Pub Date : 2023-10-16DOI: 10.1080/09647775.2023.2269145
Nicola Wallis, Kate Noble
Museums are increasingly considering civic responsibilities towards the communities of which they are a part. In this study, a group of families with children aged between two and four years visited a university art museum for multiple facilitated sessions within a participatory research project. Drawing on previous work on caring museum practices, this article explores the potential of museums to support young families through key affordances: time, connection, and exploration. We demonstrate how, by offering opportunities to slow down, build relationships, and take risks, the museum can become a nurturing space of care and connectedness. We contrast this care-centred approach with the pressure exerted on both the museum and early years sectors of target-setting approaches with easily measurable outcomes demanding a singular focus on rapid linear progress. The analysis presented here resists this model, offering instead an approach rooted in gentle attention and openness.
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Pub Date : 2023-10-14DOI: 10.1080/09647775.2023.2269132
Thalassia Giaccone
ABSTRACTThe temporary exhibition ‘Sharks of the Mediterranean sea’ features scientific and artistic collections. Priority focus is the knowledge of the biodiversity of the selachians of the Mediterranean sea and the Gulf of Naples (Italy), through a museum itinerary that illustrates their biology, ecology, vulnerability, protection, and scientific research. The aim here is to describe the scientific communication strategies used to inform/educate the public but above all to promote a reflection that stimulates the latter to be a protagonist of a concrete action of care and custody of the selachians through a paradigm shift of the person-sea and person-shark relationship. The result is an exhibition set up in the graphic/photographic, videographic, and scenographic/museographic aspects, focusing on the visitor’s experience, his or her psychology, emotional and aesthetic relationships with the museum spaces as well as the solicitations of curiosity triggered by the interaction with the collections.KEYWORDS: SharksMediterranean Seaexhibitionscientific communicationmuseum AcknowledgementsI thank Prof. Ferdinando Boero, Prof. Roberto Danovaro and Dr. Claudia Gili for reviewing the scientific content of the exhibition, colleagues Dr. Elisa Cenci, Dr. Marco Signore, Dr. Andrea Travaglini, Dr. Maria Cristina Vigo Majello for collaboration on scientific design, text writing, and exhibit design, Dr. Ester Vollono for graphic design, Dr. Anna Maria Miglietta and the Museum of Marine Biology ‘Pietro Parenzan’ for the loan of the skin of Cetorhinus maximus, the underwater photographers and video-operators Rocco Cannella, Riccardo Cingillo, Emilio Mancuso, Alessandro Pagano, Domenico Roscigno, Chiara Soldati and Marco Spinelli for underwater images and filming, the scientific illustrators Marc Dando and Alberto Gennari, the Dohrn Foundation and finally dr. Massimiliano Bottaro for the contribution of Project Elife (Elasmobranchs Low-impact Fishing Experience) LIFE18 NAT/IT/000846.Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsThalassia GiacconeThalassia Giaccone is a technologist at the Marine Animal Conservation and Public Engagement Department in Naples (Zoological Station Anton Dohrn, Darwin-Dohrn Museum). She received the Ph.D. degree in Environmental Sciences: Marine Environment and Resources at the University of Messina. She works on scientific communication, exhibition, and museum activities but also on marine bioconstructions with calcareous algae and free-living calcareous algae of the photic and mesophotic zone.
{"title":"The temporary exhibition as a tool for communication and relationship between science and society: the case study of the Darwin-Dohrn Museum in Naples (Italy)","authors":"Thalassia Giaccone","doi":"10.1080/09647775.2023.2269132","DOIUrl":"https://doi.org/10.1080/09647775.2023.2269132","url":null,"abstract":"ABSTRACTThe temporary exhibition ‘Sharks of the Mediterranean sea’ features scientific and artistic collections. Priority focus is the knowledge of the biodiversity of the selachians of the Mediterranean sea and the Gulf of Naples (Italy), through a museum itinerary that illustrates their biology, ecology, vulnerability, protection, and scientific research. The aim here is to describe the scientific communication strategies used to inform/educate the public but above all to promote a reflection that stimulates the latter to be a protagonist of a concrete action of care and custody of the selachians through a paradigm shift of the person-sea and person-shark relationship. The result is an exhibition set up in the graphic/photographic, videographic, and scenographic/museographic aspects, focusing on the visitor’s experience, his or her psychology, emotional and aesthetic relationships with the museum spaces as well as the solicitations of curiosity triggered by the interaction with the collections.KEYWORDS: SharksMediterranean Seaexhibitionscientific communicationmuseum AcknowledgementsI thank Prof. Ferdinando Boero, Prof. Roberto Danovaro and Dr. Claudia Gili for reviewing the scientific content of the exhibition, colleagues Dr. Elisa Cenci, Dr. Marco Signore, Dr. Andrea Travaglini, Dr. Maria Cristina Vigo Majello for collaboration on scientific design, text writing, and exhibit design, Dr. Ester Vollono for graphic design, Dr. Anna Maria Miglietta and the Museum of Marine Biology ‘Pietro Parenzan’ for the loan of the skin of Cetorhinus maximus, the underwater photographers and video-operators Rocco Cannella, Riccardo Cingillo, Emilio Mancuso, Alessandro Pagano, Domenico Roscigno, Chiara Soldati and Marco Spinelli for underwater images and filming, the scientific illustrators Marc Dando and Alberto Gennari, the Dohrn Foundation and finally dr. Massimiliano Bottaro for the contribution of Project Elife (Elasmobranchs Low-impact Fishing Experience) LIFE18 NAT/IT/000846.Disclosure statementNo potential conflict of interest was reported by the author.Additional informationNotes on contributorsThalassia GiacconeThalassia Giaccone is a technologist at the Marine Animal Conservation and Public Engagement Department in Naples (Zoological Station Anton Dohrn, Darwin-Dohrn Museum). She received the Ph.D. degree in Environmental Sciences: Marine Environment and Resources at the University of Messina. She works on scientific communication, exhibition, and museum activities but also on marine bioconstructions with calcareous algae and free-living calcareous algae of the photic and mesophotic zone.","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135767438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-11DOI: 10.1080/09647775.2023.2263847
Jason Gibson, Iain G. Johnston, Michael Cawthorn
ABSTRACTThis paper explores the challenges of repatriating poorly documented Aboriginal sacred religious objects from Central Australia. The authors present an overview of historical endeavours to repatriate these objects from Australian domestic museums and the progress of recent returns from international collections. Detailed documentation, including reference to an object’s specific relationship to places, people or ancestral stories is critical to ensuring that rightful contemporary Central Australian Aboriginal people can assume care and responsibility for any repatriated objects. The absence of provenance data and any other related collection documentation can therefore greatly inhibit the return of these objects to present-day custodians. Exploring the prospect of returning large numbers of poorly provenanced sacred objects back to Australia, this paper argues that aside from the potential logistical or infrastructure requirements of repatriating these items, the development of Indigenous cultural frameworks and innovations will be critical to any meaningful repatriation outcomes.KEYWORDS: Repatriation, religious items, Aboriginal heritage, museum ethnography, Indigenous cultural heritage Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 In this paper, the authors use tywerrenge to describe the specific sacred items following Henderson and Dobson (Citation2020, 334); other spellings are only used when pertinent to the discussion. These items are typically sacred stones and boards inscribed with motifs associated with particular Dreaming Beings and localities and are a key element in the ritual paraphernalia of Central Australia. The term also encompasses ritual designs and dances (Strehlow Citation1997,14–18, 84)..2 This section has been informed further via pers. comm with Ross Chadwick at the Western Australian Museum and Indigenous consultant Peter White, both on October 1st 2021.3 Research of women’s restricted material was not undertaken by the male authors of this paper but by women at AIATSIS.4 Peter White, pers. comm. October 1st 2021.5 Ross Chadwick, pers. Comm. October 1st 2021.Additional informationFundingThis work was supported by Australian Research Council [Grant Number DE220100206].Notes on contributorsJason GibsonDr Jason M. Gibson is Senior Research Fellow and Lecturer in cultural heritage and museum studies at Deakin University, Melbourne, Australia. He has worked extensively with Aboriginal custodians throughout Australia on history, museum, and heritage-related projects and has conducted collaborative ethnographic fieldwork in Central Australia for the past two decades. His books include Ceremony Men: Making Ethnography and the Return of the Strehlow Collection (SUNY Press, 2020) and Repatriation of Indigenous Cultural Heritage Experiences of Return in Central Australia (Routledge 2024).Iain G. JohnstonDr Iain G. Johnston is a Senior Researcher in the Return of Cultural Heritage
摘要本文探讨了从澳大利亚中部归还文献贫乏的土著神圣宗教物品所面临的挑战。作者概述了从澳大利亚国内博物馆归还这些物品的历史努力以及最近从国际收藏中归还的进展。详细的文件记录，包括物品与地点、人或祖先故事的具体关系，对于确保合法的当代中澳大利亚原住民能够承担任何遣返物品的照顾和责任至关重要。因此，缺乏来源数据和任何其他相关的收集文件可能会极大地阻碍这些物品归还给现在的保管人。探讨将大量来历不明的圣物送回澳大利亚的前景，本文认为，除了遣返这些物品的潜在后勤或基础设施要求外，土著文化框架和创新的发展对任何有意义的遣返结果都至关重要。关键词:遣返、宗教物品、原住民遗产、博物馆人种学、原住民文化遗产披露声明作者未报告潜在的利益冲突。注1在本文中，作者在Henderson和Dobson (Citation2020, 334)之后使用tywerrenge来描述具体的神圣物品;其他拼写只在与讨论相关时使用。这些物品通常是神圣的石头和木板，上面刻有与特定的做梦者和地点相关的图案，是澳大利亚中部仪式用具的关键元素。这个词也包括仪式设计和舞蹈(Strehlow citation1997,14 - 18,84)本部分已通过pers进一步通知。2013年10月1日，我与西澳大利亚博物馆的罗斯·查德威克(Ross Chadwick)和土著顾问彼得·怀特(Peter White)进行了交流。1.3女性受限材料的研究不是由本文的男性作者进行的，而是由aiatsis的女性进行的。Ross Chadwick, pers。2021年10月1日。本研究由澳大利亚研究委员会(Australian Research Council)资助[资助号:DE220100206]。作者简介Jason M. Gibson博士是澳大利亚墨尔本迪肯大学文化遗产和博物馆研究高级研究员和讲师。在过去的二十年里，他与澳大利亚各地的土著监护人在历史、博物馆和遗产相关项目上进行了广泛的合作，并在澳大利亚中部进行了合作的民族志田野调查。他的著作包括《仪式人:制作人种学和斯特罗收藏的回归》(纽约州立大学出版社，2020年)和《澳大利亚中部土著文化遗产的回归经验》(劳特利奇出版社，2024年)。Iain G. Johnston博士是澳大利亚堪培拉澳大利亚土著和托雷斯海峡岛民研究所(AIATSIS)文化遗产归还(RoCH)项目的高级研究员。十多年来，他与澳大利亚北部的土著社区广泛合作，共同探索岩石艺术、肖像学、物质文化和口述历史。自2019年以来，他与澳大利亚各地的社区合作，将海外收藏机构的重要文化材料送回本国的保存地点，首先是文化遗产归还范围项目(2018-2020)，现在是RoCH计划(2020-2024)。Michael Cawthorn是墨尔本迪肯大学的副研究员。在过去的二十年里，他一直与澳大利亚中部的土著人一起从事文化遗产材料的遣返工作。迈克尔曾任北领地博物馆和美术馆(MAGNT)副馆长，负责管理博物馆的土著遣返计划。从2012年起，他在文化材料和祖先遗骸的遣返、土著头衔、文化地图绘制和遗址保护等领域担任人类学家顾问。
{"title":"Repatriation of aboriginal sacred objects: prospects for the return of the poorly provenanced","authors":"Jason Gibson, Iain G. Johnston, Michael Cawthorn","doi":"10.1080/09647775.2023.2263847","DOIUrl":"https://doi.org/10.1080/09647775.2023.2263847","url":null,"abstract":"ABSTRACTThis paper explores the challenges of repatriating poorly documented Aboriginal sacred religious objects from Central Australia. The authors present an overview of historical endeavours to repatriate these objects from Australian domestic museums and the progress of recent returns from international collections. Detailed documentation, including reference to an object’s specific relationship to places, people or ancestral stories is critical to ensuring that rightful contemporary Central Australian Aboriginal people can assume care and responsibility for any repatriated objects. The absence of provenance data and any other related collection documentation can therefore greatly inhibit the return of these objects to present-day custodians. Exploring the prospect of returning large numbers of poorly provenanced sacred objects back to Australia, this paper argues that aside from the potential logistical or infrastructure requirements of repatriating these items, the development of Indigenous cultural frameworks and innovations will be critical to any meaningful repatriation outcomes.KEYWORDS: Repatriation, religious items, Aboriginal heritage, museum ethnography, Indigenous cultural heritage Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1 In this paper, the authors use tywerrenge to describe the specific sacred items following Henderson and Dobson (Citation2020, 334); other spellings are only used when pertinent to the discussion. These items are typically sacred stones and boards inscribed with motifs associated with particular Dreaming Beings and localities and are a key element in the ritual paraphernalia of Central Australia. The term also encompasses ritual designs and dances (Strehlow Citation1997,14–18, 84)..2 This section has been informed further via pers. comm with Ross Chadwick at the Western Australian Museum and Indigenous consultant Peter White, both on October 1st 2021.3 Research of women’s restricted material was not undertaken by the male authors of this paper but by women at AIATSIS.4 Peter White, pers. comm. October 1st 2021.5 Ross Chadwick, pers. Comm. October 1st 2021.Additional informationFundingThis work was supported by Australian Research Council [Grant Number DE220100206].Notes on contributorsJason GibsonDr Jason M. Gibson is Senior Research Fellow and Lecturer in cultural heritage and museum studies at Deakin University, Melbourne, Australia. He has worked extensively with Aboriginal custodians throughout Australia on history, museum, and heritage-related projects and has conducted collaborative ethnographic fieldwork in Central Australia for the past two decades. His books include Ceremony Men: Making Ethnography and the Return of the Strehlow Collection (SUNY Press, 2020) and Repatriation of Indigenous Cultural Heritage Experiences of Return in Central Australia (Routledge 2024).Iain G. JohnstonDr Iain G. Johnston is a Senior Researcher in the Return of Cultural Heritage","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136210932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-03DOI: 10.1080/09647775.2023.2253024
Carol E. Mayer
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsCarol E. MayerDr. Carol Mayer served as head of the curatorial department at the University of British Columbia Museum of Anthropology, with particular responsibility for the Pacific and African collections, and the European and Canadian ceramics collections. Her regional interests include Papua New Guinea, Vanuatu, Fiji, New Zealand and British Columbia. Since retirement in 2022, Dr. Mayer has explored her Pacific and Ceramics research interests as a Research Fellow with the Museum of Anthropology.
{"title":"Photo-Museology – The presence of absence and the absence of presence","authors":"Carol E. Mayer","doi":"10.1080/09647775.2023.2253024","DOIUrl":"https://doi.org/10.1080/09647775.2023.2253024","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsCarol E. MayerDr. Carol Mayer served as head of the curatorial department at the University of British Columbia Museum of Anthropology, with particular responsibility for the Pacific and African collections, and the European and Canadian ceramics collections. Her regional interests include Papua New Guinea, Vanuatu, Fiji, New Zealand and British Columbia. Since retirement in 2022, Dr. Mayer has explored her Pacific and Ceramics research interests as a Research Fellow with the Museum of Anthropology.","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":"153 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134948188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-10DOI: 10.1080/09647775.2023.2243099
James M. Bradburne
{"title":"Editorial","authors":"James M. Bradburne","doi":"10.1080/09647775.2023.2243099","DOIUrl":"https://doi.org/10.1080/09647775.2023.2243099","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":"38 1","pages":"495 - 495"},"PeriodicalIF":2.1,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41402280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-09DOI: 10.1080/09647775.2023.2235683
L. Calvi, A. Vermeeren
{"title":"Digitally enriched museum experiences – what technology can do","authors":"L. Calvi, A. Vermeeren","doi":"10.1080/09647775.2023.2235683","DOIUrl":"https://doi.org/10.1080/09647775.2023.2235683","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":" ","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47266305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.1080/09647775.2023.2235687
Laura Clark
{"title":"In what ways can Rapid Response Collecting be utilised by museums as a curatorial approach in advocating increased democratic and egalitarian approaches towards art within society?","authors":"Laura Clark","doi":"10.1080/09647775.2023.2235687","DOIUrl":"https://doi.org/10.1080/09647775.2023.2235687","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":" ","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47499559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-26DOI: 10.1080/09647775.2023.2235681
S. Price
{"title":"How to address a ‘curation crisis’: rethinking collection storage at the Museum of Tropical Queensland","authors":"S. Price","doi":"10.1080/09647775.2023.2235681","DOIUrl":"https://doi.org/10.1080/09647775.2023.2235681","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":" ","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44279535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-22DOI: 10.1080/09647775.2023.2235678
Artur Modliński, Paweł Fortuna, Bohdan Rożnowski
{"title":"Robots onboard? Investigating what individual predispositions and attitudes influence the reactions of museums’ employees towards the adoption of social robots","authors":"Artur Modliński, Paweł Fortuna, Bohdan Rożnowski","doi":"10.1080/09647775.2023.2235678","DOIUrl":"https://doi.org/10.1080/09647775.2023.2235678","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":" ","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49650611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-20DOI: 10.1080/09647775.2023.2235675
A. Ali, S. Chua, Mohd Azlan Bin Umar
{"title":"Sick building syndrome in air-conditioned museum","authors":"A. Ali, S. Chua, Mohd Azlan Bin Umar","doi":"10.1080/09647775.2023.2235675","DOIUrl":"https://doi.org/10.1080/09647775.2023.2235675","url":null,"abstract":"","PeriodicalId":46506,"journal":{"name":"Museum Management and Curatorship","volume":" ","pages":""},"PeriodicalIF":2.1,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47789672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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