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An Unpublished Letter by A. E. Housman Related to the Textual Criticism of Statius’ Siluae A. E.豪斯曼未发表的一封关于斯塔提乌斯《西拉札》文本批评的信
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0104
M. Shumilin
Abstract The article presents an edition of the previously unpublished letter from A. E. Housman to Grigory E. Saenger, written in Latin and dated 28 May, 1909, as well as a commentary on this text. The letter contains a criticism of Saenger’s 1909 edition of Statius’ Siluae. Housman evaluates the general approach of the edition and pronounces his judgement on two particular decisions made by the editor. The commentary treats both the general context of the letter and particular statements made by Housman. The approach recommended by Housman is compared to those adopted in the major post-Saengerian editions of the Siluae; it is suggested that, while in certain respects some of the modern editions come close to what Housman endorsed, in other ways there is nothing among them to compare with it.
本文介绍了a.e.豪斯曼写给格里高利·e·桑格的一封以前未发表的信的一个版本,这封信是用拉丁文写的,日期是1909年5月28日,以及对这篇文章的评论。这封信包含了对桑格1909年版的斯塔提乌斯的《西拉赫》的批评。豪斯曼评估了该版本的一般方法,并对编辑做出的两个特定决定发表了他的判断。评注处理了这封信的一般背景和豪斯曼所作的具体陈述。Housman所推荐的方法与主要的后saengerian版本Siluae所采用的方法进行了比较;有人认为,虽然在某些方面,一些现代版本接近豪斯曼所认可的,但在其他方面,它们之间没有任何东西可以与之相比。
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引用次数: 1
Notes on the Text of Lygdamus 利格达摩斯文本注释
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0107
Maxwell Hardy
Abstract Five conjectures are proposed on the text of four poems in the ‘Lygdamean cycle’ (= [Tib.] 3.1–6): 1.20 morer for minor, 4.5 uera monent sacrae, uenturi nuntia, sortes for diui uera monent uenturae nuntia sortis, 4.45 nescit for bachus, 5.8 laudatae for laudandae, and 6.55 nostris inimica querelis for nobis inimica merenti. Older readings and conjectures are defended at 2.15 (Huschke’s praefataeque for praefatae ante), 5.8 (Erath’s uidere for docere), 6.11 (Burman’s inire for mite) and 6.57 (quid cessas for cessas o).
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引用次数: 0
An Emendation in Aeschylus, Supplices 1071 《埃斯库罗斯》修订本,补编1071
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0110
Tetsufumi Takeshita
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引用次数: 0
Mit Vernunft zu Gott? Vernunftbegriffe in Ciceros De natura deorum 对上帝有理性?Ciceros现实环境中加上修饰的词
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0106
C. Vogel
Abstract Concepts of reason play a decisive role in the discussion of the different ideas of god in Cicero’s De natura deorum. However, the dialogue uses many different conceptual terms (such as ratio, mens, consilium, intelligentia or cogitatio) to refer to the achievements and potentials of reason. The variable use of the expressions across the dialogue at first suggests purely rhetorical criteria – variatio delectat – in selecting the terms for reason. However, the investigation presented here into the use of terms reveals that Cicero ascribes to each of his dialogue partners a specific use of terms for reason. As will be shown, the use of terms relates not only to the underlying concepts of reason of the Epicurean, Stoic and Academic schools, but is also closely linked to their ideas about god.
在西塞罗的《自然论》中,理性的抽象概念在对神的不同观念的讨论中起着决定性的作用。然而,对话使用了许多不同的概念术语(如比率,menens, consilium, intelligentia或cognitive)来指代理性的成就和潜力。在整个对话中,表达方式的变化首先表明了纯粹的修辞标准——选择理性术语的变化。然而,这里对术语使用的调查显示,西塞罗认为他的每个对话伙伴都有一个特定的理性术语使用。正如将要展示的,术语的使用不仅与伊壁鸠鲁派、斯多葛派和学院派的基本理性概念有关,而且还与他们对上帝的看法密切相关。
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引用次数: 0
Tre note a Stazio, Tebaide 5 (64–70; 77–80; 81–84)
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0105
Baruch Martínez Zepeda
Abstract This paper will examine three textual problems in Statius’ Thebaid, book 5 (Hypsipyle’s narration of the massacre on Lemnos) that have not previously been discussed in appropriate detail. It will also try to contribute to the demonstration of the fact that, on several occasions, P (Parisinus lat. 8051, s. ix2/3) is not the best codex in the tradition and that we can easily accept the text of the majority of manuscripts.
本文将考察斯塔提乌斯的《底比斯记》第5卷中的三个文本问题(希西派尔对利姆诺斯岛大屠杀的叙述),这些问题以前没有被适当详细地讨论过。它还将努力有助于证明这样一个事实,即在若干情况下,P(巴黎人迟了)。8051, s. ix2/3)不是传统上最好的抄本,我们可以很容易地接受大多数手稿的文本。
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引用次数: 0
Una nota all’Aegritudo Perdicae (231) 个人资料(231)
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0102
Arianna Fecit
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引用次数: 0
The Medium and the Messenger in Seneca’s Phaedra, Thyestes, and Trojan Women 塞内加的《费德拉、提耶斯忒斯和特洛伊女人》中的媒介和信使
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2022-02-01 DOI: 10.1515/phil-2023-0100
Claire Catenaccio
Abstract The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies – Phaedra, Thyestes, and Trojan Women – the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in Phaedra, Atreus’ butchering of his nephews in Thyestes, and the slaughter of Astyanax and Polyxena in Trojan Women. In portraying violence, these messenger speeches repurpose language established in earlier scenes to realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution.
塞内加的信使演讲语言将先前的意象模式集中到怪诞的暴力行为中。在《费德拉》、《提耶斯忒斯》和《特洛伊女人》这三部悲剧中,一个匿名信使的报告主导了整部戏剧。这三个场景都描述了可怕的死亡:《费德拉》中希波吕托斯被钉在树干上,《提耶斯忒斯》中阿特鲁斯屠杀他的侄子,《特洛伊女人》中屠杀阿斯提亚纳克斯和波利克西娜。在描绘暴力时,这些传话者重新利用了早期场景中建立的语言,以实现和扭曲每部戏的主导主题:扭曲的性,食欲和道德解体。
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引用次数: 0
Nicht Wissen ist auch Macht. Zur Gesprächsdynamik der Eingangsszene in Platons Kratylos 知识也是一种力量另一个正向柏拉图广场的暴乱
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2021-11-20 DOI: 10.1515/phil-2021-0112
Kathrin Winter
In the introductory scene of Plato’s Cratylus a power game takes place that is based on an asymmetrical distribution of knowledge and which determines the dynamics of the communication. Since Cratylus claims to have greater knowledge than Hermogenes, he puts his discussion partner in an inferior position. Hermogenes strives to balance out this power differential by different strategies. One such strategy is that of including Socrates in the discussion. Socrates reacts to the power differential that Cratylus has built up in a different way from Hermogenes: by the fact that he claims no knowledge for himself but even rejects any knowledge, he succeeds in gaining a position superior to Cratylus and Hermogenes.
在柏拉图的《克拉提勒斯》的开篇,一场基于知识不对称分配的权力游戏发生了,它决定了交流的动力。由于克拉提罗斯声称自己比赫尔墨斯更有知识,他把他的讨论伙伴置于劣势地位。Hermogenes试图通过不同的策略来平衡这种权力差异。其中一个策略就是让苏格拉底参与讨论。苏格拉底对克拉提洛斯所建立的权力差异的反应,与黑摩奇尼斯不同,他自称没有知识,甚至拒绝任何知识,他成功地获得了比克拉提洛斯和黑摩奇尼斯更优越的地位。
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引用次数: 0
Love Motifs in Prudentius
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2021-11-20 DOI: 10.1515/phil-2021-0109
Rosario Moreno Soldevila
By analysing three paradigmatic passages, this paper explores how Prudentius uses classical love motifs and imagery not only to lambast paganism, but also as a powerful rhetorical tool to convey his Christian message. The ‘fire of love’ imagery is conspicuous in Psychomachia 53–57, which wittily blends Christian and erotic language. In an entirely different context ( C. Symm. 2.1071–1085), the flamma amoris is also fully exploited to depict lustful young Vestal Virgins, in combination with other classical metaphors of passion, such as the ‘wound of love’ and the signa amoris . Additionally, the contrast between heat and cold is a central element in the description of the Vestals’ tardy nuptials, redolent of classical satirical portraits of vetulae libidinosae . Finally, in Hamartigenia 628–636 the relationship between the soul and God draws from a Christian tradition of bridal (and coital) representation, but the lapse into sin is portrayed as the love triangle, typical of the Latin love elegy. These examples illustrate how Prudentius creatively and consciously frames love and sex imagery in new contexts, exploring their potential and infusing clichés with new meanings and forms.
通过对三个范例段落的分析,本文探讨了普律修斯如何使用经典的爱情主题和意象来抨击异教,同时也作为一种强有力的修辞工具来传达他的基督教信息。“爱之火”的意象在《精神科马契亚》53-57章中很明显,它巧妙地融合了基督教和色情语言。在一个完全不同的背景下(C. Symm. 2.1071-1085),爱的火焰也被充分利用来描绘淫欲的年轻维斯塔处女,结合其他经典的激情隐喻,如“爱的伤口”和爱的信号。此外,热和冷的对比是描述女祭司们延迟婚礼的中心元素,让人想起了对女祭司libidinosae的经典讽刺肖像。最后,在Hamartigenia 628-636中,灵魂和上帝之间的关系借鉴了基督教传统中新娘(和性交)的表现,但陷入罪恶的人被描绘成三角恋,这是典型的拉丁爱情挽歌。这些例子说明了普鲁登修斯如何创造性地、有意识地在新的语境中构建爱和性的意象,探索它们的潜力,并为陈词滥调注入新的意义和形式。
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引用次数: 0
Why Humans Do Not Cast Off Old Skin Like Snakes. Knowledge and Eternal Youth in Nicander’s Theriaca 为什么人类不像蛇一样蜕去旧皮?尼坎德《特里阿卡》中的知识与永葆青春
IF 0.1 3区 历史学 0 CLASSICS Pub Date : 2021-11-20 DOI: 10.1515/phil-2021-0111
Olga Chernyakhovskaya
In Theriaca 343–358, Nicander recounts a rather unusual myth. After Prometheus had stolen fire, Zeus was seeking the thief and, when men delivered Prometheus over to him, he gave them the gift of youth. Humans entrusted the ass to carry this load, but the ass was seized by thirst and sought the help of the snake, who demanded in return the thing he was carrying on his back. This is how the gift of youth given to men fell to the serpent’s lot. Ever since, inevitable old age has weighed upon them, while the snakes cast off their old skin and gain a new one. Like any digression in Hellenistic epic poetry, this parable certainly is intended to entertain the reader, yet it must have a more serious function: by showing that it was only out of stupidity that men gave away their invaluable gift to the ass, Nicander asserts the great value of knowledge for life. Remarkably, it is precisely in this passage that the poet has inserted the acrostic of his name. The idea that his poetic work will ensure the survival of his name for future generations, directly expressed in the closing lines, is here conveyed with the greatest refinement.
在《特里亚卡》343-358中,尼坎德讲述了一个相当不寻常的神话。普罗米修斯偷了火之后,宙斯正在寻找这个贼,当人们把普罗米修斯交给他时,他给了他们青春的礼物。人们把这些东西托付给驴子,但驴子口渴难当,便向蛇求助,蛇要求把驮在驴子背上的东西作为回报。这就是赐予人类青春的礼物如何落入蛇的命运。从那时起,不可避免的衰老就重压在它们身上,而蛇蜕去了旧皮,长出了新皮。就像希腊史诗中的任何题外话一样,这个寓言当然是为了娱乐读者,但它必须有一个更严肃的功能:通过表明人们只是出于愚蠢才把他们宝贵的礼物送给驴子,尼坎德断言知识对生活的巨大价值。值得注意的是,正是在这一段中,诗人插入了他名字的离合诗。他的诗歌作品将确保他的名字为后代生存的想法,直接表达在结尾处,在这里以最精致的方式传达。
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PHILOLOGUS
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