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André Zampaulo (2019). Palatal sound change in the Romance languages: diachronic and synchronic perspectives. (Oxford Studies in Diachronic and Historical Linguistics 38.) Oxford: Oxford University Press. Pp. xii + 229.
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-02-01 DOI: 10.1017/s0952675721000075
Carolina González
Zampaulo’s monograph aims to accomplish a daunting task: to connect the historical pathways that resulted in various palatal outcomes in Romance to current palatal synchronic variation in this language family, and to provide a phonetically grounded formal analysis for both. The volume is organised into seven chapters. The first three provide a general introduction to the volume, the theoretical framework employed for the analysis and the main articulatory and acoustic properties of palatal consonants. The next three chapters comprise the core of the investigation. Chapter 4 focuses on the historical development of palatals in Romance, while Chapter 5 examines the current dialectal variation of palatals in this language family. Chapter 6 presents a formal account of diachronic and synchronic palatal variation in this family, and Chapter 7 offers some concluding remarks.
Zampaulo的专著旨在完成一项艰巨的任务:将导致罗曼语中各种腭部结果的历史途径与该语系中当前腭部共时性变化联系起来,并为两者提供基于语音的形式分析。全书共分为七章。前三部分提供了对音量的一般介绍,用于分析的理论框架以及腭辅音的主要发音和声学特性。接下来的三章是研究的核心。第4章重点介绍了罗曼语中腭语的历史发展,第5章考察了罗曼语中腭语的方言变化。第6章正式介绍了这个家族的历时性和共时性腭变异,第7章提供了一些结论。
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引用次数: 0
Kuniya Nasukawa (ed.) (2020). Morpheme-internal recursion in phonology. (Studies in Generative Grammar 140.) Berlin & Boston: De Gruyter Mouton. Pp. ix + 415. Kuniya Nasukawa(编辑)(2020)。音韵学中的语素内部递归。(《生成语法研究》140.)柏林和波士顿:德·格鲁特·穆顿。第ix页+415。
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-02-01 DOI: 10.1017/S0952675721000105
Peter D Szigetvari
Recursion is a key concept in both the organisation and the origin of language, claims Kuniya Nasukawa, the editor of this collection of papers (p. 1). If this is indeed the case, recursion ought to be found not only in syntax, but also in phonology. Phonologists are divided on whether phonology ‘proper’, i.e. the structure of syllables and segments, in fact involves recursion. The papers presented in this volume all address this question in greater or lesser detail. With one exception, Clemens Poppe, all authors conclude that phonology does involve recursion. Half of the papers were first presented at a workshop entitled ‘Recursion in phonology’, which was held in 2016 at Tohoku Gakuin University, Sendai; the others were written for this volume. The ‘morpheme-internal’ in the title of the volume is revealing and relevant. Recursive structures have been applied to rhythmic patters in phonology before, but Scheer (2011) and Nasukawa (2015) argue that these structures reflect (morpho-)syntactic rather than phonological structure. Most of the discussion in the present book is restricted to recursion within morphemes, where morphology and syntax have no role to play. The aim of the volume is to initiate a debate by taking a firm stand on the side of those arguing for the existence of morpheme-internal recursion in phonological representations. The book comprises an introduction by the editor and twelve papers by sixteen authors. Most of the papers discuss phonotactics and the representation of vowels and consonants, and of syllable structure. Three of the papers consider stress at some length, and one discusses the influence of adjacent consonants on tone. However, in most papers these topics are intertwined: tone and the laryngeal specification of consonants are intimately related issues, as are vocalic elements and the place specification of consonants, and vowel complexity and stress. It is hard, if not impossible, to set up any thematic classification. The papers of the volume are arranged in alphabetical order; I will follow this order below. Phillip Backley & Kuniya Nasukawa (pp. 11–36) discuss the representation of both vowels and consonants. They assert that prosodic units like the nucleus or the syllable are projections of melodic elements, so that a word is ultimately a projection of one of its vowels. A polysyllabic word thus involves several layers of recursive structures: one vowel may be a dependent of another vowel. Furthermore, several instances of the same phonological element are claimed to participate in the make-up of a single vowel. Another syntax-like feature of their framework is the assumption that it is the dependents that contribute linguistic information; heads are mostly just structural elements of the representation. A consonant is therefore a dependent of a following vowel, and, somewhat unexpectedly, a stressed vowel or syllable is a dependent of an unstressed one.
递归是语言的组织和起源中的一个关键概念,这本论文集的编辑Kuniya Nasukawa声称(第1页)。如果真的是这样的话,递归不仅应该在语法中找到,而且应该在音韵学中找到。语音学家对音韵学的“正确”,即音节和分段的结构,是否真的涉及递归存在分歧。本卷中的论文都或多或少地详细论述了这个问题。除了一个例外,Clemens Poppe,所有的作者都认为音韵学确实涉及递归。其中一半的论文是在2016年于仙台东北大学举行的题为“音韵学中的递归”的研讨会上首次发表的;其他的都是为这本书写的。该卷标题中的“词素内部”具有启示性和相关性。递归结构以前曾被应用于音韵学中的节奏模式,但Scheer(2011)和Nasukawa(2015)认为这些结构反映了(形态)句法而不是音韵学结构。本书中的大部分讨论都局限于词素中的递归,形态学和句法在其中没有任何作用。本卷的目的是通过坚定地站在那些主张语音表征中存在语素内部递归的人一边来引发一场辩论。这本书包括编辑的引言和十六位作者的十二篇论文。大多数论文都讨论了声韵策略、元音和辅音的表示以及音节结构。其中三篇论文在一定长度上考虑了重音,一篇讨论了相邻辅音对声调的影响。然而,在大多数论文中,这些主题是交织在一起的:音调和辅音的喉部规范是密切相关的问题,元音元素和辅音的位置规范以及元音的复杂性和重音也是如此。即使不是不可能,也很难建立任何专题分类。该卷的论文按字母顺序排列;我将按照下面的顺序。PhillipBackley和KuniyaNasukawa(第11-36页)讨论了元音和辅音的表示。他们断言,像细胞核或音节这样的韵律单元是旋律元素的投影,因此一个单词最终是其元音之一的投影。因此,一个多音节单词包含了多层递归结构:一个元音可能是另一个元音的从属元音。此外,同一语音元素的几个实例被声称参与了单个元音的构成。他们的框架的另一个类似语法的特征是假设是依赖者贡献了语言信息;头部大多只是表示的结构元素。因此,辅音是后元音的从属元音,而有点出乎意料的是,重音元音或音节是非重音元音的从属音节。
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引用次数: 0
Polarity in a four-level tone language: tone features in Tenyidie 四级声调语言的极性:Tenyidie的声调特征
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-02-01 DOI: 10.1017/S0952675721000063
Savio M. Meyase
This paper reports a new kind of tone polarity, where the phenomenon is seen in a language with four level tones, Tenyidie (also known as Angami). I show that the polarity is in the features of the tones, i.e. at a subtonal level. The data also provide evidence that tones themselves can be broken down into smaller features. Furthermore, I demonstrate that the polarity pattern observed in the language is an epiphenomenon, a reflex of the Obligatory Contour Principle, not a phonological process in its own right. I show this with the help of a new type of tonal representation. Theoretical discussions of tone polarity have so far been almost entirely restricted to African tone systems, and to languages with just two tones. This paper brings into the discussion a Tibeto-Burman language with four tones.
这篇论文报道了一种新的音调极性,这种现象在一种有四个层次音调的语言Tenyidie(也被称为Angami)中看到。我表明极性是在音调的特征中,即在次音水平上。这些数据还提供了证据,表明音调本身可以被分解成更小的特征。此外,我证明在语言中观察到的极性模式是一种附带现象,是强制性轮廓原则的反映,而不是其本身的语音过程。我借助一种新的音调表示来展示这一点。到目前为止,关于音调极性的理论讨论几乎完全局限于非洲音调系统,以及只有两个音调的语言。本文讨论了一种四声调藏缅语。
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引用次数: 3
PHO volume 38 issue 1 Cover and Back matter PHO第38卷第1期封面和封底
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-02-01 DOI: 10.1017/s0952675721000130
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引用次数: 0
Phonological contrasts and gradient effects in ongoing lenition in the Spanish of Gran Canaria 大加那利岛西班牙语持续学习中的语音对比和梯度效应
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-02-01 DOI: 10.1017/S0952675721000038
Karolina Broś, Marzena Żygis, Adam Sikorski, Jan Wołłejko
This study explores ongoing lenition of postvocalic /p t k b d g/ in the Spanish of Gran Canaria. Duration, intensity and harmonics-to-noise ratio of 16,454 sounds produced by 44 native speakers were measured, with the latter phonetic parameter used for the first time to investigate lenition. The results show a path of gradual sound shortening and opening from voiceless stops to open approximants, as well as systematic use of six different variants depending on the underlying representation and phonological context: two types of [p t k], two types of [b d g] and two types of [β˕ ð˕ ɣ˕]. We interpret this as continuity lenition that leads to the flattening of the intensity contour and harmonicity of the target segment with respect to the flanking sounds. We argue that a phonological analysis of this process that accounts for its non-neutralising character requires the use of a scalar [aperture] feature.
本研究探讨了在大加那利群岛的西班牙语中发音后/pt k b d g/的持续发音。测量了44位母语人士发出的16454个声音的持续时间、强度和谐波噪声比,首次使用后一个语音参数来研究重音。结果显示了一条从无声塞音到开放接近音的逐渐缩短和开放的路径,以及根据潜在的表征和语音上下文系统地使用六种不同的变体:两种类型的[p t k]、两种类型(b d g])和两种类型[β˕。我们将其解释为连续性,导致目标片段的强度轮廓和和声相对于侧翼声音变平。我们认为,对这一过程进行语音分析,以解释其非中性特征,需要使用标量[孔径]特征。
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引用次数: 9
PHO volume 37 issue 4 Cover and Back matter PHO第37卷第4期封面和封底
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-11-01 DOI: 10.1017/s0952675721000026
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引用次数: 0
Incorporating tone in the modelling of wordlikeness judgements 将声调纳入词似性判断模型
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-11-01 DOI: 10.1017/S0952675720000287
Youngah Do, R. K. Lai
Various phonotactic models have been proposed for the prediction of wordlikeness judgements, most of which have focused primarily on segments. This article aims to model wordlikeness judgements when tone is incorporated. We first show how the two major determinants of wordlikeness judgements, i.e. phonotactic probability and neighbourhood density, can be measured when tone is involved. To test the role of the two determinants of wordlikeness judgements in a tone language, judgement data were obtained from speakers of Cantonese. Bayesian modelling was then used to model the judgement data, showing that phonotactic probability, but not neighbourhood density, influences wordlikeness judgements. We also show that phonotactic probability affects the tendency to judge items as absolutely perfect or more or less wordlike, while it does not affect judgements that an item is absolutely not wordlike. Implications of these results for phonotactic modelling and processes involved in wordlikeness judgements are discussed.
已经提出了各种发音模型来预测单词相似性判断,其中大多数主要集中在片段上。这篇文章的目的是模拟当音调被纳入时的单词相似性判断。我们首先展示了当涉及音调时,如何测量单词相似性判断的两个主要决定因素,即发音概率和邻域密度。为了检验声调语言中词语相似性判断的两个决定因素的作用,从广东人身上获得了判断数据。然后使用贝叶斯模型对判断数据进行建模,表明表音概率(而不是邻域密度)影响单词相似性判断。我们还表明,表音概率会影响将项目判断为绝对完美或或多或少类似文字的倾向,而不会影响对项目绝对不类似文字的判断。讨论了这些结果对发音模型和单词相似性判断过程的影响。
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引用次数: 4
Estimating historical probabilities of natural and unnatural processes 估计自然和非自然过程的历史概率
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-11-01 DOI: 10.1017/S0952675720000263
G. Beguš
This paper presents a technique for estimating the influences of channel bias on phonological typology. The technique, based on statistical bootstrapping, enables the estimation of historical probability, the probability that a synchronic alternation arises based on two diachronic factors: the number of sound changes required for an alternation to arise and their respective probabilities. I estimate historical probabilities of six attested and unattested alternations targeting the feature [voice], compare historical probabilities of these alternations, perform inferential statistics on the comparison and, to evaluate the performance of the channel bias approach, compare outputs of the diachronic model against the independently observed synchronic typology. The technique also identifies mismatches between the typological predictions of the analytic bias and channel bias approaches. By comparing these mismatches with the observed typology, this paper attempts to quantitatively evaluate the distinct contributions of the two influences on typology in a set of alternations targeting the feature [voice].
本文提出了一种估计通道偏差对语音类型学影响的方法。该技术基于统计自举,能够估计历史概率,即基于两个历时因素的共时交替发生的概率:交替发生所需的声音变化的数量及其各自的概率。我估计了针对特征[语音]的六种已证实和未证实的交替的历史概率,比较了这些交替的历史概率,对比较进行了推断统计,为了评估通道偏差方法的性能,将历时模型的输出与独立观察的共时类型进行了比较。该技术还可以识别分析偏差和通道偏差方法的类型预测之间的不匹配。通过将这些不匹配与观察到的类型学进行比较,本文试图定量评估这两种影响在一组针对特征[声音]的替代中对类型学的不同贡献。
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引用次数: 4
Constraint cumulativity in phonotactics: evidence from artificial grammar learning studies 语音策略中的约束累积性:来自人工语法学习研究的证据
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-11-01 DOI: 10.1017/S0952675720000275
Canaan Breiss
An ongoing debate in phonology concerns the treatment of cumulative constraint interactions, or ‘gang effects’, and by extension the question of which phonological frameworks are suitable models of the grammar. This paper uses a series of artificial grammar learning experiments to examine the inferences that learners draw about cumulative constraint violations in phonotactics in the absence of a confounding natural-language lexicon. I find that learners consistently infer linear counting and ganging cumulativity across a range of phonotactic violations.
音韵学中正在进行的争论涉及累积约束相互作用或“帮派效应”的处理,以及哪些音韵学框架是合适的语法模型的问题。本文使用一系列人工语法学习实验来检验在没有混淆的自然语言词汇的情况下,学习者对表音策略中累积约束违反的推断。我发现,学习者在一系列违反发音规则的情况下,一致地推断线性计数和成组累积性。
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引用次数: 7
Weight and final vowels in the English stress system 英语重音系统中的重音和末元音
IF 1.3 2区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-11-01 DOI: 10.1017/S0952675720000305
C. Moore-Cantwell
This paper presents both dictionary evidence and experimental evidence that the quality of a word's final vowel plays a role in assigning main stress in English. Specifically, a final [i] pushes main stress leftwards – three-syllable words ending with [i] have a strong tendency to take antepenultimate stress. This pattern is compared with the Latin Stress Rule for English, according to which words with heavy penultimate syllables should have penultimate stress. Both pressures are shown to be productive in experiments. Two analyses of the final-[i] generalisation are tested, one using the ‘cloned’ constraint Non-finFt[i], and one using the ‘parochial’ constraint Antepenult[i], which directly penalises [i]-final words which do not have antepenultimate stress. Although it is has less typological support, Antepenult[i] is argued for on the grounds that it correctly predicts participants' behaviour on words with both a heavy penult and a final [i], which are extremely rare in the lexicon.
本文从词典和实验两方面论证了英语中词尾元音的音质对主重音的分配起着重要作用。具体来说,尾音[i]将主重音往左推——以[i]结尾的三音节单词更倾向于采用倒数第二个重音。这种模式与英语的拉丁重音规则相比较,根据拉丁重音规则,倒数第二个音节重的单词应该有倒数第二个重音。实验表明,这两种压力都是有效的。对final-[i]泛化的两种分析进行了测试,一种使用了“克隆”约束Non-finFt[i],另一种使用了“教区”约束Antepenult[i],它直接惩罚了[i]-final单词,这些单词没有antepenultimate重音。虽然它没有类型学上的支持,但Antepenult[i]的理由是它正确地预测了参与者对带有重倒数和尾[i]的单词的行为,这在词典中是极其罕见的。
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引用次数: 3
期刊
Phonology
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