Abstract De rerum natura displays a particular closeness to the Homeric epics on various levels: in language, in arguments, and in the selection of examples. This closeness clearly goes beyond similarities arising from the affinity as determined by genre. Further, a couple of passages are veritable translations from the Iliad resp. the Odyssey. There, the attitude towards the pretext becomes especially clear. It ranges from acknowledgement to rejection and in some instances is brought about through the use of allegory. This attitude of criticism and affinity at the same time can be observed in two passages of De rerum natura that are prominent due to their position: the beginning and the end allude to the plot of the Iliad. This should be read as an indication that Lucretius understood his didactic poem as an invitation to read the Homeric epics philosophically.
{"title":"Homerus sceptra potitus (Lucr. 3,1037–1038). De rerum natura als Hinführung zur Homerlektüre?","authors":"Dorothea Weber","doi":"10.1515/phil-2022-0102","DOIUrl":"https://doi.org/10.1515/phil-2022-0102","url":null,"abstract":"Abstract De rerum natura displays a particular closeness to the Homeric epics on various levels: in language, in arguments, and in the selection of examples. This closeness clearly goes beyond similarities arising from the affinity as determined by genre. Further, a couple of passages are veritable translations from the Iliad resp. the Odyssey. There, the attitude towards the pretext becomes especially clear. It ranges from acknowledgement to rejection and in some instances is brought about through the use of allegory. This attitude of criticism and affinity at the same time can be observed in two passages of De rerum natura that are prominent due to their position: the beginning and the end allude to the plot of the Iliad. This should be read as an indication that Lucretius understood his didactic poem as an invitation to read the Homeric epics philosophically.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"16 1","pages":"22 - 44"},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78169003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this paper I propose an emendation for a long-standing textual problem in the Satyricon. In the Cena Trimalchionis one of the freedmen, Niceros, recounts a bizarre story, culminating in a frightening encounter between him and a werewolf. In a desperate attempt to escape peril, Niceros draws his sword to repel horrific shadows and utters a sequence of eleven letters which has puzzled scholars for more than a century: matavitatau (Petron. Sat. 62.2). I propose a correction which hypothesizes the presence of a verb and an interjection, namely gladium strinxi etmatavi – tatae! –umbras cecidi. I support my proposal by analyzing the intersections between literary genres and poetic texts in the Satyricon. After analyzing the meanings and nuances of tatae, I argue that the presence of such an exclamation is perfectly suitable for the situation of fear and danger that Niceros is experiencing. I suggest that Homer’s Odyssey and Vergil’s Aeneid offer decisive indications to make the presence of an interjection plausible. Niceros’ dreadful encounter with the werewolf recalls epic models, namely the descent of Odysseus and Aeneas into the Underworld. Finally, I suggest that Petronius portrays Niceros as a mythomaniac narrator who fails to appropriate the conventions of Latin and Greek epic poetry.
{"title":"A New Emendation for matavitatau in Petronius’ Satyricon","authors":"Tiziano Boggio","doi":"10.1515/phil-2022-0110","DOIUrl":"https://doi.org/10.1515/phil-2022-0110","url":null,"abstract":"Abstract In this paper I propose an emendation for a long-standing textual problem in the Satyricon. In the Cena Trimalchionis one of the freedmen, Niceros, recounts a bizarre story, culminating in a frightening encounter between him and a werewolf. In a desperate attempt to escape peril, Niceros draws his sword to repel horrific shadows and utters a sequence of eleven letters which has puzzled scholars for more than a century: matavitatau (Petron. Sat. 62.2). I propose a correction which hypothesizes the presence of a verb and an interjection, namely gladium strinxi etmatavi – tatae! –umbras cecidi. I support my proposal by analyzing the intersections between literary genres and poetic texts in the Satyricon. After analyzing the meanings and nuances of tatae, I argue that the presence of such an exclamation is perfectly suitable for the situation of fear and danger that Niceros is experiencing. I suggest that Homer’s Odyssey and Vergil’s Aeneid offer decisive indications to make the presence of an interjection plausible. Niceros’ dreadful encounter with the werewolf recalls epic models, namely the descent of Odysseus and Aeneas into the Underworld. Finally, I suggest that Petronius portrays Niceros as a mythomaniac narrator who fails to appropriate the conventions of Latin and Greek epic poetry.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"31 1","pages":"99 - 117"},"PeriodicalIF":0.1,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73715619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The paper presented here treats a hitherto unnoticed intertextual allusion in Mart. 5,7,7 to Verg. Aen. 8,394. Both lines contain two jokes at the expense of the smith-god Vulcan, by recalling the affairs of his wife Venus. First, the epic/epigrammatic speaker points to the well-known passage in Hom. Od. 8,266–363 in which Demodocus recounts the unpleasant – and for the other gods highly amusing – situation when Hephaestus caught his wife Aphrodite and her lover Ares in adultery with the help of invisible fetters. The second ironic jab is presented by the epithet pater for Vulcan, who was – with his wife – childless; this term is often used of other male divinities, but not of Vulcan. The parallels to other authors, above all Homer and Ovid, have been widely discussed in research, but the intertextual play with Vergil has so far not been given the attention it deserves. The remarks offered here aim to show that Vergil intentionally constructed Aen. 8,394 to be comic. Martial correctly understood the comedy, picked it up and adopted it in his Epigram 5,7, thereby giving a parodic note to the panegyric of Domitian in the first half of the poem.
{"title":"Pater Vulkan: Martial als Vergil-Interpret in Epigramm 5,7","authors":"Delila Jordan","doi":"10.1515/phil-2022-0104","DOIUrl":"https://doi.org/10.1515/phil-2022-0104","url":null,"abstract":"Abstract The paper presented here treats a hitherto unnoticed intertextual allusion in Mart. 5,7,7 to Verg. Aen. 8,394. Both lines contain two jokes at the expense of the smith-god Vulcan, by recalling the affairs of his wife Venus. First, the epic/epigrammatic speaker points to the well-known passage in Hom. Od. 8,266–363 in which Demodocus recounts the unpleasant – and for the other gods highly amusing – situation when Hephaestus caught his wife Aphrodite and her lover Ares in adultery with the help of invisible fetters. The second ironic jab is presented by the epithet pater for Vulcan, who was – with his wife – childless; this term is often used of other male divinities, but not of Vulcan. The parallels to other authors, above all Homer and Ovid, have been widely discussed in research, but the intertextual play with Vergil has so far not been given the attention it deserves. The remarks offered here aim to show that Vergil intentionally constructed Aen. 8,394 to be comic. Martial correctly understood the comedy, picked it up and adopted it in his Epigram 5,7, thereby giving a parodic note to the panegyric of Domitian in the first half of the poem.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"107 1","pages":"118 - 133"},"PeriodicalIF":0.1,"publicationDate":"2022-05-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77436748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article re-examines the identity and chronology of the lexicographer Boethus, by analyzing three pieces of evidence. It is argued that the lexicographer Boethus is a Middle Platonist flourishing in the late first or early second century, who believed in the transmigration of souls and was engaged in exegesis of Plato. In particular, this article draws attention to a testimony on Boethus from a newly discovered treatise preserved in Syriac, which is identified as Porphyry’s On Principles and Matter.
{"title":"A Note on the Platonist Boethus: In Light of New Evidence from the Syriac Tradition","authors":"Tian Ge","doi":"10.1515/phil-2022-0101","DOIUrl":"https://doi.org/10.1515/phil-2022-0101","url":null,"abstract":"Abstract This article re-examines the identity and chronology of the lexicographer Boethus, by analyzing three pieces of evidence. It is argued that the lexicographer Boethus is a Middle Platonist flourishing in the late first or early second century, who believed in the transmigration of souls and was engaged in exegesis of Plato. In particular, this article draws attention to a testimony on Boethus from a newly discovered treatise preserved in Syriac, which is identified as Porphyry’s On Principles and Matter.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"21 1","pages":"1 - 12"},"PeriodicalIF":0.1,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81505721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Brief Note on religio and the Ending of De Rerum Natura","authors":"Michael Pope","doi":"10.1515/phil-2022-0100","DOIUrl":"https://doi.org/10.1515/phil-2022-0100","url":null,"abstract":"","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"22 1","pages":"150 - 155"},"PeriodicalIF":0.1,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84080661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract In this short article I discuss the variae lectiones in Il. 8.408 and 8.422. All manuscripts have ὅττι νοήσω (408) and ὅττι νοήσῃ (422), but many editors have preferred to print Aristarkhos’ corrections ὅττί κεν εἴπω and ὅττί κεν εἴπῃ respectively. By comparing the instances in which ὅττί κεν εἴπω/ῃς/ῃ and ὅττι νοήσω/ῃς/ῃ are used and by delving deeper into the use of the modal particle (MP) in epic Greek, I argue that the transmitted readings ὅττι νοήσω (408) and ὅττι νοήσῃ (422) should have preference, because they have no MP and refer to repeated actions, whereas the construction ὅττί κεν εἴπω/ῃς/ῃ, which has an MP, refers to a more specific instance (which is why it has an MP in the first place).
{"title":"Iliad 8,408 and 422: The variae lectiones ὅττι νοήσω, ὅττι νοήσῃ or ὅττί κεν εἴπω, ὅττί κεν εἴπῃ and the Use of the Modal Particle κεν in Homeric Greek","authors":"Filip de Decker","doi":"10.1515/phil-2023-0109","DOIUrl":"https://doi.org/10.1515/phil-2023-0109","url":null,"abstract":"Abstract In this short article I discuss the variae lectiones in Il. 8.408 and 8.422. All manuscripts have ὅττι νοήσω (408) and ὅττι νοήσῃ (422), but many editors have preferred to print Aristarkhos’ corrections ὅττί κεν εἴπω and ὅττί κεν εἴπῃ respectively. By comparing the instances in which ὅττί κεν εἴπω/ῃς/ῃ and ὅττι νοήσω/ῃς/ῃ are used and by delving deeper into the use of the modal particle (MP) in epic Greek, I argue that the transmitted readings ὅττι νοήσω (408) and ὅττι νοήσῃ (422) should have preference, because they have no MP and refer to repeated actions, whereas the construction ὅττί κεν εἴπω/ῃς/ῃ, which has an MP, refers to a more specific instance (which is why it has an MP in the first place).","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"64 1","pages":"159 - 170"},"PeriodicalIF":0.1,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81443851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article presents an edition with introduction and commentary of two unpublished letters that Ulrich von Wilamowitz-Moellendorff wrote to the art historian and cultural scholar Aby Warburg in the 1920 s. The edition completes a correspondence that includes a letter from Warburg that has already been published several times. The two letters cast light on the hitherto barely known relation of Wilamowitz to Warburg himself and to his Kulturwissenschaftliche Bibliothek in Hamburg. They centre on the Warburg Library’s special research interest, namely the influence of the ancient world on later cultural periods, especially the Renaissance.
{"title":"„Elektronen und was es da noch geben mag ...“","authors":"Sebastian Zerhoch","doi":"10.1515/phil-2023-0108","DOIUrl":"https://doi.org/10.1515/phil-2023-0108","url":null,"abstract":"Abstract This article presents an edition with introduction and commentary of two unpublished letters that Ulrich von Wilamowitz-Moellendorff wrote to the art historian and cultural scholar Aby Warburg in the 1920 s. The edition completes a correspondence that includes a letter from Warburg that has already been published several times. The two letters cast light on the hitherto barely known relation of Wilamowitz to Warburg himself and to his Kulturwissenschaftliche Bibliothek in Hamburg. They centre on the Warburg Library’s special research interest, namely the influence of the ancient world on later cultural periods, especially the Renaissance.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"94 1","pages":"282 - 296"},"PeriodicalIF":0.1,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79533566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The notice in the Scholia Bernensia about Vergil, Georgics 4.468 that links the name of Gallus to the katabasis of Orpheus can be read as a confirmation of the relation between Vergil’s short poem and the elegiac poet’s work. Significant in this sense is the term formido, very elegant as used by Vergil and maybe part of the poetic lexicon of Gallus, as is perhaps suggested by a passage of the Philae stele.
{"title":"Caligantem nigra formidine lucum: Verg. georg. 4.468, la stele di Philae e un’annotazione degli Scholia Bernensia","authors":"Paola Gagliardi","doi":"10.1515/phil-2023-0103","DOIUrl":"https://doi.org/10.1515/phil-2023-0103","url":null,"abstract":"Abstract The notice in the Scholia Bernensia about Vergil, Georgics 4.468 that links the name of Gallus to the katabasis of Orpheus can be read as a confirmation of the relation between Vergil’s short poem and the elegiac poet’s work. Significant in this sense is the term formido, very elegant as used by Vergil and maybe part of the poetic lexicon of Gallus, as is perhaps suggested by a passage of the Philae stele.","PeriodicalId":44663,"journal":{"name":"PHILOLOGUS","volume":"16 1","pages":"194 - 209"},"PeriodicalIF":0.1,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82695535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：