Pub Date : 2023-07-31DOI: 10.1177/13675494231184019
H. Sacré, K. Rutten
This article explores the racial semiotics of the Dutch concept of the other-lingual ( de anderstalige). Multicultural discourse ostensibly encodes the otherness as merely linguistic; however, Flemish nationalist policy discourse deploys the other-lingual to discern autochthony from allochthony. Retracing the origins of this concept, we found that the concept did not originate in Dutch-speaking Europe, but we found earlier traces overseas in apartheid South Africa where the Afrikaans concept served the forced exclusion of coloured people. We conduct a semiotic analysis of the other-lingual to study how the concept racially encodes and decodes the Afrikaans language in South Africa and the Dutch language in Flanders. The dataset contains records in Dutch and Afrikaans, published in, or in regards to, the Netherlands, Suriname, Flanders (Belgium) and South Africa. Our semiotic analysis of the South African other-lingual engages with religious discourse published in 1950s South Africa. The semiotic analysis of Flemish other-lingual engages with its trajectory in Flemish Government Declarations from 1992 to 2022. The article concludes that the history of the other-lingual, revealing a racial identification between Flemings and Afrikaners, provides pivotal arguments for the contemporary understanding of race in the Dutch languages.
{"title":"Retracing the racial semiotics of the other-lingual (anderstalige) in Dutch and Afrikaans: Exploring its emergence in South Africa and its (re-)emergence in Flanders","authors":"H. Sacré, K. Rutten","doi":"10.1177/13675494231184019","DOIUrl":"https://doi.org/10.1177/13675494231184019","url":null,"abstract":"This article explores the racial semiotics of the Dutch concept of the other-lingual ( de anderstalige). Multicultural discourse ostensibly encodes the otherness as merely linguistic; however, Flemish nationalist policy discourse deploys the other-lingual to discern autochthony from allochthony. Retracing the origins of this concept, we found that the concept did not originate in Dutch-speaking Europe, but we found earlier traces overseas in apartheid South Africa where the Afrikaans concept served the forced exclusion of coloured people. We conduct a semiotic analysis of the other-lingual to study how the concept racially encodes and decodes the Afrikaans language in South Africa and the Dutch language in Flanders. The dataset contains records in Dutch and Afrikaans, published in, or in regards to, the Netherlands, Suriname, Flanders (Belgium) and South Africa. Our semiotic analysis of the South African other-lingual engages with religious discourse published in 1950s South Africa. The semiotic analysis of Flemish other-lingual engages with its trajectory in Flemish Government Declarations from 1992 to 2022. The article concludes that the history of the other-lingual, revealing a racial identification between Flemings and Afrikaners, provides pivotal arguments for the contemporary understanding of race in the Dutch languages.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46186089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/13675494231187472
Rian Koreman, Marc Verboord, S. Janssen
How do cultural critics in the digital age convince audiences that their writings are valuable? What discursive strategies do they employ to construct their authority? And which differences can we see between professional critics working in institutionalized media and amateur critics contributing to online platforms? This article presents an in-depth analysis of book reviews by different critics to answer these questions. The results indicate that long-standing critical strategies are still largely intact: both professional and amateur critics construct authority by analyzing the book, contextualizing the book and discussing its reception, suggesting that amateurs have adopted to a large degree the skill sets of professionals. At the same time, amateur critics distinguish themselves by a pronounced presence of their personal experience in their reviews. This could point to a new way of constructing authority.
{"title":"Constructing authority in the digital age: Comparing book reviews of professional and amateur critics","authors":"Rian Koreman, Marc Verboord, S. Janssen","doi":"10.1177/13675494231187472","DOIUrl":"https://doi.org/10.1177/13675494231187472","url":null,"abstract":"How do cultural critics in the digital age convince audiences that their writings are valuable? What discursive strategies do they employ to construct their authority? And which differences can we see between professional critics working in institutionalized media and amateur critics contributing to online platforms? This article presents an in-depth analysis of book reviews by different critics to answer these questions. The results indicate that long-standing critical strategies are still largely intact: both professional and amateur critics construct authority by analyzing the book, contextualizing the book and discussing its reception, suggesting that amateurs have adopted to a large degree the skill sets of professionals. At the same time, amateur critics distinguish themselves by a pronounced presence of their personal experience in their reviews. This could point to a new way of constructing authority.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41364664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/13675494231188912
Noura Kamal
Humour plays a substantial role in the dissemination of ideas, beliefs and practices. In particular, it can offer an alternative framework for addressing situations of struggle, stress and suffering, such as war, political strife and social upheaval. In Palestine, humour is manifested in many everyday interactions, functioning as a coping mechanism and offering a way to confront both the Israeli Occupation and the dire political and economic situation. This article engages with humour as it occurs in the everyday lives of Palestinians, looking at the role of humour in a specific context, in a time of political violence. One of the arguments I wish to make is that each new atrocity or each further erosion of rights is reflected in a new series of ‘in-jokes’, which enable Palestinians to refer to, make sense of and adapt to the painful realities they encounter in everyday life. The narratives of individuals’ lives in Palestine are reflected upon via the exploration of humorous daily discourse which is displayed in jokes and humorous anecdotes. I explore what thoughts, desires and fears individuals and families in Palestine share within their social networks in the form of jokes. In addition, the article traces what kind of jokes are circulated and how people in various situations react to different kinds of jokes.
{"title":"Humour under occupation: Jokes and humorous anecdotes and their reflections in Palestine","authors":"Noura Kamal","doi":"10.1177/13675494231188912","DOIUrl":"https://doi.org/10.1177/13675494231188912","url":null,"abstract":"Humour plays a substantial role in the dissemination of ideas, beliefs and practices. In particular, it can offer an alternative framework for addressing situations of struggle, stress and suffering, such as war, political strife and social upheaval. In Palestine, humour is manifested in many everyday interactions, functioning as a coping mechanism and offering a way to confront both the Israeli Occupation and the dire political and economic situation. This article engages with humour as it occurs in the everyday lives of Palestinians, looking at the role of humour in a specific context, in a time of political violence. One of the arguments I wish to make is that each new atrocity or each further erosion of rights is reflected in a new series of ‘in-jokes’, which enable Palestinians to refer to, make sense of and adapt to the painful realities they encounter in everyday life. The narratives of individuals’ lives in Palestine are reflected upon via the exploration of humorous daily discourse which is displayed in jokes and humorous anecdotes. I explore what thoughts, desires and fears individuals and families in Palestine share within their social networks in the form of jokes. In addition, the article traces what kind of jokes are circulated and how people in various situations react to different kinds of jokes.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45257696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/13675494231188707
Wei Dong, Margret Lünenborg
This article examines the ways in which kuqing – bitter emotions – are performed, amplified and circulated in the Chinese reality show X-Change (2006–2008). Taking a social relational approach to affect, we understand kuqing as an embodied, socially informed and relationally inscribed affective response to suffering and pain. Building on the historical roots of kuqing, textual and audiovisual analysis is applied to capture its expressions and affective registers in the program. The analysis reveals that, while claiming to reduce the alarming urban–rural divide, the program engages in two juxtaposed and competing affective arrangements. The first recruits kuqing into neoliberal logics and individualistic subjectivity, but is counterproductive in that it reproduces structural class inequalities. The second results in a rearrangement in which kuqing circulates relationally and articulates with Confucian filiality and family ethics, weaving both the rural bitter underclass and the urban middle class into an intersubjective collectivist identity and relationship, thereby strengthening social cohesion and managing social division. Based on the analysis, we offer new insights into relationships between reality TV, power structures and the complex ‘emotional regime’ in a contemporary China challenged by its social ruptures.
{"title":"Weaving the network of collectivism – Kuqing as affective glue in China: Analyzing the reality show X-Change","authors":"Wei Dong, Margret Lünenborg","doi":"10.1177/13675494231188707","DOIUrl":"https://doi.org/10.1177/13675494231188707","url":null,"abstract":"This article examines the ways in which kuqing – bitter emotions – are performed, amplified and circulated in the Chinese reality show X-Change (2006–2008). Taking a social relational approach to affect, we understand kuqing as an embodied, socially informed and relationally inscribed affective response to suffering and pain. Building on the historical roots of kuqing, textual and audiovisual analysis is applied to capture its expressions and affective registers in the program. The analysis reveals that, while claiming to reduce the alarming urban–rural divide, the program engages in two juxtaposed and competing affective arrangements. The first recruits kuqing into neoliberal logics and individualistic subjectivity, but is counterproductive in that it reproduces structural class inequalities. The second results in a rearrangement in which kuqing circulates relationally and articulates with Confucian filiality and family ethics, weaving both the rural bitter underclass and the urban middle class into an intersubjective collectivist identity and relationship, thereby strengthening social cohesion and managing social division. Based on the analysis, we offer new insights into relationships between reality TV, power structures and the complex ‘emotional regime’ in a contemporary China challenged by its social ruptures.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48730889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/13675494231188710
Sara De Vuyst, Katrien De Graeve
In prevailing Western media discourses, older women’s anger and resistance are often portrayed as a result of the physical and mental decline inherently associated with ageing. These representations reinforce the image of older women as vulnerable subjects who are weak, frail and excluded from society. This article proposes an alternative reading of expressions of unruliness related to ageing, gender and sexuality in Western media and visual culture through the lens of Halberstam’s concept of gaga feminism. The aim is to explore how gaga feminism’s aesthetics of collapse, creative anarchy and experimentation can construct new constellations of ageing, sexuality and gender. We have conducted a critical, contextualised reading of a selection of cultural artefacts that express various elements of a gaga aesthetic. Our analysis reflects on the three central principles of gaga, specifically (1) new forms of social relations and sexualities, (2) more fluid articulations of gender and (3) creative anarchy; and on what they can mean for an anti-ageist project in media and visual culture. In this way, this article offers insights into the creative and unruly ways in which ageism, heteronormativity and sexism can be subverted and destabilised in representations.
{"title":"Ageing and unruliness: Articulations of gaga feminism in representations of ageing, gender and sexuality","authors":"Sara De Vuyst, Katrien De Graeve","doi":"10.1177/13675494231188710","DOIUrl":"https://doi.org/10.1177/13675494231188710","url":null,"abstract":"In prevailing Western media discourses, older women’s anger and resistance are often portrayed as a result of the physical and mental decline inherently associated with ageing. These representations reinforce the image of older women as vulnerable subjects who are weak, frail and excluded from society. This article proposes an alternative reading of expressions of unruliness related to ageing, gender and sexuality in Western media and visual culture through the lens of Halberstam’s concept of gaga feminism. The aim is to explore how gaga feminism’s aesthetics of collapse, creative anarchy and experimentation can construct new constellations of ageing, sexuality and gender. We have conducted a critical, contextualised reading of a selection of cultural artefacts that express various elements of a gaga aesthetic. Our analysis reflects on the three central principles of gaga, specifically (1) new forms of social relations and sexualities, (2) more fluid articulations of gender and (3) creative anarchy; and on what they can mean for an anti-ageist project in media and visual culture. In this way, this article offers insights into the creative and unruly ways in which ageism, heteronormativity and sexism can be subverted and destabilised in representations.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42880205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-29DOI: 10.1177/13675494231189243
Deniz Özalpman
This study focuses on young Polish viewers living in Vienna, the capital city of Austria, and their reception of Turkish television series. This is an under-researched audience group. The analysis gives voice to viewers’ comments through the use of semi-structured interviews to gain deep insight into their viewer experiences. The study introduces another, less-studied component of analysis by scrutinising the ways in which audiences deploy the media text of Turkish series in defining markers of their own self-identities. The analysis of this reveals ways in which viewers were able to negotiate their placement in diasporic lands and in cultural imaginaries.
{"title":"Markers of self-identities for young Polish diasporic female viewers of The Magnificent Century (Turkish TV series, 2011–2014)","authors":"Deniz Özalpman","doi":"10.1177/13675494231189243","DOIUrl":"https://doi.org/10.1177/13675494231189243","url":null,"abstract":"This study focuses on young Polish viewers living in Vienna, the capital city of Austria, and their reception of Turkish television series. This is an under-researched audience group. The analysis gives voice to viewers’ comments through the use of semi-structured interviews to gain deep insight into their viewer experiences. The study introduces another, less-studied component of analysis by scrutinising the ways in which audiences deploy the media text of Turkish series in defining markers of their own self-identities. The analysis of this reveals ways in which viewers were able to negotiate their placement in diasporic lands and in cultural imaginaries.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41713389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.1177/13675494231184021
Tracey Jensen
{"title":"Book review: Karen Wells, The Visual Cultures of Childhood: Film and Television from The Magic Lantern to Teen Vloggers","authors":"Tracey Jensen","doi":"10.1177/13675494231184021","DOIUrl":"https://doi.org/10.1177/13675494231184021","url":null,"abstract":"","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48267661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.1177/13675494231186279
Linda Kopitz
This article proposes that virtual renderings of speculative architectural projects provide a crucial entry point into the reimagination of sustainable urban life through the production of nature(s) within the city. Drawing on case studies of ‘sustainable’ building projects in and around Amsterdam, The Netherlands, I aim to trace the entanglement of virtual and real environments in imagining green futures. With the concept of the ‘render ghost’, James Bridle situates the people inhabiting virtual renderings ‘in the liminal space between the present and the future, the real and the virtual, the physical and the digital’ (2013). Similarly, the imaginations of nature within virtual renderings of sustainable buildings are situated at a point of in-between, a constant state of becoming. More than just visualizing their respective architectural design, the virtual renderings visualize these designs in a specific space, a specific environment – and how that environment could and would change through the spatial presence of these buildings. What makes these immaterial elements – ranging from computer-generated images to virtual renderings and augmented reality applications – particularly productive as research objects is the subjective nature of the atmosphere created in and through them, an atmospheric imagination of sustainable futures embedded in what Degen et al. call a ‘field of negotiation, tension and ambivalence’ (2017). Atmospheric in their imagination of urban environments, contingent in their temporality between the past, the present and the future, and ambiguous in their spatial grounding in simultaneously specific and generic surroundings, virtual renderings arguably allow for an engagement with the possibilities of alternative urban futures.
{"title":"Urban/image: Conceptualizing Amsterdam as urban environment in virtual renderings","authors":"Linda Kopitz","doi":"10.1177/13675494231186279","DOIUrl":"https://doi.org/10.1177/13675494231186279","url":null,"abstract":"This article proposes that virtual renderings of speculative architectural projects provide a crucial entry point into the reimagination of sustainable urban life through the production of nature(s) within the city. Drawing on case studies of ‘sustainable’ building projects in and around Amsterdam, The Netherlands, I aim to trace the entanglement of virtual and real environments in imagining green futures. With the concept of the ‘render ghost’, James Bridle situates the people inhabiting virtual renderings ‘in the liminal space between the present and the future, the real and the virtual, the physical and the digital’ (2013). Similarly, the imaginations of nature within virtual renderings of sustainable buildings are situated at a point of in-between, a constant state of becoming. More than just visualizing their respective architectural design, the virtual renderings visualize these designs in a specific space, a specific environment – and how that environment could and would change through the spatial presence of these buildings. What makes these immaterial elements – ranging from computer-generated images to virtual renderings and augmented reality applications – particularly productive as research objects is the subjective nature of the atmosphere created in and through them, an atmospheric imagination of sustainable futures embedded in what Degen et al. call a ‘field of negotiation, tension and ambivalence’ (2017). Atmospheric in their imagination of urban environments, contingent in their temporality between the past, the present and the future, and ambiguous in their spatial grounding in simultaneously specific and generic surroundings, virtual renderings arguably allow for an engagement with the possibilities of alternative urban futures.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"57 2","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41265060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.1177/13675494231185539
Shir Shimoni
In this article, I draw on the systematic, policy-led negligence with which older people in the United Kingdom were handled during the first wave of the Covid-19 pandemic, as I examine their simultaneous cultural representation across four major UK newspapers. Using content and critical discourse analysis, I demonstrate that while older people were depicted mostly through the notion of their increased risk to contract and die from the virus, this risk was consistently framed as unmanageable. I adopt a Foucauldian governmentality perspective as I argue that by framing dangers as exceeding the possibility of control and insurance, the discourse of unmanageable risk helped to dismantle the protection of older people from the virus. Moreover, I demonstrate that the unmanageable risk discourse spawned a particular kind of an older subject, one who not only is unprotectable but also invisible. I discuss how older people’s invisibility – evident in the absence of their names, voices and testimonies – operated in tandem with their unprotectability, to render them palatably disposable.
{"title":"The unprotectables: A critical discourse analysis of older people’s portrayal in UK newspaper coverage of Covid-19","authors":"Shir Shimoni","doi":"10.1177/13675494231185539","DOIUrl":"https://doi.org/10.1177/13675494231185539","url":null,"abstract":"In this article, I draw on the systematic, policy-led negligence with which older people in the United Kingdom were handled during the first wave of the Covid-19 pandemic, as I examine their simultaneous cultural representation across four major UK newspapers. Using content and critical discourse analysis, I demonstrate that while older people were depicted mostly through the notion of their increased risk to contract and die from the virus, this risk was consistently framed as unmanageable. I adopt a Foucauldian governmentality perspective as I argue that by framing dangers as exceeding the possibility of control and insurance, the discourse of unmanageable risk helped to dismantle the protection of older people from the virus. Moreover, I demonstrate that the unmanageable risk discourse spawned a particular kind of an older subject, one who not only is unprotectable but also invisible. I discuss how older people’s invisibility – evident in the absence of their names, voices and testimonies – operated in tandem with their unprotectability, to render them palatably disposable.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" ","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49247347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-21DOI: 10.1177/13675494231188616
Miriana Cascone
{"title":"Book Review: Koen Leurs, Digital Migration","authors":"Miriana Cascone","doi":"10.1177/13675494231188616","DOIUrl":"https://doi.org/10.1177/13675494231188616","url":null,"abstract":"","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"26 1","pages":"776 - 777"},"PeriodicalIF":2.4,"publicationDate":"2023-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48073470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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