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La participation des personnes touchées par la pauvreté aux projets des services sociaux est efficace – à condition que... 受贫困影响的人参与社会服务项目是有效的——只要……
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.24451/ARBOR.11871
Emanuela Chiapparini
La pratique le confirme : les mesures de prevention et de lutte contre la pauvrete sont plus efficaces lorsque les personnes menacees ou touchees par la pauvrete participent aux mesures, ou si leurs preoccupations, experiences, idees et expertises sont (davantage) prises en compte. Une etude de la Haute ecole specialisee bernoise pour le travail social presente les conditions requises a cet effet.
实践证实了这一点:当受到贫困威胁或影响的人参与措施,或(更多地)考虑到他们的关切、经验、想法和专门知识时,预防和消除贫困的措施是最有效的。伯尔尼社会工作高级学院的一项研究提出了这方面的必要条件。
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引用次数: 0
Reflecting worlds: noción de mundo transmedia aplicada al género documental 反思世界:跨媒体世界的概念应用于纪录片类型
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.3989/arbor.2019.794n4003
Mario De la Torre-Espinosa
This article discusses Henry Jenkin’s concept of transmedia as the art of making worlds, in reference to the building of fictional worlds, to theoretically expand on this definition for the documentary genre. If Bill Nichols stated that non-fiction genre has a great persuasive power -because of the indexical nature of its images and sounds, and the psychological effect of verosimility created in the audience- we defend the idea that this character is increased through the transmedia storytelling. The immersion, extrability and performativity of this kind of narrative form lead to an active user role in the transmedia world, that coincides with his own world, the real one. That is why numerous activist projects have used the transmedia documentary as an opportunity for critical thinking and social change.
本文将讨论Henry Jenkin的跨媒体作为创造世界的艺术的概念,并结合虚构世界的构建,从理论上对纪录片类型的这一定义进行扩展。如果Bill Nichols说非小说类型具有强大的说服力——因为其图像和声音的指向性,以及在观众中创造的逼真性的心理效应——我们支持这种角色通过跨媒体叙事而增加的观点。这种叙事形式的沉浸性、可扩展性和表演性,使他在跨媒体世界中扮演了一个活跃的用户角色,这与他自己的真实世界是一致的。这就是为什么许多活动家项目利用跨媒体纪录片作为批判性思考和社会变革的机会。
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引用次数: 4
Análisis crítico del discurso y suicidio: más allá de la narrativa de la enfermedad 批判性话语分析与自杀:超越疾病叙事
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4007
Edisson Orlando Orozco Villa
The aim of this paper is to reflect on the theoretical tools that critical discourse analysis provides to an understanding of the phenomenon of suicide. Two discussions are central to defining the foundation for that relationship. First, a critical examination of the relationship between different mass media platforms and the idea of imitation as it pertains to suicidal conduct is proposed. Subsequently, suicide is approached as a practice that is interpolated by social, political, and cultural constructions, not solely limited to psychopathology. Finally, the role of critical discourse analysis generates an understanding of suicide that problematizes the hegemonic narratives produced by the epistemological and political demands of technoscience.
本文的目的是反思批判性话语分析为理解自杀现象提供的理论工具。有两项讨论对确定这种关系的基础至关重要。首先,提出了对不同大众媒体平台与模仿概念之间关系的批判性检查,因为它与自杀行为有关。随后,自杀被视为一种社会、政治和文化建构的实践,而不仅仅局限于精神病理学。最后,批判性话语分析的作用产生了对自杀的理解,使由技术科学的认识论和政治要求产生的霸权叙事成为问题。
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引用次数: 1
El entrelazamiento cuántico: una nueva fuente de creación artística 量子纠缠:艺术创作的新来源
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4008
Íñigo Sarriugarte Gómez
Since 1935, with the discovery of the phenomenon of quantum entanglement, unresolved questions and postulates have been generated, which have dismantled the basis of classical physics. Based on the reciprocal behavior of certain particles regardless of their distance, the existence of a state with a single-wave competence is assumed for the entire system, forcing us to accept new concepts such as non-locality and non-separability . Nowadays, creators are increasingly approaching the analysis of entanglement from different media, as a new source of inspiration and artistic research. In fact, the artistic platform is considered as a resource to spread this phenomenon, along with its theories and mysteries, familiarizing the viewer in one of the most defining manifestations for the progress of humanity.
自1935年以来,随着量子纠缠现象的发现,未解决的问题和假设已经产生,这些问题和假设已经拆除了经典物理学的基础。基于某些粒子的互反行为,无论其距离如何,假设整个系统存在具有单波能力的状态,迫使我们接受诸如非定域性和不可分性等新概念。如今,创作者越来越多地将不同媒介的纠缠分析作为一种新的灵感来源和艺术研究。事实上,艺术平台被认为是传播这种现象的一种资源,伴随着它的理论和神秘,让观众熟悉人类进步的最具代表性的表现之一。
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引用次数: 0
Desarrollo del debate teórico en torno al nacionalismo y la nación a través del esquema kuhniano 通过库恩方案发展关于民族主义和民族主义的理论辩论
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4006
Guillermo Reyes Pascual
For purposes of analysis and also to find meaning, much has been written about two intrinsically-linked terms: nationalism and the nation. The main positive consequence of this has been a vast theoretical debate about nationalism and the nation that undoubtedly enriches them. On the other hand, the main negative consequence is that development of the debate itself and its evolution have received little attention. The aim of this article is to show how this debate was constructed around the four classical paradigms of nationalism. To do this, the Kuhnian scheme is applied to determine when, how, and why these classical paradigms were articulated around these two terms. The main purpose of this is to delve into the historical explanation given by Moreno Almendral (2015), but from the philosophy of science, developing a much more detailed vision of the debate around nationalism and the nation.
为了分析和寻找意义,人们写了很多关于两个内在联系的术语:民族主义和民族。这种情况的主要积极后果是关于民族主义和民族的广泛理论辩论,这无疑丰富了他们。另一方面,主要的消极后果是辩论本身的发展及其演变很少受到关注。本文的目的是展示这场辩论是如何围绕民族主义的四个经典范式构建的。为了做到这一点,应用Kuhnian方案来确定何时,如何以及为什么这些经典范式围绕这两个术语进行阐述。本文的主要目的是深入研究Moreno Almendral(2015)给出的历史解释,但从科学哲学的角度,对围绕民族主义和民族的辩论形成更详细的看法。
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引用次数: 1
La crítica de la ciencia en España después del 68 68年后西班牙的科学批评
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4005
Francisco Díaz-Fierros Viqueira
This paper analyses a series of books, journals and other types of representations produced in Spain between 1968 and 1976 that refer to the so-called Critique of Science. This movement mainly expanded in Western countries during the 70’s. It shows how this critique appeared in different media, although with less relevance in Spanish society.
本文分析了1968年至1976年间在西班牙产生的一系列涉及所谓科学批判的书籍、期刊和其他类型的表征。这一运动在70年代主要在西方国家扩张。它显示了这种批评如何出现在不同的媒体上,尽管与西班牙社会的相关性较小。
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引用次数: 0
¿Nuevos patrones de investigación? Dinámicas de apertura y cierre en el proceso de integración socio-técnica 新的研究模式?社会技术整合过程中的开放与封闭动态
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4002
Andoni Eizagirre
The formulation of research and development policies is being transformed in a novel way in the most recent documents coming out of Europe. One notable peculiarity is that research patterns are moving toward scientific-technological practices that are more interactive among the various actors of society. Thus, the first measures in response to the complex nature of research are being revealed in strategies for the promotion of entrepreneurial and collaborative attitudes among academic-business actors in research and development. Other approaches are superimposed on these initiatives, approaches that transcend the primarily economistic goal of collaboration and that integrate social and ethical factors in research and development. Nevertheless, these transformations are also subject to underlying tensions and concurrent objectives. The article elucidates these opening-and-closing dynamics and demonstrates that some relationships and demands are more resistant to change.
欧洲最近发布的文件正在以一种新颖的方式改变研究与发展政策的制定。一个值得注意的特点是,研究模式正朝着科学技术实践的方向发展,而科学技术实践在社会的各个行动者之间更具互动性。因此,针对研究的复杂性质采取的第一批措施是在促进研究和发展方面的学术-商业行动者之间的企业和合作态度的战略中。其他方法被叠加在这些举措上,这些方法超越了合作的主要经济目标,并将研究和发展中的社会和伦理因素结合起来。然而,这些转变也受制于潜在的紧张关系和共同的目标。本文阐明了这些开放和关闭的动态,并证明了一些关系和需求更抗拒改变。
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引用次数: 1
Las artes liberales y el Mixing Methods: buenas razones para formar ciudadanos y pobres peregrinos como hombres libres 文科和混合方法:把公民和贫穷的朝圣者培养成自由人的好理由
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-18 DOI: 10.3989/arbor.2019.794n4001
J. Andrés-gallego
Mixing methods is a well-known innovative methodologic proposal for research in the second half of the 20th century social sciences. Reading literature about it, I observed the aspect that justifies this paper: Authors of theoretical contributions on mixing methods recognized that this was known to be a practice already in use many centuries ago. Some of them even have re-examined the whole history of the scientific method to search precedents. They are however individual and theoretical precedents. I add in this paper the practical projection of these and other methodological theories on people’s training from Greek classical times. My hypothesis is that liberal arts was the basic syllabus in Western -and westernized- education for more than a millennium in such a way that results of their training precisely involved to mixing methods. In return, to understand the liberal arts in the light of mixing methods shows new aspects of their historical interest. I study the theoretical basis of this syllabus from Cicero to Alcuin. More important for future research, I conclude that Alcuin’s thesis about the correspondence between the gifts of the Holy Spiritu and the seven liberal arts can be extended to the Aristotelian dianoethics habits and to Dilthey’s 20th-century sciences of mind.
混合方法是20世纪下半叶社会科学研究中一种著名的创新方法。通过阅读相关文献,我观察到这篇论文的合理性:关于混合方法的理论贡献的作者认识到,这是一种已知的实践,在许多世纪以前就已经在使用了。他们中的一些人甚至重新审视了科学方法的整个历史,以寻找先例。然而,它们是个别的和理论上的先例。我在本文中补充了这些和其他希腊古典时期关于人的训练的方法论理论的实践投影。我的假设是,在一千多年的时间里,文科一直是西方和西方化的教育的基本教学大纲,其训练结果恰恰涉及到混合方法。反过来,在混合方法的光照下理解文科显示了他们历史兴趣的新方面。我研究了从西塞罗到阿尔昆的教学大纲的理论基础。对于未来的研究更重要的是,我得出结论,阿尔昆关于圣灵的恩赐与七门文科之间的对应关系的论点可以扩展到亚里士多德的精神伦理学习惯和狄尔泰20世纪的心灵科学。
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引用次数: 0
»Man hat diese Erweiterung des Tonumfanges seit ein paar Jahren an den Tasteninstrumenten sehr weit getrieben.« Der Umgang mit Grenzen beim späten Mozart und beim frühen Beethoven »被这几年以来扩大Tonumfanges Tasteninstrumenten非常过分.«处理边界在后期莫扎特和贝多芬早期的时候
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.24451/ARBOR.8982
Martin Skamletz
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引用次数: 0
Enrique Granados’s Performance Style. Visualising the Audible Evidence 恩里克·格拉纳多斯的表演风格。视觉化听觉证据
IF 0.4 4区 社会学 Q2 Arts and Humanities Pub Date : 2019-12-01 DOI: 10.24451/ARBOR.8987
C. Bascuñana
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引用次数: 1
期刊
ARBOR-CIENCIA PENSAMIENTO Y CULTURA
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