Pub Date : 2017-09-02DOI: 10.1080/17406315.2018.1507777
Katie Walsh
Abstract In spite of a burgeoning interest in children’s home lives, we know little about the meaning and experience of home for children living in post-divorce/separation families who often spend time in more than one parental home. As a starting point, in this article I analyze the way in which thirteen “therapeutic” pictures books for younger children aged 3–8 represent home for such children (and their parents) through their text and images. I argue that the books contain four dominant tropes of domestic transition through their representation of the disruption, journeys, thresholds, and materialities of home. However, at the same time, the books also present the ordinariness of domestic home life in post-divorce/separation family life with a counter-narrative of the mundane time spent being together and gender-neutral parental care practices at home.
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Pub Date : 2017-09-02DOI: 10.1080/17406315.2018.1507738
L. Faggion, R. Furlan
Abstract The Post-WWII period witnessed a large immigration flow of Italians towards Australia. This was facilitated by the assisted passage scheme funded by the Italian and Australian governments. Italian migrants, as well as diverse migrant groups, brought with them cultural practices and a way of life, which are nowadays part of the multicultural Australian society. Namely, it is argued that first-generation Italian migrants’ houses are embedded by cultural meanings. Therefore, this research study investigates the symbolic realm of Post-WWII domestic dwellings built by Italian migrants in Brisbane, that is, the various meanings they associated with their homes. The data was collected from focus group discussion and in-depth interviews held at the Italian Club in Newmarket and at the residences of forty Veneto first generation migrants, who migrated to Australia in the Post-WWII period. The collected data has been subjected to thematic and to hermeneutic analysis. This procedure generated a list of various meanings embedded onto migrants’ houses in Brisbane. The revealed findings contribute (1) to explore a historically significant process of Australian domestic architectural development and (2) to expose the symbolic realm preserved into the built environment, which represent the national cultural heritage of Australia.
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Pub Date : 2017-09-02DOI: 10.1080/17406315.2018.1507795
Newson Carey
Abstract This paper draws on qualitative visual research with 26 teenagers and their parents in East and North London to explore negotiated aspects of domestic space in teenage bedrooms. In addition to examining how collaboration and compromise had helped to shape these spaces, it focuses especially on a key component that contributed to teenagers’ material culture at home: that of presents and present-giving. Gifts were a ubiquitous feature of the study’s teenage bedrooms. Engaging with the reflexive accounts of teenagers and their parents, as well as the extensive literature on gifts, the article asks how, and to what effect, presents contributed to these material and social worlds. The article argues that in the individualized space of the teenage bedroom, presents can be seen as vectors of co-construction, which, together with other evidence of collaboration, help support less atomized and more relational conceptions of personal identity and selfhood.
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Pub Date : 2017-05-04DOI: 10.1080/17406315.2017.1373444
Rebecca Leach
Abstract This article uncovers archive material from the Foundations of Sociology archive: the output of the Institute of Sociology (Le Play House), exploring the cultural constructions of gendered domesticity and respectability among the lives of the poor and poorly housed in Chester in the interwar period. Focusing on a discursive re-analysis of original photographs and research notes recording the interior material cultures of home, hygiene, and decor, the article demonstrates that the characterization of the poor as morally and decoratively “failing” was embedded even in those “action researchers” of the Institute who sought direct social change. Depicting household interior photographs, plans, handwritten commentary, and personal material, the archive reveals another dimension of what is also a familiar, contemporary trope: the unwitting but damaging construction of the poor as Other.
摘要本文揭示了社会学基础档案中的档案材料：社会学研究所（Le Play House）的成果，探讨了两次世界大战期间切斯特穷人和穷人生活中的性别家庭生活和受尊重的文化建构。文章重点对记录家庭、卫生和装饰等室内物质文化的原始照片和研究笔记进行了讨论性的重新分析，表明穷人在道德和装饰方面的“失败”特征甚至植根于研究所那些寻求直接社会变革的“行动研究者”身上。档案中描绘了家庭内部照片、计划、手写评论和个人材料，揭示了另一个熟悉的当代比喻的维度：将穷人视为他人的无意但具有破坏性的构建。
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Pub Date : 2017-05-04DOI: 10.1080/17406315.2017.1373442
Caitlin Meagher
Abstract The present article considers how the categories of private and public spheres (uchi and soto)—key terms of Japanese social behavior—are constructed through material practices in the home. In response to earlier discussions of uchi and soto that emphasized their stability, the article will explore how, in practice, their distinction is not absolute but relative, and relatively fluid. Based on fieldwork in a Japanese sharehouse, I discuss how residents used personal belongings, signs, and techniques of self-presentation to make claims about the nature of shared space, and what these claims reflected about their understandings of public and private in the more conventional Japanese home.
{"title":"Constructing an Interior Public: uchi and soto in the Japanese Sharehouse","authors":"Caitlin Meagher","doi":"10.1080/17406315.2017.1373442","DOIUrl":"https://doi.org/10.1080/17406315.2017.1373442","url":null,"abstract":"Abstract The present article considers how the categories of private and public spheres (uchi and soto)—key terms of Japanese social behavior—are constructed through material practices in the home. In response to earlier discussions of uchi and soto that emphasized their stability, the article will explore how, in practice, their distinction is not absolute but relative, and relatively fluid. Based on fieldwork in a Japanese sharehouse, I discuss how residents used personal belongings, signs, and techniques of self-presentation to make claims about the nature of shared space, and what these claims reflected about their understandings of public and private in the more conventional Japanese home.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"14 1","pages":"113 - 136"},"PeriodicalIF":0.4,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2017.1373442","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41467588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-04DOI: 10.1080/17406315.2017.1405587
G. Baydar, Cansu Karakiz
Abstract Ali Ağaoğlu is the leading figure in the construction industry in Turkey, specializing in luxury housing estates. His sales figures have reached record levels since the early 2000s, far surpassing those of other similar entrepreneurs’. While governmental policies that prioritize the development of the construction sector partially account for Ağaoğlu’s commercial success, we contend that the analysis of popular media images is essential in order to understand his estates’ popularity. Based on a close reading of his media appearances in housing commercials and interviews in the light of psychoanalytical theory, we argue that Ağaoğlu has manufactured a realizable fantasy for his clients, which structures their desires in the cultural context of consumer capitalism. However, the limits of Ağaoğlu’s fantasy world of housing were tested in an unexpected outbreak in one of his estates, where the homeowers traversed their fantasies.
{"title":"Treacherous Productions of Fantasy: Ağaoğlu Housing Commercials","authors":"G. Baydar, Cansu Karakiz","doi":"10.1080/17406315.2017.1405587","DOIUrl":"https://doi.org/10.1080/17406315.2017.1405587","url":null,"abstract":"Abstract Ali Ağaoğlu is the leading figure in the construction industry in Turkey, specializing in luxury housing estates. His sales figures have reached record levels since the early 2000s, far surpassing those of other similar entrepreneurs’. While governmental policies that prioritize the development of the construction sector partially account for Ağaoğlu’s commercial success, we contend that the analysis of popular media images is essential in order to understand his estates’ popularity. Based on a close reading of his media appearances in housing commercials and interviews in the light of psychoanalytical theory, we argue that Ağaoğlu has manufactured a realizable fantasy for his clients, which structures their desires in the cultural context of consumer capitalism. However, the limits of Ağaoğlu’s fantasy world of housing were tested in an unexpected outbreak in one of his estates, where the homeowers traversed their fantasies.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"14 1","pages":"193 - 210"},"PeriodicalIF":0.4,"publicationDate":"2017-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2017.1405587","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46481372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-05-04DOI: 10.1080/17406315.2017.1396752
T. Tunc
Abstract Discovered in the mid-1990s in a descendant’s attic, the garden diary of plantation mistress Martha Turnbull (1809–96) provides a window into life as it existed in the nineteenth century at Rosedown Plantation in St. Francisville, West Feliciana Parish, Louisiana. Spanning almost sixty years between 1836 and 1895, the diary presents layers of first-hand insight into a domestic world that extended far beyond the descriptions of Martha’s gardening activities, her tireless experimentation with rare, exotic, and ornamental breeds, and her interest in period horticultural literature. As a personal and social product, the diary reflects the various nuances of antebellum, Civil War, and Reconstruction Louisiana society—its gardening, architectural, and esthetic cultures; gender, class, and race relations; and its politics and economics—all of which, when unearthed, reveal a more accurate picture of nineteenth-century domestic life at Rosewood plantation.
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Pub Date : 2017-01-02DOI: 10.1080/17406315.2017.1319538
H. Reeh
Abstract Addressing processes of cultural memory and mental appropriation in leisure architecture, this study relies on the fact that, in Denmark, summerhouses are often sold with furniture and objects representing the former owners and their ways of life. The theoretical starting point is formed by a discussion of Gaston Bachelard’s notion of “childhood home.” A menaced phenomenon in today’s urbanized reality, the childhood home and its mental values may indirectly be cultivated and reinterpreted by way of summerhouses. Buying a partly furnished summerhouse involves a joint encounter with immobilier (real estate) and mobilier (movables). In this way, a dialogue between the actual residents and a larger cultural history comes about. Built 1960/1971, the summerhouse studied here belongs to the author and his family. Archival and photographic experiments carried out after the acquisition in 1998 support reflections on space and life, now and in the previous history of the house.
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Pub Date : 2017-01-02DOI: 10.1080/17406315.2017.1319598
Jens Bjering
Abstract Taking the movie The Company Men (John Wells, 2010) as its starting point, the article attempts to think the condition of indebtedness in its connection with living in and with a home. Through readings of Martin Heidegger’s “Building Dwelling Thinking,” the article claims that the predicament of the indebted person and his or her house can be described as linked to a shift in the way we view houses, from “places of dwelling” to “standing-reserves.”
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Pub Date : 2017-01-02DOI: 10.1080/17406315.2017.1319533
M. Bille
Abstract This article addresses the orchestration of domestic lighting as an object of anthropological study. It takes Bedouin domestic architecture in southern Jordan as a starting point in an analysis of how light is used as means of safeguarding spaces as part of hospitality practices central to Bedouin culture. By arguing that things are “ecstatic” in the sense that they transcend their own tangibility, the article shows how objects, such as tinted windows, impose themselves on other objects to shape the particular visual presence of the world that informants opt for. Such a presence of the world is analyzed through the notion of “atmosphere” as a contemporaneity of subjective emotions, cultural ideals, and material phenomena. Thus, while boundaries between interior and exterior may be upheld by tangible material strategies, such as walls, these boundaries may also simultaneously be permeated by the ecstasy of material things, which aim to safeguard other aspects of life through less tangible strategies.
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