Why does mould persist in low-income housing despite decades of public health research, building science advances and advocacy efforts? This article applies a policy ecology approach to examine the dispersed regulatory landscape governing household mould in New Orleans, Louisiana. Drawing on ethnographic fieldwork conducted between 2017 and 2020, the analysis traces how building codes, remediation industries and tenancy law interact to reproduce unhealthy housing conditions. In hot, humid, flood-prone southeast Louisiana, mould thrives where housing quality regulation remains weak and tenant protections limited. The article demonstrates that addressing household mould requires more than technical fixes: effective intervention depends on strengthening renters’ rights, since requests for repairs frequently trigger retaliatory eviction. Recent healthy homes legislation offers promise, but without robust tenant protections, mould cultures remain eviction cultures.
{"title":"Mould cultures: Or, the unequal distribution of remediation and eviction","authors":"Liam Grealy","doi":"10.1111/1467-8322.70045","DOIUrl":"https://doi.org/10.1111/1467-8322.70045","url":null,"abstract":"<p>Why does mould persist in low-income housing despite decades of public health research, building science advances and advocacy efforts? This article applies a policy ecology approach to examine the dispersed regulatory landscape governing household mould in New Orleans, Louisiana. Drawing on ethnographic fieldwork conducted between 2017 and 2020, the analysis traces how building codes, remediation industries and tenancy law interact to reproduce unhealthy housing conditions. In hot, humid, flood-prone southeast Louisiana, mould thrives where housing quality regulation remains weak and tenant protections limited. The article demonstrates that addressing household mould requires more than technical fixes: effective intervention depends on strengthening renters’ rights, since requests for repairs frequently trigger retaliatory eviction. Recent healthy homes legislation offers promise, but without robust tenant protections, mould cultures remain eviction cultures.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"42 1","pages":"9-12"},"PeriodicalIF":2.8,"publicationDate":"2026-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146139528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Serving alcohol is haram (forbidden) in Islam, yet most Bangladeshi-owned curry restaurants on Brick Lane hold alcohol licences. This article examines how hospitality entrepreneurs navigate this apparent contradiction through what it terms ‘pragmatic piety’, meaning flexible accommodations that balance Islamic principles, commercial imperatives and izzat (honour). Drawing on ethnographic research from the Brick Lane-Banglatown project (2018-2024), it traces a pronounced north-south spatial divide in the area's drinking cultures and contrasting business models, from licensed restaurants that foreground food to alcohol-free cafés. Life-course shifts, including post-Hajj observance, often intensify personal piety without ending alcohol sales, especially in partnerships where responsibility can be diffused. These negotiations unfold amid gentrification pressures and evolving consumption patterns that increasingly threaten the curry economy itself.
{"title":"‘They've got to make a living’: Alcohol, curry commerce and pragmatic piety on Brick Lane","authors":"Seán Carey","doi":"10.1111/1467-8322.70054","DOIUrl":"https://doi.org/10.1111/1467-8322.70054","url":null,"abstract":"<p>Serving alcohol is <i>haram</i> (forbidden) in Islam, yet most Bangladeshi-owned curry restaurants on Brick Lane hold alcohol licences. This article examines how hospitality entrepreneurs navigate this apparent contradiction through what it terms ‘pragmatic piety’, meaning flexible accommodations that balance Islamic principles, commercial imperatives and <i>izzat</i> (honour). Drawing on ethnographic research from the Brick Lane-Banglatown project (2018-2024), it traces a pronounced north-south spatial divide in the area's drinking cultures and contrasting business models, from licensed restaurants that foreground food to alcohol-free cafés. Life-course shifts, including post-<i>Hajj</i> observance, often intensify personal piety without ending alcohol sales, especially in partnerships where responsibility can be diffused. These negotiations unfold amid gentrification pressures and evolving consumption patterns that increasingly threaten the curry economy itself.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"42 1","pages":"4-8"},"PeriodicalIF":2.8,"publicationDate":"2026-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146139535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
<p>Front and back cover caption, volume 42 issue 1</p><p>Front cover caption, volume 42 issue 1</p><p>TO BE OR NOT TO BE IN THE AGE OF AI</p><p>In the Sinhalese Suniyama, the master anti-sorcery rite, the major edifice is the Palace of Mahasammata, the Original World Ruler. The sorcery victim enters inside the structure, a model of the cosmic order and process, and sits on the world mandala in the position of the Void, the situation of the first victim, Mahasammata's Queen, and the site of cosmic emergence, the forming of form. Here the victim is bound in the coils of sorcery, of death, to be cut free and re-potentiated.</p><p>In the photograph, the place can be seen where the victim will sit, behind the door into Mahasammata's Palace. Seated on the cosmic mandala, the victim is also situated in the womb space (garbha) of Mahasammata's Queen. The victim is seated after taking the path of the World Poisoner's (Vasavarti Maraya) striking form as the viper of sorcery drawn on the ground before the entrance. Inside the Palace the victim is bound in the snake's coils and then cut free whereupon the victim will then begin to engage in acts of reality reconstruction and self-reproduction. At that time a ritualist will play the role of the sorcerer and destroy the building and effectively himself. The architecture that enabled transformation cannot survive it.</p><p>This image, from Bruce Kapferer's ethnographic fieldwork in Sri Lanka, illustrates the argument of his guest editorial on AI. On 20 January 2025, the Chinese chatbot DeepSeek triggered what Marc Andreessen called ‘AI's Sputnik moment’, wiping hundreds of billions of dollars from American tech valuations. Kapferer asks what anthropology can contribute to understanding this upheaval.</p><p>His answer draws on cybernetics and ritual. American AI, he argues, remains trapped in ‘trivial’ machine processing: inputs transformed into outputs by rules in a black box. Chinese approaches like DeepSeek have moved towards ‘non-trivial’ reasoning processes that cycle through stages of self-verification and adjustment. By exposing its chain of reasoning, the machine simulates an internal dialogue, the ‘I-Me’ dialectic of the self, inviting users into continuing investigation rather than delivering oracular pronouncements.</p><p>Yet the deeper issue persists. AI systems are allopoietic: they produce things other than themselves. They lack embodied interiority, the capacity to start something genuinely new. In ritual terms, they resemble the demonic: powerful and repetitive, but locked in pathological fixation.</p><p>The exorcism achieves what no computation can replicate. Demonic rigidity gives way to fluid selfhood, the sorcerer's grip to the restored person's potency. Human intelligence emerges through such participatory transformation, not through data extraction.</p><p>To be or not to be in the age of AI is a question of whether we will defend this autopoietic core of our being or succumb to the predicta
{"title":"Front and Back Covers, Volume 42, Number 1. February 2026","authors":"","doi":"10.1111/1467-8322.70055","DOIUrl":"https://doi.org/10.1111/1467-8322.70055","url":null,"abstract":"<p>Front and back cover caption, volume 42 issue 1</p><p>Front cover caption, volume 42 issue 1</p><p>TO BE OR NOT TO BE IN THE AGE OF AI</p><p>In the Sinhalese Suniyama, the master anti-sorcery rite, the major edifice is the Palace of Mahasammata, the Original World Ruler. The sorcery victim enters inside the structure, a model of the cosmic order and process, and sits on the world mandala in the position of the Void, the situation of the first victim, Mahasammata's Queen, and the site of cosmic emergence, the forming of form. Here the victim is bound in the coils of sorcery, of death, to be cut free and re-potentiated.</p><p>In the photograph, the place can be seen where the victim will sit, behind the door into Mahasammata's Palace. Seated on the cosmic mandala, the victim is also situated in the womb space (garbha) of Mahasammata's Queen. The victim is seated after taking the path of the World Poisoner's (Vasavarti Maraya) striking form as the viper of sorcery drawn on the ground before the entrance. Inside the Palace the victim is bound in the snake's coils and then cut free whereupon the victim will then begin to engage in acts of reality reconstruction and self-reproduction. At that time a ritualist will play the role of the sorcerer and destroy the building and effectively himself. The architecture that enabled transformation cannot survive it.</p><p>This image, from Bruce Kapferer's ethnographic fieldwork in Sri Lanka, illustrates the argument of his guest editorial on AI. On 20 January 2025, the Chinese chatbot DeepSeek triggered what Marc Andreessen called ‘AI's Sputnik moment’, wiping hundreds of billions of dollars from American tech valuations. Kapferer asks what anthropology can contribute to understanding this upheaval.</p><p>His answer draws on cybernetics and ritual. American AI, he argues, remains trapped in ‘trivial’ machine processing: inputs transformed into outputs by rules in a black box. Chinese approaches like DeepSeek have moved towards ‘non-trivial’ reasoning processes that cycle through stages of self-verification and adjustment. By exposing its chain of reasoning, the machine simulates an internal dialogue, the ‘I-Me’ dialectic of the self, inviting users into continuing investigation rather than delivering oracular pronouncements.</p><p>Yet the deeper issue persists. AI systems are allopoietic: they produce things other than themselves. They lack embodied interiority, the capacity to start something genuinely new. In ritual terms, they resemble the demonic: powerful and repetitive, but locked in pathological fixation.</p><p>The exorcism achieves what no computation can replicate. Demonic rigidity gives way to fluid selfhood, the sorcerer's grip to the restored person's potency. Human intelligence emerges through such participatory transformation, not through data extraction.</p><p>To be or not to be in the age of AI is a question of whether we will defend this autopoietic core of our being or succumb to the predicta","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"42 1","pages":"i-ii"},"PeriodicalIF":2.8,"publicationDate":"2026-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://rai.onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8322.70055","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146136115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Following the dismantling of USAID (United States Agency for International Development) in early 2025, this article draws on ethnographic fieldwork with government officials in Lilongwe and NGO staff in Malawi's southern districts to examine how aid cuts reshape disaster governance. The analysis demonstrates that reducing donor resources strains not only collaboration between state and non-state actors but also state-citizen relationships, as promises go unfulfilled and blame falls on local actors regardless of where decisions originate. While the aid sector now focuses on advocacy and alternative donors, the article argues that meaningful localization requires shifting decision-making power, not just resources, to local actors such as government officials. Only then can the aid sector take responsibility for how it has shaped disaster governance in Malawi.
{"title":"Disastrous deductions?: Aid cuts and disaster governance in Malawi","authors":"George W. Foden, Tanja D. Hendriks","doi":"10.1111/1467-8322.70052","DOIUrl":"https://doi.org/10.1111/1467-8322.70052","url":null,"abstract":"<p>Following the dismantling of USAID (United States Agency for International Development) in early 2025, this article draws on ethnographic fieldwork with government officials in Lilongwe and NGO staff in Malawi's southern districts to examine how aid cuts reshape disaster governance. The analysis demonstrates that reducing donor resources strains not only collaboration between state and non-state actors but also state-citizen relationships, as promises go unfulfilled and blame falls on local actors regardless of where decisions originate. While the aid sector now focuses on advocacy and alternative donors, the article argues that meaningful localization requires shifting decision-making power, not just resources, to local actors such as government officials. Only then can the aid sector take responsibility for how it has shaped disaster governance in Malawi.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"42 1","pages":"16-18"},"PeriodicalIF":2.8,"publicationDate":"2026-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146139527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
<p>Front and back cover caption, volume 41 issue 6</p><p>Front cover caption, volume 41 issue 6</p><p>Midlife crisis</p><p>In this issue, Hadas Weiss examines the midlife crisis as a middle-class malaise. These paired images from American Beauty (1999) illuminate why this film became the definitive visual reference for suburban entrapment. Together, they reveal the totalizing nature of the trap: confinement exists in both professional and domestic life.</p><p>The office scene shows spreadsheet columns transformed into prison bars. The fluorescent lighting and corporate sterility capture what Weiss identifies through digital ethnography: decades of career investment producing only ‘the same day on repeat’. The numerical data filling the screen visualizes the tyranny of measurement and accountability. Workers grow exhausted. Constant reinvestment never delivers genuine security. This image has continued to circulate widely online because it gives material form to an otherwise abstract predicament.</p><p>The domestic image extends confinement into private life. Window bars mirror the spreadsheet's vertical lines. The house, that quintessential middle-class investment, offers no refuge. Those experiencing this crisis question whether demonstrating that ‘the way to go through life is to be miserable and tortured, just for a nice house’ justifies the cost to selfhood. The paired images reject conventional narratives of dramatic rupture or reckless escape. They reveal instead a pervasive condition where professional and domestic domains operate under identical capitalist logic.</p><p>This analysis shows what anthropological method can reveal. Weiss's digital ethnography of Reddit testimonies captures the complex whole of contemporary middle-class experience. She connects individual testimonies to structural conditions. Thousands of anonymous posts reveal patterns that isolated individuals cannot see. This holistic approach shows how the midlife crisis emerges from specific economic arrangements rather than personal failure. Ethnographic attention to everyday digital discourse reveals the contradictions embedded in contemporary capitalism. The method documents how people name their predicament using available cultural resources, including these iconic film images.</p><p>Back cover caption, volume 41 issue 6</p><p>The Moulds at the End of the Corridor</p><p>In this issue, Jamie Cross examines how moulds reveal multispecies life entangled with inequality and austerity politics. Mould colonises a wall in UK social housing. A narrow corridor leads to a wall overtaken by common indoor moulds such as Stachybotrys or Aspergillus, which thrive on damp, poorly maintained substrate. Peeling paint and discoloured plaster evidence chronic moisture ingress from neglected infrastructure.</p><p>The article uses such scenes to interrogate recent interest in ‘metabolic politics’: the governance of the transformative capacities of non-human life in the Anthropocene. Indoo
{"title":"Front and Back Covers, Volume 41, Number 6. December 2025","authors":"","doi":"10.1111/1467-8322.70040","DOIUrl":"https://doi.org/10.1111/1467-8322.70040","url":null,"abstract":"<p>Front and back cover caption, volume 41 issue 6</p><p>Front cover caption, volume 41 issue 6</p><p>Midlife crisis</p><p>In this issue, Hadas Weiss examines the midlife crisis as a middle-class malaise. These paired images from American Beauty (1999) illuminate why this film became the definitive visual reference for suburban entrapment. Together, they reveal the totalizing nature of the trap: confinement exists in both professional and domestic life.</p><p>The office scene shows spreadsheet columns transformed into prison bars. The fluorescent lighting and corporate sterility capture what Weiss identifies through digital ethnography: decades of career investment producing only ‘the same day on repeat’. The numerical data filling the screen visualizes the tyranny of measurement and accountability. Workers grow exhausted. Constant reinvestment never delivers genuine security. This image has continued to circulate widely online because it gives material form to an otherwise abstract predicament.</p><p>The domestic image extends confinement into private life. Window bars mirror the spreadsheet's vertical lines. The house, that quintessential middle-class investment, offers no refuge. Those experiencing this crisis question whether demonstrating that ‘the way to go through life is to be miserable and tortured, just for a nice house’ justifies the cost to selfhood. The paired images reject conventional narratives of dramatic rupture or reckless escape. They reveal instead a pervasive condition where professional and domestic domains operate under identical capitalist logic.</p><p>This analysis shows what anthropological method can reveal. Weiss's digital ethnography of Reddit testimonies captures the complex whole of contemporary middle-class experience. She connects individual testimonies to structural conditions. Thousands of anonymous posts reveal patterns that isolated individuals cannot see. This holistic approach shows how the midlife crisis emerges from specific economic arrangements rather than personal failure. Ethnographic attention to everyday digital discourse reveals the contradictions embedded in contemporary capitalism. The method documents how people name their predicament using available cultural resources, including these iconic film images.</p><p>Back cover caption, volume 41 issue 6</p><p>The Moulds at the End of the Corridor</p><p>In this issue, Jamie Cross examines how moulds reveal multispecies life entangled with inequality and austerity politics. Mould colonises a wall in UK social housing. A narrow corridor leads to a wall overtaken by common indoor moulds such as Stachybotrys or Aspergillus, which thrive on damp, poorly maintained substrate. Peeling paint and discoloured plaster evidence chronic moisture ingress from neglected infrastructure.</p><p>The article uses such scenes to interrogate recent interest in ‘metabolic politics’: the governance of the transformative capacities of non-human life in the Anthropocene. Indoo","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"41 6","pages":"i-ii"},"PeriodicalIF":2.8,"publicationDate":"2025-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://rai.onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8322.70040","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145646466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Paul Basu, Christopher Thomas Allen, Harriet Crisp
Anthropologist Paul Basu and filmmaker Christopher Thomas Allen discuss their collaborative documentary Ichi: Marks in time (2023), which documents the return of colonial-era photographs to the Umudioka community in Neni, Nigeria. The film follows community responses to images from 1911 of facial scarification marks (ichi) taken by British anthropologist Northcote Thomas. Basu and Allen reflect on community-initiated collaboration, the theory of affordances applied to colonial collections, and how archival repatriation can generate joy and creativity. Through extensive image captions featuring film participants’ voices, the piece demonstrates how bringing colonial archives back into visibility activates their decolonial affordances for descendant communities.
{"title":"‘It is all about bringing the archive back into visibility’: Ichi: Marks in time","authors":"Paul Basu, Christopher Thomas Allen, Harriet Crisp","doi":"10.1111/1467-8322.70038","DOIUrl":"https://doi.org/10.1111/1467-8322.70038","url":null,"abstract":"<p>Anthropologist Paul Basu and filmmaker Christopher Thomas Allen discuss their collaborative documentary <i>Ichi: Marks in time</i> (2023), which documents the return of colonial-era photographs to the Umudioka community in Neni, Nigeria. The film follows community responses to images from 1911 of facial scarification marks (<i>ichi</i>) taken by British anthropologist Northcote Thomas. Basu and Allen reflect on community-initiated collaboration, the theory of affordances applied to colonial collections, and how archival repatriation can generate joy and creativity. Through extensive image captions featuring film participants’ voices, the piece demonstrates how bringing colonial archives back into visibility activates their decolonial affordances for descendant communities.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"41 6","pages":"21-25"},"PeriodicalIF":2.8,"publicationDate":"2025-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://rai.onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8322.70038","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145646464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mould is a generic term for over 100,000 species of multicellular, filamentous fungi. In contrast to recent scholarship celebrating symbiotic human-fungal relationships, this article examines how moulds expose the darker materialities of multispecies entanglement. Tracing contemporary concerns with mould in UK housing –- from the death of toddler Awaab Ishak to the emergence of specialist remediation markets – alongside the history of penicillin's discovery in London laboratories, the article shows how moulds reveal structures of inequality, austerity politics and ‘metabolic politics’: governmental attempts to manage and monetize the transformative capacities of nonhuman life. As climate change creates new conditions for mould species to thrive, these indoor fungi offer a critical entry point for rethinking anthropological approaches to human and nonhuman entanglements in a rapidly warming world.
{"title":"The moulds at the end of the corridor","authors":"Jamie Cross","doi":"10.1111/1467-8322.70031","DOIUrl":"https://doi.org/10.1111/1467-8322.70031","url":null,"abstract":"<p>Mould is a generic term for over 100,000 species of multicellular, filamentous fungi. In contrast to recent scholarship celebrating symbiotic human-fungal relationships, this article examines how moulds expose the darker materialities of multispecies entanglement. Tracing contemporary concerns with mould in UK housing –- from the death of toddler Awaab Ishak to the emergence of specialist remediation markets – alongside the history of penicillin's discovery in London laboratories, the article shows how moulds reveal structures of inequality, austerity politics and ‘metabolic politics’: governmental attempts to manage and monetize the transformative capacities of nonhuman life. As climate change creates new conditions for mould species to thrive, these indoor fungi offer a critical entry point for rethinking anthropological approaches to human and nonhuman entanglements in a rapidly warming world.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"41 6","pages":"5-9"},"PeriodicalIF":2.8,"publicationDate":"2025-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://rai.onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8322.70031","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145646570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Costa Rican Chinatown inaugurated in 2012 as a project of the San José mayor, is generally agreed to have been a failure, neither able to maintain Chinese businesses nor to draw new local consumers or foreign tourists. Since 2021, however, the district has rebounded in ways that accentuate changing Chinese cultural politics. Through the notion of re-sinification, this article highlights both the growing ownership of the district by local and migrant Chinese entrepreneurs and the replacement of traditional Orientalist cultural forms by more cosmopolitan expressions of pan-Asian culture and Chinese nationalism. The district's evolution illustrates how local Chinese community members negotiate multiple Chinas in Central America and highlights their relationship to an ascendant Global China, changing both the meaning and value of Chineseness as a site of urban development.
{"title":"The re-sinification of San José's Chinatown: Multiple Chinas in Costa Rica","authors":"Monica DeHart","doi":"10.1111/1467-8322.70029","DOIUrl":"https://doi.org/10.1111/1467-8322.70029","url":null,"abstract":"<p>The Costa Rican Chinatown inaugurated in 2012 as a project of the San José mayor, is generally agreed to have been a failure, neither able to maintain Chinese businesses nor to draw new local consumers or foreign tourists. Since 2021, however, the district has rebounded in ways that accentuate changing Chinese cultural politics. Through the notion of re-sinification, this article highlights both the growing ownership of the district by local and migrant Chinese entrepreneurs and the replacement of traditional Orientalist cultural forms by more cosmopolitan expressions of pan-Asian culture and Chinese nationalism. The district's evolution illustrates how local Chinese community members negotiate multiple Chinas in Central America and highlights their relationship to an ascendant Global China, changing both the meaning and value of Chineseness as a site of urban development.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"41 6","pages":"14-16"},"PeriodicalIF":2.8,"publicationDate":"2025-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145646573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on scholarship and online testimonies, this article construes the midlife crisis as a quintessentially middle-class malaise: a symptom of the middle-class principle of investment. It afflicts people who have spent most of their lives investing in resources that promise security and prosperity while forcing them to constantly reinvest. In affording them a glimpse of the futility of these investments, the midlife crisis might even be considered an anti-capitalist malaise. Yet, operating within structures over which individuals have little control, the responses that the midlife crisis elicits affirm the same capitalist dynamics that brought it about. The analysis reveals how individual responses to this crisis − quiescence, redirected investment and divestment − ultimately reinforce rather than challenge capitalist structures.
{"title":"The midlife crisis as a middle-class malaise","authors":"Hadas Weiss","doi":"10.1111/1467-8322.70030","DOIUrl":"https://doi.org/10.1111/1467-8322.70030","url":null,"abstract":"<p>Drawing on scholarship and online testimonies, this article construes the midlife crisis as a quintessentially middle-class malaise: a symptom of the middle-class principle of investment. It afflicts people who have spent most of their lives investing in resources that promise security and prosperity while forcing them to constantly reinvest. In affording them a glimpse of the futility of these investments, the midlife crisis might even be considered an anti-capitalist malaise. Yet, operating within structures over which individuals have little control, the responses that the midlife crisis elicits affirm the same capitalist dynamics that brought it about. The analysis reveals how individual responses to this crisis − quiescence, redirected investment and divestment − ultimately reinforce rather than challenge capitalist structures.</p>","PeriodicalId":46293,"journal":{"name":"Anthropology Today","volume":"41 6","pages":"10-13"},"PeriodicalIF":2.8,"publicationDate":"2025-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145646572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}