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Descriptive Analysis of Mental and Physical Wellness in Collegiate Dancers. 大学生舞蹈演员身心健康状况的描述性分析。
IF 1.1 Q3 SPORT SCIENCES Pub Date : 2023-09-01 Epub Date: 2023-06-01 DOI: 10.1177/1089313X231178091
Chris Michaels, Anna Holman, Masaru Teramoto, Trina Bellendir, Sabine Krautgasser-Tolman, Stuart E Willick

Introduction: Understanding the physical and mental health of collegiate dancers is important for developing appropriate screening protocols and treatment interventions. This study aims to provide descriptive data on the overall health, injury burden, and well-being of a group of collegiate dancers, including the interactions between injury, nutrition, and mental health, to provide insight for wellness screening and interventions in collegiate dance programs.

Methods: Members of the School of Dance at the University of Utah were sent an electronic general health survey. The survey included questions regarding medical history, family history, injuries, diet, sleep quality, symptoms of depression and anxiety, and history of eating disorders.

Results: Of the 231 dancers who received the survey, 198 responded (response rate = 85.7%). Fifty 2% of respondents had an active injury. Symptoms of depression and anxiety were common (35.4%), and 37.4% of the dancers were interested in receiving mental health support. Symptoms of depression and anxiety had a significant association with both a history of injury and active injuries (P = .033 and .039, respectively). History of eating disorder was also significantly associated with active injuries (P = .005). The most commonly injured body area was ankle or foot (n = 144, 72.7%), followed by lower leg or shin (n = 76, 38.4%), and knee (n = 61, 30.8%). Over a quarter of the dancers (n = 54, 27.3%) reported having trouble sleeping, and 9.1% reported having a history of eating disorder.

Conclusions: This study highlights the important interplay between mental health, sleep, nutrition, and injury. These results show that in a group of collegiate dancers, active injuries and mental health concerns are common, and that there are statistically significant associations between injury, nutrition, and mental health. These data provide insight into factors that affect dancer wellness and help inform future screening and intervention protocols for dance programs.

简介:了解大学生舞者的身心健康状况对于制定适当的筛查方案和治疗干预措施非常重要。本研究旨在提供一组大学舞者的整体健康、伤害负担和幸福感的描述性数据,包括伤害、营养和心理健康之间的相互作用,为大学舞蹈项目的健康筛查和干预提供见解。方法:向犹他大学舞蹈学院的成员发送电子一般健康调查。调查的问题包括病史、家族史、受伤、饮食、睡眠质量、抑郁和焦虑症状以及饮食失调史。结果:在接受调查的231名舞者中,回复198名,回复率为85.7%。52%的受访者有活动性损伤。抑郁和焦虑的症状很常见(35.4%),37.4%的舞者有兴趣接受心理健康支持。抑郁和焦虑症状与损伤史和活动性损伤均有显著相关性(P =。分别为0.033和0.039)。饮食失调史也与活动性损伤显著相关(P = 0.005)。最常见的损伤部位为脚踝或足部(n = 144,占72.7%),其次为小腿或胫骨(n = 76,占38.4%)和膝关节(n = 61,占30.8%)。超过四分之一的舞者(n = 54, 27.3%)报告有睡眠问题,9.1%报告有饮食失调史。结论:本研究强调了心理健康、睡眠、营养和损伤之间的重要相互作用。这些结果表明,在一群大学舞者中,主动损伤和心理健康问题是常见的,并且在损伤、营养和心理健康之间存在统计学上显著的关联。这些数据提供了影响舞者健康的因素,并有助于为舞蹈项目的未来筛选和干预方案提供信息。
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引用次数: 0
Analysis of Serum Ferritin Levels in a Group of Elite Ballet Dancers. 一组优秀芭蕾舞者血清铁蛋白水平分析。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-09-01 DOI: 10.1177/1089313X231178089
Melissa L Jack, Keilea Sumrall, Carina Nasrallah, Dawn Stuckey, Vijay Jotwani

Introduction: Iron plays a significant role in energy production. However, it is not uncommon for athletes to be diagnosed with iron deficiency (ID), suggesting a correlation between performance and iron regulation. As a result, the International Olympic Committee has recommended iron screenings during health evaluations for elite athletes. Furthermore, athletes participating in esthetic sports are at increased risk for suboptimal iron intake due to disordered eating. Therefore, the purpose of this study was to investigate the distribution of serum ferritin (SF) in a cohort of elite ballet dancers and determine associations between vitamin D, anthropometric measures, stress injury, and dietary preferences.

Methods: Electronic health records of 40 elite ballet dancers (22 female, 18 male), age 19 to 38 years old, from the 2020 to 2021 pre-participation physical screening were examined. Chi squared comparisons were calculated to evaluate the association between SF and additional variables (ie, gender, age, height, weight, body mass index, vitamin D, stress injury history, and dietary preferences). SF values were compared to published normal and athletic population data.

Results: 58.97% of participants displayed normal or above SF values (>50 ng/ml), while 41.02% displayed minimal (<50 ng/ml) to depleted (<0.12/ng/ml) SF values. Approximately, 68% of the female dancers were ID and did not meet the minimal value needed for athletes. Females were more likely to have lower SF distributions (x2 [4] = 15.6377, P = .004) compared to male dancers. Additionally, dancers who reported dietary preferences (ie, vegetarian) were more likely to display lower SF distributions (x2[4] = 13.3366, P = .010).

Conclusion: Over half of the female elite ballet dancers were ID which is consistent with current research. Females were at a significant higher risk compared to male dancers who reported dietary preferences. These findings suggest iron screenings should be considered in elite dancer populations.

铁在能源生产中起着重要作用。然而,运动员被诊断为缺铁(ID)并不罕见,这表明表现与铁调节之间存在相关性。因此,国际奥委会(International Olympic Committee)建议在对优秀运动员进行健康评估时进行铁元素筛查。此外,由于饮食失调,参加审美运动的运动员铁摄入量低于理想水平的风险增加。因此,本研究的目的是调查精英芭蕾舞者队列中血清铁蛋白(SF)的分布,并确定维生素D、人体测量、应激损伤和饮食偏好之间的关系。方法:对参加2020 ~ 2021年体检的40名优秀芭蕾舞演员(女22名,男18名)的电子健康记录进行分析。计算卡方比较来评估SF与其他变量(如性别、年龄、身高、体重、体重指数、维生素D、应激损伤史和饮食偏好)之间的关系。SF值与已发表的正常人群和运动人群数据进行比较。结果:58.97%的参与者SF值正常或高于正常值(>50 ng/ml),而41.02%的参与者SF值低于男性舞者(x2 [4] = 15.6377, P = 0.004)。此外,报告饮食偏好(即素食者)的舞者更有可能表现出较低的SF分布(x2[4] = 13.3366, P = 0.010)。结论:半数以上的优秀芭蕾舞女演员是ID,这与目前的研究结果一致。与有饮食偏好的男性舞者相比,女性的风险明显更高。这些发现表明,应该考虑在精英舞蹈家人群中进行铁筛查。
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引用次数: 3
Low Stiffness Dance Flooring Increases Peak Ankle Plantar Flexor Muscle Activation During a Ballet Jump. 低刚度的舞蹈地板增加峰值脚踝足底屈肌激活在芭蕾舞跳。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177180
James Hackney, Sarah Wilcoxon, Mary Holtmeier, Hanna Eaves, Gerard Harker, Amy Potthast

Introduction: Research in court sports shows that factors which aid in extrinsic shock absorption, that is, flooring and footwear, can help reduce lower extremity injuries. However, since students and performers of ballet or most styles of contemporary dance cannot depend upon footwear, the only extrinsic factor to help them with shock absorption is flooring.

Methods: We investigated whether doing sauté on a low stiffness dance floor produced a difference in EMG output of the vastus lateralis, gastrocnemius, of soleus compared to a high stiffness floor. Average and average peak amplitude EMG output from 18 dance students or active dancers performing 8 repetitions of sauté on a low stiffness floor (Harlequin® Woodspring) was compared to a maple hardwood floor on concreted subflooring.

Results: The data showed a significant increase in average peak EMG muscle amplitude during jumping on the low stiffness floor compared to a high stiffness floor for the soleus muscle (P = .033) and a trend for increase average peak output for the medial gastrocnemius (P = .088).

Conclusion: The difference in average peak amplitude of EMG output is explained through the difference in force absorption between floors. With the high stiffness floor, more force of the landing was returned to the dancers' legs, but the low stiffness floor absorbed some of the force of landing the jump, and therefore muscles needed to contribute more to maintain the same jump height. The force absorption characteristic of the low stiffness floor may decrease injury rates in dance through causing an adjustment in muscle velocity. Rapid eccentric muscle activity carries the greatest possibility of musculotendinous injury and is experienced in lower body muscles controlling all joints during impact absorption, which includes landing of jumps in dance. If a surface can decelerate the landing of a high velocity dance movement, it also decreases the musculotendinous demand for high velocity tension generation.

导言:球场运动的研究表明,有助于吸收外部冲击的因素,即地板和鞋类,可以帮助减少下肢损伤。然而,由于芭蕾舞或大多数现代舞风格的学生和表演者不能依靠鞋子,唯一能帮助他们减震的外在因素是地板。方法:我们研究了在低刚度的舞池上做动作是否会产生股外侧肌、腓肠肌和比目鱼肌的肌电输出与高刚度舞池相比的差异。将18名舞蹈学生或活跃舞者在低刚度地板(Harlequin®Woodspring)上重复8次动作的平均和平均峰值肌电信号输出与混凝土底板上的枫木硬木地板进行比较。结果:数据显示,与高刚度地板相比,在低刚度地板上跳跃时,比目鱼肌的肌电图平均峰值振幅显著增加(P = 0.033),腓肠肌内侧的平均峰值输出有增加的趋势(P = 0.088)。结论:肌电输出平均峰幅的差异可以通过楼层间的力吸收差异来解释。在高刚度地板上,更多的落地力返回到舞者的腿上,但低刚度地板吸收了一些落地力,因此肌肉需要贡献更多的力量来保持相同的跳跃高度。低刚度地板的力吸收特性可以通过引起肌肉速度的调整来降低舞蹈中的受伤率。快速偏心肌肉活动带来肌肉肌腱损伤的可能性最大,并且在冲击吸收过程中控制所有关节的下半身肌肉中经历,包括舞蹈中跳跃的着陆。如果一个表面可以减速一个高速舞蹈动作的着陆,它也减少了肌肉肌腱对高速张力产生的需求。
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引用次数: 0
Book Review: Sanna Nordin-Bates, Essentials of Dance Psychology 书评:桑娜·诺丁·贝茨,舞蹈心理学精要
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313x231178097
G. Berardi
Sanna Nordin-Bates, associate professor at the Swedish School of Sport and Health Sciences in Stockholm, is the author of the information-packed Essentials of Dance Psychology, in which she introduces the subject of dance psychology (or psychologia, study of the soul) with a discussion of cognitive behavioral therapy. The rest of the book is divided into parts—“Individual Differences” (chapters on personality, perfectionism, self-esteem and self-confidence, and anxiety), “Dance-specific Characteristics and Dispositions” (chapters on motivation, attentional focus, and creativity), “Psychological Skills” (chapters on mindfulness, goal setting and self-regulation, and imagery), and “Dance Environments and Challenges” (chapters on motivational climates, talent, injury, and body image and disordered eating). Each chapter contains introductory material that describes terms, concepts, and principles, followed by specific cases and applications. The writing is clear, well-referenced, and exceptionally well organized. Chapters lead with an inspirational quote, a list of chapter objectives and key terms, and conclude with key points and recommendations, and critical aspects of research on the topics in the chapter. In the text, Nordin-Bates offers not just basic principles from cognitive behavioral therapy or techniques (such as functional analysis, in querying, say, why a dancer might be performing better during a stage performance than in practice), but also, critical thinking. These include possibilities for using dance psychology in one’s practice or ways in which one can return faster and stronger from injury or learn from queries about the nature and impact on performance of personality in dance. The author notes which chapters have more dance-specific references, for example, chapters on psychological aspects of injury correlated to body image and disordered eating, and those with less (chapters on goal setting). Nordin-Bates argues that dance psychology is not a tack-on to sports psychology, but a field of study in its own right, even though there are common topics of concern (perfectionism, confidence, anxiety, and so on). The book’s discussions are enlightening: Why punishment is counterproductive (being also inefficient and abusive), how personalities naturally develop over time and how we can change them, performance-related consequences of perfectionism, and perfectionism management techniques—what dancers can do, what teachers can do, and when to seek professional help. The practicalities and applications are here, too—ways to strengthen self-confidence (which may include designing exercises that allow dancers to feel satisfied with their accomplishments and effort), and reduce somatic symptoms of anxiety with breathing, relaxation, exercise, and music techniques. Or, nurturing one’s task orientation with setting clear goals, focusing on what one needs to prioritize during class, taking pride in one’s progress, and looking to others as inspir
Sanna Nordin-Bates是斯德哥尔摩瑞典体育与健康科学学院的副教授,是《舞蹈心理学要件》一书的作者,她在书中介绍了舞蹈心理学(或心理学,灵魂研究)这一主题,并讨论了认知行为疗法。本书的其余部分分为“个体差异”(关于个性、完美主义、自尊和自信以及焦虑的章节)、“舞蹈特有的特征和性格”(关于动机、注意力集中和创造力的章节)、“心理技能”(关于正念、目标设定和自我调节以及意象的章节)和“舞蹈环境和挑战”(关于动机气候、天赋、伤害、身体形象和饮食失调的章节)。每章都包含介绍术语、概念和原理的介绍性材料,然后是具体的案例和应用。写作清晰,引用充分,组织得非常好。每一章都以一句鼓舞人心的话开头,列出每一章的目标和关键术语,并以重点和建议以及本章主题研究的关键方面结束。在书中,诺丁-贝茨不仅提供了认知行为疗法或技术的基本原理(比如功能分析,用于询问,比如,为什么舞者在舞台上的表演可能比在练习中表现得更好),还提供了批判性思维。这些包括在练习中使用舞蹈心理学的可能性,或者从受伤中更快更强地恢复的方法,或者从对舞蹈中个性表现的性质和影响的询问中学习。作者注意到哪些章节有更多关于舞蹈的具体参考,例如,与身体形象和饮食失调相关的伤害心理方面的章节,以及那些较少的章节(关于目标设定的章节)。诺丁-贝茨认为,舞蹈心理学并不是运动心理学的附加内容,而是一个独立的研究领域,尽管它们有共同的关注主题(完美主义、自信、焦虑等)。这本书的讨论很有启发性:为什么惩罚会适得其反(效率低下和虐待),个性是如何随着时间的推移自然发展的,我们如何改变它们,完美主义与表演有关的后果,完美主义管理技巧——舞者可以做什么,老师可以做什么,什么时候寻求专业帮助。实用性和应用也在这里——增强自信的方法(可能包括设计让舞者对自己的成就和努力感到满意的练习),以及通过呼吸、放松、锻炼和音乐技巧来减少焦虑的身体症状。或者,通过设定明确的目标来培养自己的任务导向,专注于自己在课堂上需要优先考虑的事情,为自己的进步感到自豪,将他人视为激励而不是威胁。简而言之,这些章节是信息的宝库。关于创造力的一章首先提供了术语和定义,然后是创造力的认知、体现和社会方面(重点是趋同思维和发散思维)、创造性产品和创造性过程、创造力水平(从小到革命性)、个性特征和创造力来源、健康的激励氛围、作为创造力来源的特定活动(即兴创作、灵感、多样性)。以及通过提供选择、鼓励个性、鼓励实验、寻求灵感和多样性来鼓励创造力的方法。作者还讨论了损伤和损伤康复的应对策略,以及削弱应激损伤联系的方法。的确,心理学可以用来减少受伤风险和优化康复——通过建立一个开放的文化和倾听身体,培养健康的动机和自尊,鼓励向适当的健康专业人员寻求帮助,使用或鼓励心理技能(目标设定,想象,正念,自我对话)。有许多说明性的舞蹈图像,详细的舞者案例研究,大量的图表和表格,一个全面的词汇表,30页的参考文献,以及一个漂亮的详细索引,这本写得很好的书是教师,大学,工作室,学校和学生的必备品。1178097 dmjxxx10 .1177/ 1089313x231178097舞蹈医学与科学杂志书评书评2023
{"title":"Book Review: Sanna Nordin-Bates, Essentials of Dance Psychology","authors":"G. Berardi","doi":"10.1177/1089313x231178097","DOIUrl":"https://doi.org/10.1177/1089313x231178097","url":null,"abstract":"Sanna Nordin-Bates, associate professor at the Swedish School of Sport and Health Sciences in Stockholm, is the author of the information-packed Essentials of Dance Psychology, in which she introduces the subject of dance psychology (or psychologia, study of the soul) with a discussion of cognitive behavioral therapy. The rest of the book is divided into parts—“Individual Differences” (chapters on personality, perfectionism, self-esteem and self-confidence, and anxiety), “Dance-specific Characteristics and Dispositions” (chapters on motivation, attentional focus, and creativity), “Psychological Skills” (chapters on mindfulness, goal setting and self-regulation, and imagery), and “Dance Environments and Challenges” (chapters on motivational climates, talent, injury, and body image and disordered eating). Each chapter contains introductory material that describes terms, concepts, and principles, followed by specific cases and applications. The writing is clear, well-referenced, and exceptionally well organized. Chapters lead with an inspirational quote, a list of chapter objectives and key terms, and conclude with key points and recommendations, and critical aspects of research on the topics in the chapter. In the text, Nordin-Bates offers not just basic principles from cognitive behavioral therapy or techniques (such as functional analysis, in querying, say, why a dancer might be performing better during a stage performance than in practice), but also, critical thinking. These include possibilities for using dance psychology in one’s practice or ways in which one can return faster and stronger from injury or learn from queries about the nature and impact on performance of personality in dance. The author notes which chapters have more dance-specific references, for example, chapters on psychological aspects of injury correlated to body image and disordered eating, and those with less (chapters on goal setting). Nordin-Bates argues that dance psychology is not a tack-on to sports psychology, but a field of study in its own right, even though there are common topics of concern (perfectionism, confidence, anxiety, and so on). The book’s discussions are enlightening: Why punishment is counterproductive (being also inefficient and abusive), how personalities naturally develop over time and how we can change them, performance-related consequences of perfectionism, and perfectionism management techniques—what dancers can do, what teachers can do, and when to seek professional help. The practicalities and applications are here, too—ways to strengthen self-confidence (which may include designing exercises that allow dancers to feel satisfied with their accomplishments and effort), and reduce somatic symptoms of anxiety with breathing, relaxation, exercise, and music techniques. Or, nurturing one’s task orientation with setting clear goals, focusing on what one needs to prioritize during class, taking pride in one’s progress, and looking to others as inspir","PeriodicalId":46421,"journal":{"name":"Journal of Dance Medicine & Science","volume":"27 1","pages":"116 - 116"},"PeriodicalIF":0.9,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42115147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Comparison of Impact Accelerations During Performance of Common Ballet Maneuvers: A Pilot Study. 普通芭蕾动作表演中碰撞加速度的比较:一项初步研究。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177174
Caitlin Fallon, Paj Yang, Misty Lown, Michelle Reilly, Nicole Bednarz, Kyle Gamoke, Alexander Morgan, Thomas Gus Almonroeder

Introduction: Ballet landings produce accelerations that are transmitted proximally up the kinetic chain. If overly excessive/repetitive, these "shocks" to the lower body may contribute to overuse injury. The shocks imposed by different ballet maneuvers are largely unknown at this time, making it difficult to appreciate the physical stresses associated with different maneuvers. Therefore, the purpose of this study was to compare the impact accelerations associated with different common ballet maneuvers.

Methods: As part of this study, 11 adolescent ballet dancers performed 9 different common ballet maneuvers: (1) glissade, (2) pas de chat, (3) petit jeté, (4) petit assemblé, (5) grand assemblé, (6) grand jeté, (7) saut de chat, (8) changement, and (9) entrechat quatre. An inertial sensor secured to the pelvis was used to record the peak resultant acceleration during landings ("impact acceleration"). A Friedman test was conducted to compare impact accelerations across the maneuvers and Wilcoxon signed-rank tests were conducted as pairwise comparisons.

Results: The omnibus test indicated that there were differences in impact accelerations among the maneuvers (P < .001). In general, the glissade (2.08 ± 0.47g), pes de chat (2.33 ± 0.23g), petit jeté (2.42 ± 0.29g), and petite assemblé (2.54 ± 0.47g) tended to be the lower impact maneuvers; the grand assemblé (2.90 ± 0.41g), grand jeté (2.99 ± 0.33g), and saut de chat (3.13 ± 0.54g) tended to be the more moderate impact maneuvers; and the changement (4.10 ± 0.48g) and entrechat quatre (4.32 ± 0.52g) tended to be higher impact maneuvers.

Conclusion: These findings may provide clinicians and dance instructors with greater insight regarding the physical stresses imposed by different ballet maneuvers.

简介:芭蕾式的落地产生的加速度是向上传递的动力链。如果过度或重复,这些对下半身的“冲击”可能会导致过度使用损伤。不同的芭蕾舞动作所带来的冲击在很大程度上是未知的,这使得很难理解与不同动作相关的身体压力。因此,本研究的目的是比较不同常见芭蕾动作的冲击加速度。方法:作为本研究的一部分,11名青少年芭蕾舞者表演了9种不同的常见芭蕾舞动作:(1)滑步,(2)跳双人舞,(3)小跳跃,(4)小组合,(5)大组合,(6)大跳跃,(7)跳双人舞,(8)变化,(9)转头四分之一。使用固定在骨盆上的惯性传感器记录着陆时的峰值加速度(“冲击加速度”)。采用Friedman测试比较不同动作的碰撞加速度,采用Wilcoxon符号秩测试进行两两比较。结果:综合试验结果表明,滑翔(2.08±0.47g)、飞艇(2.33±0.23g)、小喷气机(2.42±0.29g)、小装配(2.54±0.47g)的碰撞加速度在不同动作间存在差异;大组合动作(2.90±0.41g)、大喷射动作(2.99±0.33g)和炒炒动作(3.13±0.54g)是较为温和的冲击动作;变化幅度(4.10±0.48g)和中间四分之一(4.32±0.52g)倾向于高冲击动作。结论:这些发现可以为临床医生和舞蹈教练提供更多关于不同芭蕾动作所带来的身体压力的见解。
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引用次数: 0
Joint Hypermobility and Fatigue Are Associated With Injuries in a Group of Preprofessional Ballet Dancers. 一组专业前芭蕾舞演员的关节过度活动和疲劳与损伤有关。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177173
Morgan Dondin, Carolina Baeza-Velasco

Introduction: Strenuous preprofessional ballet training places young students at an increased risk of injury. This represents a major concern for aspiring dancers since a link has been described between injury and dropping out. It is therefore important to identify physical and psychological factors related to injuries in dance for prevention purposes.

Methods: In this cross-sectional study, we explored the frequency and characteristics of injuries, as well as their physical and psychological determinants in preprofessional ballet dancers. Seventy-three participants (women = 75.6%; mean age = 13.7; SD = 1.8) were evaluated with the Beighton criteria for joint hypermobility and self-questionnaires assessing injuries in the last 18 months, fatigue, fear of injury, and motivation.

Results: Most of participants (61.6%) experienced injuries in the last 18 months, mainly in the lower limbs, and due to overuse. Multivariate analyses showed that joint hypermobility and fatigue predict injury status in this sample.

Conclusion: These results confirm previous reports suggesting that physical factors such as fatigue and joint hypermobility, that are frequent in ballet dancers, should be taken into account in order to prevent injuries.

艰苦的专业前芭蕾训练增加了年轻学生受伤的风险。这对有抱负的舞者来说是一个主要的问题,因为受伤和辍学之间有联系。因此,确定与舞蹈受伤有关的生理和心理因素对预防舞蹈受伤很重要。方法:在这个横断面研究中,我们探讨了专业前芭蕾舞演员受伤的频率和特征,以及他们的身体和心理决定因素。73名参与者(女性= 75.6%;平均年龄= 13.7岁;SD = 1.8),用Beighton关节过度活动标准和自我调查问卷评估过去18个月的损伤、疲劳、损伤恐惧和动力。结果:大多数参与者(61.6%)在过去18个月内经历过损伤,主要发生在下肢,并且由于过度使用。多变量分析表明,关节过度活动和疲劳预测了该样本的损伤状态。结论:这些结果证实了先前的报道,即身体因素,如疲劳和关节过度活动,在芭蕾舞者中是常见的,应该考虑到,以防止伤害。
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引用次数: 0
Examining the Preferences and Priorities of Dance Educators for Dance Science Information: A Pilot Study. 考察舞蹈教育者对舞蹈科学信息的偏好和优先级:一项试点研究。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231178079
Jamie J Hawke, Shannon S D Bredin

Introduction: The growing field of dance medicine and science provides dance educators the opportunity to incorporate evidence-based approaches into teaching practices. Incorporating knowledge produced by dance science research into evidence-based practice can improve learning and health outcomes for dance students. Guided by the Knowledge to Action (KTA) Framework, the purpose of this study was to examine the preferences and research priorities of dance educators for receiving, accessing, and implementing dance science knowledge.

Methods: Ninety-seven dance educators representing a range of styles, experience, and educational settings completed an online survey. Dance educators responded to questions about the dance science topics they felt were important to their teaching practices, their preferences for receiving dance science information, and areas of dance science that need more research.

Results:Responses indicated that dance science was important to participants' teaching practices although there was variability in which dance science topics were seen as "Absolutely Essential." Participants reported a preference for receiving dance science information through in-person methods and observations. Variability was also shown in participant responses to statements about the accessibility, format, and applicability of dance science information to teaching practices. Dance educators indicated that the easiest dance science topics to find information about were anatomy, flexibility, biomechanics, and injury prevention; dance educators also identified that more research was needed in mental health and psychology.

Conclusion: The findings of this survey provide key considerations for factors such as accessibility, specificity, and resources that are user-friendly to inform future knowledge translation efforts tailored to dance educators.

简介:舞蹈医学和科学领域的发展为舞蹈教育者提供了将循证方法纳入教学实践的机会。将舞蹈科学研究产生的知识纳入循证实践可以改善舞蹈学生的学习和健康结果。在知识到行动(KTA)框架的指导下,本研究的目的是检查舞蹈教育者在接受、获取和实施舞蹈科学知识方面的偏好和研究重点。方法:代表不同风格、经验和教育背景的97名舞蹈教育者完成了一项在线调查。舞蹈教育工作者回答了关于他们认为对他们的教学实践很重要的舞蹈科学主题的问题,他们对接受舞蹈科学信息的偏好,以及需要更多研究的舞蹈科学领域。结果:反应表明舞蹈科学对参与者的教学实践很重要,尽管舞蹈科学主题被视为“绝对必要”的变化。参与者报告说,他们更喜欢通过面对面的方法和观察来接收舞蹈科学信息。参与者对舞蹈科学信息在教学实践中的可及性、格式和适用性的回答也显示出可变性。舞蹈教育者指出,最容易找到信息的舞蹈科学主题是解剖学、柔韧性、生物力学和伤害预防;舞蹈教育工作者还发现,需要在心理健康和心理学方面进行更多的研究。结论:本次调查的结果提供了关键的考虑因素,如可访问性、特异性和资源,这些因素对用户友好,为未来为舞蹈教育者量身定制的知识翻译工作提供信息。
{"title":"Examining the Preferences and Priorities of Dance Educators for Dance Science Information: A Pilot Study.","authors":"Jamie J Hawke,&nbsp;Shannon S D Bredin","doi":"10.1177/1089313X231178079","DOIUrl":"https://doi.org/10.1177/1089313X231178079","url":null,"abstract":"<p><strong>Introduction: </strong>The growing field of dance medicine and science provides dance educators the opportunity to incorporate evidence-based approaches into teaching practices. Incorporating knowledge produced by dance science research into evidence-based practice can improve learning and health outcomes for dance students. Guided by the Knowledge to Action (KTA) Framework, the purpose of this study was to examine the preferences and research priorities of dance educators for receiving, accessing, and implementing dance science knowledge.</p><p><strong>Methods: </strong>Ninety-seven dance educators representing a range of styles, experience, and educational settings completed an online survey. Dance educators responded to questions about the dance science topics they felt were important to their teaching practices, their preferences for receiving dance science information, and areas of dance science that need more research.</p><p><p>Results:Responses indicated that dance science was important to participants' teaching practices although there was variability in which dance science topics were seen as \"Absolutely Essential.\" Participants reported a preference for receiving dance science information through in-person methods and observations. Variability was also shown in participant responses to statements about the accessibility, format, and applicability of dance science information to teaching practices. Dance educators indicated that the easiest dance science topics to find information about were anatomy, flexibility, biomechanics, and injury prevention; dance educators also identified that more research was needed in mental health and psychology.</p><p><strong>Conclusion: </strong>The findings of this survey provide key considerations for factors such as accessibility, specificity, and resources that are user-friendly to inform future knowledge translation efforts tailored to dance educators.</p>","PeriodicalId":46421,"journal":{"name":"Journal of Dance Medicine & Science","volume":"27 2","pages":"107-115"},"PeriodicalIF":0.9,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9638019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sleep, Dance Exposure Hours, and Injury Risk in Collegiate Dancers. 大学生舞者的睡眠、舞蹈暴露时间和受伤风险。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177179
Victoria Fauntroy, Amelia Stork, Jena Hansen-Honeycutt, Rajwinder Deu, Holly Klee, Joel Martin, Jatin P Ambegaonkar

Introduction: Sleep is essential for athletes and dancers to optimize recovery. Poor sleep negatively affects cognitive function and injury risk in athletes. Increased athletic participation (hours) is associated with decreased total sleep and quality in athletes. Still, information about how sleep is related with exposure hours and injury in collegiate dancers remains unclear. We examined the relationships among the Athlete Sleep Behavior Questionnaire (ASBQ), dance exposure hours (DEHr), and injuries in collegiate dancers over a 7 -month period (August 2019-February 2020).

Methods: Seventy-two dancers (58 female, 14 male; 19.7 ± 1.4 years) completed the 18 question ASBQ at the start of each month (Scale:1 = Never, 5 = Always; Global Scores ≤36 = "good sleep behavior" and ≥42 = "poor sleep behavior"). A DEHr was recorded as 1 hour of dance participation in class, rehearsal, or performance. Injuries were defined as any condition where the dancer sought medical attention, and we calculated an injury rate for total injuries (IR/1000 DEHr). Pearson correlations examined relationships among ASBQ, DEHr, and injuries (P ≤ .05).

Results: Dancers participated in 467.8 ± 45.7 DEHr over 7 months, with 14 dancers suffering 18 injuries (IR = 0.5/1000-DEHr; 95% CI:0.3-0.8). Overall, dancers reported poor sleep behaviors (42.6 ± 6.4). ASBQ scores, DEHr, and injuries in August-October, and December-February were not related, except for a weak positive relationship between ASBQ scores and DEHr in November (r = .28, P = .04).

Conclusions: Sleep, DEHr, and injuries were inconsistently related in collegiate dancers. Sleep and DEHr were only correlated during the month where dancers had 2 performance weeks. While we did not observe this relationship every month, performance weeks may have negatively affected sleep in November. Despite consistent poor sleep, sleep did not seem to negatively affect injury risk during the 7 -month study period. Future researchers should validate the ASBQ in dancers.

睡眠对运动员和舞者来说是必不可少的,以优化恢复。睡眠不足会对运动员的认知功能和受伤风险产生负面影响。运动时间的增加与运动员总睡眠和质量的下降有关。然而,关于大学生舞者的睡眠与暴露时间和受伤之间的关系的信息仍不清楚。我们研究了7个月期间(2019年8月- 2020年2月)大学生舞者的运动员睡眠行为问卷(ASBQ)、舞蹈暴露时间(DEHr)和受伤之间的关系。方法:舞蹈演员72人,其中女性58人,男性14人;19.7±1.4岁)每月初完成18道ASBQ(量表:1 =从不,5 =总是;Global Scores≤36 =“良好睡眠行为”,≥42 =“不良睡眠行为”)。DEHr记录为在课堂、排练或表演中参与舞蹈1小时。损伤被定义为舞者寻求医疗照顾的任何情况,我们计算了总损伤率(IR/1000 DEHr)。Pearson相关性检验了ASBQ、DEHr和损伤之间的关系(P≤0.05)。结果:舞者在7个月内参加了467.8±45.7 DEHr,其中14名舞者受伤18次(IR = 0.5/1000-DEHr;95%置信区间:0.3—-0.8)。总体而言,舞蹈演员的睡眠行为较差(42.6±6.4)。8 - 10月和12 - 2月ASBQ评分、DEHr和受伤均不相关,11月ASBQ评分与DEHr呈弱正相关(r =。28, p = .04)。结论:大学生舞者的睡眠、DEHr和损伤的相关性不一致。睡眠和DEHr只在舞者有两个表演周的月份相关。虽然我们不是每个月都观察到这种关系,但表现周可能会对11月份的睡眠产生负面影响。尽管持续的睡眠不足,在7个月的研究期间,睡眠似乎并没有对受伤风险产生负面影响。未来的研究人员应该在舞者身上验证ASBQ。
{"title":"Sleep, Dance Exposure Hours, and Injury Risk in Collegiate Dancers.","authors":"Victoria Fauntroy,&nbsp;Amelia Stork,&nbsp;Jena Hansen-Honeycutt,&nbsp;Rajwinder Deu,&nbsp;Holly Klee,&nbsp;Joel Martin,&nbsp;Jatin P Ambegaonkar","doi":"10.1177/1089313X231177179","DOIUrl":"https://doi.org/10.1177/1089313X231177179","url":null,"abstract":"<p><strong>Introduction: </strong>Sleep is essential for athletes and dancers to optimize recovery. Poor sleep negatively affects cognitive function and injury risk in athletes. Increased athletic participation (hours) is associated with decreased total sleep and quality in athletes. Still, information about how sleep is related with exposure hours and injury in collegiate dancers remains unclear. We examined the relationships among the Athlete Sleep Behavior Questionnaire (ASBQ), dance exposure hours (DEHr), and injuries in collegiate dancers over a 7 -month period (August 2019-February 2020).</p><p><strong>Methods: </strong>Seventy-two dancers (58 female, 14 male; 19.7 ± 1.4 years) completed the 18 question ASBQ at the start of each month (Scale:1 = Never, 5 = Always; Global Scores ≤36 = \"good sleep behavior\" and ≥42 = \"poor sleep behavior\"). A DEHr was recorded as 1 hour of dance participation in class, rehearsal, or performance. Injuries were defined as any condition where the dancer sought medical attention, and we calculated an injury rate for total injuries (IR/1000 DEHr). Pearson correlations examined relationships among ASBQ, DEHr, and injuries (<i>P</i> ≤ .05).</p><p><strong>Results: </strong>Dancers participated in 467.8 ± 45.7 DEHr over 7 months, with 14 dancers suffering 18 injuries (IR = 0.5/1000-DEHr; 95% CI:0.3-0.8). Overall, dancers reported poor sleep behaviors (42.6 ± 6.4). ASBQ scores, DEHr, and injuries in August-October, and December-February were not related, except for a weak positive relationship between ASBQ scores and DEHr in November (<i>r</i> = .28, <i>P</i> = .04).</p><p><strong>Conclusions: </strong>Sleep, DEHr, and injuries were inconsistently related in collegiate dancers. Sleep and DEHr were only correlated during the month where dancers had 2 performance weeks. While we did not observe this relationship every month, performance weeks may have negatively affected sleep in November. Despite consistent poor sleep, sleep did not seem to negatively affect injury risk during the 7 -month study period. Future researchers should validate the ASBQ in dancers.</p>","PeriodicalId":46421,"journal":{"name":"Journal of Dance Medicine & Science","volume":"27 2","pages":"92-98"},"PeriodicalIF":0.9,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9638319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adapting Dance to Complex Clinical Contexts: A Methodology Model. 使舞蹈适应复杂的临床环境:一个方法论模型。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177158
Lucie Beaudry, Annie Rochette, Sylvie Fortin

Background: While the content of health-related dance interventions is still relatively undocumented in the literature, the processes of adapting dance to specific situations are even less so, and rarely seem to be based on theoretical or practical guidelines. Yet the description of these processes could guide the adaptation of other interventions.

Purpose: This study aimed to document the process of adapting a dance intervention in a complex clinical setting, in order to propose a methodology that could inspire the development of other interventions in specific clinical contexts.

Methods: The adaptation methodology described in this article is part of an embedded single-case study, where the case unit was the adaptation process of a dance group intervention and the subunits of analysis were the intervention's clinical and theoretical premises, content, and pedagogy. Participants were rehabilitation therapists (n=21), patients (n=6), relatives (n=4), and rehabilitation assistants (n=4). Data were collected through various techniques (focus groups, situational observation, pilot dance sessions, interviews, critical incidents, research journals, template for intervention description and replication/TIDieR checklist, and video recordings) to allow an iterative adaptation process. Data were analyzed using inductive qualitative analysis.

Results: Adaptations were made prior to and throughout the intervention, taking into account relevant scientific and disciplinary knowledge, as well as the different actors' implicit and explicit experiences. The intervention pedagogy focused on adapting the dance content to meet the participants' needs while inviting them to self-adapt this content. The resulting methodology model includes four stages: preliminary design, validation with rehabilitation therapists, specific tailoring, and ongoing tailoring. Conclusion: Optimizing the adaptation of dance and ensuring its complementarity within a complex clinical context requires collaboration with the different disciplinary clinicians in order to offer synergistic coherence and ensure dance's contribution to therapeutic objectives.

背景:虽然与健康相关的舞蹈干预的内容在文献中仍然相对没有记载,但使舞蹈适应特定情况的过程就更少了,而且似乎很少基于理论或实践指南。然而,对这些过程的描述可以指导其他干预措施的适应。目的:本研究旨在记录在复杂临床环境中适应舞蹈干预的过程,以便提出一种方法,可以启发在特定临床环境中发展其他干预措施。方法:本文中描述的适应方法是嵌入式单案例研究的一部分,其中案例单位是舞蹈团体干预的适应过程,分析亚单位是干预的临床和理论前提、内容和教学法。参与者包括康复治疗师(n=21)、患者(n=6)、亲属(n=4)和康复助理(n=4)。通过各种技术(焦点小组、情景观察、试点舞蹈课程、访谈、关键事件、研究期刊、干预描述模板和复制/TIDieR清单以及视频记录)收集数据,以便进行迭代适应过程。资料采用归纳定性分析。结果:考虑到相关的科学和学科知识,以及不同行为者的内隐和外显经验,在干预之前和整个干预过程中进行了适应性调整。干预教学法侧重于调整舞蹈内容以满足参与者的需求,同时邀请他们自我调整这些内容。由此产生的方法模型包括四个阶段:初步设计,与康复治疗师验证,特定剪裁和持续剪裁。结论:在复杂的临床环境中优化舞蹈的适应性并确保其互补性需要与不同学科的临床医生合作,以提供协同一致性并确保舞蹈对治疗目标的贡献。
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引用次数: 0
Online Dance Injury Monitoring: The Efficacy of Weekly Reporting and Respondent Compliance Over a 30-Week Period. 在线舞蹈损伤监测:30周内每周报告和应答者依从性的有效性。
IF 0.9 Q3 SPORT SCIENCES Pub Date : 2023-06-01 DOI: 10.1177/1089313X231177172
Yanan Dang, Yiannis Koutedakis, Ruoling Chen, Matthew Wyon

Background: Previous injury survey recall methods often use one-off questionnaires with varying periods of recall. These methods have proven to show injury incidence inaccuracies and limited information on injury etiology.

Purpose: The present study aimed to examine the efficacy of a remote weekly self-report injury incidence and etiology tool.

Methods: Two online questionnaires were developed based on the "Fit to Dance 2" survey and sent to volunteers. The first questionnaire was sent once and asked for complete injury history information. The second questionnaire was sent to each respondent on a weekly basis and it focused on new injuries and their causes and whether injuries that occurred in previous weeks were still affecting their dancing. The online survey was opened for full-time dance students from September 2020 to July 2021. All weekly data for each respondent were combined with a unique reference code using their account names, students' numbers, and schools' names. The proportion of participants who drop out is defined as the measurement of outcome.

Results: A total of 756 respondents engaged in the survey from 16 different Chinese dance schools; the drop-out rate was 70.1%, with student respondents under 18 years old having a slightly lower drop-out rate than adult respondents (69%vs 71%). 33 respondents (4.4%) who completed all 30 weeks survey. These data allow other researchers to examine respondent compliance rates from a weekly survey.

Conclusion: A reminder system and teacher engagement could potentially increase the response rate. For frequent completion questionnaires the design needs to be streamlined to increase compliance. It is concluded that the researchers would need to weigh reduced completion rates (<100%) against data efficacy to achieve generalizability.

背景:以往损伤调查的回忆方法多采用一次性问卷,具有不同的回忆期。这些方法已被证明显示出损伤发生率的不准确性和损伤病因学的有限信息。目的:本研究旨在检验远程每周自我报告损伤发生率和病因工具的有效性。方法:在“Fit to Dance 2”调查的基础上,制作两份在线问卷,发放给志愿者。第一份问卷发送一次,询问完整的损伤史信息。第二份调查问卷每周发给每位受访者,调查的重点是新的伤害及其原因,以及前几周发生的伤害是否仍在影响他们的舞蹈。这项在线调查于2020年9月至2021年7月对全日制舞蹈学生开放。每个受访者的所有每周数据都与使用其帐户名称、学生号码和学校名称的唯一参考代码相结合。参与者退出的比例被定义为结果的度量。结果:共有来自16所不同的中国舞蹈学校的756名受访者参与了调查;辍学率为70.1%,18岁以下学生的辍学率略低于成人(69%对71%)。33名受访者(4.4%)完成了所有30周的调查。这些数据使其他研究人员能够从每周的调查中检查受访者的依从率。结论:提醒系统和教师参与可以潜在地提高回复率。对于频繁完成的问卷,设计需要被简化以增加遵从性。结论是,研究人员需要权衡降低的完成率(
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引用次数: 0
期刊
Journal of Dance Medicine & Science
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