Pub Date : 2022-10-02DOI: 10.1080/13688804.2022.2141501
Christina Baade
Brendebach, J., M. Herzer, and H. Tworek. International Organizations and the Media in the Nineteenth and Twentieth Centuries. Abingdon: Routledge, 2020. Gumbert, Heather. “Split Screens? Television in East Germany, 1952-189.” InMass Media, Culture, and Society in Twentieth-Century Germany, edited by Karl Christian Fuhrer, and Corey Ross, 158. Basingstoke, 2006. Judt, Tony. Postwar: A History of Europe Since 1945. London: Penguin, 2005. 610. Marzani, Arturo. Onde fasciste, La propaganda araba di Radio-Bari (1934-43). Rome: Carocci, 2015. Tworek, Heidi. News from Germany: The Competition to Control World Communication, 19001945. Cambridge, MA: Harvard University Press, 2019.
Brendebach, J. M. Herzer和H. Tworek。19和20世纪的国际组织和媒体。阿宾登:劳特利奇出版社，2020年。Gumbert,希瑟。“分屏?1952-189年东德的电视《二十世纪德国的大众传媒、文化与社会》，卡尔·克里斯蒂安·富尔和科里·罗斯主编，158页。贝辛斯托克,2006年。朱特,托尼。《战后:1945年以来的欧洲历史》伦敦:企鹅出版社，2005。610. Marzani,阿图罗。关于法西斯主义，La propaganda araba di Radio-Bari(1934- 1943)。罗马:Carocci, 2015。Tworek,海蒂。来自德国的新闻:控制世界传播的竞争，19001945。剑桥，马萨诸塞州:哈佛大学出版社，2019。
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Pub Date : 2022-10-02DOI: 10.1080/13688804.2022.2141495
D. Clayton
Columbia University Press, forthcoming 2023. Ledwidge, Mark, and Inderjeet Parmar. “Clash of Pans: Pan-Africanism and pan-Anglo-Saxonism and the Global Colour Line, 1919–1945.” International Politics 55, no. 6 (2018): 765–781. doi:10.1057/s41311-017-0105-1. Nott, James J. Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press, 2002. Pegg, Mark. Broadcasting and Society, 1918–1939. London: Croom Helm, 1983. Potter, Simon.Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920–1939. Oxford: Oxford University Press, 2020. Scannell, Paddy, and David Cardiff. A Social History of British Broadcasting. Vol. 1: Serving the Nation. Oxford: Basil Blackwell, Ltd, 1991. Tackley [née Parsonage], Catherine. The Evolution of Jazz in Britain, 1880–1935. Aldershot: Ashgate, 2005.
{"title":"Roundtable: Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920–1939","authors":"D. Clayton","doi":"10.1080/13688804.2022.2141495","DOIUrl":"https://doi.org/10.1080/13688804.2022.2141495","url":null,"abstract":"Columbia University Press, forthcoming 2023. Ledwidge, Mark, and Inderjeet Parmar. “Clash of Pans: Pan-Africanism and pan-Anglo-Saxonism and the Global Colour Line, 1919–1945.” International Politics 55, no. 6 (2018): 765–781. doi:10.1057/s41311-017-0105-1. Nott, James J. Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press, 2002. Pegg, Mark. Broadcasting and Society, 1918–1939. London: Croom Helm, 1983. Potter, Simon.Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920–1939. Oxford: Oxford University Press, 2020. Scannell, Paddy, and David Cardiff. A Social History of British Broadcasting. Vol. 1: Serving the Nation. Oxford: Basil Blackwell, Ltd, 1991. Tackley [née Parsonage], Catherine. The Evolution of Jazz in Britain, 1880–1935. Aldershot: Ashgate, 2005.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48243935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-02DOI: 10.1080/13688804.2022.2141498
S. Potter
1950.” Accessed 26 June 202. https://microform.digital/boa/collections/16/bbc-listenerresearch-department-reports-1937-c1950/detailed-description. Scannnell, Paddy. “Public Service Broadcasting: the history of a concept.” In Understanding Television, edited by Andrew Goodwin, and Garry Whannel, 11–29. London: Routledge, 1990. Scannell, Paddy. Radio, Television and Modern Life: A Phenomenological Approach. Oxford: Blackwells, 1996. Tracey, Michael. The Decline and Fall of Public Service Broadcasting. Oxford: Oxford University Press, 1998. Tworek, Heidi J. S. “The Savior of the Nation? Regulating Radio in the Interwar Period.” Journal of Policy History 27, no. 3 (2015): 465–491. doi:10.1017/S0898030615000196. Valliant, Derek W. Across the Waves: How the United States and France Shaped the International Age of Radio. Urbana, IL: University of Illinois Press, 2017. Webb, Alban. London Calling: Britain, the BBC World Service and the Cold War. London: Bloomsbury Academic, 2014. Winseck, Dwayne R., and Robert M. Pike. Communication and Empire: Media, Markets, and Globalization, 1860-1930. Durham, NC and London: Duke University Press, 2007.
{"title":"Roundtable: Wireless Internationalism and Distant Listening: Britain, Propaganda, and the Invention of Global Radio, 1920-1939","authors":"S. Potter","doi":"10.1080/13688804.2022.2141498","DOIUrl":"https://doi.org/10.1080/13688804.2022.2141498","url":null,"abstract":"1950.” Accessed 26 June 202. https://microform.digital/boa/collections/16/bbc-listenerresearch-department-reports-1937-c1950/detailed-description. Scannnell, Paddy. “Public Service Broadcasting: the history of a concept.” In Understanding Television, edited by Andrew Goodwin, and Garry Whannel, 11–29. London: Routledge, 1990. Scannell, Paddy. Radio, Television and Modern Life: A Phenomenological Approach. Oxford: Blackwells, 1996. Tracey, Michael. The Decline and Fall of Public Service Broadcasting. Oxford: Oxford University Press, 1998. Tworek, Heidi J. S. “The Savior of the Nation? Regulating Radio in the Interwar Period.” Journal of Policy History 27, no. 3 (2015): 465–491. doi:10.1017/S0898030615000196. Valliant, Derek W. Across the Waves: How the United States and France Shaped the International Age of Radio. Urbana, IL: University of Illinois Press, 2017. Webb, Alban. London Calling: Britain, the BBC World Service and the Cold War. London: Bloomsbury Academic, 2014. Winseck, Dwayne R., and Robert M. Pike. Communication and Empire: Media, Markets, and Globalization, 1860-1930. Durham, NC and London: Duke University Press, 2007.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45253204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-14DOI: 10.1080/13688804.2022.2109457
Hélène Maloigne
This article explores archaeological programmes on the BBC between 1922 and 1939 through an entangled approach to broadcast and printed talks. Supported by archival sources and programme schedules in The Radio Times and The Listener , it focuses on the intertwined archaeological, broadcasting and publishing careers of Charles Leonard Woolley based on his excavation at Ur in southern Iraq. This highlights the important place archaeology held in the interwar listening and reading market with the BBC offering high fees for a popular speaker. Incorporating periodical studies and aspects of book history demonstrates the importance of an integrated approach to media history to further our understanding of the relationship between media, science and the public.
{"title":"Breaking New Ground. C. Leonard Woolley’s Archaeology Talks on the bbc, 1922–1939","authors":"Hélène Maloigne","doi":"10.1080/13688804.2022.2109457","DOIUrl":"https://doi.org/10.1080/13688804.2022.2109457","url":null,"abstract":"This article explores archaeological programmes on the BBC between 1922 and 1939 through an entangled approach to broadcast and printed talks. Supported by archival sources and programme schedules in The Radio Times and The Listener , it focuses on the intertwined archaeological, broadcasting and publishing careers of Charles Leonard Woolley based on his excavation at Ur in southern Iraq. This highlights the important place archaeology held in the interwar listening and reading market with the BBC offering high fees for a popular speaker. Incorporating periodical studies and aspects of book history demonstrates the importance of an integrated approach to media history to further our understanding of the relationship between media, science and the public.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46005144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-14DOI: 10.1080/13688804.2022.2099367
Brooks Marmon
This article explores the emergence and destruction of the Zimbabwe Times, a weekly, later daily newspaper in Rhodesia. Covertly aligned to the Patriotic Front, an uneasy coalition of Zimbabwe’s two leading liberation movements, it primarily backed Joshua Nkomo’s ZAPU. Financed by Lonrho, a London-based conglomerate, this nationalist friendly title dramatically altered Rhodesia’s media landscape. The paper first appeared in 1977 during the waning days of white settler rule. After 18 months of publication, it was banned amidst an abortive transition to a racially integrated interim government that incorporated more pliable black leaders. Despite its brief existence, the Zimbabwe Times’ reception and interaction with a range of political groups illuminates both political strategies and tensions that underpinned the fragile relations between a host of political actors during a dynamic era. This account is principally informed by the newspaper’s own coverage, external press accounts, and interviews with Zimbabwe Times staff.
{"title":"Rise and Demise of the Zimbabwe Times","authors":"Brooks Marmon","doi":"10.1080/13688804.2022.2099367","DOIUrl":"https://doi.org/10.1080/13688804.2022.2099367","url":null,"abstract":"This article explores the emergence and destruction of the Zimbabwe Times, a weekly, later daily newspaper in Rhodesia. Covertly aligned to the Patriotic Front, an uneasy coalition of Zimbabwe’s two leading liberation movements, it primarily backed Joshua Nkomo’s ZAPU. Financed by Lonrho, a London-based conglomerate, this nationalist friendly title dramatically altered Rhodesia’s media landscape. The paper first appeared in 1977 during the waning days of white settler rule. After 18 months of publication, it was banned amidst an abortive transition to a racially integrated interim government that incorporated more pliable black leaders. Despite its brief existence, the Zimbabwe Times’ reception and interaction with a range of political groups illuminates both political strategies and tensions that underpinned the fragile relations between a host of political actors during a dynamic era. This account is principally informed by the newspaper’s own coverage, external press accounts, and interviews with Zimbabwe Times staff.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44001703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/13688804.2022.2107154
C. Pettitt
{"title":"Empire News: The Anglo-Indian Press Writes India / The Spread of Print in Colonial India: Into the Hinterland","authors":"C. Pettitt","doi":"10.1080/13688804.2022.2107154","DOIUrl":"https://doi.org/10.1080/13688804.2022.2107154","url":null,"abstract":"","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59846883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/13688804.2022.2107150
Michael Harris
This is a subtle, absorbing and important work of scholarship. In her multi-layered text, Professor Trettien pursues a number of objectives. Her core material on the ‘ bookwork ’ of three individually centred collectives is explicitly concerned with the future of publishing in the humanities as well as with the relationship of computerised data to print and other media forms during this time of radical change. The character of her book is signalled by its primary title. Cut/Copy/Paste are basic terms in computer use, which can also be referred back to the scissors and paste methodology of writing and publishing adopted by her three seventeenth-century subjects. As they reassembled old texts and other materials to create something new in multi-media forms, they also take on cur-rency as models for contemporary practices in the individual gathering, reordering and integration of electronic data with print. The women of Little Gidding and their ‘ harmo-nies ’ , composed from pieces cut from editions of the bible, John Benlowes, their neigh-bour, continuously extending and reinventing his own printed books, and John Bagford gathering quantities of surviving remnants of books and manuscripts for his fi nally unpub-lished history of print, are brought clearly into view each under one of the three terms in the book ’ s title. Her subjects are collectively described by Professor Trettien as outsiders. This derives in part from the geographical positioning of the fi rst two groupings located in self-contained isolation well away from the centre of print culture in London. Bagford ’ s outsider-ness arose from other causes. Both his modest social status as a former shoe-maker and his omnivorous approach to the collection of specimens, which never trans-ferred into the standard product of the printed book, left him on the fringes of both the book trade and elite culture. The subsequent view of her protagonists as outsiders is also identi fi ed in other ways. It was partly, she claims, a product of institutional conser-vatism; a failure of classi fi cation by scholars and to challenge the whitewashed, patriarchal, heteronormative brand of historicism still dominant in bibliography and literary studies that sees questions of identity as irrelevant to early modern Europe, and to do so speci fi cally by promoting objects, histories, formats, and arguments that evince a diverse (in many senses of that word) past, freely and across multiple platforms.
{"title":"Cut/Copy/Paste: Fragments from the History of Bookwork","authors":"Michael Harris","doi":"10.1080/13688804.2022.2107150","DOIUrl":"https://doi.org/10.1080/13688804.2022.2107150","url":null,"abstract":"This is a subtle, absorbing and important work of scholarship. In her multi-layered text, Professor Trettien pursues a number of objectives. Her core material on the ‘ bookwork ’ of three individually centred collectives is explicitly concerned with the future of publishing in the humanities as well as with the relationship of computerised data to print and other media forms during this time of radical change. The character of her book is signalled by its primary title. Cut/Copy/Paste are basic terms in computer use, which can also be referred back to the scissors and paste methodology of writing and publishing adopted by her three seventeenth-century subjects. As they reassembled old texts and other materials to create something new in multi-media forms, they also take on cur-rency as models for contemporary practices in the individual gathering, reordering and integration of electronic data with print. The women of Little Gidding and their ‘ harmo-nies ’ , composed from pieces cut from editions of the bible, John Benlowes, their neigh-bour, continuously extending and reinventing his own printed books, and John Bagford gathering quantities of surviving remnants of books and manuscripts for his fi nally unpub-lished history of print, are brought clearly into view each under one of the three terms in the book ’ s title. Her subjects are collectively described by Professor Trettien as outsiders. This derives in part from the geographical positioning of the fi rst two groupings located in self-contained isolation well away from the centre of print culture in London. Bagford ’ s outsider-ness arose from other causes. Both his modest social status as a former shoe-maker and his omnivorous approach to the collection of specimens, which never trans-ferred into the standard product of the printed book, left him on the fringes of both the book trade and elite culture. The subsequent view of her protagonists as outsiders is also identi fi ed in other ways. It was partly, she claims, a product of institutional conser-vatism; a failure of classi fi cation by scholars and to challenge the whitewashed, patriarchal, heteronormative brand of historicism still dominant in bibliography and literary studies that sees questions of identity as irrelevant to early modern Europe, and to do so speci fi cally by promoting objects, histories, formats, and arguments that evince a diverse (in many senses of that word) past, freely and across multiple platforms.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43567044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-27DOI: 10.1080/13688804.2022.2092463
Kristy Hess, Kerry McCallum
This study examines the role of a local newspaper in shaping a community’s collective memory of child sexual abuse by documenting changing representations of a former rural orphanage and its custodians where such horrific crimes took place. The paper conducts an across-time analysis of news coverage (1944–1954 and 2010–2020) to map these changing representations in their media, policy and social contexts. It extends scholarship around collective memory and temporal reflexivity as a provocation for journalists to acknowledge and engage with their news outlet’s own mediated past (no matter how uncomfortable) when reporting on and interpreting events such as Australia’s Royal Commission into Institutional Responses to Child Sexual Abuse.
{"title":"Reflecting on a painful Past","authors":"Kristy Hess, Kerry McCallum","doi":"10.1080/13688804.2022.2092463","DOIUrl":"https://doi.org/10.1080/13688804.2022.2092463","url":null,"abstract":"This study examines the role of a local newspaper in shaping a community’s collective memory of child sexual abuse by documenting changing representations of a former rural orphanage and its custodians where such horrific crimes took place. The paper conducts an across-time analysis of news coverage (1944–1954 and 2010–2020) to map these changing representations in their media, policy and social contexts. It extends scholarship around collective memory and temporal reflexivity as a provocation for journalists to acknowledge and engage with their news outlet’s own mediated past (no matter how uncomfortable) when reporting on and interpreting events such as Australia’s Royal Commission into Institutional Responses to Child Sexual Abuse.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42527052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-06DOI: 10.1080/13688804.2022.2085084
Charlotte Nilsson
This article examines the role of Swedish mail-order catalogues in the everyday life of the early twentieth century, and in the development of consumer culture. The study deals with the materiality, content and distribution of the mail-order catalogues as well as their use in everyday life. The case of Åhlén & Holm, a major Swedish mail-order company, and its audience is relevant beyond the national context, since it demonstrates how extensive distribution of and interaction with commercial media can induce a crucial societal change such as the development of consumer culture. Arguing for a ‘media history from below’, the source material consists of responses to a qualitative questionnaire, besides catalogues and other material from the company archive. The result shows that the mediated encounter with Åhlén & Holm provided its audience with a commercial literacy that entailed both an emancipation from the economic, geographical and social constraints of everyday life and a confinement in a commercial world.
{"title":"The Development of Commercial Literacy","authors":"Charlotte Nilsson","doi":"10.1080/13688804.2022.2085084","DOIUrl":"https://doi.org/10.1080/13688804.2022.2085084","url":null,"abstract":"This article examines the role of Swedish mail-order catalogues in the everyday life of the early twentieth century, and in the development of consumer culture. The study deals with the materiality, content and distribution of the mail-order catalogues as well as their use in everyday life. The case of Åhlén & Holm, a major Swedish mail-order company, and its audience is relevant beyond the national context, since it demonstrates how extensive distribution of and interaction with commercial media can induce a crucial societal change such as the development of consumer culture. Arguing for a ‘media history from below’, the source material consists of responses to a qualitative questionnaire, besides catalogues and other material from the company archive. The result shows that the mediated encounter with Åhlén & Holm provided its audience with a commercial literacy that entailed both an emancipation from the economic, geographical and social constraints of everyday life and a confinement in a commercial world.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42412377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-27DOI: 10.1080/13688804.2022.2079481
B. Beattie
Russel Ward claimed that Miles ‘Staniforth Smith, a radical Protectionist, who later joined the Labor Party, was perhaps the most rabidly racist member of either House’ 1 of the first parliament. It has gone unchallenged in the literature, a case of sans aucun doubte. 2 This article inquiries into the strength of the claim by first drawing on newspaper reporting and finds that Ward had drawn a longbow. In sum, the article provides an important lesson on taking statements at face value and allowing them to become historical fact.
{"title":"Russel Ward on Staniforth Smith","authors":"B. Beattie","doi":"10.1080/13688804.2022.2079481","DOIUrl":"https://doi.org/10.1080/13688804.2022.2079481","url":null,"abstract":"Russel Ward claimed that Miles ‘Staniforth Smith, a radical Protectionist, who later joined the Labor Party, was perhaps the most rabidly racist member of either House’ 1 of the first parliament. It has gone unchallenged in the literature, a case of sans aucun doubte. 2 This article inquiries into the strength of the claim by first drawing on newspaper reporting and finds that Ward had drawn a longbow. In sum, the article provides an important lesson on taking statements at face value and allowing them to become historical fact.","PeriodicalId":44733,"journal":{"name":"Media History","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44896227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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