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When the exception to the rule proves the rule: Parasite’s paradoxical Academy Awards best picture win and American Cultural Insularity in the Center (ACIC) 当规则的例外证明了规则:《寄生虫》矛盾的奥斯卡最佳影片奖和《中心的美国文化隔离》(ACIC)
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-08-17 DOI: 10.1177/01968599221120087
Christof Demont-Heinrich
This paper argues that rather than proving that foreign-language films have somehow finally “arrived” in the United States that an historic win by the South Korean film Parasite in the best picture category at the 92nd Academy Awards proves precisely the opposite: The general rule vis-à-vis non-English-language films in the U.S. is that they continue to languish, and continue to be marginalized, just as they have for the better part of the past 100 years. I use Parasite's historic, exception-to-the-rule win of best picture to illustrate the validity and utility of a larger theory called American Cultural Insularity in the Center (ACIC). According to ACIC, compared to most people in most other countries, large numbers of Americans tend to consume much more of their own cultural media products and much fewer cultural media products produced in other countries than people in other countries typically do.
本文认为,韩国电影《寄生虫》在第92届奥斯卡金像奖最佳影片类别中的历史性胜利并没有证明外语片最终以某种方式“抵达”美国,而是恰恰相反:与美国非英语电影相比,一般规则是它们继续萎靡不振,并继续被边缘化,就像他们在过去100年的大部分时间里一样。我用《寄生虫》获得最佳影片奖的历史性例外来说明一个更大的理论的有效性和实用性,该理论名为“中心的美国文化隔离”(ACIC)。根据ACIC的数据,与大多数其他国家的大多数人相比,与其他国家的人相比,大量美国人倾向于消费更多的本国文化媒体产品,而消费更少的其他国家生产的文化媒体产品。
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引用次数: 1
Cultural Continuance and Agency in Cherokee Biographical Digital Storytelling 切罗基人传记数字故事的文化延续与代理
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-08-17 DOI: 10.1177/01968599221120584
M. Cox
The concepts of Native American cultural continuance and agency have become critical elements of both preserving, sharing, and extending the culture of Indigenous Americans into the future. Digital media platforms offer Native American nations a new opportunity to reach both a Native audience and society at large and contradict traditional media's cultural stereotypes and misrepresentation. Therefore, this qualitative content analysis of Cherokee Nation digital media explores what elements of cultural continuance and cultural agency are found in biographical digital storytelling. Using the key concepts extracted from the literature (visibility, envisioning a future, creative authority and autonomy, authenticity, and disrupting dominant norms) as the focus, six themes emerged from Cherokee Nation articles and documentaries.
美国原住民文化的延续性和能动性概念已成为保护、分享和将美国原住民文化延伸到未来的关键要素。数字媒体平台为美洲原住民提供了一个接触原住民观众和整个社会的新机会,并与传统媒体的文化刻板印象和歪曲相矛盾。因此,本次对切罗基民族数字媒体的定性内容分析探讨了传记数字故事中文化延续和文化能动性的要素。以从文献中提取的关键概念(可见性、展望未来、创造性权威和自主性、真实性和颠覆主导规范)为重点,切罗基民族的文章和纪录片中出现了六个主题。
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引用次数: 0
Race-Conscious Public Health: A Critical Discourse Analysis of the Release the Pressure Campaign 具有种族意识的公共卫生:“释压运动”的批判性话语分析
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-08-08 DOI: 10.1177/01968599221119304
Hayley T. Markovich
In 2020, the Release the Pressure Campaign, a joint public health campaign was started to address the high rates of heart disease, and particularly hypertension, experienced among Black women in the United States. Through a Critical Discourse Analysis of mass media contents related to the campaign, this study sought to answer how the campaign used race to re-center Black women's heart health. Three discourses were determined, focused on embodiment of racism, self-care and community care, and addressing ways Black women treat heart disease. The discourses indicate the campaign is culturally focused and theoretically set up for success as a race-conscious public health campaign that has been advocated for. Future research is also discussed.
2020年,“释放压力运动”开始了,这是一项联合公共卫生运动,旨在解决美国黑人女性患心脏病,尤其是高血压的高发病率问题。通过对与该运动相关的大众媒体内容的批判性话语分析,本研究试图回答该运动如何利用种族来重新关注黑人女性的心脏健康。确定了三个论述,重点是种族主义、自我护理和社区护理的体现,以及黑人女性治疗心脏病的方式。这些论述表明,这场运动以文化为重点,理论上是为了成功而发起的一场具有种族意识的公共卫生运动。还讨论了未来的研究。
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引用次数: 0
Cultures of Digital Architectures: Power and Positionalities in the Backend of Online Journalism Production 数字建筑文化:网络新闻制作后台的力量与定位
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-08-01 DOI: 10.1177/01968599221113989
Robert E. Gutsche
This essay complicates interpretations of digital architectures in online journalism production in terms of journalistic interlopers and intralopers during an age of increased influence of technologists on online news development. While much normative scholarship revolves around social media, metrics, algorithms, artificial intelligence, VR, and other forms of digital innovation applied to journalism, the essay argues that such work must not focus merely on the actions of today's tech-savvy journalism but should interrogate social and cultural relationships at the center of journalistic production so not to as become distracted away from the embedded practices of ideological incorporation that shapes media messages and reproduces inequalities through what and how journalism covers. In the future, as we approach a notion of the Metaverse, scholars must interrogate the long-standing embedding of elite ideologies into the news as journalists collaborate with technologists (or as journalists become technologists), interact (and re-interact) with elite ideologies at accelerating rates in networked societies, and move into new digital realms we have not yet imagined.
在技术人员对在线新闻发展的影响力日益增强的时代,本文从新闻闯入者和入侵者的角度,对在线新闻制作中的数字架构进行了复杂的解释。虽然许多规范性学术都围绕着社交媒体、指标、算法、人工智能、虚拟现实和其他形式的应用于新闻业的数字创新,这篇文章认为,这类工作不能只关注当今精通技术的新闻业的行为,而应该质疑新闻制作中心的社会和文化关系,以免分心于意识形态融合的嵌入实践,这些实践塑造了媒体信息,并通过新闻报道的内容和方式再现了不平等。未来,当我们接近元宇宙的概念时,学者们必须质疑精英意识形态在新闻中的长期嵌入,因为记者与技术专家合作(或记者成为技术专家),在网络社会中以加速的速度与精英意识形态互动(和重新互动),并进入我们尚未想象的新数字领域。
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引用次数: 0
Conspiratorial Narratives on Facebook and Their Historical Contextual Associations: A Case Study from Cyprus Facebook上的阴谋叙事及其历史背景关联:来自塞浦路斯的案例研究
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-07-29 DOI: 10.1177/01968599221117235
Theodoros Kouros, Venetia Papa, M. Ioannou, Vyronas Kapnisis
Conspiracy theories and their effects have greatly proliferated during the COVID-19 pandemic crisis. As in various countries, so in Cyprus, a mobilization of anti-vaxxers organized mainly through Facebook, violently attacked the largest media group of the island, “Sigma”. Taking into consideration local peculiarities and historical contexts, a qualitative research was conducted on comments posted on Sigma Live's Facebook page, spanning between August 2020 and June 2021.The article illustrates how cultural, political, and historical peculiarities are instrumental in the formation of anti-vax movements, and how conspiracy theorizing in general is inextricably bound to such peculiarities. We demonstrate how new publics in social media platforms may dispute media outlets’ representations through using the official channels of these outlets, highlighting an understudied facet of participatory media. The paper advocates for more context-bound theoretical analyses of conspiracy theorizing, which delve deeper into the meaning-making, interpretative, and discursive practices of conspiracists against media outlets.
在新冠肺炎大流行危机期间,阴谋论及其影响激增。与其他国家一样,在塞浦路斯,主要通过脸书组织的反疫苗者动员暴力袭击了该岛最大的媒体集团“西格玛”。考虑到当地的特点和历史背景,在2020年8月至2021年6月期间,对Sigma Live Facebook页面上发布的评论进行了定性研究。这篇文章阐述了文化、政治和历史特点如何在反vax运动的形成中发挥作用,以及阴谋论是如何与这些特性密不可分的。我们展示了社交媒体平台上的新公众如何通过使用这些媒体的官方渠道来质疑这些媒体的陈述,突出了参与式媒体研究不足的一面。本文主张对阴谋论进行更多的语境理论分析,深入探讨阴谋论者对媒体的意义制造、解释和话语实践。
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引用次数: 0
“If You Were a Horse, You Would Have Been Shot”: A Thematic Analysis of Medical Professionals’ Communication with Mothers “如果你是一匹马,你就会被枪杀”:医学专业人员与母亲沟通的主题分析
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-07-27 DOI: 10.1177/01968599221116389
D. Milman, Miglena M. Sternadori
This study expands the concept of motherhood as a social construction, grounded in Jung’s Great Mother and the Terrible Mother archetypes, to the context of medical communications. By analyzing 254 mothers’ responses to an online survey, we determined the primary themes in their recollections of medical professionals’ communications identified by the participants as having affected their sense of stress related to “good mother” norms. Some of the statements recalled by participants enforced socially constructed norms; others challenged the normativity of intensive mothering or encouraged mothers to parent on their own terms. The findings reinforce the notion that a mother's perceived failure to rise to the standards of a “good mother,” and the resulting guilt and shame, are part of an ever-evolving normative system that is frequently, though unwittingly, upheld by those it oppresses.
本研究将母亲作为一种社会建构的概念扩展到医学传播的背景下,这一概念以荣格的《伟大的母亲》和《可怕的母亲》原型为基础。通过分析254位母亲对一项在线调查的反应,我们确定了她们对医疗专业人员交流回忆中的主要主题,参与者认为这些主题影响了她们与“好母亲”规范相关的压力感。与会者回顾的一些发言强化了社会建构的规范;其他人则对强化育儿的规范性提出质疑,或鼓励母亲按照自己的方式做父母。这些发现强化了这样一种观念,即母亲被认为未能达到“好母亲”的标准,以及由此产生的内疚和羞耻感,是一个不断发展的规范体系的一部分,而这个体系经常被其压迫者所维护,尽管是无意中的。
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引用次数: 0
McLuhan Plays Golf: Optimizing Technology to Make Golf More Accessible, Affordable, and Sustainable 麦克卢汉打高尔夫:优化技术,使高尔夫更容易获得,负担得起,可持续发展
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-07-11 DOI: 10.1177/01968599221112112
Noah Franken
Golf is a global game that is dominated by technology. Even in times of economic hardship, golfers flock to golf courses around the world, and the golf industry continues to churn out advancements in golf technology with the promise of making players better and the game more enjoyable. Nonetheless, golf has its barriers and challenges. For example, it is a game that is exclusive, expensive, requires a lot of time, and puts a strain on the environment. Grounded in Media Ecology Theory, this article examines the relationship between golf and technology by taking a McLuhanesque trip to the world of TopGolf, the popular chain of electronic driving range entertainment centers, and arguing that TopGolf demonstrates one way in which technology is being used to make the game more accessible, affordable, and sustainable.
高尔夫是一项以科技为主导的全球性运动。即使在经济困难时期,高尔夫球手也会涌向世界各地的高尔夫球场,高尔夫行业也在继续推动高尔夫技术的进步,承诺让球员变得更好,比赛更愉快。尽管如此,高尔夫运动也有其障碍和挑战。例如,这是一款独家、昂贵、需要大量时间并给环境带来压力的游戏。本文以媒体生态学理论为基础,通过McLuhanesque之旅考察了高尔夫与技术之间的关系,TopGolf是一家流行的电子练习场娱乐中心连锁店,并认为TopGolf展示了一种利用技术使游戏更容易获得、更实惠、更可持续的方式。
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引用次数: 0
Book Review: Locked out: Regional Restrictions in Digital Entertainment Culture by Evan Elkins 书评:《被拒之门外:数字娱乐文化中的区域限制》,作者:埃文·埃尔金斯
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-07-05 DOI: 10.1177/01968599221111103
Ryan Stoldt
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引用次数: 0
Lilleker, D. G., Coman, I. Miloš, G., & Novelli, E. (Eds.), Political communication and covid-19: Governance and rhetoric in times of crisis Lilleker,D.G.,Coman,I.Miloš,G.和Novelli,E.(编辑),《政治传播与新冠肺炎:危机时期的治理和言论》
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-07-01 DOI: 10.1177/01968599211054392
K. Biddle
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引用次数: 20
Rebecca L. Stein, Screen Shots: State Violence on Camera in Israel and Palestine 丽贝卡·l·斯坦,《屏幕截图:以色列和巴勒斯坦镜头下的国家暴力
IF 0.9 Q3 COMMUNICATION Pub Date : 2022-06-13 DOI: 10.1177/01968599221105097
Mehrnaz Khanjani
Screen Shots by Rebecca L. Stein is a book about political dreams and their breakdowns tied to digital photography in the fi rst two decades of the twenty- fi rst century. By con-ducting interviews and ethnographic observations, Stein shows how those dreams were shaped in the hands of various and opposite groups and how they were broken down by various obstacles in the way of those dreams. This book is about the story of dreams ’ failures for various groups from Palestinian video activists to the Israeli military. Palestinian video activists and human rights workers failed when the results were more restrictions, repressive military policy, and an endless cycle of violence with different audiences ’ framing from what they expected. The Israeli military failed since their pho-tographs faced a narratively stronger opponent whose pain was a reminder of colonial times. This book is a must-read for scholars of political and international communication interested in the dialectic of media and political dreams. While this book indicates we are moving forward in the pursuit of social justice with widespread media devices, it also shows that there are no political guarantees for winning the reality. The fi rst chapter of the book is about the memories of two Israeli soldiers, Noam and Eitan, who served in the West Bank in the waning years of the second Palestinian uprising and brutal military crackdown. One of them photographed for personal ends and the other served as his unit ’ s of fi cial camera operator. Later, both of them became the founding members of the Israeli anti-occupation NGO, Breaking the Silence. This NGO was founded by former Israeli combatants who were radicalized by the brutality military service. This chapter shows how these soldiers were changed during their service only regarding their photography also regarding the that recruited Years later, soldiers gured
丽贝卡·l·斯坦(Rebecca L. Stein)的《截屏》(Screen Shots)是一本关于21世纪头二十年中与数码摄影有关的政治梦想及其崩溃的书。通过访谈和人种学观察,斯坦因展示了这些梦想是如何在不同和相反的群体手中形成的,以及它们是如何被实现梦想的各种障碍所打破的。这本书是关于梦想失败的故事,从巴勒斯坦的视频活动家到以色列军队。巴勒斯坦的视频活动人士和人权工作者失败了,因为结果是更多的限制、压制性的军事政策,以及无休止的暴力循环,不同的观众从他们的期望中构建了不同的框架。以色列军队失败了,因为他们的照片面对的是一个叙事上更强大的对手,这个对手的痛苦让人想起殖民时代。这本书是对媒体和政治梦想的辩证法感兴趣的政治和国际传播学者的必读之作。虽然这本书表明我们正在通过广泛的媒体设备追求社会正义,但它也表明,没有政治保证可以赢得现实。这本书的第一章是关于两名以色列士兵诺姆和埃坦的回忆,他们在第二次巴勒斯坦起义和残酷的军事镇压的最后几年在约旦河西岸服役。其中一人为个人目的拍照,另一人担任他所在部队的官方摄像师。后来,他们都成为以色列反占领非政府组织“打破沉默”的创始成员。这个非政府组织是由前以色列战斗人员创立的,他们被残酷的军事服务激怒了。这一章展示了这些士兵在服役期间是如何改变的,只是关于他们的摄影,也关于多年后招募的士兵
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引用次数: 0
期刊
Journal of Communication Inquiry
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