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Museum Management and Curatorship最新文献

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Transforming Museum Management: Evidence-Based Change through Open Systems Theory 博物馆管理转型:基于开放系统理论的循证变革
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-05-04 DOI: 10.1080/09647775.2023.2208457
Alexandra Hatcher
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引用次数: 2
Central Yup'ik masks in the Vatican Museums; indigenous American heritage in European museums 梵蒂冈博物馆的中央尤皮克面具;欧洲博物馆中的美洲原住民遗产
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-04-13 DOI: 10.1080/09647775.2023.2188479
E. Pearlstein, Chuna McIntyre, S. Pandozy
ABSTRACT An exploration of conservation and curatorial practices surrounding Indigenous American heritage in European museums began with an American Academy in Rome Prize fellowship which served to reconnect three of the co-authors. The stunning discovery of seven Yup’ik masks from western Alaska at the Vatican Museums led two of the co-authors to connect with Chuna McIntyre, a Yup’ik artist and performer. In an effort to pilot a collaborative process where conservators and curators might have their technical and cultural understanding of these masks enhanced, a three-hour virtual meeting was arranged after the masks were documented and the images and information shared. The successes and challenges are presented here from various viewpoints.
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引用次数: 0
Reconcile the past with the present by pranking on April Fool’s Day? A critical reflection on the Operation Bust of NTU History Gallery 通过愚人节恶作剧来调和过去和现在?南洋理工大学历史馆半身像行动的批判性反思
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-29 DOI: 10.1080/09647775.2023.2188476
P. Chen, Yi-Jia Huang
ABSTRACT To pique the interest of local audiences in learning the pre-WWII history of National Taiwan University (NTU) and facilitate the dialogue between different ideologists on protecting colonial heritage, the History Gallery of NTU conceived an April Fool’s prank revolving around the sculpted representations of Japanese colonial figures in Taiwan. The main plotline is based on an actual historical event of a bust-unveiling ceremony for president Shidehara, the first president of the antecedent of NTU—Taihoku Imperial University. The prank began with systemic dissemination of the news regarding the finding of a head sculpture of Viscount Kodama Gentarō, culminated in an announcement of a serendipitous discovery of the bust for president Shidehara on April Fool’s Day, and ended by recounting the stories of rescuing the busts for Dr Hidetaka and Dr Tomoe. Despite drawing some criticism, the Gallery was acclaimed by many for its originality, responsiveness, and thoroughness in the campaign.
为了激发当地观众了解台大二战前历史的兴趣,并促进不同思想者在保护殖民遗产方面的对话,台大历史馆围绕日本殖民时期在台湾的雕像设计了一个愚人节恶作剧。故事的主要情节是根据南大-台北帝国大学前身的第一任校长Shidehara的半身像揭幕仪式的真实历史事件改编的。这场恶作剧始于系统地传播发现玉元子爵头像的消息,以在愚人节宣布为志原总统偶然发现了半身像为高潮,并以讲述为秀高博士和友江博士拯救半身像的故事结束。尽管受到了一些批评,但画廊在活动中因其独创性,响应性和彻底性而受到许多人的称赞。
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引用次数: 0
Understanding levels of online participation in the U.K. museum sector 了解英国博物馆行业的在线参与水平
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-22 DOI: 10.1080/09647775.2023.2188478
Ellen Charlesworth, A. Beresford, C. Warwick, L. Impett
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引用次数: 3
The efficient use of new cultural management tools in the adaptation of public heritage during the COVID-19 pandemic 在新冠肺炎大流行期间,在适应公共遗产方面有效使用新的文化管理工具
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-21 DOI: 10.1080/09647775.2023.2188480
K. Sokolovskiy, Elena R. Vershitskaya, V. Latysheva
ABSTRACT The purpose of this study is to determine the efficacy of cultural management tools in the field of public heritage management (using museums as an example), before and during the COVID-19 pandemic. The study draws on the results of a survey conducted in the Russian Federation and the Republic of Kazakhstan. Content from social media pages and websites for public heritage sites in these countries were used as well. Despite the disparities between the research objects, their comparative analysis allowed the identification of common trends in the studied sector. It was proved that public heritage sites are gradually shifting away from repetitive activities and becoming more self-sufficient. They have also started to serve as testing grounds for various projects. The influence of COVID-19 on this sector, regional differences in public heritage management in the studied countries have been identified, and recommendations have been developed.
本研究的目的是确定在2019冠状病毒病大流行之前和期间,文化管理工具在公共遗产管理领域(以博物馆为例)的功效。这项研究利用了在俄罗斯联邦和哈萨克斯坦共和国进行的一项调查的结果。这些国家的社交媒体页面和公共遗产网站上的内容也被使用。尽管研究对象之间存在差异,但他们的比较分析可以确定所研究部门的共同趋势。事实证明,公共遗产地正逐渐从重复性活动转向自给自足。它们也开始成为各种项目的试验场。已经确定了COVID-19对该部门的影响,所研究国家在公共遗产管理方面的区域差异,并提出了建议。
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引用次数: 0
Capturing interfaces between museum architecture and exhibition design: a critical inquiry into museum space concepts 捕捉博物馆建筑与展览设计之间的界面:对博物馆空间概念的批判性探究
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-17 DOI: 10.1080/09647775.2023.2188474
A. Pilegaard
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引用次数: 0
Corporate museums and performance measurement systems 企业博物馆和绩效评估系统
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-17 DOI: 10.1080/09647775.2023.2188477
Eleonora Carloni, M. Arnaboldi, Eleonora Lorenzini, Antonio Calabrò
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引用次数: 0
The relationship between interactive kiosk design towards usage intention in the National Music Museum of Malaysia 马来西亚国家音乐博物馆互动亭设计与使用意图的关系
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-17 DOI: 10.1080/09647775.2023.2188475
Mohd Nasiruddin Abdul Aziz, Siti Norlizaiha Harun, Mohd Khairi Baharom, N. Kamaruddin, N. Zamin
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引用次数: 1
‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences “我觉得我和他们在一起”:丰富声音的音频描述对盲人和视力正常的博物馆观众体验和记忆艺术品的影响
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-17 DOI: 10.1080/09647775.2023.2188482
R. Hutchinson, A. Eardley
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引用次数: 0
Symbolic power for student curators as social agents: the emergence of the museum of World Languages at Shanghai International Studies University during the COVID-19 era 学生策展人作为社会代理人的象征力量:新冠肺炎时代上海外国语大学世界语言博物馆的出现
IF 2.1 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-15 DOI: 10.1080/09647775.2023.2188473
Qiong Bai, Benjamin H. Nam
ABSTRACT The COVID-19 pandemic has hindered the effectiveness of museum management and curatorship, a growing concern for the movement of international heritage conservation. Accordingly, this participatory action research explores the emergence of the Museum of World Languages at Shanghai International Studies University during the COVID-19 pandemic. By drawing insights from Pierre Bourdieu’s concepts of symbolic power and social agency in the new museology, this paper explores the educative, social, and political roles of the new language museum and the experiences of student curators with the new language museum. This paper promotes scholarly conversations about the curatorial narration of the language halls, the new coordinator’s responsibility, curatorial philosophy, experiential learning, social responsibility, political savvy, and intercultural communication and digital literacy competencies among the student curators. This study enhances the theoretical rigor and provides practical action agendas for diverse stakeholders in higher education administration and museum management beyond the COVID-19 pandemic.
2019冠状病毒病大流行影响了博物馆管理和策展的有效性,这是国际遗产保护运动日益受到关注的问题。因此,本参与式行动研究探讨了新冠疫情期间上海外国语大学世界语言博物馆的出现。本文借鉴皮埃尔·布迪厄在新博物馆学中的象征权力和社会代理概念,探讨了新语言博物馆的教育、社会和政治角色,以及学生策展人在新语言博物馆中的经验。本文促进了学生策展人之间关于语言馆策展叙事、新协调员责任、策展哲学、体验式学习、社会责任、政治悟性、跨文化交流和数字素养能力的学术对话。本研究提高了理论的严谨性,并为高等教育管理和博物馆管理的不同利益相关者提供了实际的行动议程。
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引用次数: 6
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Museum Management and Curatorship
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