcas...
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Pub Date : 2021-06-23DOI: 10.1080/19376529.2021.1932903
G. King, Geneviève A. Bonin-Labelle
ABSTRACT The nonprofit radio sector in Canada includes over 180 community and Indigenous stations. Studies of nonprofit radio programming note the diversity of on-air content from news to music, which is in line with the sector’s mandate. However, does the assortment of content translate into a diversity of individuals behind the microphone? And who is making decisions in station management and governance?. To better understand the equity practices found within nonprofit radio, this article highlights the results of an online survey to quantify the diversity found among the board members, volunteers, and employees who operate these stations.
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Pub Date : 2021-06-17DOI: 10.1080/19376529.2021.1937629
Harry Criticos
In the field of radio, licensees, managers, program directors and program-makers can be seen as agents, that is, choice making entities. From their work practices, these choice making agents have a...
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Pub Date : 2021-06-17DOI: 10.1080/19376529.2021.1931229
Pratiti Diddi, Sushma Kumble, Fuyuan Shen
ABSTRACT Radio-based entertainment education (EE) programs have long been a way to communicate health-related information, particularly in developing countries. To explore the effectiveness of these campaigns, we used meta-analysis to examine the results of 20 published studies on the effectiveness of health messages embedded in radio-based EE programs. The results suggest that these messages had small but significant effects in changing health related knowledge, attitudes, and behaviors. We also found that research methods, health issues, and exposure levels were significant moderators of these effects. These results have both theoretical and practical implications.
{"title":"Efficacy of Radio Entertainment Education in promoting health behavior: A Meta-analysis","authors":"Pratiti Diddi, Sushma Kumble, Fuyuan Shen","doi":"10.1080/19376529.2021.1931229","DOIUrl":"https://doi.org/10.1080/19376529.2021.1931229","url":null,"abstract":"ABSTRACT Radio-based entertainment education (EE) programs have long been a way to communicate health-related information, particularly in developing countries. To explore the effectiveness of these campaigns, we used meta-analysis to examine the results of 20 published studies on the effectiveness of health messages embedded in radio-based EE programs. The results suggest that these messages had small but significant effects in changing health related knowledge, attitudes, and behaviors. We also found that research methods, health issues, and exposure levels were significant moderators of these effects. These results have both theoretical and practical implications.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19376529.2021.1931229","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47780466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-02DOI: 10.1080/19376529.2021.1920024
Urszula Doliwa, Szymon Żyliński
ABSTRACT We look at community media in Bhutan from three important perspectives – the concept of community media in general, a modified self-evaluation tool developed by UNESCO Chair on Community Media, Vinod Pavarala, and the Gross National Happiness index where we show in what way community media may contribute to the growth of rankings within this index and how this index may help to better understand the community media phenomenon in this country. The research is based on desk research and interviews with the key actors in community radio development in Bhutan, in 2019, supported by the first-hand experience gained during conducting research on Bhutan media system gained by one of the authors during visits in this country in the years 2015–2018. In this article we concentrate on local community radio stations located in rural areas: KYD from Khotakpa, Edi from Dechen Pelri and Lhop Community Radio Station from Lotokuche. We highlight the unique context in which community radio in Bhutan functions – the geographical conditions and mountainous terrain, which cause separation from other surrounding indigenous communities, differences in spoken language and the cultivation of their own cultural identity. The over-arching argument in this paper is that local factors are really important to understanding national media systems and that the national government commitment to GNH helps to explain community radio in Bhutan.
{"title":"Community Radio in Bhutan","authors":"Urszula Doliwa, Szymon Żyliński","doi":"10.1080/19376529.2021.1920024","DOIUrl":"https://doi.org/10.1080/19376529.2021.1920024","url":null,"abstract":"ABSTRACT We look at community media in Bhutan from three important perspectives – the concept of community media in general, a modified self-evaluation tool developed by UNESCO Chair on Community Media, Vinod Pavarala, and the Gross National Happiness index where we show in what way community media may contribute to the growth of rankings within this index and how this index may help to better understand the community media phenomenon in this country. The research is based on desk research and interviews with the key actors in community radio development in Bhutan, in 2019, supported by the first-hand experience gained during conducting research on Bhutan media system gained by one of the authors during visits in this country in the years 2015–2018. In this article we concentrate on local community radio stations located in rural areas: KYD from Khotakpa, Edi from Dechen Pelri and Lhop Community Radio Station from Lotokuche. We highlight the unique context in which community radio in Bhutan functions – the geographical conditions and mountainous terrain, which cause separation from other surrounding indigenous communities, differences in spoken language and the cultivation of their own cultural identity. The over-arching argument in this paper is that local factors are really important to understanding national media systems and that the national government commitment to GNH helps to explain community radio in Bhutan.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19376529.2021.1920024","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49437083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.1080/19376529.2021.1927041
A. Hale
ABSTRACT This paper analyses an interview with two very successful Australian radio comedians, in order to discover the “secrets” of how they connect with an audience they cannot see. Unlike much of the existing literature, this paper prioritizes the comedians’ responses as primary evidence, from which conclusions are drawn, and this data is then analyzed through a synthesized frame of Discourse Analysis. It is expected that important insights into the operation of radio humor can be obtained through this method, and that these can be used to inform the general discussion of radio humor.
{"title":"Ent(air)tainment: How the Jonesy and Amanda Radio Program Converts Distance into Connection","authors":"A. Hale","doi":"10.1080/19376529.2021.1927041","DOIUrl":"https://doi.org/10.1080/19376529.2021.1927041","url":null,"abstract":"ABSTRACT This paper analyses an interview with two very successful Australian radio comedians, in order to discover the “secrets” of how they connect with an audience they cannot see. Unlike much of the existing literature, this paper prioritizes the comedians’ responses as primary evidence, from which conclusions are drawn, and this data is then analyzed through a synthesized frame of Discourse Analysis. It is expected that important insights into the operation of radio humor can be obtained through this method, and that these can be used to inform the general discussion of radio humor.","PeriodicalId":44611,"journal":{"name":"Journal of Radio & Audio Media","volume":null,"pages":null},"PeriodicalIF":1.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/19376529.2021.1927041","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48947040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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