Pub Date : 2023-04-09DOI: 10.1080/07256868.2023.2198202
Bree Blakeman, Dhambiŋ Burarrwaŋa
ABSTRACT Much has been written about Yolŋu social organisation since Lloyd Warner’s early ethnography (1937). Debates within this literature have predominantly focused on the relative independence of bäpurru groups, a significant social unit within Yolŋu society, and whether these can accurately be described as ‘corporate descent groups’. To develop a fresh perspective on Yolŋu social organisation, this paper presents an exploration of five drawings by Dhambiŋ Burarrwaŋa and her waku (daughters, sister’s daughters), a novel methodology which has allowed us to recast well-known anthropological tropes within a setting of relational growth and cross-cultural communication. Rather than outlining a structural model, themes of raki’ (strings), luku (foot, footprint, anchor, root of a tree), gamunuŋgu (white clay), and lirrwi (ashes, shade) are explored in detail, as they reveal multiple layers of complexity and connection within otherwise abstract notions like ‘clan’. The drawings and accompanying exegesis situate Yolngu identity within living social connections. What emerges is a relational portrait that embeds the ‘clan debate’ within those relationships that make understanding possible in the first place.
{"title":"Yolkala Gumurrlili? with Whom Towards the Chest? A Relational Portrait of Yolŋu Social Organisation","authors":"Bree Blakeman, Dhambiŋ Burarrwaŋa","doi":"10.1080/07256868.2023.2198202","DOIUrl":"https://doi.org/10.1080/07256868.2023.2198202","url":null,"abstract":"ABSTRACT Much has been written about Yolŋu social organisation since Lloyd Warner’s early ethnography (1937). Debates within this literature have predominantly focused on the relative independence of bäpurru groups, a significant social unit within Yolŋu society, and whether these can accurately be described as ‘corporate descent groups’. To develop a fresh perspective on Yolŋu social organisation, this paper presents an exploration of five drawings by Dhambiŋ Burarrwaŋa and her waku (daughters, sister’s daughters), a novel methodology which has allowed us to recast well-known anthropological tropes within a setting of relational growth and cross-cultural communication. Rather than outlining a structural model, themes of raki’ (strings), luku (foot, footprint, anchor, root of a tree), gamunuŋgu (white clay), and lirrwi (ashes, shade) are explored in detail, as they reveal multiple layers of complexity and connection within otherwise abstract notions like ‘clan’. The drawings and accompanying exegesis situate Yolngu identity within living social connections. What emerges is a relational portrait that embeds the ‘clan debate’ within those relationships that make understanding possible in the first place.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"678 - 696"},"PeriodicalIF":1.0,"publicationDate":"2023-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44901723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-06DOI: 10.1080/07256868.2023.2192912
Wanta Jampijinpa Pawu, Samuel Curkpatrick
ABSTRACT This dialogue between Warlpiri ceremonial leader and educator Wanta Jampijinpa Pawu and academic Samuel Curkpatrick explores important Warlpiri concepts related to social interconnectedness and responsibility. With characteristic narrative dexterity, Pawu develops concepts that originate within traditional Warlpiri thought and performance in provocative ways, interpreting ngurra-kurlu (home within), kuruwarri (system) and wantarri-tarri (travelling route) to generate insight within contemporary issues of cultural and national identity. Extending from Pawu’s appraisal of songlines as a form of hermeneutic activity, we consider how intersecting narratives of people and place allow meaningful relationships to be sustained and communities to be nourished by one another, in their mutual differences. The material presented in this discussion arose through a series of conversations between the authors, and through keynote presentations delivered by Pawu at the University of Divinity and Indigenous Knowledge Institute, University of Melbourne, in December 2021. The themes and narratives of this dialogue reflect Pawu’s teaching ethos, artistic direction, and approach to language and interpretation.
{"title":"Gift to One Another: Interpreting Songlines Through the Relational Dynamics of Kuruwarri","authors":"Wanta Jampijinpa Pawu, Samuel Curkpatrick","doi":"10.1080/07256868.2023.2192912","DOIUrl":"https://doi.org/10.1080/07256868.2023.2192912","url":null,"abstract":"ABSTRACT This dialogue between Warlpiri ceremonial leader and educator Wanta Jampijinpa Pawu and academic Samuel Curkpatrick explores important Warlpiri concepts related to social interconnectedness and responsibility. With characteristic narrative dexterity, Pawu develops concepts that originate within traditional Warlpiri thought and performance in provocative ways, interpreting ngurra-kurlu (home within), kuruwarri (system) and wantarri-tarri (travelling route) to generate insight within contemporary issues of cultural and national identity. Extending from Pawu’s appraisal of songlines as a form of hermeneutic activity, we consider how intersecting narratives of people and place allow meaningful relationships to be sustained and communities to be nourished by one another, in their mutual differences. The material presented in this discussion arose through a series of conversations between the authors, and through keynote presentations delivered by Pawu at the University of Divinity and Indigenous Knowledge Institute, University of Melbourne, in December 2021. The themes and narratives of this dialogue reflect Pawu’s teaching ethos, artistic direction, and approach to language and interpretation.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"760 - 771"},"PeriodicalIF":1.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41534494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-06DOI: 10.1080/07256868.2023.2192467
Samuel Curkpatrick
ABSTRACT Engagement with concepts of Indigenous knowledge can generate valuable conversation on what knowledge is within diverse cultures and their interactions, enriching the intellectual frameworks guiding collaborative research with Indigenous Australian communities. However, significant limitations of this term can be shown by looking to specific traditions of thought and performance within Indigenous Australia. In this article, I argue that use of the term Indigenous knowledge often carries tacit epistemological assumptions that obscure various relational and participatory dynamics of knowledge. This can be seen in tendencies to utilise the term as a marker of cultural separation rather than looking to the ways distinct traditions allow relational growth across cultural differences. I develop this critique with reference to Yolŋu manikay (public ceremonial song) as it foregrounds interactivity between different peoples and places as integral to meaningful engagement with ancestral traditions. These observations echo recent methodological work within Australian ethnomusicology, in which collaborative research activities prioritise ceremonial revitalisation and archival repatriation over ethnographic documentation. I suggest this focus might be further consolidated by emphasising characteristics such as respect, attentiveness and friendship, which can motivate collaborative research and constitute knowledge within unique localities of people and place.
{"title":"Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience","authors":"Samuel Curkpatrick","doi":"10.1080/07256868.2023.2192467","DOIUrl":"https://doi.org/10.1080/07256868.2023.2192467","url":null,"abstract":"ABSTRACT Engagement with concepts of Indigenous knowledge can generate valuable conversation on what knowledge is within diverse cultures and their interactions, enriching the intellectual frameworks guiding collaborative research with Indigenous Australian communities. However, significant limitations of this term can be shown by looking to specific traditions of thought and performance within Indigenous Australia. In this article, I argue that use of the term Indigenous knowledge often carries tacit epistemological assumptions that obscure various relational and participatory dynamics of knowledge. This can be seen in tendencies to utilise the term as a marker of cultural separation rather than looking to the ways distinct traditions allow relational growth across cultural differences. I develop this critique with reference to Yolŋu manikay (public ceremonial song) as it foregrounds interactivity between different peoples and places as integral to meaningful engagement with ancestral traditions. These observations echo recent methodological work within Australian ethnomusicology, in which collaborative research activities prioritise ceremonial revitalisation and archival repatriation over ethnographic documentation. I suggest this focus might be further consolidated by emphasising characteristics such as respect, attentiveness and friendship, which can motivate collaborative research and constitute knowledge within unique localities of people and place.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"658 - 677"},"PeriodicalIF":1.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47875533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-27DOI: 10.1080/07256868.2023.2192468
D. Arapakis
ABSTRACT Based on Greek diasporic articulations of historical consciousness in Australia, this article introduces an analytical framework called ethnic compartmentalisation. Bringing Australian studies of ethnicity into dialogue with settler colonial scholarship, ethnic compartmentalisation examines how Greek migrants/settlers fragment their sense of belonging to Australia. By compartmentalising their sense of history, race, and migration, the segments of the Greek diaspora in Australia justify their ongoing settlement on Indigenous lands by separating or leveraging the multiple parts of their inherited migrant histories as insiders and outsiders.
{"title":"Ethnic Compartmentalisation: Greek Australian (Dis)Associations with White Australia and Indigenous Sovereignty","authors":"D. Arapakis","doi":"10.1080/07256868.2023.2192468","DOIUrl":"https://doi.org/10.1080/07256868.2023.2192468","url":null,"abstract":"ABSTRACT Based on Greek diasporic articulations of historical consciousness in Australia, this article introduces an analytical framework called ethnic compartmentalisation. Bringing Australian studies of ethnicity into dialogue with settler colonial scholarship, ethnic compartmentalisation examines how Greek migrants/settlers fragment their sense of belonging to Australia. By compartmentalising their sense of history, race, and migration, the segments of the Greek diaspora in Australia justify their ongoing settlement on Indigenous lands by separating or leveraging the multiple parts of their inherited migrant histories as insiders and outsiders.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"799 - 817"},"PeriodicalIF":1.0,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44960606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-27DOI: 10.1080/07256868.2023.2192469
Juanita Mulholland, Sarah Bacaller
ABSTRACT If love can blind, are there are also scenarios in which relationality invokes clarity of knowledge and closeness of hearing? In this collaborative piece, Bardi artist and weaver Juanita Mulholland and researcher Sarah Bacaller explore the intersection between friendship and Australian Indigenous art forms. They reflect on the development and ethos of Juanita’s artistic practice, as it pertains to her sense of Indigenous identity and selfhood, including in the context of dislocation and loss. The dialogue is prefaced by reflections on recent criticism by Fisher [2012. The Art/Ethnography Binary: Post-Colonial Tensions Within the Field of Australian Aboriginal Art. Cultural Sociology, 6 (2), 251–270] on the ethnography–art binary in approaches to interpreting Australian Indigenous art in its diverse and varied forms. By exploring the dangers inherent in both objectivist (‘ethographic’) and subjectivist (art ‘on its own terms’) approaches, and building on the work of Biddle and Stefanoff [2015. What is Same but Different and why Does it Matter? Cultural Studies Review, 21 (1), 97–120], the authors explore how ethical relationality and connection can lead to a fuller understanding and appreciation of artworks and their artists, especially in relation to non-Indigenous engagement with Australian Indigenous artistry.
{"title":"Dislocation, Exploration, Invigoration: Exploring the Cross-cultural Intersection of Art and Friendship","authors":"Juanita Mulholland, Sarah Bacaller","doi":"10.1080/07256868.2023.2192469","DOIUrl":"https://doi.org/10.1080/07256868.2023.2192469","url":null,"abstract":"ABSTRACT If love can blind, are there are also scenarios in which relationality invokes clarity of knowledge and closeness of hearing? In this collaborative piece, Bardi artist and weaver Juanita Mulholland and researcher Sarah Bacaller explore the intersection between friendship and Australian Indigenous art forms. They reflect on the development and ethos of Juanita’s artistic practice, as it pertains to her sense of Indigenous identity and selfhood, including in the context of dislocation and loss. The dialogue is prefaced by reflections on recent criticism by Fisher [2012. The Art/Ethnography Binary: Post-Colonial Tensions Within the Field of Australian Aboriginal Art. Cultural Sociology, 6 (2), 251–270] on the ethnography–art binary in approaches to interpreting Australian Indigenous art in its diverse and varied forms. By exploring the dangers inherent in both objectivist (‘ethographic’) and subjectivist (art ‘on its own terms’) approaches, and building on the work of Biddle and Stefanoff [2015. What is Same but Different and why Does it Matter? Cultural Studies Review, 21 (1), 97–120], the authors explore how ethical relationality and connection can lead to a fuller understanding and appreciation of artworks and their artists, especially in relation to non-Indigenous engagement with Australian Indigenous artistry.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"772 - 784"},"PeriodicalIF":1.0,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44365992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-10DOI: 10.1080/07256868.2023.2186843
Antje Missbach
{"title":"Understanding Diaspora Development: Lessons from Australia and The Pacific","authors":"Antje Missbach","doi":"10.1080/07256868.2023.2186843","DOIUrl":"https://doi.org/10.1080/07256868.2023.2186843","url":null,"abstract":"","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"642 - 643"},"PeriodicalIF":1.0,"publicationDate":"2023-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48320182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-03DOI: 10.1080/07256868.2023.2173562
Carlos Miguel Gómez-Rincón
ABSTRACT This paper explores the problem of truth in the study of traditional ways of knowing, which implies two main philosophical issues: how to understand the epistemic value of social theories, and how to treat the truth-claims constitutive of alien knowing practices. The second question, it is argued, has priority over the first and may lead toward its resolution. To present the problem of truth, the first part explores a case of pre-theoretical conflict between different sets of ontological commitments regarding shamanic visionary knowledge. Sections two and three examine the hermeneutical difficulties involved in the principle of bracketing alien truth-claims and propose an intercultural expansion of Gadamer’s hermeneutics. The final part develops the principle of Intercultural Interpellation as the ground of a theory of intercultural understanding based on the recognition of truth-claims.
{"title":"Taking the Truth of Others Seriously. The Perspective of Intercultural Hermeneutics","authors":"Carlos Miguel Gómez-Rincón","doi":"10.1080/07256868.2023.2173562","DOIUrl":"https://doi.org/10.1080/07256868.2023.2173562","url":null,"abstract":"ABSTRACT This paper explores the problem of truth in the study of traditional ways of knowing, which implies two main philosophical issues: how to understand the epistemic value of social theories, and how to treat the truth-claims constitutive of alien knowing practices. The second question, it is argued, has priority over the first and may lead toward its resolution. To present the problem of truth, the first part explores a case of pre-theoretical conflict between different sets of ontological commitments regarding shamanic visionary knowledge. Sections two and three examine the hermeneutical difficulties involved in the principle of bracketing alien truth-claims and propose an intercultural expansion of Gadamer’s hermeneutics. The final part develops the principle of Intercultural Interpellation as the ground of a theory of intercultural understanding based on the recognition of truth-claims.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"521 - 535"},"PeriodicalIF":1.0,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47086993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-11DOI: 10.1080/07256868.2023.2166027
Eric Lepp
ABSTRACT Between the poles of conflict and reconciliation are the complex and simple interactions of the everyday. This article introduces the conceptual development of ‘side-by-sidedness’ – a form of ‘lightened encounter’ that is civilly inattentive to differences and divisions, thus contributing to improved relationships between individuals in violent protracted conflict. Emerging from a case study centred on the supporters of the Belfast Giants ice hockey club, this concept is developed around shifts in identity, encounter and space that occur through the willingness to sit side-by-side across historical divisions at ice hockey games without a necessary willingness to live side-by-side the person in the seat next to you. The case study is utilised as an unorthodox meeting point – the ice hockey arena of Northern Ireland sits outside the disputed histories in the region and yet offers a banality in the inclusion of the ‘other’. Side-by-sidedness thus lies between the narratives and imagery of a divided past and that of a reconciled, hand-in-hand future, instead identifying the willingness to share space as a means of ‘getting on with it’ in everyday Belfast.
{"title":"Side-by-Sidedness: A Conceptual Rethinking of Post-Peace Agreement Encounter","authors":"Eric Lepp","doi":"10.1080/07256868.2023.2166027","DOIUrl":"https://doi.org/10.1080/07256868.2023.2166027","url":null,"abstract":"ABSTRACT Between the poles of conflict and reconciliation are the complex and simple interactions of the everyday. This article introduces the conceptual development of ‘side-by-sidedness’ – a form of ‘lightened encounter’ that is civilly inattentive to differences and divisions, thus contributing to improved relationships between individuals in violent protracted conflict. Emerging from a case study centred on the supporters of the Belfast Giants ice hockey club, this concept is developed around shifts in identity, encounter and space that occur through the willingness to sit side-by-side across historical divisions at ice hockey games without a necessary willingness to live side-by-side the person in the seat next to you. The case study is utilised as an unorthodox meeting point – the ice hockey arena of Northern Ireland sits outside the disputed histories in the region and yet offers a banality in the inclusion of the ‘other’. Side-by-sidedness thus lies between the narratives and imagery of a divided past and that of a reconciled, hand-in-hand future, instead identifying the willingness to share space as a means of ‘getting on with it’ in everyday Belfast.","PeriodicalId":46961,"journal":{"name":"Journal of Intercultural Studies","volume":"44 1","pages":"570 - 586"},"PeriodicalIF":1.0,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46752477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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