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Reading and Mapping Fiction: Spatialising the Literary Text by Sally Bushell (review) 阅读与映射小说:莎莉·布什尔的文学文本空间化(评论)
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.35
A. Colley
hydrography; the “immediate call” for his maps came from a colonial historiographer, Robert Orme (72). Lambton’s geographical and military careers were inextricable; it is said that he saved General Baird’s army from disaster, using the position of the stars to guide them away from Tipu Sultan’s camp. D’Oyly was an amateur, rather than professional, artist. East India Company affairs were not enough to keep him busy: he even dabbled in satirical poetry, with Tom Raw, the Griffin appearing in 1828. Others remain in the shadows. In a discussion of the influence of Indian styles and techniques on colonial art, we hear that “D’Oyly employed a Patna artist Jairam Das, trained in the Mughal tradition, who was entrusted with his lithographic press” (149); Alicia and Anne Eliza Scott were two women artists inspired by the Himalayas; Fanny Parks published her account of the mountains in 1850. It may have been rewarding to pause in these places. The book is knowledgeable across multiple disciplines. Its key suggestion—that these modes of representing place ultimately perform the same work—can come at the expense of some subtlety. The distinctions among paintings, maps, and texts—or between bishops and botanists—could be addressed in more depth. This is one consequence of the book’s ambitious scope; like a map, it covers a great deal of ground. While it is interesting to be reminded of the historical arc of these ideas, references to Ptolemy, Bernard Mandeville, or the Tudors do not seem relevant to the project; they leave less space to interrogate assumptions about “Enlightenment order” or to chart granular shifts across the late eighteenth and nineteenth centuries (37). The survey of Romantic tourism in the Lake District will be familiar to readers. Writers as different as Charles Darwin and Richard Francis Burton can feel conflated. With such a variety of reference points, it is not always easy to locate where the book is placing its emphasis. It also establishes a dialogue with Michel Foucault, Michel de Certeau, and Henri Lefebvre. This might encourage further reflections on the spatial turn in the humanities: to what extent must such theories adapt in order to illuminate the histories of the Global South? (They were, after all, formed in contexts of their own: Lefebvre’s thinking engages both decolonization and globalization in the twentieth century.) Mukherjee does not ask this question. Nevertheless, her wide-ranging, thoughtful book makes a clear case for the importance of place to our understanding of the past. Ushashi Dasgupta Pembroke College, University of Oxford
水文;殖民地历史学家罗伯特·奥姆(Robert Orme,72岁)“立即呼吁”他的地图。兰普顿的地理和军事生涯密不可分;据说,他利用星星的位置将贝尔德将军的军队从灾难中拯救出来,引导他们离开提普苏丹的营地。D’Oyly是一位业余艺术家,而非专业艺术家。东印度公司的事务不足以让他忙碌起来:他甚至涉足讽刺诗,1828年格里芬出现了汤姆·劳。其他人仍然处于阴影之中。在讨论印度风格和技术对殖民艺术的影响时,我们听说“D’Oyly聘请了一位受过莫卧儿传统训练的巴特那艺术家Jairam Das,他被委托进行石版印刷”(149);艾丽西亚和安妮·伊丽莎·斯科特是两位受喜马拉雅山启发的女艺术家;范妮·帕克斯于1850年发表了她对山脉的描述。在这些地方停下来也许是有益的。这本书涉及多个学科。它的关键建议——这些代表地方的模式最终会完成同样的工作——可能会以牺牲一些微妙之处为代价。绘画、地图和文本之间的区别,或者主教和植物学家之间的区别可以更深入地解决。这是本书雄心勃勃的范围的结果之一;就像地图一样,它覆盖了很多地方。虽然让人想起这些思想的历史弧线很有趣,但提及托勒密、伯纳德·曼德维尔或都铎王朝似乎与该项目无关;它们留下的空间较少,无法质疑关于“启蒙秩序”的假设,也无法描绘十八世纪末和十九世纪的细微变化(37)。湖区浪漫主义旅游调查将为读者所熟悉。像查尔斯·达尔文和理查德·弗朗西斯·伯顿这样不同的作家可能会感到被混为一谈。有了如此多的参考点,要找到这本书的重点并不总是那么容易。它还建立了与米歇尔·福柯、米歇尔·德·塞尔托和亨利·列斐伏尔的对话。这可能会鼓励人们进一步思考人文学科的空间转向:为了阐明全球南方的历史,这些理论必须在多大程度上适应?(毕竟,它们是在自己的背景下形成的:列斐伏尔的思想涉及20世纪的非殖民化和全球化。)穆克吉没有问这个问题。尽管如此,她那本内容广泛、思想深刻的书清楚地证明了地点对我们理解过去的重要性。牛津大学彭布罗克学院
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引用次数: 2
British Detective Fiction 1891–1901: The Successors to Sherlock Holmes by Clare Clarke (review) 英国侦探小说1891-1901:夏洛克·福尔摩斯的继承者克莱尔·克拉克(书评)
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.23
C. Reitz
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引用次数: 0
Victorian Literary Culture and Ancient Egypt, edited by Eleanor Dobson 《维多利亚文学文化与古埃及》,埃莉诺·多布森主编
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.21
M. Booth
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引用次数: 0
Dreamworlds of Race: Empire and the Utopian Destiny of Anglo-America by Duncan Bell (review) 《种族的梦幻世界:帝国与英美的乌托邦命运》,邓肯·贝尔著(书评)
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.30
M. Lake
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引用次数: 0
Spatial Imaginings in the Age of Colonial Cartographic Reason: Maps, Landscapes, Travelogues in Britain and India by Nilanjana Mukherjee (review) 《殖民制图理性时代的空间想象:英国和印度的地图、风景、游记》作者:尼兰贾纳·慕克吉
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.34
Ushashi Dasgupta
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引用次数: 0
Loyalty 忠诚
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.04
Sukanya Banerjee
Abstract:Drawing attention to the underexamined category of loyalty, this essay argues for the centrality of loyalty to the formation of modernity in Victorian Britain and its empire. In so doing, it teases out the relation between loyalty and affect. Affect plays a key role in rendering loyalty visible. However, as the essay argues, loyalty also operates as flattened affect in ways that are crucial to tracking not only loyalty’s vexed relation with narrativity but also its differentiating effects on a geotemporal scale.
摘要:本文关注未经充分审查的忠诚范畴,认为忠诚在维多利亚时代英国及其帝国现代性形成中的中心地位。通过这样做,它揭示了忠诚和情感之间的关系。情感在显示忠诚度方面起着关键作用。然而,正如文章所说,忠诚也作为扁平情感发挥作用,其方式不仅对追踪忠诚与叙事性的棘手关系至关重要,而且对追踪其在时代尺度上的差异效应也至关重要。
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引用次数: 0
The Jewish Decadence: Jews and the Aesthetics of Modernity by Jonathan Freedman (review) 《犹太人的颓废:犹太人与现代性美学》,乔纳森·弗里德曼(综述)
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.27
B. Newman
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引用次数: 0
A Pause to the Roar: Silence in Dickens’s Little Dorrit 咆哮的停顿:狄更斯的《小杜丽》中的寂静
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.14
S. Mason
Abstract:This essay takes Charles Dickens’s Little Dorrit (1855–57) as a test case for examining the place and purpose of silence in the Victorian city. In the London traversed by Amy Dorrit and Arthur Clennam, silent spaces serve a counterintuitively social function, offering a chance at unmediated connection that technologies such as the telegraph failed to provide. The Iron Bridge in particular fosters the interconnected processes of sonic insulation and social connection at play. Dickens’s use of silence for social connection posits the moderation of sound—the carving out of silence—as a way of prioritizing and protecting intimate exchanges. Ultimately, silence becomes a space for the intimate understanding of oneself, others, and the surrounding world.
摘要:本文以查尔斯·狄更斯的小说《小杜丽》(1855-57)为例,考察维多利亚时代城市中沉默的位置和目的。在艾米·多莉特(Amy Dorrit)和阿瑟·克莱南(Arthur Clennam)所穿越的伦敦,沉默的空间提供了一种违反直觉的社交功能,提供了一种无需中介的联系机会,这是电报等技术无法提供的。特别是铁桥促进了声音隔离和社会联系的相互联系。狄更斯在社会联系中使用沉默,假设声音的适度——打破沉默——是一种优先考虑和保护亲密交流的方式。最终,沉默变成了一个空间,让我们可以亲密地了解自己、他人和周围的世界。
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引用次数: 1
Haiti in the British Imagination: Imperial Worlds, 1847-1915, by Jack Daniel Webb 《英国想象中的海地:帝国世界,1847-1915》,杰克·丹尼尔·韦伯著
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.32
T. Watson
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引用次数: 0
Pauper Voices, Public Opinion and Workhouse Reform in Mid-Victorian England: Bearing Witness by Peter Jones and Steven King (review) 维多利亚时代中期英国贫民之声、舆论与济贫院改革:彼得·琼斯、史蒂文·金的见证
IF 1.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-02-01 DOI: 10.2979/victorianstudies.64.4.40
Marjorie Levine-Clark
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引用次数: 0
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VICTORIAN STUDIES
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