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Cueing Dancers to "Externally Rotate From the Hips" Improves Potentially Injurious Ankle Joint Angles and Contact Forces During a Demipointe Ballet Position. 提示舞蹈演员 "从臀部开始外旋",可改善在芭蕾舞 "半点式 "姿势中可能受伤的踝关节角度和接触力。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-04-14 DOI: 10.1177/1089313X241246601
Tessa Hulburt, Laura Santos, Katherine Moos, David Popoli, Kristen Nicholson

Introduction: The demipointe dance position puts the ankle at high risk of overuse injury and posteromedial ankle pain due to increased ankle valgus forces. Previous work has shown that creating lower limb external rotation intrinsic to demipointe with hip external rotation reduces foot pronation that causes ankle valgus stress. Therefore, the purpose of this work was to examine long axis rotation kinematics of the hip, knee, and ankle as well as the ankle joint contact forces in demipointe to better understand the biomechanical impact(s) of the specific cue to increase hip external rotation in this position. Methods: Three-dimensional motion capture and force plate data were collected from 23 contemporary or ballet pre-professional dancers (age: 19.94 ± 1.34 years) who each performed 3 dancer-selected (DS) demipointe positions and 3 demipointes with the cue to "externally rotate from the hips." Results: The cue to increase hip external rotation resulted in significantly increased hip external rotation angle [DS: 37.5; 9.42° (median; interquartile range), Cued: 39.9; 10.8°, P < .0001)] and significantly reduced ankle eversion angle (DS: 8.13; 11.4°, Cued: 7.77; 10.3°, P = .023). However, total turnout angle was also significantly decreased (DS: 75.8; 7.91°, Cued: 75.4; 7.73°, P < .0001), which is undesirable for proper esthetic performance of demipointe. Total ankle joint force remained unchanged, but ankle eversion force was significantly reduced (DS: 15.3; 4.18 %bodyweight (BW), Cued: 14.7; 4.99 %BW, P < .0001) with use of the cue. Discussion/Conclusion: Utilization of a cue to increase hip external rotation was successful in increasing hip contribution to turnout angle and reducing injurious ankle eversion force. Further coaching using this cue may allow dancers to produce these advantageous mechanics while maintaining turnout angle.

前言由于踝关节外翻力的增加,"去脚尖 "的舞蹈姿势使踝关节处于过度运动损伤和踝关节后内侧疼痛的高风险之中。之前的研究表明,在去点式舞蹈中通过髋关节外旋产生下肢固有的外旋,可减少导致踝关节外翻压力的足前旋。因此,这项工作的目的是检查髋关节、膝关节和踝关节的长轴旋转运动学以及脱臼时的踝关节接触力,以更好地了解在这种姿势下增加髋关节外旋的特定提示对生物力学的影响。方法收集了 23 名现代舞或芭蕾舞预科专业舞者(年龄:19.94 ± 1.34 岁)的三维运动捕捉和力板数据,这些舞者分别完成了 3 个舞者自选 (DS) 半蹲姿势和 3 个提示 "髋部外旋 "的半蹲姿势。结果:增加髋关节外旋的提示会显著增加髋关节外旋角度[DS:37.5;9.42°(中位数;四分位间距),Cued:39.9;10.8°(中位数;四分位间距),Cued:39.9;10.8°(中位数;四分位间距)]:39.9;10.8°,p p = .023)。然而,总转角也明显下降(DS:75.8;7.91°,Cued:75.4; 7.73°, P demipointe.踝关节总力量保持不变,但踝关节外翻力量明显下降(DS:15.3;4.18 %体重(BW),Cued:14.7; 4.99 %体重,P 讨论/结论:利用增加髋关节外旋的提示成功地增加了髋关节对转体角度的贡献,并减少了踝关节外翻的伤害力。利用这一提示进行进一步的训练,可使舞者在保持转体角度的同时,产生这些有利的力学效果。
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引用次数: 0
A 12-Week Ballroom Dance Training Improves Physical Fitness Performance More Than Walking Training in Older Women, Regardless of Vitamin B12 or D Adequacy. 无论维生素 B12 或 D 是否充足,为期 12 周的交谊舞训练比步行训练更能提高老年妇女的体能表现。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-04-25 DOI: 10.1177/1089313X241248492
Anderson da Silva Honorato, Bruna Prado Gomes, Fabiana Cristina Scherer, Camila Pereira, Hélio Sanches Junior, Timothy Gustavo Cavazzotto, Crisieli Maria Tomeleri, Denilson de Castro Teixeira

Aim: This study aimed to compare the effects of Ballroom Dancing (BD) versus Walking Training (WT) on the physical fitness performance in physically independent older women with adequate or inadequate levels of vitamins B12 and D.

Methods: Forty-three sedentary women aged 68.5 ± 6.5 years, were allocated to the BD (n = 23) or WT (n = 20) groups. They took part in a 12-week intervention, performed 3 times a week, for about 50 minutes with moderate effort intensity. Data were collected through Short Physical Performance Battery (SPPB), 6 minutes Walk Test (6MWT), Hand Grip Test (HGT), Isokinetic tests for lower limbs and blood tests to detect serum levels of vitamins B12 and D.

Results: The BD group performed better after the intervention in relation to the WT in the Sit and Stand Test (SST) (BD pre = 3.1 score vs post = 3.8 score; WT pre = 2.8 score vs post = 3.4 score; P = .02) and in the Peak Torque 180° extension (PKTOQ 180° extension) (BD pre = 56.7 Nm vs post = 61.2 Nm, WT pre = 56.7 Nm vs post = 56.1; P < .01).

Conclusion: A time effect was observed in all other variables, with the exception of HGT. Both interventions improved physical fitness performance, regardless of the adequacy of vitamins B12 and D, but the older women from BD obtained significant improvements in more variables than the WT.

目的:本研究旨在比较交谊舞(BD)和步行训练(WT)对维生素 B12 和维生素 D 水平充足或不足的独立运动的老年妇女的体能表现的影响:43 名久坐不动的妇女被分配到 BD 组(23 人)或 WT 组(20 人),年龄为 68.5 ± 6.5 岁。她们参加了为期 12 周的干预活动,每周 3 次,每次约 50 分钟,强度适中。通过短期体能测试(SPPB)、6 分钟步行测试(6MWT)、手握力测试(HGT)、下肢等速测试以及检测血清中维生素 B12 和维生素 D 含量的血液测试收集数据:结果:干预后,BD 组在坐立测试(SST)(BD 前 = 3.1 分,WT 后 = 3.8 分;WT 前 = 2.8 分,WT 后 = 3.4 分;P = .02)和峰值扭矩 180°伸展(PKTOQ 180°伸展)中的表现优于 WT 组(BD 前 = 56.7 牛米,WT 后 = 61.2 牛米;WT 前 = 56.7 牛米,WT 后 = 56.1 牛米;P 结论:在所有其他测试中,都观察到了时间效应:除 HGT 外,所有其他变量都存在时间效应。无论维生素 B12 和维生素 D 是否充足,两种干预措施都能改善体能表现,但 BD 老年妇女在更多变量上比 WT 老年妇女有显著改善。
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引用次数: 0
"A Letter of Appreciation and Suggestions: Improving Methodological Rigor and Questionnaire Design in Ballet Dance Injury Research". "感谢信和建议:提高芭蕾舞蹈损伤研究方法的严谨性和问卷设计"。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-06-05 DOI: 10.1177/1089313X241255270
Sakshi Sadhu, Ramesh Chandra Patra

Background: The research paper provides valuable insights into the perspectives of adolescent ballet dancers regarding dance-related injuries. The authors' work is commendable, but several methodological improvements could enhance the study's accuracy and reliability. As a researcher with similar interests, I offer suggestions to strengthen the data collection and analysis process. Methods: Original Approach: The study utilized an online survey for data collection, suitable for close-ended questions but less ideal for qualitative research. Suggested Improvements: Data Collection Method: One-on-one interviews, either structured or semi-structured, are recommended to obtain more accurate and in-depth responses.Sample Size: The original sample size of 15-30 participants is appropriate for direct interactions. However, for online surveys, a larger sample size of approximately 246 participants is recommended. This calculation is based on recent findings showing a prevalence rate of 79.8% in full-time and 63.2% in part-time ballet dancers in Australia, using a 95% confidence interval. Questionnaire Design: The original questionnaire was constructed from a literature review. To improve its quality, input from a focus group of experts should be incorporated. A shorter, clearer, and well-structured questionnaire is suggested to minimize bias. Results: By adopting these methodological enhancements, the study could achieve more reliable and comprehensive data. The inclusion of open-ended questions would provide deeper insights into the dancers' experiences and improve the impact and relevance of the research findings. Conclusions: The research paper offers valuable perspectives on dance-related injuries among adolescent ballet dancers. With the proposed methodological improvements, the study can yield more robust and insightful data, contributing significantly to the understanding of injury experiences in this population.

背景:这篇研究论文提供了青少年芭蕾舞者对舞蹈相关伤害的宝贵见解。作者的工作值得称赞,但一些方法上的改进可以提高研究的准确性和可靠性。作为一名有着类似兴趣的研究人员,我将就如何加强数据收集和分析过程提出建议。方法:原创方法:该研究采用在线调查的方式收集数据,适合提出封闭式问题,但不太适合定性研究。改进建议:数据收集方法:建议采用结构化或半结构化的一对一访谈,以获得更准确、更深入的回答:原始样本量为 15-30 人,适合直接互动。然而,对于在线调查,建议采用约 246 人的较大样本量。这一计算基于最近的研究结果,即澳大利亚全职芭蕾舞者的患病率为 79.8%,兼职芭蕾舞者的患病率为 63.2%,置信区间为 95%。问卷设计:最初的问卷是根据文献综述设计的。为提高问卷质量,应吸收专家小组的意见。建议采用更简短、清晰、结构合理的问卷,以尽量减少偏差。结果:通过采用这些方法上的改进,本研究可以获得更可靠、更全面的数据。加入开放式问题可以更深入地了解舞者的经历,提高研究结果的影响力和相关性。结论:研究论文为青少年芭蕾舞者中与舞蹈相关的伤害提供了宝贵的视角。通过对研究方法的改进,这项研究可以获得更可靠、更有洞察力的数据,为了解这一人群的受伤经历做出重要贡献。
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引用次数: 0
Injury Prevalence Among Elite Adolescent Ballet Dancers is not Affected by Frequency of Questionnaire Administration: A 6-Month Exploratory Prospective Study. 青少年芭蕾舞精英的受伤发生率不受问卷调查频率的影响:一项为期 6 个月的探索性前瞻性研究。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-06-10 DOI: 10.1177/1089313X241256549
Rogier M van Rijn, Valeriya G Volkova, Meghan L Critchley, Janine H Stubbe, Sarah J Kenny

Introduction: The Oslo Sports Trauma Research Centre Questionnaire on Health Problems (OSTRC-H) is a valid and reliable registration method for self-reported injuries and is regularly used among dancer populations. Monthly questionnaire administration is acceptable in athlete populations but has not been evaluated in dancers. The aim of this exploratory study was to assess the influence of weekly versus monthly administration of the OSTRC-H on estimated injury outcomes among elite adolescent ballet dancers.

Methods: Participants (n = 103) were prospectively followed for 6 months and completed the OSTRC-H online, evaluating perceived consequences of self-reported health problems during the previous week and the previous 4 weeks, respectively. Four definitions of dance-related injury were utilized: (1) all complaints, (2) substantial, (3) medical attention, and (4) time-loss injuries. Descriptive statistics estimated: (1) the number of injuries reported (count), (2) average injury prevalence [proportion, 95% confidence intervals (CI)], (3) average severity score (0-100), and (4) days of time loss (count) for each injury definition. The 4 outcome measures were then compared between weekly and monthly registration with paired sample t-tests (P < .05) and overlapping 95% CI.

Results: A significant difference between the number of all complaints injuries (weekly: 133; monthly: 94; P < .001) and substantial injuries (weekly: 64; monthly: 45; P = .012) was found. Regardless of injury definition, there were no significant differences between injury prevalence, severity scores, and days of time loss when reported weekly versus monthly.

Conclusion: Monthly administration of the OSTRC-H is an acceptable method to estimate injury prevalence, severity scores, and days of time loss amongst elite adolescent ballet dancers.

简介奥斯陆运动创伤研究中心健康问题调查问卷(OSTRC-H)是一种有效可靠的自我报告受伤情况的登记方法,经常用于舞蹈演员群体。每月进行一次问卷调查在运动员群体中是可以接受的,但尚未对舞蹈演员进行过评估。这项探索性研究的目的是评估每周与每月发放 OSTRC-H 对青少年精英芭蕾舞者估计受伤结果的影响:方法:对参与者(n = 103)进行为期 6 个月的前瞻性跟踪,并在线填写 OSTRC-H,分别评估前一周和前四周自我报告的健康问题的感知后果。与舞蹈有关的伤害有四种定义:(1) 所有投诉;(2) 严重伤害;(3) 需要就医;(4) 时间损失性伤害。描述性统计估计了:(1) 报告的受伤次数(计数),(2) 平均受伤率[比例,95% 置信区间 (CI)],(3) 平均严重程度评分(0-100),(4) 每种受伤定义的时间损失天数(计数)。然后,通过配对样本 t 检验对每周登记和每月登记的 4 项结果指标进行比较(P 结果:发现所有投诉伤害数量之间存在明显差异(每周:133 起;每月:94 起;P P = 0.012)。无论伤害的定义如何,每周报告与每月报告在伤害发生率、严重程度评分和损失时间天数方面均无显著差异:结论:在青少年芭蕾舞精英中,每月进行 OSTRC-H 是估算受伤发生率、严重程度评分和损失时间天数的一种可接受的方法。
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引用次数: 0
Must The Show Go On? A Qualitative Study Exploring Barriers And Enablers To Manual Therapists' Care Of Dancers. 演出必须继续吗?一项定性研究,探索徒手治疗师为舞蹈演员提供护理服务的障碍和促进因素。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-06-10 DOI: 10.1177/1089313X241255441
Paula Andrade, Oliver P Thomson

Introduction: Dance Medicine is a growing discipline, and healthcare for dancers requires appreciating particularities of their artistic craft. Manual therapists (MTs) are often dancers' first choice when seeking care. Whilst dancers' experiences of injury and healthcare have been extensively researched, little is known of MTs' perspectives of caring for them.

Aim: This study aimed to gain an understanding of MTs' perspectives of caring for dancers. Communication, treatment strategies and obstacles to a successful therapeutic alliance were examined to broaden knowledge and improve care.

Methods: This was a qualitative study using Grounded Theory as a framework for data collection and analysis. A purposive sample of 8 participants was recruited-physiotherapists, chiropractors, and osteopaths with 2+ years' experience of treating dancers. Data collection was conducted via semi-structured interviews, which were transcribed verbatim, anonymized, member checked, and later analyzed.

Results: Data analysis constructed 3 categories which described the range of participants' experiences. Two categories were identified-(i) A Strangled Industry and (ii) Be-all End-all Patients-and found to culminate in a core category: (iii) Beyond Hands-on, which exemplified MTs' attempts to address clinical challenges.

Conclusions: MTs experience several challenges when providing healthcare to dancers. These encompass psychosocial aspects relating to dancers' internal world and the dance industry environment. It suggests that caring for dancers demands comprehensive, collaborative, and psychologically informed approaches. Emphasis should also be given to developing and implementing dance-specific pain science for all stakeholders.

导言:舞蹈医学是一门不断发展的学科,舞蹈演员的医疗保健需要了解他们艺术创作的特殊性。手法治疗师(MT)通常是舞者寻求治疗的首选。虽然舞者的受伤和医疗经历已被广泛研究,但人们对手法治疗师护理舞者的视角却知之甚少。研究对沟通、治疗策略和成功治疗联盟的障碍进行了考察,以拓宽知识面并改善护理工作:这是一项定性研究,采用基础理论作为数据收集和分析的框架。这项研究有目的性地招募了 8 名参与者--物理治疗师、脊椎按摩师和骨科医生,他们都有 2 年以上治疗舞蹈演员的经验。数据收集通过半结构化访谈进行,访谈内容经过逐字记录、匿名处理、成员检查和后期分析:数据分析构建了 3 个类别,描述了参与者的经验范围。确定了两个类别--(i) 被扼杀的行业和(ii) 万能的病人,并发现最终形成了一个核心类别:(iii) 手把手之外,这体现了医疗辅助人员应对临床挑战的尝试:结论:医疗辅助人员在为舞蹈演员提供医疗服务时会遇到一些挑战。结论:医疗辅助人员在为舞蹈演员提供医疗保健服务时会遇到一些挑战,其中包括与舞蹈演员的内心世界和舞蹈行业环境相关的社会心理方面。这表明,对舞蹈演员的护理需要全面、协作和心理学的方法。还应重视为所有利益相关者开发和实施针对舞蹈的疼痛科学。
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引用次数: 0
An Evaluation of the Sharing Dance Public School Program on Physical Literacy. 对 "分享舞蹈 "公立学校体育素养计划的评估。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-12-01 Epub Date: 2024-06-02 DOI: 10.1177/1089313X241254142
Jeffrey D Graham, Stephanie Babij, Chloe Bedard, Emily Bremer, Ashleigh Powell, Kelly P Arbour-Nicitopoulos, Matthew Y W Kwan, John Cairney

Introduction: Physical literacy (PL) is a multidimensional concept that includes the domains of movement competence, positive affect, social participation, and the confidence, motivation, and knowledge and understanding necessary for regular engagement in physical activity. The Sharing Dance Public School Program was created by Canada's National Ballet School specifically designed to promote PL through dance. The objective of this study was to evaluate the effectiveness of the program to improve PL in grade 4 to 6 children over the course of a school year. Methods: Children were initially recruited from two schools including an intervention and a control school. However, due to the COVID-19 pandemic, data collection was prematurely terminated which resulted in baseline and mid-point data from the intervention group only. As such, participants included 57 children (n = 28 females, Mage = 10.34 ± 0.85 years) that engaged in the dance program once per week for 50 minutes. Assessments of PL included a direct measure of movement competence (PLAYfun) and a self-report measure (survey) to assess the other domains of PL. Results: Significant improvements were found in movement competence. However, significant decreases were found for fun and enjoyment, confidence, and social participation. No changes were observed for knowledge and understanding or overall PL. Conclusions: Findings from the present study are encouraging as they provide initial evidence for the support of community-based PL programs, such as the Sharing Dance Public School Program, to help children develop their movement competence. Future research is needed to further evaluate the effectiveness of the Sharing Dance Public School Program over a school year, and when compared to a control group, as was initially intended.

导言:体育素养(PL)是一个多层面的概念,包括运动能力、积极情绪、社会参与,以及定期参加体育活动所需的信心、动力、知识和理解。分享舞蹈 "公立学校计划由加拿大国家芭蕾舞学校创立,旨在通过舞蹈提高学生的体育素养。本研究的目的是评估该计划在一学年内改善四至六年级儿童体育锻炼的效果。研究方法最初从两所学校(包括干预学校和对照学校)招募儿童。然而,由于 COVID-19 大流行,数据收集工作提前终止,因此只有干预组的基线和中期数据。因此,参与者包括 57 名儿童(n = 28 名女性,年龄 = 10.34 ± 0.85 岁),他们每周参加一次舞蹈课程,每次 50 分钟。对 PL 的评估包括直接测量运动能力(PLAYfun)和自我报告测量(调查),以评估 PL 的其他领域。结果运动能力有了显著提高。然而,在乐趣和享受、自信心和社会参与方面却发现了明显的下降。在知识和理解以及整体参与方面没有发现任何变化。结论:本研究的结果令人鼓舞:本研究的结果令人鼓舞,因为它们提供了初步证据,证明以社区为基础的 PL 计划(如 "分享舞蹈公立学校计划")可以帮助儿童发展运动能力。未来的研究需要进一步评估 "分享舞蹈 "公立学校计划在一学年内的有效性,并按照最初的设想,与对照组进行比较。
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引用次数: 0
An Exploration of Low Back Beliefs of Male Pre-Professional and Professional Dancers. 男性职业预备舞蹈演员和职业舞蹈演员对腰部信念的探索。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-09-01 Epub Date: 2024-03-13 DOI: 10.1177/1089313X241237846
Isaac Campbell, Robyn Fary, Luke Hopper, Danica Hendry

Background: Globally, male dancers are affected by low back pain (LBP) up to 2.5 times more than female dancers. While female dancers' beliefs around LBP and dance-specific low back movements exist, no research has explored male dancers' beliefs. This study aimed to (1) examine the low back beliefs of Australian male professional and pre-professional dancers, and (2) determine if beliefs toward common low back movements and lifting differed when current LBP or history of disabling LBP (DLBP) were considered.

Methods: 40 male dancers (mean age [SD] 26.9 years [7.9]) from a range of dance backgrounds (all participating in ballet) were recruited to complete a cross-sectional survey comprising a beliefs questionnaire considering dance-specific movement and lifting tasks, the Back Pain Attitudes Questionnaire (Back-PAQ) and the Athletic Fear Avoidance Questionnaire (AFAQ). Primary analysis included initial descriptives, a repeated measures ANOVA for movement-specific beliefs and visual thematic analysis for written responses within the belief's questionnaire. Secondary subgroup analysis included independent T-tests for those with/without current LBP and those with/without a history of DLBP.

Results: Fourteen dancers reported current LBP and 30 reported a history of DLBP. Dancers held generally negative beliefs toward the low back (Back-PAQ mean 123.1 ± 9.7) with neither subgroup demonstrating significant between-group difference (P < .05). Dance-specific flexion movements were seen as safer than extension movements (P < .05), and more extended-spine lifting was seen as safer than more flexed-spine lifting (P < .05). Dancers experiencing current LBP held less positive beliefs surrounding some dance-specific movements.

Conclusions: Dancers hold negative general beliefs toward the low back irrespective of current or historical DLBP, however their beliefs surrounding dance-specific movements were relatively positive. Dancers' beliefs surrounding some movements were affected by the presence of current LBP, in particular an arabesque and a fish dive.

背景:在全球范围内,男性舞蹈演员受腰背痛(LBP)影响的程度是女性舞蹈演员的 2.5 倍。虽然女性舞者对腰背痛和舞蹈特有的腰背动作有自己的看法,但还没有研究探讨过男性舞者的看法。本研究的目的是:(1) 考察澳大利亚男性专业和预备专业舞蹈演员的腰背信念;(2) 确定在考虑当前腰背痛或致残性腰背痛(DLBP)病史的情况下,对常见腰背动作和提举的信念是否存在差异。9])完成了一项横断面调查,其中包括一份考虑到舞蹈特定动作和举重任务的信念问卷、背痛态度问卷(Back-PAQ)和运动恐惧规避问卷(AFAQ)。主要分析包括初始描述、运动特定信念的重复测量方差分析以及信念问卷中书面回答的视觉主题分析。次级分组分析包括对有/无当前腰椎间盘突出症和有/无腰椎间盘突出症病史的舞者进行独立 T 检验:结果:14 名舞者表示目前患有腰椎间盘突出症,30 名舞者表示有腰椎间盘突出症病史。无论目前或过去是否患有 DLBP,舞者都对腰背部持有消极的普遍看法,但他们对舞蹈特定动作的看法相对积极。舞者对某些动作的信念会受到当前腰背痛的影响,尤其是阿拉伯式和鱼跃。
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引用次数: 0
Disrupting the Obligation of Objective Knowledge in Dance Science Research. 扰乱舞蹈科学研究中客观知识的义务。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-09-01 Epub Date: 2024-04-27 DOI: 10.1177/1089313X241245493
Louisa Petts, Ashley McGill

Background: Through pressure from funding and governing bodies, an audit culture invades the rhetoric of the dance medicine and science research community, leading to undue focus on justifying and legitimizing the holistic benefits of dancing. This paper critiques this hierarchical value system which disproportionately favors objective, generalizable, and quantitative research approaches still dominant in dance medicine and science, existing since the founding of the International Association for Dance Medicine and Science (IADMS) in 1990.

Purpose: Whilst this may mean studies are generalizable when applied to broader contexts, objective outcomes lack granularity and do not automatically lead to appropriate, meaningful, inclusive, or accessible dance experiences for everyone. Subjective, idiographic, ethnographic, embodied, phenomenological, and transdisciplinary approaches to dance medicine and science research have great potential to broaden, deepen, and enrich the field.

Conclusions: This paper highlights the tensions between qualitative and quantitative methodologies, advocating that researchers can rigorously embrace their positionality to contribute toward ontological and epistemological clarity with any researcher bias, assumption, or expectation transparently disclosed. The writing draws on research examples from Dance for Health (DfH) as a part of dance science and medicine field of study, including but not limited to Dance for Parkinson's. This paper provides resourceful recommendations, encouraging researchers to remain imaginative and curious through application of arts-based, person-centered, collaborative mixed methods within their own studies.

背景:迫于资金和管理机构的压力,审计文化侵入了舞蹈医学与科学研究界的言论,导致人们过分关注舞蹈的整体利益的合理化和合法化。本文对这种等级价值体系进行了批判,该体系过分偏向于客观、可推广的定量研究方法,自 1990 年国际舞蹈医学与科学协会(IADMS)成立以来,这种方法在舞蹈医学与科学界仍占主导地位。目的:虽然这可能意味着研究在应用于更广泛的环境时具有可推广性,但客观结果缺乏细化,并不会自动为每个人带来适当、有意义、包容或可获得的舞蹈体验。舞蹈医学与科学研究中的主观、特异、人种学、体现学、现象学和跨学科方法在拓宽、深化和丰富该领域方面具有巨大潜力:本文强调了定性和定量方法之间的紧张关系,主张研究人员可以严格地接受自己的立场,以促进本体论和认识论的清晰,并透明地披露研究人员的任何偏见、假设或期望。本文借鉴了作为舞蹈科学与医学研究领域一部分的 "健康舞蹈"(DfH)的研究实例,包括但不限于 "帕金森病舞蹈"。本文提供了富有启发性的建议,鼓励研究人员通过在自己的研究中应用以艺术为基础、以人为中心的合作式混合方法,保持想象力和好奇心。
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引用次数: 0
Identity Reconstruction Following Injury in Dancers. 舞蹈演员受伤后的身份重建。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-09-01 Epub Date: 2024-02-28 DOI: 10.1177/1089313X241233717
Shoshana Shiloh, Aviv Halfon

Objectives: To explore reconstructed identities of dancers who experienced an injury, using a model of identity reconstruction post-injury. Methods: An online questionnaire study with 145 dancers who had experienced a significant dance-related injury. Measures included a questionnaire measuring dancers' reconstructed identities, injury perceptions and injury centrality to self-concept. Statistical analyses included factor analysis, regression analyses and discriminant analysis. Results: Four latent variables discovered "supernormal self," "former self," "middle self," and "resentful self" reconstructed identities. Injury centrality to the self and specific injury perceptions were correlated with reconstructed identity scales in the predicted directions. Conclusions: The findings validated the existence of 4 distinct reconstructed identities associated with time distance from the injury. Classifying injured dancers according to these identities can help dance educators, practitioners and counselors detect dancers needing help and tailor counseling methods to modify the relevant injury perceptions.

目的利用受伤后身份重建模型,探索受伤舞者的身份重建情况。方法对 145 名经历过重大舞蹈伤害的舞者进行在线问卷调查。研究措施包括一份调查问卷,测量舞者的身份重建、受伤感知和受伤对自我概念的中心性。统计分析包括因子分析、回归分析和判别分析。结果:四个潜变量发现了 "超常自我"、"前自我"、"中间自我 "和 "怨恨自我 "的重建身份。伤害对自我的中心性和特定伤害感知与重构身份量表在预测方向上相关。结论研究结果验证了与受伤时间距离相关的 4 种不同的重构身份的存在。根据这些身份对受伤舞者进行分类,可以帮助舞蹈教育者、从业者和咨询师发现需要帮助的舞者,并定制咨询方法以改变相关的受伤认知。
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引用次数: 0
Can Dance Improve Turning in People With Parkinson's Disease? 舞蹈能改善帕金森病患者的转身能力吗?
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2024-09-01 Epub Date: 2024-04-08 DOI: 10.1177/1089313X241242632
Aline Nogueira Haas, Tina Smith, Leonardo Alexandre Peyré-Tartaruga, Marlene Brito Fortes, Fruzsina Nagy, Marcela Dos Santos Delabary, Yiannis Koutedakis, Matthew Wyon

Objective: To investigate the effects of a dance intervention on selected functional parameters during the 180° turning phase of the Timed Up & Go (TUG) test in people with Parkinson's Disease (PwPD). Methods: Fifteen adults clinically diagnosed with idiopathic PD were allocated into dance intervention (DIG; n = 7 ; age 73 ± 2 years) and control (CG; n = 8; age 64 ± 5 years) groups. The dance intervention lasted for 3 months (1 hour, twice a week). At baseline, all participants completed the Unified PD Rating Scale-part III, the International Physical Activity Questionnaire-short form, and the Hoehn & Yahr scale. Pre- and post-intervention, the primary outcomes were measured (number of steps and time to complete the 180° turning phase of the TUG test) at 2 speeds (comfortable walking and as quickly and safely speed) while using the Xsens® 3D motion suit. The secondary outcome (girdle dissociation) was assessed by calculating the difference between pelvis and affected shoulder orientation in the transverse plane (dissociation angles) at each data point during the TUG test's 180° turning phase. Results: At participant's comfortable walking speed, the functionality during the 180° turning remained unaffected following the dance intervention. However, at participant's fast speed, the dance intervention group significantly reduced the number of steps with a large effect size, and the total time taken to complete the 180° turning with a medium effect size. Post-intervention, most participants in the dance intervention group reduced the affected shoulder and pelvic girdle dissociation and turned more "en bloc." Conclusion: Dance can improve selected functional parameters during the 180° turning at fast speed in PwPD. The current results should be considered in rehabilitation programs.

目的研究舞蹈干预对帕金森病(PwPD)患者在 "定时起立行走(TUG)"测试的 180°转身阶段所选功能参数的影响。方法:将 15 名临床诊断为特发性帕金森病的成年人分为舞蹈干预组(DIG;n = 7;年龄 73 ± 2 岁)和对照组(CG;n = 8;年龄 64 ± 5 岁)。舞蹈干预为期 3 个月(每周两次,每次 1 小时)。在基线阶段,所有参与者都填写了统一肢体活动障碍评定量表-第三部分、国际体育活动问卷-简表以及霍恩和雅尔量表。在干预前和干预后,主要结果(步数和完成 TUG 测试 180° 转体阶段的时间)是在使用 Xsens® 3D 运动服的情况下,以两种速度(舒适行走和快速安全行走)进行测量的。次要结果(腰椎分离)是通过计算 TUG 测试 180° 转体阶段每个数据点的骨盆和患肩在横向平面上的方向差异(分离角)来评估的。结果在舞蹈干预后,参与者以舒适的步行速度进行 180° 转体时的功能不受影响。然而,在参与者快速行走的情况下,舞蹈干预组显著减少了步数,其影响大小较大;显著减少了完成 180° 转体所需的总时间,其影响大小中等。干预后,舞蹈干预组的大多数参与者都减少了受影响的肩部和骨盆腰部的分离,转体更加 "整体"。结论舞蹈可以改善残疾人在快速 180° 转体时的特定功能参数。在康复计划中应考虑当前的结果。
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引用次数: 0
期刊
Journal of Dance Medicine & Science
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