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Understanding Divorce Trends and Risks: The Case of Norway 1886–2018 了解离婚趋势和风险:以挪威1886-2018年为例
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-02-11 DOI: 10.1177/03631990221077008
Rune Zahl-Olsen
Divorces have become common, but reliable longer-run historical data with several years of follow-up are scarce. This study investigates divorce trends and divorce risk based on prospective data for all Norwegian different-sex marriages formed from 1886–2018, with yearly follow-up continuing until 60 years after the wedding (N = 2.7 million). First marriages and remarriages are investigated separately, as are marriages in rural and urban areas. The results indicate a general decline in divorce risk, but not in rural areas. The previously suggested impacts of age-at-marriage and remarriage on divorce risk are questioned.
离婚已经很普遍,但经过几年随访的可靠的长期历史数据很少。这项研究基于1886年至2018年形成的所有挪威不同性别婚姻的前瞻性数据,调查了离婚趋势和离婚风险,每年的随访持续到婚礼后60年(N = 270万)。初婚和再婚是分开调查的,农村和城市地区的婚姻也是如此。结果表明,离婚风险普遍下降,但农村地区没有。先前提出的结婚年龄和再婚对离婚风险的影响受到质疑。
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引用次数: 8
‘Going her Own Road’: The Tortured Path to Economic Independence in Late Colonial New South Wales “走自己的路”:新南威尔士州殖民地晚期经济独立的痛苦之路
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-02-09 DOI: 10.1177/03631990221077707
Marian Lorrison
Feminist historians have long recognised the symbiotic relationship between personal autonomy and a woman's capacity to earn her own living. This paper draws on legal and press documentation to examine how one woman navigated the difficult path of wage-earning during the 1890s. It argues that Catherine Kirchner saw herself as an autonomous economic entity and conducted herself with equal autonomy within her marriage and an extra-marital love affair. The paper concludes that despite the rhetoric of increasing emancipation and opportunity for women in 1890s New South Wales, the path to economic autonomy remained a difficult one to traverse.
女权主义历史学家早就认识到个人自主性和女性谋生能力之间的共生关系。本文利用法律和新闻文献来研究一位女性在19世纪90年代是如何艰难地走上工资收入之路的。它认为,凯瑟琳·基什内尔将自己视为一个自主的经济实体,并在婚姻和婚外恋中享有平等的自主权。该论文的结论是,尽管19世纪90年代新南威尔士州的妇女解放和机会不断增加,但实现经济自治的道路仍然很难走。
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引用次数: 0
Book Review: On the Queerness of Early English Drama: Sex in the Subjunctive by Tison Pugh 书评:《论早期英国戏剧的怪异:虚拟语气中的性爱》蒂森·帕格著
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-02-04 DOI: 10.1177/03631990221077963
M. DiGangi
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引用次数: 0
Book Review: Countless Blessings: A History of Childbirth and Reproduction in the Sahel by Barbara MacGowan Cooper 书评:《无尽的祝福:萨赫勒地区的生育和生殖史》,Barbara MacGowan Cooper著
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-02-04 DOI: 10.1177/03631990221077328
Shobana Shankar
argues, enact a “queer historiography.” Bale’s historiography is queer in the sense that his promotion of a chaste, theologically reformed England becomes implicated in his condemnation of clerical chastity as a kind of sodomy. “Sodomitical traces” of a demonized Catholic past thus haunt Bale’s redeemed English present (125). One way that Bale associates the Catholic Church with sodomy is through the character Sodomismus in Thre Lawes of Nature, Moses, and Christ, who boasts of the pederastic tastes of even the Pope. As we saw in the earlier chapter about male friendship, however, sodomy was a broadly defined sin that signified the general debauchery of human will. For Bale, then, sodomy could encompass not only pederasty but also adultery, promiscuity, masturbation, bestiality, and idolatry. Yet because Bale’s interludes, like many of the dramatic texts in Pugh’s study, feature few female characters, sodomy comes to seem particularly descriptive of transgressive male same-sex relations. With the wonderfully paradoxical phrase “sodomitical chastity,” Bale excoriates the sexual hypocrisy of lecherous if unmarried Catholic prelates (and nuns) even as he thereby undercuts the purity of Englande, a chaste widow and mother, in King Johan. King Johan’s chaste asexuality similarly falls under the shadow of “sodomitical chastity.” As always, Pugh is alert to the ways in which performance might add a queer(er) dimension to the text; here, he observes the delicious irony that the performer who played Englande also doubles in the part of lecherous Clergye. In his final chapter (preceding a brief conclusion that situates Terrence McNally’s Corpus Christi within the “queer legacy” of early English drama), Pugh turns from the English Reformation to the Scottish Reformation as presented through David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh identifies this carnivalesque text as proto-camp for its foregrounding of the dissonance between the male bodies of actors and the exuberant female bodies they perform, a dynamic that fosters in audiences a “hermaphroditic gaze” in which male and female gender distinctions refuse to congeal (146). Like Bale, Lyndsay attributes sexual incontinence to the Catholic Church; unlike Bale, he fills his play with “an extraordinarily large number of female characters,” some of whom “straddle the borders between masculine and feminine” (157). I appreciated Pugh’s use of contemporary theories of camp to explain how Lyndsay seems to search for an innovative dramatic form with which to explore sexual vices and inversions of traditional gender roles. Camp provides an apt vocabulary for describing not just the dramatic style of Lyndsay’s Satyre but also its production of “epistemological crises” for spectators who might not be able to apprehend the allegory of social reform beneath the performance’s sexually raucous surface. That tension between the orthodox ideological message and the unruly performative energies of early English
贝尔的史学是古怪的,因为他对一个贞洁的、经过神学改革的英格兰的提倡,与他谴责牧师贞洁是一种鸡奸的行为有关。被妖魔化的天主教过去的“鸡奸痕迹”因此困扰着贝尔救赎的英国现在(125)。贝尔将天主教会与鸡奸联系在一起的一种方式是通过《自然法则》、《摩西与基督》中的角色索多米斯,他吹嘘自己甚至有教皇的恋童癖。然而,正如我们在关于男性友谊的前一章中所看到的那样,鸡奸是一种定义广泛的罪行,象征着人类意志的普遍放荡。对贝尔来说,鸡奸不仅包括恋童癖,还包括通奸、滥交、手淫、兽交和偶像崇拜。然而,由于贝尔的插曲,就像Pugh研究中的许多戏剧文本一样,很少有女性角色出现,鸡奸似乎特别描述了越轨的男性同性关系。贝尔用一句极其矛盾的短语“鸡奸贞操”严厉谴责了未婚天主教牧师(和修女)好色的性虚伪,尽管他因此削弱了《约翰王》中贞洁寡妇和母亲英格兰德的纯洁性。约翰国王贞洁的无性恋同样也落在了“鸡奸贞洁”的阴影下。帕格一如既往地警惕表演可能会给文本增加一个奇怪的维度;在这里,他观察到了一个有趣的讽刺,扮演英格兰德的表演者也同时扮演好色的克莱吉。在他的最后一章中(在一个简短的结论之前,该结论将特伦斯·麦克纳利的《科珀斯克里斯蒂》置于早期英国戏剧的“酷儿遗产”中),Pugh从英国宗教改革转向了苏格兰宗教改革,正如David Lyndsay的《Thrie Estaitis的Ane Satyre》所呈现的那样。Pugh将这部狂欢节式的文本视为原型阵营,因为它突出了演员的男性身体和他们表演的旺盛女性身体之间的不和谐,这种动态在观众中培养了一种“两性凝视”,在这种凝视中,男性和女性的性别差异拒绝融合(146)。和贝尔一样,林德赛将性失禁归因于天主教会;与贝尔不同的是,他在剧中塑造了“大量女性角色”,其中一些“跨越了男性和女性的界限”(157)。我很欣赏Pugh使用当代阵营理论来解释Lyndsay似乎是如何寻找一种创新的戏剧形式来探索性恶习和传统性别角色的颠倒的。Camp提供了一个恰当的词汇,不仅可以描述Lyndsay的《Satyre》的戏剧风格,还可以描述它对观众产生的“认识论危机”,因为观众可能无法理解演出色情表面下的社会改革寓言。正统的意识形态信息和早期英国戏剧难以驾驭的表演能量之间的紧张关系推动了Pugh在这项出色的研究中的解读,并为未来的工作提供了强大的动力和模式。
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引用次数: 0
Women and Power: The Power and Status of the Wives of the Dukes for Fulfilling the Sage in the Kong Lineage in Qufu Since the Qing Dynasty 妇女与权力:清代以来曲阜孔氏诸侯夫人的权力与地位
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-01-31 DOI: 10.1177/03631990221076567
X. Cao, J. Cheng
In the patriarchal lineage management system in China, only men possess the right to run a lineage. However, by analyzing the power and status of the wives of the Dukes for Fufilling the Sage in the management of the Kong lineage in Qufu since the Qing Dynasty, this study finds that these women played an important role in lineage management. They performed the duties of the dukes under special circumstances and became the highest decision makers of the lineage. This study further analyzes the reasons why the duchesses could exercise management power in the Kong lineage.
在中国的宗法世系管理制度中,只有男性拥有世系管理的权利。然而,通过对清代以来曲阜孔氏家族管理中孝贤公爵夫人的权力和地位的分析,本研究发现这些女性在家族管理中发挥了重要作用。他们在特殊情况下履行公爵的职责,成为家族的最高决策者。本研究进一步分析了孔氏家族中公爵夫人能够行使管理权力的原因。
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引用次数: 0
A Quest for Roots and Kinship: Family History in the Television Series Allt För Sverige (The Great Swedish Adventure) 寻根寻亲:电视剧《Allt》中的家族史För《瑞典大冒险》
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-01-31 DOI: 10.1177/03631990221075260
Ann-Sofie Klareld
This paper considers the contemporary significance of family history and, more generally, cross-national heritage by studying a Swedish television programme in which Swedish Americans visit Sweden to find out more about their ancestors and possibly to meet present-day relatives. Saar’s theory of three levels of genealogy—history, evaluation, and genre—is used as the analytical framework. The findings indicate that the contemporary significance of family history is multilayered and complex, and is acknowledged to be of great importance in self-reflection, self-understanding, and a sense of rootedness.
本文通过研究一个瑞典电视节目来考虑家族史的当代意义,更广泛地说,跨国遗产。在这个节目中,瑞典裔美国人访问瑞典,以了解更多关于他们的祖先的信息,并可能与现在的亲戚见面。萨尔的三层次谱系理论——历史、评价和体裁——被用作分析框架。研究结果表明,家族史的当代意义是多层次和复杂的,并且被认为在自我反思,自我理解和根感方面非常重要。
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引用次数: 0
“Bigamists” in Bologna, 1350–1500 “重量级”在博洛尼亚,1350 - 1500年
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-01-24 DOI: 10.1177/03631990221075267
T. Dean
Bigamy trials in medieval secular courts were rare and rarely documented. Where they do survive, they raise interesting questions about the relation between penal law and social practice, about knowledge of church laws on the legitimate forms and processes of marriage, and about gendered aspects of how this crime was perceived, prosecuted and punished. The incomparable riches of the criminal court in Bologna supply a set of nearly thirty cases in the period 1350–1500 which allow these questions to be investigated.
中世纪世俗法院对重婚的审判很少见,也很少有记录。在他们幸存下来的地方,他们提出了一些有趣的问题,比如刑法与社会实践之间的关系,关于教会法律对合法婚姻形式和过程的了解,以及如何看待、起诉和惩罚这一罪行的性别方面。博洛尼亚刑事法院无与伦比的财富在1350-1500年间提供了近30起案件,这些案件使这些问题得以调查。
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引用次数: 0
Book Review: Love, Power, and Gender in Seventeenth-Century French Fairy Tales by Bronwyn Reddan 书评:《17世纪法国童话中的爱、权力和性别》,作者布朗温·雷丹
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2022-01-01 DOI: 10.1177/03631990211054087
N. Kushner
teenage conscripts? Or was it about a certain demographic of Slavic men in power in the government and media (and even perhaps among film audiences) fussing over the changing world in the sixties that challenged them? Jeff Sahadeo has recently published research on the migration of men from the Caucasus and Central Asia into Moscow and Leningrad from the 1960s to the 1980s and beyond, who often sought to support families in their home republics. When paired with Dumančić’s work, this history potentially offers us a fuller portrait of Slavic men’s urban malaise and sense of crisis—influenced not only by the new modernity or by perceptions of (Slavic) women’s consumerism, but by the increasing visibility of Muslim men in central Soviet cities. More research on the film intersections between masculinity and nationality would be welcome. Men Out of Focus is an excellent contribution to Soviet cultural history and film studies that enriches each of the many fields it touches. The epilogue points to several administrative changes after 1969 that decreased the independence of the Soviet film industry, providing a clear path for where future researchers might follow the sixties man. “Post-Stalinist celluloid heroes,” Dumančić concludes, “now had a sense of autonomy, yet they also seemed unable to assert themselves in a world where preschoolers and pre-teens exercised a monopoly on morality, young men fulminated against their father’s (Stalinist) sins, mass consumerism had made women the dominant economic actors, and science offered more questions than answers” (255). The book is accessibly written (including smooth and easily digestible descriptions of dozens of films), meticulously researched, and it offers new ways of thinking about the postwar and post-Stalin eras—which will perhaps now become known more broadly in Soviet history as “the sixties,” thanks to this important book.
十几岁应征入伍吗?或者是关于在政府和媒体(甚至可能是电影观众)中掌权的某些斯拉夫男性,他们对60年代不断变化的世界感到不安,对他们提出了挑战?杰夫·萨哈迪奥(Jeff Sahadeo)最近发表了一项研究,研究对象是20世纪60年代至80年代及以后,从高加索和中亚到莫斯科和列宁格勒的男性移民,他们经常寻求在自己的母国支持家庭。当与杜曼伊奇的作品结合在一起时,这段历史可能为我们提供了一幅更全面的斯拉夫男性城市不安和危危感的肖像——不仅受到新的现代性或(斯拉夫)女性消费主义观念的影响,而且受到穆斯林男性在苏联中心城市日益增加的能见度的影响。我们欢迎更多关于男性气质和国籍在电影中的交叉点的研究。《迷失的男人》是对苏联文化史和电影研究的杰出贡献,丰富了它所涉及的许多领域。结语指出,1969年之后的几次行政变动削弱了苏联电影工业的独立性,为未来的研究人员可能追随60年代的人提供了一条清晰的道路。“后斯大林时代的电影英雄们,”杜曼伊奇总结道,“现在有了一种自主意识,但他们似乎也无法在一个学龄前儿童和青少年垄断道德的世界中坚持自己的立场,年轻男性谴责他们父亲(斯大林主义)的罪恶,大众消费主义使女性成为主导经济行为者,科学提供的问题比答案更多”(255)。这本书写得通俗易懂(包括对几十部电影流畅而易于理解的描述),研究细致,提供了思考战后和后斯大林时代的新方法——多亏了这本重要的书,这段时期现在可能在苏联历史上被更广泛地称为“六十年代”。
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引用次数: 0
Ok lá þar at óvilja hennar: A Reconsideration of Sexual Violence in the Old Norse World Ok l<e:1>,在óvilja hennar:对古斯堪的纳维亚世界性暴力的重新思考
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2021-11-09 DOI: 10.1177/03631990211053220
Jacobē Bell
Despite the popularized image of the raping and pillaging Viking warrior, the culture of sexual violence in Old Norse society has remained surprisingly understudied. This article uses skaldic verses, a literary genre produced in Iceland and Norway, mainly from the ninth through the fourteenth centuries, to suggest a reconsideration of sexual violence in the Old Norse world. It suggests that skaldic verses can help scholars discern a spatial and cultural geography of sexual violence against free men, women, and slaves, which suggests it was widespread and multidimensional and had ties to a pan-north Atlantic slave trade in the Viking Age.
尽管海盗战士强奸和掠夺的形象广为流传,但令人惊讶的是,古挪威社会的性暴力文化仍未得到充分研究。这篇文章使用了一种主要从9世纪到14世纪产生于冰岛和挪威的文学体裁——斯卡尔迪诗,来暗示对古斯堪的纳维亚世界性暴力的重新思考。这表明,斯卡尔迪诗可以帮助学者们辨别针对自由男女和奴隶的性暴力的空间和文化地理,这表明它是广泛和多维的,与维京时代的泛北大西洋奴隶贸易有关。
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引用次数: 1
Hera, The Perfect Wife? Features and Paradoxes of the Greek Goddess of Marriage 赫拉,完美妻子?希腊婚姻女神的特征与悖论
IF 0.6 3区 历史学 Q3 ANTHROPOLOGY Pub Date : 2021-10-28 DOI: 10.1177/03631990211031280
Olaya Fernández guerrero
In the ancient Greek polytheistic religion, Hera was considered the wife of Zeus and she was worshipped as the goddess of marriage. This paper analyses pre-Olympian references to Hera as an unmarried Great Goddess related to nature and fertility, and it explores from a critical perspective the origins and contents of her cult as Hera Teleia, the “perfect wife.” Mythological tales about her fights with Zeus, their conflictive relationship and his continuous love affairs with goddesses and women show us that the divine Greek model for human marriage was far from being a state of marital bliss.
在古希腊多神教中,赫拉被认为是宙斯的妻子,被奉为婚姻女神。本文分析了前奥林匹克时期将赫拉作为与自然和生育有关的未婚大女神的参考文献,并从批判的角度探讨了她作为“完美妻子”赫拉·泰莉亚的崇拜的起源和内容。神话故事讲述了她与宙斯的争斗,他们之间的矛盾关系,以及宙斯与女神和女人之间持续不断的爱情,这些都向我们展示了古希腊的人类婚姻模式远非婚姻幸福的状态。
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引用次数: 0
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Journal of Family History
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