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New Finds of Bone Items From Kopyriv Kinets in Kyiv 基辅Kopyriv Kinets新发现的骨骼物品
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.091
M. Serheieva, A. Kozlovskyi, V. Kryzhanovskyi
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引用次数: 0
The Population of the Forest-Steppe Zone of Ukraine During the Scythian Time 斯基泰人时期乌克兰森林草原区的人口
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.040
T. Rudych
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引用次数: 1
Shabti of Panefernefer From the Collection of Poltava Local History Museum 波尔塔瓦地方历史博物馆收藏的Panefernefer Shabti
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.024
M. Tarasenko
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引用次数: 0
On the Technological and Typological Integrity of Assemblages From North-Western Ukraine Between 35 and 30 kyr cal BP 关于乌克兰西北部35至30千卡BP之间组件的技术和类型完整性
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.008
A. Maier, D. Stupak, P. Vasyliev, Ivan Khoptynets, V. Tkach
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引用次数: 2
New Image Composition on the Quadrifolium Flap From T. М. Movchanivski’s Excavations T.М的四叶皮瓣上的新图像合成。莫夫恰尼夫斯基的发掘
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.081
L. Didukh, M. Osypenko
Quadrifolium crosses from Kyiv were thoroughly considered by H. Yu. Ivakin at one time, including the finds stored at the National Museum of History of Ukraine collection. The scientist mentioned data on two flaps that were found at the Desiatynna Church estate territory. They had bad conservation status and were unavailable for scientific processing. Their compositional image was possible to disassemble after the restoration activities only. The museum cross belongs to the IV variant of type I of Ancient Rus quadrifoliums according to H. Peskova. Its variant was known for a reverse flap from the Lava settlement and a negative from the Raikovetske hillfort by this time. It depicts archangels with raised one wing and the Virgin with a disproportionately large head and wide open eyes sitting on a throne with a low back and supports the Infant’s breast. For now, the iconography of the item is complemented with an avers flap represented by the Crucifixion with the Bystanders of Mary, John the Theologian and archangels on the sides and busts of angels in the headboards  (unlike the Heavenly Lights or Birds in the previous versions). It was managed to notice a number of patterns while comparing the cross-quadrifolium from the museum collection and a negative photo from Raikovetske. It allows claiming that the things were found at the hillfort and not at the Desiatynna Church estate territory. Collections of material from T. M. Movchanivskyi’s excavations from Raikovetske and Kyiv were handed over to the museum on the eve of the World War II, and during the war a part of things had been evacuated, and recorded in the collection lists already in the postwar period. It is possible that after the return of the evacuation items, there was confusion when checking the pre-war inventory and compiling new collection lists. Today, there are about 22 similar findings of type I quadrifolium from ten localized places of unknown origin. Iconographic parallels among other articles of Ancient Rus metal plastic are found on icon crosses, icons etc. The appearance of all these ceremonial objects and personal piety is synchronous with the appearance of the Mongols on the borders of Ancient Rus principalities, and the survivability of the iconographic image continues to persist for the next three centuries.
来自基辅的四分叶杂交被H. Yu彻底地考虑。伊瓦金的藏品,其中包括存放在乌克兰国家历史博物馆的藏品。这位科学家提到了在Desiatynna Church地区发现的两个襟翼的数据。它们的保存状况很差,无法进行科学处理。只有在修复活动之后,他们的构图形象才有可能被拆解。根据H. Peskova的说法,博物馆的十字架属于古罗斯四叶植物I型的IV变种。它的变体以熔岩沉降的反向翻动和雷科维茨克山的负向翻动而闻名。它描绘了抬起一只翅膀的大天使和不成比例的大头和睁大眼睛的圣母坐在一个低背的宝座上,支撑着婴儿的乳房。目前,该物品的图像是由十字架上的玛丽,神学家约翰和大天使的旁观者和床头板上的天使半身像(不像以前版本的天光或鸟)所代表的浮雕来补充的。在比较博物馆收藏的交叉四合叶和Raikovetske的底片照片时,它成功地注意到了许多模式。它允许声称这些东西是在希尔福特发现的而不是在德西提纳教堂领地。t·m·莫夫恰尼夫斯基(T. M. Movchanivskyi)在雷科维茨克和基辅挖掘的藏品在二战前夕移交给了博物馆,在战争期间,一部分物品被撤离,并在战后时期就被记录在藏品清单上。有可能是撤离物品返还后,在核对战前物品清单和编制新的收集清单时出现了混乱。今天,大约有22个类似的I型四分叶的发现,来自10个未知来源的局部地区。在古罗斯金属塑料的其他物品中,在图标十字架、图标等上发现了类似的图像。所有这些仪式物品和个人虔诚的出现与蒙古人在古罗斯公国边界的出现是同步的,并且这些肖像形象的存续性在接下来的三个世纪中继续存在。
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引用次数: 0
Material Culture of the Rural Suburb Population of the Medieval Kyiv 中世纪基辅郊区农村人口的物质文化
IF 1 4区 历史学 Pub Date : 2020-09-24 DOI: 10.15407/ARCHAEOLOGYUA2020.03.053
I. Hotun, O. Kazymir
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引用次数: 0
Amulets Made of Birds of Prey Claws From the Verkhnii Saltiv Burial Ground Catacombs Verkhnii Saltiv墓地地下墓穴中猛禽爪制成的护身符
IF 1 4区 历史学 Pub Date : 2020-06-22 DOI: 10.15407/archaeologyua2020.02.084
V. Aksionov
This work introduces into scientific circulation a collection of birds of prey claws and their bronze imitations found in the catacombs of the early medieval burial ground near Verkhnii Saltiv village . Amulets made of the hawk family claws (steppe eagle — catacomb no. 30 BCM-IV, golden eagle — catacomb no. 71 BCM-IV) were found in the fourth section of the burial ground catacombs. Bronze amulets imitating the birds of prey claws are represented by 13 specimens originating from catacombs no. 15, 36, 60 BCM-I and catacombs no. 13, 37, 67, 96, 99, 119, 137 BCM-IV. Claw-shaped bronze amulets, depending on the extent they repeat their prototypes, are represented by three types: Type 1 (8 items) is represented by products that realistically reproduce the birdss claw, due to the fact that the eyelet for hanging the amulet imitates the joint at the base of the claw. Type 2 (4 items) is represented by examples that repeat the shape of the claw, but are equipped with a rounded flat eyelet, typical for most Saltiv bronze amulets. Type 3 is represented by a single item in the shape of a simple bent plate repeating the form of the claw with a punched hole in the upper part. Complexes, in which amulets made of claws of birds and their bronze imitations are found, are dated from the end of the first quarter of  IX century (catacomb no. 30) — second half of IX century (cat. no. 15 BCM-I, cat. no. 99, 119, 137 BCM-IV). In most cases the amulets were included to the teenagers’ implements. Only in the catacombs no. 96 and no. 99 they were found in the burials of young women. The amulets are often placed close to the human waist at the right pelvic bone. Only in the catacomb no. 13 the amulet was found close to the chest of a buried teenager and in the catacomb no. 60 it was at the head. The inclusion of bird claws and their imitations in the costume was supposed to provide protection for a human against the impact of  supernatural forces and to obtain certain qualities of a certain bird of prey (sharp-sightedness, speed etc.). Due to the fact that in Ossetian and wider Indo-European mythology, birds were markers of the upper world, these amulets should be considered as symbols of the sun, heavenly fire, and their wearing should be associated with the cult of the sun.
这项工作将在Verkhnii Saltiv村附近中世纪早期墓地的地下墓穴中发现的猛禽爪及其青铜仿制品引入了科学流通。在墓地地下墓穴的第四段发现了鹰科爪制成的护身符(草原鹰——公元前30年第四号地下墓穴,金雕——公元前71年第四期地下墓穴)。模仿猛禽爪的青铜护身符由13个标本代表,这些标本分别来自公元前15、36、60号地下墓穴和公元前13、37、67、96、99、119、137号地下墓穴。爪形青铜护身符,根据其原型的重复程度,分为三种类型:类型1(8件)由逼真地再现无鸟爪的产品表示,因为悬挂护身符的孔眼模仿了爪底部的接头。类型2(4件)由重复爪子形状的例子表示,但配备了圆形扁平孔眼,这是大多数Saltiv青铜护身符的典型特征。类型3由一个简单弯曲板形状的单个项目表示,重复爪的形式,在上部有一个冲孔。复合体中发现了由鸟爪制成的护身符及其青铜仿制品,其年代可追溯到公元九世纪第一季度末(地下墓穴编号30)至公元九世纪下半叶(公元前一世纪第15号,公元前四世纪第99、119、137号)。在大多数情况下,护身符都被包括在青少年的工具中。只有在96号和99号地下墓穴中发现了年轻女性的尸体。护身符通常放在靠近人类腰部的右侧骨盆处。只有在13号地下墓穴中,在一名被埋葬的青少年的胸部附近发现了护身符,而在60号地下墓穴则在其头部。在服装中加入鸟爪及其仿制品是为了保护人类免受超自然力量的影响,并获得某种猛禽的某些品质(敏锐的视力、速度等)。由于在奥塞梯和更广泛的印欧神话中,鸟类是上层世界的标志,这些护身符应该被视为太阳、天火的象征,它们的佩戴应该与对太阳的崇拜联系在一起。
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引用次数: 0
Late La Tène Period in the Territory of Bukovina and Galicia 布科维纳和加利西亚地区的拉泰那晚期
IF 1 4区 历史学 Pub Date : 2020-06-22 DOI: 10.15407/archaeologyua2020.02.042
L. Vakulenko
The Late La Tene period, which includes the last two centuries BC, is a time of ethnical and cultural changes in Europe. These changes are connected, firstly, to the Celtic cultural expansion that contributed to the formation of the new “latenized” cultures, and, secondly, to the movement of the barbarian tribes from the northwest to the Black Sea and the Danube regions. Various by ethnicity and place of initial location, the barbarian tribes had a number of common features inherited from the Celtic culture. These are: a funeral rite – cremation in pits or urns, typical ceramic complexes, numerous finds of fibulae of the so-called Middle La Tene scheme Cultural “Celtic veil” were so levelling, that, in some cases, the cultural identity of such sites provokes debate. In the territories along the middle and the upper reaches of the Prut and the Dniester rivers, settlements and burial complexes of Poeneshti-Lukashev culture were discovered. Despite all the controversy of the question of tribal affiliation and ethnicity of this population, the most acceptable, though not indisputable, opinion is that its creators were Germanic tribes of the Bastarnae. In the territory of Western Ukraine there are five settlements of Poeneshti Lukashev culture near the villages Kruhlyk, Sokil, Zavallia, Burdei, Horoshova. In addition, single tombs were discovered in the villages Kruhlyk and Hrynchuk. The cemetery near the village Dolyniany belongs to the same time, but its cultural definition provokes discussion. Finally, the only unique site of the classic Celts in the territory of Eastern Europe were found in the village Bovshiv. A certain variety with the relatively small number of sites of the II-I centuries BC discovered in the region, is apparently connected to the fact that different populations were involved in the long and gradual migration of tribes on the way to the Danube and Black Sea regions along the northern side of the Carpathians, and some migrants remained on these lands.
La Tene晚期,包括公元前两个世纪,是欧洲种族和文化变化的时期。这些变化首先与凯尔特文化扩张有关,凯尔特文化扩张促成了新的“潜伏”文化的形成,其次与野蛮部落从西北部向黑海和多瑙河地区的运动有关。根据种族和最初所在地的不同,野蛮部落有许多继承自凯尔特文化的共同特征。这些是:葬礼仪式——在坑或urns中火化,典型的陶瓷复合体,大量发现的所谓中La Tene计划的fibulae文化“凯尔特面纱”如此平整,以至于在某些情况下,这些遗址的文化身份引发了争论。在普鲁特河和德涅斯特河中上游地区,发现了波涅什蒂·卢卡舍夫文化的定居点和墓地。尽管这一人口的部落归属和种族问题存在争议,但最可接受但并非无可争议的观点是,它的创造者是巴斯塔奈的日耳曼部落。在乌克兰西部地区,在Kruhlyk、Sokil、Zavallia、Burdei和Horoshova村附近有五个Poeneshti Lukashev文化定居点。此外,在Kruhlyk和Hrynchuk村还发现了一座单独的坟墓。Dolyniany村附近的墓地属于同一时期,但其文化定义引发了讨论。最后,在博夫希夫村发现了东欧地区唯一一处独特的凯尔特人遗址。在该地区发现的公元前II-I世纪遗址数量相对较少的某种多样性,显然与以下事实有关:在沿着喀尔巴阡山脉北侧前往多瑙河和黑海地区的途中,不同的人口参与了部落的漫长而渐进的迁徙,一些移民仍留在这些土地上。
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引用次数: 0
Chronicler of Chersonesos: 70 Years Since Vitalii Mykhailovych Zubar Was Born Chersonesos编年史:维塔利·米哈伊洛维奇·祖巴尔出生70年
IF 1 4区 历史学 Pub Date : 2020-06-22 DOI: 10.15407/archaeologyua2020.02.133
T. Shevchenko
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引用次数: 0
Attic Black-Glazed Pottery from the Collection of the Archaeological Museum of the IA NASU 来自IA NASU考古博物馆收藏的阁楼黑釉陶器
IF 1 4区 历史学 Pub Date : 2020-06-22 DOI: 10.15407/archaeologyua2020.02.071
I.O. Chechulina
Amount of Attic tableware and ceremonial ware finds in the Northern Black Sea region is large, and that is why they are so important since they provide information for detailed chronology of ancient material. The collection of finds from Olbia, which is exhibited in the Archaeological Museum of the IA NASU is quite numerous. The investigated part of the material includes Attic black-glazed pottery, which was found in Olbia in different years at various sites of excavations, from 1962 to 2000. The vast majority of the studied collection consists of vessels for drinking wine — eleven vessels of sixteen studied, dating by the Athenian Agora from 500 to 325 BC. Pottery for wine are represented by cups and kantharoi in various types. These are the cup — «bolsal» — two examples; cup-kantharos — two examples; one Hellenistic kantharos with an applique ornament and one kantharos — microform; cup-skyphos; stemmed dish; cup «delicate class» and a stemmed cup («vicup»). «Opened» types of pottery include a bowl with an outturned rim 350—325 BC and a fish plate 350—325 BC, a saltcellar from the same time of production. Rare finds of «closed» pottery forms are oinohoe with a relief ornament of V century BC. All the forms above have direct analogies in the material from the Athenian Agora and finds of Attic black-glazed ware from other cities of the Northern Black Sea. These forms belong to the ceremonial tableware and demonstrate an active trade relation of Olbia with the Attic region during the Classical and Hellenistic time. The abundance of analogies from the ancient sites of the Black Sea region, including the cities of the Bosporus, as well as Chersonesos, Tyras, Histria, Apollonia, necropolises and settlements of their rural districts, proves that the import of Attic ceramics to Olbia was a part of a large trade expansion from Attica to the cities of Pont Euxine in V—IV centuries BC. Trade relation were systematic, developing consistently, covering more and more ancient cities of the Black Sea region and beyond. Olbia was a strategic point on the main trade route to other cities and settlements along the western coast, across Olbia. For this reason, almost all categories of this type of tableware are among the finds of the settlement and necropolises of the city. Olbia’s collection of materials is a benchmark for other Northern Black Sea cities, which is why it needs thorough analysis and careful attention.
在黑海北部地区发现的阁楼餐具和礼仪器具的数量很大,这就是为什么它们如此重要的原因,因为它们提供了古代材料的详细年表信息。从奥尔比亚收集的发现,这是在IA NASU考古博物馆展出的相当多。被调查的部分材料包括阁楼黑釉陶器,它是在1962年至2000年的不同年份在奥尔比亚的不同挖掘地点发现的。所研究的藏品中绝大多数是用于饮酒的器皿——16件中有11件是由公元前500年至325年的雅典集市所研究的。用于酿酒的陶器以不同类型的杯子和花萼为代表。这是杯子——«bolsal»——两个例子;杯坎塔罗斯——两个例子;一个带有贴花装饰的希腊化kanthanos和一个kanthanos -缩微模型;cup-skyphos;是菜;杯子«精致类»和一个有梗的杯子(«vicup»)。“打开”的陶器类型包括公元前350-325年的碗和公元前350-325年的鱼盘,这是同一时期生产的盐罐。罕见的“封闭”陶器形式的发现是公元前五世纪的浮雕装饰。上述所有形式都与雅典集市的材料和黑海北部其他城市发现的阿提卡黑釉器皿有直接的相似之处。这些形式属于礼仪餐具,表明奥尔比亚与阿提卡地区在古典和希腊化时期的积极贸易关系。从黑海地区的古代遗址中,包括博斯普鲁斯海峡的城市,以及Chersonesos, Tyras, Histria, Apollonia,墓地和农村地区的定居点,大量的类比证明,阿提卡陶瓷进口到奥尔比亚是公元前v - 4世纪从阿提卡到Pont Euxine城市的大规模贸易扩张的一部分。贸易关系系统,持续发展,覆盖越来越多的黑海地区和更远的古代城市。奥尔比亚是通往西部沿海其他城市和定居点的主要贸易路线上的战略要地。由于这个原因,几乎所有种类的这种餐具都是在城市的定居点和墓地中发现的。奥尔比亚收集的材料是其他黑海北部城市的基准,这就是为什么它需要彻底的分析和仔细的关注。
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