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Nation, Race, and Performance in the Poetics of Nicolás Guillén and Nancy Morejón 国家、种族与表演在Nicolás guill<s:1>和Nancy的诗学中Morejón
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1215/07990537-9384314
Aisha Z. Cort
Abstract:In the context of revolutionary Cuba, discourses of identity are veiled behind discussions and performances of nation and nationality. Consideration of the paradoxical relation of blackness and the Cuban Revolution must consider the historical relation of blackness to the Cuban nation, from its inception, to independence, through the Republic and immediately prior to the Revolution. In addition, a discussion of this relation must consider the discreet comments on race made via official policies, speeches, and discourses on the subject. Using Nancy Morejón's critical analysis in her seminal 1982 work Nación y mestizaje en Nicolas Guillén as a springboard, the objective of this work is two-fold—to explore how the Cuban nation is reimagined in the poetry of Nicolás Guillén and to dissect the use of metaphors such as mestizaje as performances of nation that in turn highlight racial discourse.
[摘要]在革命的古巴语境中,身份话语被隐藏在民族与民族性的讨论与表演背后。在考虑黑人与古巴革命的矛盾关系时,必须考虑到黑人与古巴民族的历史关系,从古巴民族成立到独立,通过共和国并在革命之前。此外,对这种关系的讨论必须考虑到官方政策、演讲和关于种族问题的论述中对种族问题的谨慎评论。以Nancy Morejón在其1982年的开创性作品Nación y mestizaje en Nicolas guillacimen中的批判性分析为跳板,本作品的目标是双重的:探索古巴民族如何在Nicolás guillacimen的诗歌中被重新想象,并分析使用隐喻,如mestizaje作为国家的表演,进而突出种族话语。
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引用次数: 0
The Nature of Ruins 废墟的本质
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1215/07990537-9384346
Carol Sorhaindo
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引用次数: 0
Human Rights, Humanitarianism, and "Failed" Nations: Haiti and Jewish Refugees in the 1930s 人权、人道主义和“失败”的国家:20世纪30年代的海地和犹太难民
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1215/07990537-9384170
Nadège Veldwachter
Abstract:Using the field of humanitarianism as the critical locus, this essay reflects on what Haiti, called the "Republic of NGOs," can teach us about unsettling the coloniality of being, power, and freedom if we acknowledge in our critical thought system the acts of humanitarianism this nation has performed. By pursuing the issue of agency otherwise denied to any organism—be it political or intellectual—that departs from Western paradigms, the author aims to contribute to the call on critics and historians to rethink the ideologies that have informed and continue to inform the patterns of research methodologies entrenched in various disciplines to address the vexed question of epistemic dependency. In response, the essay focuses on the episode of inter-minority solidarity between blacks and Jews when, following the 1938 Evian conference, the Haitian government offered asylum to the undesirables of Europe based on the principles of the 1804 Haitian Revolution.
摘要:本文以人道主义领域为批判中心,反思被称为“非政府组织共和国”的海地,如果我们在批判性思维体系中承认这个国家所做的人道主义行为,它可以教会我们如何颠覆存在、权力和自由的殖民主义。通过探究脱离西方范式的任何有机体——无论是政治的还是智力的——都不具备的能人问题,作者的目的是呼吁批评家和历史学家重新思考那些已经并将继续影响各种学科中根深蒂固的研究方法模式的意识形态,以解决认知依赖的棘手问题。作为回应,本文将重点放在黑人和犹太人之间少数民族团结的插曲上,在1938年埃维昂会议之后,海地政府根据1804年海地革命的原则,为不受欢迎的欧洲人提供庇护。
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引用次数: 0
Rastafari, the Transnational Archive, and Postcolonial Caribbean Intellectual History 拉斯塔法里,跨国档案,和后殖民加勒比思想史
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912816
Monique A. Bedasse
Abstract:This essay argues for an approach to postcolonial Caribbean intellectual history that moves beyond the national archive to rely on a globally dispersed archive. It uses Rastafari repatriation to Tanzania to highlight the intellectual history of the movement and to demonstrate the extent to which the repatriation created a transnational documentary trail with a set of archival imperatives that renders the national archive insufficient for the reconstruction of postcolonial Caribbean intellectual history.
摘要:本文提出了一种超越国家档案馆而依赖于全球分散档案的后殖民时期加勒比思想史研究方法。它利用拉斯塔法里遣返坦桑尼亚来突出这一运动的思想史,并表明遣返在多大程度上创造了一条跨国文献线索,其中有一系列档案需要,使国家档案不足以重建后殖民时期的加勒比思想史。
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引用次数: 0
Imperial Intimacies—Further Thoughts 帝国亲密关系——进一步的思考
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912859
Hazel V. Carby
Reflecting on arguments and insights in the discussion essays by Eddie Chambers, Marisa Fuentes, and Marc Matera on the author’s Imperial Intimacies: A Tale of Two Islands, this response essay focuses on the dilemma of black feminist critique, practice, methodology, and pedagogy in a constant struggle with and against the colonial archive. It poses questions about the possibilities and limits of developing alternative ways for narrating racialized lives into being.
这篇回应文章反映了埃迪·钱伯斯、玛丽莎·富恩特斯和马克·马泰拉对作者的《帝国亲密关系:两个岛的故事》的讨论文章中的论点和见解,重点关注黑人女权主义批评、实践、方法论和教学法在与殖民档案的不断斗争中所面临的困境。它提出了关于发展其他方式来叙述种族化生活的可能性和局限性的问题。
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引用次数: 2
Peter Abrahams's Island Fictions for Freedom 彼得·亚伯拉罕的海岛小说
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912789
Victoria J. Collis-Buthelezi
Abstract:When South African–born Peter Abrahams moved to Jamaica in 1956, he thought he had found a racial paradise. Over the next six decades as a Jamaican, his understanding of race in Jamaica was complicated after independence. His last two novels—This Island Now (1966) and The View from Coyaba (1985)—fictionalize the transition to independence in the anglophone Caribbean and how that transition related to the set of concerns unfolding across the rest of the black world. This essay traces Abrahams's thought on questions of race and decolonization through a close reading of his Caribbean fiction and how he came to theorize the literal and conceptual space of the Caribbean—the island—as a strategy for freedom. In so doing, the author asks, What are the limits of the Caribbean novel of the era of decolonization (1960s–80s) in the anglophone Caribbean? What constitutes it? And how does it articulate liberation?
摘要:1956年,当南非出生的彼得·亚伯拉罕移居牙买加时,他以为自己找到了一个种族天堂。在接下来的60年里,作为一个牙买加人,他对牙买加种族的理解在独立后变得复杂。他的最后两部小说——《现在的这个岛》(1966)和《科亚巴的景色》(1985)——虚构了讲英语的加勒比地区向独立的过渡,以及这种过渡与其他黑人世界所面临的一系列问题之间的关系。本文通过仔细阅读亚伯拉罕的加勒比小说,追溯了他对种族和非殖民化问题的思考,以及他如何将加勒比海的文字和概念空间——岛屿——理论化,作为一种自由的策略。在此过程中,作者提出了这样的问题:“在以英语为母语的加勒比海地区,非殖民化时代(1960 ~ 80年代)的加勒比小说的局限性是什么?”它是由什么构成的?它是如何表达解放的?
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引用次数: 0
Genres of History and the Practice of Loss: Attending to Silence in Hazel Carby's Imperial Intimacies 历史体裁与失落实践:关注黑兹尔·卡比《帝国亲密》中的沉默
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912830
Marisa J. Fuentes
Abstract:This book discussion essay addresses critical questions concerning historical methodologies when working with the archives of Atlantic-world slavery. Thinking with Hazel V. Carby's Imperial Intimacies: A Tale of Two Islands, the essay considers the power of historical memoir to narrate the violence of the British empire through family stories. The long-intertwined histories of England and the Caribbean inevitably lead to slavery's archives, and in the final section of the book, Carby describes the lives of her earliest ancestors on a Jamaican coffee plantation. In response, the essay author revisits her hesitations regarding slavery's archive and the stakes of approaching the silences of enslaved people in the records. Drawing on pivotal work in black feminist studies, this essay rearticulates the nuances of Saidiya Hartman's "critical fabulation" to bring attention back to archival boundaries and the limits of historical methodologies that make certain imaginings most difficult.
摘要:这本书的讨论文章解决了在处理大西洋世界奴隶制档案时有关历史方法的关键问题。与黑兹尔·v·卡比(Hazel V. Carby)的《帝国亲密关系:两个岛屿的故事》(Imperial Intimacies: A Tale of Two Islands)一样,这篇文章考虑了历史回忆录通过家庭故事讲述大英帝国暴力的力量。英国和加勒比地区长期交织在一起的历史不可避免地导致了奴隶制的档案,在书的最后一部分,卡比描述了她最早的祖先在牙买加咖啡种植园的生活。作为回应,文章作者重新审视了她对奴隶制档案的犹豫,以及接近记录中被奴役者沉默的利害关系。借鉴黑人女权主义研究的关键工作,本文重新阐述了赛迪亚·哈特曼(Saidiya Hartman)的“批判性虚构”的细微差别,将注意力带回档案边界和历史方法的限制,这些限制使某些想象变得最困难。
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引用次数: 1
What is the value of water if it doesn't quench our thirst for… 如果水不能解渴,那它还有什么价值?
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8913610
Deborah A. Jack
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引用次数: 0
Zippin' Up My Boots, Going Back to My Routes 拉上我的靴子,回到我的路线
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912844
E. Chambers
Abstract:This discussion essay on Hazel V. Carby's Imperial Intimacies: A Tale of Two Islands considers the contrasting ways the dominant society and the people of the African diaspora approach and regard research into family histories. Beginning with reflections on the somewhat dreaded though seemingly benign question, "Where are you from?," the essay explores the shortcomings and racial biases of popular genealogical websites, contrasting these with the deeply and profoundly nuanced ways Carby's book tackles fundamental questions, shortcomings, and difficulties in endeavors to trace ancestry. Along the way, the essay references Alex Haley's Roots and then takes up the Moynihan Report and Maury Povich's daytime TV show, Maury, both of which, the author asserts, reflect the pathology of depicting the black father as absent and deviant. The essay concludes with considerations of an inevitably settled yet nevertheless creatively fertile "mixed upness" of the creation of African diaspora family histories.
摘要:本文探讨了黑兹尔·v·卡比的《帝国的亲密关系:两个岛屿的故事》,探讨了主流社会和散居海外的非洲人对待家族史的截然不同的方式。我们先来思考一个看似温和却有些可怕的问题:“你来自哪里?”,这篇文章探讨了流行的家谱网站的缺点和种族偏见,并将这些与卡比的书中处理基本问题、缺点和努力追踪祖先的困难的深刻而微妙的方式进行了对比。在这篇文章中,作者引用了亚历克斯·海利(Alex Haley)的《根》(Roots),然后引用了《莫伊尼汉报告》(Moynihan Report)和莫里·波维奇(Maury Povich)的日间电视节目《莫里》(Maury)。作者断言,这两个节目都反映了将黑人父亲描绘成缺席和离题的病态。这篇文章的结论是考虑到一个不可避免的解决了,然而创造性丰富的“混合”的非洲侨民家庭历史的创作。
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引用次数: 0
An Intimate History of Empire 《帝国的亲密史
IF 0.6 3区 社会学 Q1 Arts and Humanities Pub Date : 2021-03-01 DOI: 10.1215/07990537-8912837
M. Matera
Abstract:Through a combination of critical memoir and family history, Hazel V. Carby's Imperial Intimacies: A Tale of Two Islands offers an intimate history of empire—an excavation of close connections across space and time, of empire's presence in the most intimate spaces and relationships, and of the sedimented yet contingent racial logics underlying constructions of Englishness and Britishness. This brief discussion essay considers the book's eccentric form and method as a challenge to imperial history, its methodological commitments, and its archival moorings. Carby offers a powerful critique of narratives of the black presence and racism in postwar Britain that center on the arrival of the HMT Empire Windrush in 1948. By way of conclusion, the essay follows Carby in revisiting the so-called Brown Baby debate at the end of World War II, an episode in the reracialization of Britain that offers glimpses of the diversity of perspectives and political imaginaries among people of African descent and their extensive ties to a wider black Atlantic.
摘要:通过批判性回忆录和家族史的结合,黑兹尔·v·卡比的《帝国的亲密关系:两个岛的故事》提供了一部帝国的亲密史——挖掘了跨越时空的密切联系,挖掘了帝国在最亲密的空间和关系中的存在,挖掘了英国人和英国人的建构背后沉淀而偶然的种族逻辑。这篇简短的讨论文章认为这本书古怪的形式和方法是对帝国历史的挑战,它的方法论承诺,以及它的档案系。卡比对战后英国黑人存在和种族主义的叙述进行了有力的批判,这些叙述以1948年HMT帝国旋风号的到来为中心。作为结束语,这篇文章跟随卡比重温了二战结束时所谓的“棕色婴儿”辩论,这是英国重新公民权化的一段插曲,让我们得以一瞥非洲裔人的观点和政治想象的多样性,以及他们与更广阔的黑人大西洋的广泛联系。
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Small Axe
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