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Book Review: International Broadcasting and Its Contested Role in Australian Statecraft: Middle Power, Smart Power by Geoff Heriot 书评:《国际广播及其在澳大利亚治国方略中有争议的角色:中等实力,巧实力》,杰夫·赫里奥特著
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-08-07 DOI: 10.1177/1329878x231193918
Ben Kooyman
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引用次数: 0
Listening for the local: Australian community radio and climate change communication 收听当地:澳大利亚社区广播和气候变化交流
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-08-03 DOI: 10.1177/1329878x231193182
Bridget Backhaus, Kerrie Foxwell-Norton, A. Leitch
Climate change is most acutely experienced at the local level so conversations and action must be locally relevant. Australia's community radio sector is uniquely positioned – both as hyperlocal media and a platform for diverse voices – to facilitate these conversations. Drawing on research conducted with 12 community radio stations, this article enlists Dreher and de Souza’s idea of community radio as community ‘listening posts’: spaces for communities to engage with external groups as well as those within. Community radio stations present opportunities for political leaders and policymakers to access community sentiment and experiences of climate change. The role of listening in community radio also speaks to the relationships between communicative justice and climate justice – the politics of who speaks and who is heard. The findings suggest that the Australian sector and its global contemporaries could embrace the role of listening with community radio to support community resilience to climate change.
气候变化在地方层面的感受最为强烈,因此对话和行动必须与地方相关。澳大利亚的社区广播部门具有独特的定位,既是超地方媒体,也是不同声音的平台,可以促进这些对话。根据对12个社区广播电台的研究,本文引用了Dreher和de Souza关于社区广播电台作为社区“听众站”的想法:社区与外部团体和内部团体进行交流的空间。社区广播电台为政治领导人和决策者提供了了解社区对气候变化的看法和经验的机会。在社区广播中收听的作用也说明了传播正义与气候正义之间的关系-谁说话和谁被听到的政治。研究结果表明,澳大利亚部门及其全球同行可以接受收听社区广播的角色,以支持社区应对气候变化的能力。
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引用次数: 0
Book Review: Hyperconnectivity and its Discontents by Rogers Brubaker 书评:罗杰斯·布鲁贝克的《超连接及其不满》
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-27 DOI: 10.1177/1329878x231191300
Katharina Esau
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引用次数: 0
Book Review: Media Monsters: The Transformation of Australia’s Newspaper Empires by Sally Young 书评:《媒体怪物:澳大利亚报业帝国的转型》,作者:莎莉·杨
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-27 DOI: 10.1177/1329878x231191301
A. Edwards
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引用次数: 0
Book Review: Investigating Google’s Search Engine: Ethics, Algorithms, and the Machines Built to Read Us by Rosie Graham 书评:《调查谷歌的搜索引擎:伦理、算法和读懂我们的机器》,作者罗西·格雷厄姆
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-27 DOI: 10.1177/1329878x231191302
Mohammed Foysal Chowdhury
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引用次数: 0
K-pop TikTok: TikTok's expansion into South Korea, TikTok Stage, and platformed glocalization K-pop TikTok: TikTok向韩国、TikTok Stage和全球本地化平台的扩张
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-12 DOI: 10.1177/1329878X231186445
C. Abidin, Jin Lee
We examine how TikTok expanded into the South Korean landscape by utilizing K-pop as a vehicle, thus demonstrating the theory of ‘platformed glocalization’. After several failed attempts to enter the Korean market – having been stigmatized as a ‘vulgar Chinese app’ – TikTok Korea eventually launched a successful event series known as ‘TikTok Stage’ to leverage on the gaps in the K-pop market arising from the COVID-19 pandemic. While ‘platformization’ has been studied as the pervasive reach and impact of platforms on cultures, we showcase the potential for a variant that we term ‘platformed glocalization’, usually observed when domestic market cultures and their associated socio-politics are particularly strong. We investigate K-pop stars and fans’ ‘promotional labour’ during the events, which is essential in the process of platformed glocalization. We discuss how the mainstream entertainment industry and newly emerging social media platforms work in tandem to produce a market-specific mobilization of digital cultures.
我们研究了TikTok如何以K-pop为载体,扩展到韩国市场,从而证明了“平台全球本地化”理论。在多次尝试进入韩国市场后,TikTok韩国被污名为“低俗的中国应用程序”,最终成功推出了名为“TikTok Stage”的系列活动,以利用因新冠肺炎疫情而出现的韩国流行音乐市场空白。虽然“平台化”已经被研究为平台对文化的普遍影响和影响,但我们展示了一种变体的潜力,我们称之为“平台全球本地化”,通常在国内市场文化及其相关的社会政治特别强大时观察到。我们调查了K-pop明星和粉丝在活动期间的“推广劳动”,这在平台全球本地化的过程中是必不可少的。我们讨论了主流娱乐产业和新兴的社交媒体平台如何协同工作,以产生特定市场的数字文化动员。
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引用次数: 1
Practising citizenship through online media: An interpretive case study of Chinese New Zealanders’ civic engagement online 通过网络媒体实践公民身份:新西兰华人在线公民参与的解释性案例研究
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-10 DOI: 10.1177/1329878x231185563
Yu Du
Civic engagement is vital for a functioning democracy. Digital media broadens avenues of civic engagement, allowing people to practise various forms of citizenship. This article explores Chinese New Zealanders’ civic engagement on various digital media platforms. The findings result from an interpretive analysis of 38 Chinese New Zealanders’ in-depth interviews. I found that interviewees practised engaged and flexible citizenship through digital media activities. These two forms of citizenship enable Chinese New Zealanders to negotiate multilayered identities and disclose internal diversity. They also used social media to develop essential skills to address everyday concerns. The research enriches the knowledge of the Chinese diaspora's online media practices and deepens the understanding of digital media's democratic potential.
公民参与对一个正常运转的民主国家至关重要。数字媒体拓宽了公民参与的途径,使人们能够实践各种形式的公民身份。本文探讨了华裔新西兰人在各种数字媒体平台上的公民参与。研究结果来自对38名新西兰华人的深度访谈的解释性分析。我发现受访者通过数字媒体活动实践了参与和灵活的公民身份。这两种形式的公民身份使新西兰华人能够协商多重身份,并揭示内部多样性。他们还利用社交媒体培养解决日常问题的基本技能。该研究丰富了对海外华人网络媒体实践的认识,加深了对数字媒体民主潜力的理解。
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引用次数: 0
Book Review: Emotions and Virtues in Feature Writing: The Alchemy of Creating Prize-Winning Stories by Jennifer Martin 书评:《特写写作中的情感与美德:创造获奖故事的炼金术》,作者詹妮弗·马丁
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-10 DOI: 10.1177/1329878x231183289
Cheryl O’Byrne
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引用次数: 0
A series of lively impressions: Quality narration and the rise of audio description 一系列生动的印象:高质量的叙述与有声描述的兴起
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-04 DOI: 10.1177/1329878x231183286
G. Peaty, Kathryn Locke, Kai-Ti Kao, Katie Ellis, Hersinta
This article investigates the multiple values of audio description (AD) across an increasingly discerning, broad and multi-platform audience of video consumers. While other accessibility features, such as closed captions, are an established aspect of accessible video consumption, AD has more recently emerged as a socially and culturally significant feature for audiences, both with and without vision-based disabilities. This article offers a review of historical accounts of AD and current discussions around both the quality and provision of AD for video. This discussion is presented alongside the findings from our three-way review of the accessibility of the video on demand landscape in Australia. We identify that AD is at a critical juncture, popularised by the rise in audio content and audience demands for personalised viewing options, thus becoming a mainstream entertainment issue as well as an accessibility issue.
本文探讨了音频描述(AD)在日益挑剔、广泛和多平台的视频消费者群体中的多重价值。虽然其他无障碍功能(如封闭字幕)是无障碍视频消费的一个已建立的方面,但AD最近才成为具有社会和文化意义的重要功能,无论是否有视觉障碍。本文回顾了视频广告的历史记录,以及围绕视频广告的质量和提供的当前讨论。这一讨论与我们对澳大利亚视频点播景观的可访问性的三方审查的结果一起提出。我们认为广告正处于一个关键时刻,随着音频内容的增加和观众对个性化观看选项的需求的增加,广告将受到欢迎,从而成为主流娱乐问题以及可访问性问题。
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引用次数: 0
‘What if it rains? What if there are bushfires?’: Extreme weather, climate change and music festivals in Australia “要是下雨怎么办?”如果发生森林大火怎么办?:澳大利亚的极端天气、气候变化和音乐节
IF 2.4 3区 文学 Q1 Social Sciences Pub Date : 2023-07-04 DOI: 10.1177/1329878x231184913
B. Green, C. Strong
Increasingly, music festivals in Australia are being cancelled, postponed or otherwise impacted by extreme weather events, including floods throughout 2022 and bushfires in 2018–2019. These and other forms of extreme weather, such as dangerous heat and drought, are predicted to increase in frequency and severity due to climate change. However, relative to the size of the problem, there is a lack of attention in both public discussion and scholarly literature to the impacts of extreme weather and climate change on the festival sector, and the need to adapt in response. This study explores this issue in the context of Australian music festivals. The threat of extreme weather to the Australian music festival sector and its benefits is outlined, with reference to climate science predictions as against known festival activity, as well as a detailed overview of recent impacts. This is followed by an examination of how music festival stakeholders in industry and government are responding to this challenge, through the analysis of policy submissions, media comments and changes of practice. This article concludes by proposing a set of questions and issues for research, policy and action concerning the escalating impact of extreme weather on music festivals in Australia, with relevance to other places.
越来越多的澳大利亚音乐节被取消、推迟或以其他方式受到极端天气事件的影响,包括2022年的洪水和2018-2019年的森林大火。由于气候变化,预计这些和其他形式的极端天气,如危险的高温和干旱,频率和严重程度都会增加。然而,相对于问题的严重性,公众讨论和学术文献都缺乏对极端天气和气候变化对节日部门的影响以及适应应对的必要性的关注。本研究在澳大利亚音乐节的背景下探讨了这个问题。极端天气对澳大利亚音乐节部门的威胁及其好处进行了概述,参考气候科学预测,反对已知的节日活动,以及最近影响的详细概述。接下来,通过对政策提交、媒体评论和实践变化的分析,研究音乐节行业和政府的利益相关者如何应对这一挑战。本文最后提出了一系列关于极端天气对澳大利亚音乐节影响不断升级的问题和问题,并与其他地方相关。
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引用次数: 0
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