Pub Date : 2024-08-12DOI: 10.1177/20563051241269296
Heather Hensman Kettrey, Monika Nwajei, Summer Quinn, Madison Leslie, Elizabeth Paradise, Devyn Wishon
Dating apps are a popular tool for finding sexual and romantic partners. Yet, these apps can pose risks that arise from gendered affordances of technology that users deploy to harass and victimize their matches, particularly matches who are women or sexual and gender minorities. Just as gendered affordances may facilitate risks, dating app users may also deploy technology in ways that mitigate risk. In this study, we examined risks that men and women perceive dating app matches to pose, as well as ways in which they use technology to mitigate these risks. Through an analysis of focus groups conducted with a sample of college student dating app users, we found the perceived risks that matches pose were markedly different for men and women, particularly among those seeking mixed-gender pairings. Women who matched with men were concerned about being sexually assaulted, whereas men who matched with women were concerned about being falsely accused of assault. Thus, women used gendered affordances to enhance their safety, and men used affordances to enhance their “believability.” We suggest our findings point to the positional and interactional nature of gendered affordances, encompassing ways in which gender inequality may be both maintained and subverted with digital technology.
{"title":"Gendered Affordances of Digital Technology in Mitigating the Perceived Risk of Dating App Matches Perpetrating Sexual Assault or “Making Stories” of Assault","authors":"Heather Hensman Kettrey, Monika Nwajei, Summer Quinn, Madison Leslie, Elizabeth Paradise, Devyn Wishon","doi":"10.1177/20563051241269296","DOIUrl":"https://doi.org/10.1177/20563051241269296","url":null,"abstract":"Dating apps are a popular tool for finding sexual and romantic partners. Yet, these apps can pose risks that arise from gendered affordances of technology that users deploy to harass and victimize their matches, particularly matches who are women or sexual and gender minorities. Just as gendered affordances may facilitate risks, dating app users may also deploy technology in ways that mitigate risk. In this study, we examined risks that men and women perceive dating app matches to pose, as well as ways in which they use technology to mitigate these risks. Through an analysis of focus groups conducted with a sample of college student dating app users, we found the perceived risks that matches pose were markedly different for men and women, particularly among those seeking mixed-gender pairings. Women who matched with men were concerned about being sexually assaulted, whereas men who matched with women were concerned about being falsely accused of assault. Thus, women used gendered affordances to enhance their safety, and men used affordances to enhance their “believability.” We suggest our findings point to the positional and interactional nature of gendered affordances, encompassing ways in which gender inequality may be both maintained and subverted with digital technology.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"18 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141974293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-05DOI: 10.1177/20563051241269318
Errol Salamon, Rebecca Saunders
This article conducts a collaborative qualitative thematic analysis of in-depth interviews with social media content creators ( N = 53) based in and/or originated from the United Kingdom. It aims to better understand how creators within one peripheral region in Northern England express their labor experiences as both practices of domination and e-resistance. The article contributes an original typology of the relationships between practices of creator domination and forms of individual or collective e-resistance, encompassing varying levels of visibility, targets, sources, and underlying motives. It develops a novel creator workers’ inquiry methodology to establish this multifaceted typology of creator e-resistance. The findings suggest that creator e-resistance should consider the relationships among practices of material, status, and ideological domination, and forms of non-resistance, individual hidden e-resistance, collective hidden e-resistance, and collective public e-resistance.
{"title":"Domination and the Arts of Digital Resistance in Social Media Creator Labor","authors":"Errol Salamon, Rebecca Saunders","doi":"10.1177/20563051241269318","DOIUrl":"https://doi.org/10.1177/20563051241269318","url":null,"abstract":"This article conducts a collaborative qualitative thematic analysis of in-depth interviews with social media content creators ( N = 53) based in and/or originated from the United Kingdom. It aims to better understand how creators within one peripheral region in Northern England express their labor experiences as both practices of domination and e-resistance. The article contributes an original typology of the relationships between practices of creator domination and forms of individual or collective e-resistance, encompassing varying levels of visibility, targets, sources, and underlying motives. It develops a novel creator workers’ inquiry methodology to establish this multifaceted typology of creator e-resistance. The findings suggest that creator e-resistance should consider the relationships among practices of material, status, and ideological domination, and forms of non-resistance, individual hidden e-resistance, collective hidden e-resistance, and collective public e-resistance.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"39 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141895197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-05DOI: 10.1177/20563051241269307
Gabriella Nilsson
This article provides an example of how middle-aged women rediscover and express emotions in digital media, mainly sexual desire but also the joy they feel among like-minded women of the same age. The ethnographic case is a community of European and North American women aged around 40 to 60 years who sexually desire 20-year-old TikTok celebrity William White. White went viral when he began lip-syncing to 1980s hits, particularly Barry Manilow’s “Mandy” while performing his flirtatious signature moves: the smile, the wink, and the eye roll. This study is based on 6 months of daily lurking in a digital community the women call Whiteyynation, structured around White’s accounts on various digital platforms. In trying to understand the meaning and function of a young male TikTok’er in the lives of middle-aged women, with Sara Ahmed’s theory of emotions, I describe how happy objects align individuals in a social community toward happiness. Specifically, I analyze how White, through a playful capitalization of 1980s music combined with a certain flirtatious look, functions as a happy object that is multiplied, magnified, and circulated in Whiteyynation. I explore the circumstances and conditions surrounding Whiteyynation as an affective space and affective economy, such as the production and distribution of self-produced content, gifting as a strategy for increased reciprocity, and the various currencies at play.
{"title":"Our Boy Whitey: Middle-Aged Women’s Happy Object on TikTok","authors":"Gabriella Nilsson","doi":"10.1177/20563051241269307","DOIUrl":"https://doi.org/10.1177/20563051241269307","url":null,"abstract":"This article provides an example of how middle-aged women rediscover and express emotions in digital media, mainly sexual desire but also the joy they feel among like-minded women of the same age. The ethnographic case is a community of European and North American women aged around 40 to 60 years who sexually desire 20-year-old TikTok celebrity William White. White went viral when he began lip-syncing to 1980s hits, particularly Barry Manilow’s “Mandy” while performing his flirtatious signature moves: the smile, the wink, and the eye roll. This study is based on 6 months of daily lurking in a digital community the women call Whiteyynation, structured around White’s accounts on various digital platforms. In trying to understand the meaning and function of a young male TikTok’er in the lives of middle-aged women, with Sara Ahmed’s theory of emotions, I describe how happy objects align individuals in a social community toward happiness. Specifically, I analyze how White, through a playful capitalization of 1980s music combined with a certain flirtatious look, functions as a happy object that is multiplied, magnified, and circulated in Whiteyynation. I explore the circumstances and conditions surrounding Whiteyynation as an affective space and affective economy, such as the production and distribution of self-produced content, gifting as a strategy for increased reciprocity, and the various currencies at play.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"37 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141895198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-31DOI: 10.1177/20563051241265865
Aimei Yang, Dmitri Williams
Although previous studies have recognized the widespread presence of disinformation networks, we know little about the extent to which such networks affect the ability of disinformation spreaders to disseminate falsehoods. In this study, we conceptualize disinformation networks as a form of coordinated strategic communication and apply an innovative algorithm to quantify the networked influence of disinformation spreaders. We found that coordinated networks account for up to 62% of disinformation spreaders’ ability to engage the broader public and 23% of their ability to have their message shared more frequently. These findings suggest that any effective disinformation prevention effort needs to incorporate plans aimed at disrupting networks, rather than solely focusing on notable individuals. In addition, our further analysis reveals that the countries of origin and the type of disinformation spreaders significantly affect their ability to gain networked influence among their peers. Theoretical and practical implications are discussed.
{"title":"Quantifying Networked Influence: How Much Do Disinformation Spreaders’ Networks Drive Their Public Engagement Outcomes?","authors":"Aimei Yang, Dmitri Williams","doi":"10.1177/20563051241265865","DOIUrl":"https://doi.org/10.1177/20563051241265865","url":null,"abstract":"Although previous studies have recognized the widespread presence of disinformation networks, we know little about the extent to which such networks affect the ability of disinformation spreaders to disseminate falsehoods. In this study, we conceptualize disinformation networks as a form of coordinated strategic communication and apply an innovative algorithm to quantify the networked influence of disinformation spreaders. We found that coordinated networks account for up to 62% of disinformation spreaders’ ability to engage the broader public and 23% of their ability to have their message shared more frequently. These findings suggest that any effective disinformation prevention effort needs to incorporate plans aimed at disrupting networks, rather than solely focusing on notable individuals. In addition, our further analysis reveals that the countries of origin and the type of disinformation spreaders significantly affect their ability to gain networked influence among their peers. Theoretical and practical implications are discussed.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"27 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141862087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-25DOI: 10.1177/20563051241263562
Lindsay A. Lundeen, John R. McCall, Amanda Sams Bradshaw, Erika L. LeBlanc, Lizy Humphrey
Many feel uncomfortable discussing self-directed violence with individuals in their social circle, often leading to concerned posts on social media. Previous studies address self-harm, suicide, and nonsuicidal self-injury; however, minimal literature combines suicide and nonsuicidal self-injury to explore common themes representing self-directed violence. This study identified themes from suicide and self-harm subreddit communities, with themes common to each subreddit comprising themes of self-directed violence. Using 1,989 Reddit posts from suicide and self-harm communities, we employed an inductive thematic analysis to explore how users discussed self-directed violence within anonymous online communities. Ultimately, the impact of using Reddit for discussion of self-directed violence depends on the individual. We generated six themes, with two from self-harm data (i.e., graphic descriptions of self-harm behavior and continued self-harm to manage emotions), two from suicide data (i.e., support-seeking to replace social connections and triggering moments initiating suicide-related thoughts, plans, and behavior), and two themes embodying self-directed violence (i.e., prevention through creative expression and safety for discussion mainly exists online). Despite attempts to provide help-seeking resources, the use of Reddit for connection and inquiry about coping skills for self-directed violence cessation could increase users’ risk for detrimental mental health impacts from the inclusion of detailed descriptions of self-harm, suicide plans, past attempts, suicide or nonsuicidal self-injury means, and suicide notes left for loved ones. Given the delicate balance of seeking support and increasing exposure to graphic content, it is crucial to discuss the nuances of Reddit exchanges with Reddit users, practitioners, moderators, and developers.
{"title":"Digital Catharsis or Harmful Exposure? A Thematic Analysis of Self-Directed Violence Reddit Posts","authors":"Lindsay A. Lundeen, John R. McCall, Amanda Sams Bradshaw, Erika L. LeBlanc, Lizy Humphrey","doi":"10.1177/20563051241263562","DOIUrl":"https://doi.org/10.1177/20563051241263562","url":null,"abstract":"Many feel uncomfortable discussing self-directed violence with individuals in their social circle, often leading to concerned posts on social media. Previous studies address self-harm, suicide, and nonsuicidal self-injury; however, minimal literature combines suicide and nonsuicidal self-injury to explore common themes representing self-directed violence. This study identified themes from suicide and self-harm subreddit communities, with themes common to each subreddit comprising themes of self-directed violence. Using 1,989 Reddit posts from suicide and self-harm communities, we employed an inductive thematic analysis to explore how users discussed self-directed violence within anonymous online communities. Ultimately, the impact of using Reddit for discussion of self-directed violence depends on the individual. We generated six themes, with two from self-harm data (i.e., graphic descriptions of self-harm behavior and continued self-harm to manage emotions), two from suicide data (i.e., support-seeking to replace social connections and triggering moments initiating suicide-related thoughts, plans, and behavior), and two themes embodying self-directed violence (i.e., prevention through creative expression and safety for discussion mainly exists online). Despite attempts to provide help-seeking resources, the use of Reddit for connection and inquiry about coping skills for self-directed violence cessation could increase users’ risk for detrimental mental health impacts from the inclusion of detailed descriptions of self-harm, suicide plans, past attempts, suicide or nonsuicidal self-injury means, and suicide notes left for loved ones. Given the delicate balance of seeking support and increasing exposure to graphic content, it is crucial to discuss the nuances of Reddit exchanges with Reddit users, practitioners, moderators, and developers.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"78 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141764121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-28DOI: 10.1177/20563051241257953
Sangwon Lee, Sebastián Valenzuela
To explain the participatory effects of news exposure, communication scholars have long relied upon the “virtuous circle” framework of media use and civic participation. That is, news consumption makes people more knowledgeable, and trustful toward institutions and political processes, making them active and responsible citizens, which then leads them to engage in various political activities. In a social media environment, however, the applicability of the “virtuous circle” is increasingly dubious. A mounting body of empirical research indicates that news consumption via social media does not necessarily yield actual information gains. Instead, it often fosters a false perception of being well-informed and politically competent, thereby stimulating political engagement. Furthermore, selective information consumption and interaction within like-minded networks on social media frequently exacerbate animosity toward opposing political factions, which can serve as a catalyst for political involvement. In light of these findings, we propose replacing the “virtuous circle” framework for a “self-righteous” one. In this new model, social media news users develop a heightened sense of confidence in their knowledge, regardless of its accuracy, and consequently become more inclined to engage in politics by reinforcing the perception that the opposing side is inherently wrong and that achieving victory is imperative.
{"title":"A Self-Righteous, Not a Virtuous, Circle: Proposing a New Framework for Studying Media Effects on Knowledge and Political Participation in a Social Media Environment","authors":"Sangwon Lee, Sebastián Valenzuela","doi":"10.1177/20563051241257953","DOIUrl":"https://doi.org/10.1177/20563051241257953","url":null,"abstract":"To explain the participatory effects of news exposure, communication scholars have long relied upon the “virtuous circle” framework of media use and civic participation. That is, news consumption makes people more knowledgeable, and trustful toward institutions and political processes, making them active and responsible citizens, which then leads them to engage in various political activities. In a social media environment, however, the applicability of the “virtuous circle” is increasingly dubious. A mounting body of empirical research indicates that news consumption via social media does not necessarily yield actual information gains. Instead, it often fosters a false perception of being well-informed and politically competent, thereby stimulating political engagement. Furthermore, selective information consumption and interaction within like-minded networks on social media frequently exacerbate animosity toward opposing political factions, which can serve as a catalyst for political involvement. In light of these findings, we propose replacing the “virtuous circle” framework for a “self-righteous” one. In this new model, social media news users develop a heightened sense of confidence in their knowledge, regardless of its accuracy, and consequently become more inclined to engage in politics by reinforcing the perception that the opposing side is inherently wrong and that achieving victory is imperative.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"14 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141165382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-22DOI: 10.1177/20563051241254369
Rita Figueiras, Göran Bolin, Veronika Kalmus
This article explores the ways in which what we call the analogue and the datafied mindsets perceive the functioning of the datafied world. Based on a qualitative interview study of two generations of media users in Estonia, Portugal, and Sweden, we present and analyze underlying patterns in participants’ media attitudes and related practices. We show that belonging to a media generation does not always produce a homogeneous mindset or a uniform attitude toward media technologies. These mindsets, being ideal-typical constructs, are not bound to individuals: the same person can display features of the analogue and the datafied mindset in relation to different parts of the datafied world. One mindset does not replace the other but rather adds another layer to the social action of the individuals. The mindsets are multi-dimensional and molded by contrasting understandings, indicating that the tenacious structures of the analogue world linger on in the datafied social space.
{"title":"Toward a Datafied Mindset: Conceptualizing Digital Dynamics and Analogue Resilience","authors":"Rita Figueiras, Göran Bolin, Veronika Kalmus","doi":"10.1177/20563051241254369","DOIUrl":"https://doi.org/10.1177/20563051241254369","url":null,"abstract":"This article explores the ways in which what we call the analogue and the datafied mindsets perceive the functioning of the datafied world. Based on a qualitative interview study of two generations of media users in Estonia, Portugal, and Sweden, we present and analyze underlying patterns in participants’ media attitudes and related practices. We show that belonging to a media generation does not always produce a homogeneous mindset or a uniform attitude toward media technologies. These mindsets, being ideal-typical constructs, are not bound to individuals: the same person can display features of the analogue and the datafied mindset in relation to different parts of the datafied world. One mindset does not replace the other but rather adds another layer to the social action of the individuals. The mindsets are multi-dimensional and molded by contrasting understandings, indicating that the tenacious structures of the analogue world linger on in the datafied social space.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"20 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141085210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-20DOI: 10.1177/20563051241254381
Zoe Olbermann, Fabian Mayer, Holger Schramm
Social media influencers have become increasingly important in persuading people to become environmentally sensitive. As “greenfluencers” have been studied primarily in the context of advertising, it is crucial to investigate the mechanisms and effects of their non-product–related environmental messages. In two studies, we tested different message frames, a well-known persuasion strategy, in the context of Instagram reels (short audiovisual videos), where user-added background music is a prominent feature. In a 2 × 2 between-subjects online experiment ( N = 240), we manipulated the message frame (gain vs. loss) and the background music (positive vs. negative emotional valence) and found that loss frames reduced behavioral intention via negative emotions. A second 2 × 2 between-subjects online experiment ( N = 207) replicated these findings with an older sample and provided additional evidence that gain frames should be used in environmental communication. Contrary to our assumptions, we found no effect of the emotional valence of music in either study.
{"title":"Greenfluencing Through the Power of Emotions? Impact of Message Frames and Emotionally Matching Background Music on the Effectiveness of Influencers’ Environmental Communication","authors":"Zoe Olbermann, Fabian Mayer, Holger Schramm","doi":"10.1177/20563051241254381","DOIUrl":"https://doi.org/10.1177/20563051241254381","url":null,"abstract":"Social media influencers have become increasingly important in persuading people to become environmentally sensitive. As “greenfluencers” have been studied primarily in the context of advertising, it is crucial to investigate the mechanisms and effects of their non-product–related environmental messages. In two studies, we tested different message frames, a well-known persuasion strategy, in the context of Instagram reels (short audiovisual videos), where user-added background music is a prominent feature. In a 2 × 2 between-subjects online experiment ( N = 240), we manipulated the message frame (gain vs. loss) and the background music (positive vs. negative emotional valence) and found that loss frames reduced behavioral intention via negative emotions. A second 2 × 2 between-subjects online experiment ( N = 207) replicated these findings with an older sample and provided additional evidence that gain frames should be used in environmental communication. Contrary to our assumptions, we found no effect of the emotional valence of music in either study.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"6 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141074200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-17DOI: 10.1177/20563051241254371
Valerie Lookingbill, Kimanh Le
The stigmatized nature of nonsuicidal self-injury may render TikTok, a short-form, video-sharing social media platform, appealing to individuals who engage in this behavior. Since this community faces biased scrutiny based on stigmatization surrounding mental health, nonsuicidal self-injury users may turn to TikTok, which offers a space for users to engage in discussions of nonsuicidal self-injury, exchange social support, experience validation with little fear of stigmatization, and facilitate harm reduction strategies. While TikTok’s Community Guidelines permit users to share personal experiences with mental health topics, TikTok explicitly bans content that shows, promotes, or shares plans for self-harm. As such, TikTok may moderate user-generated content, leading to exclusion and marginalization in this digital space. Through semi-structured interviews with 8 TikTok users and a content analysis of 150 TikTok videos, we explore how users with a history of nonsuicidal self-injury experience TikTok’s algorithm to engage with content on nonsuicidal self-injury. Findings demonstrate that users understand how to circumnavigate TikTok’s algorithm through hashtags, signaling, and algospeak to maintain visibility while also circumnavigating algorithmic detection on the platform. Furthermore, findings emphasize that users actively engage in self-surveillance, self-censorship, and self-policing to create a safe online community of care. Content moderation, however, can ultimately hinder progress toward the destigmatization of nonsuicidal self-injury.
{"title":"“There’s Always a Way to Get Around the Guidelines”: Nonsuicidal Self-Injury and Content Moderation on TikTok","authors":"Valerie Lookingbill, Kimanh Le","doi":"10.1177/20563051241254371","DOIUrl":"https://doi.org/10.1177/20563051241254371","url":null,"abstract":"The stigmatized nature of nonsuicidal self-injury may render TikTok, a short-form, video-sharing social media platform, appealing to individuals who engage in this behavior. Since this community faces biased scrutiny based on stigmatization surrounding mental health, nonsuicidal self-injury users may turn to TikTok, which offers a space for users to engage in discussions of nonsuicidal self-injury, exchange social support, experience validation with little fear of stigmatization, and facilitate harm reduction strategies. While TikTok’s Community Guidelines permit users to share personal experiences with mental health topics, TikTok explicitly bans content that shows, promotes, or shares plans for self-harm. As such, TikTok may moderate user-generated content, leading to exclusion and marginalization in this digital space. Through semi-structured interviews with 8 TikTok users and a content analysis of 150 TikTok videos, we explore how users with a history of nonsuicidal self-injury experience TikTok’s algorithm to engage with content on nonsuicidal self-injury. Findings demonstrate that users understand how to circumnavigate TikTok’s algorithm through hashtags, signaling, and algospeak to maintain visibility while also circumnavigating algorithmic detection on the platform. Furthermore, findings emphasize that users actively engage in self-surveillance, self-censorship, and self-policing to create a safe online community of care. Content moderation, however, can ultimately hinder progress toward the destigmatization of nonsuicidal self-injury.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"73 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140961514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-07DOI: 10.1177/20563051241247749
Alkım Yalın
This article explores quarantine vlogs on YouTube to examine the cultural production of influencers during the early days of the COVID-19 pandemic. By using a grounded theory approach to analyze 9 quarantine vlogs filmed by woman creators along with 480 user comments, this article argues that quarantine vlogs are shaped by influencers’ competing desires of (1) offering care and soothing content to the viewers and (2) instrumentalizing the discontents of the pandemic moment as a neoliberal device to preserve their aspirational self. In quarantine vlogs, influencers interact with their audiences by recognizing the emotional and mental strains of navigating the pandemic or their relative privilege, while they reframe the pandemic experience as an opportunity for productivity and self-growth. Consequently, influencers engage in significant affective labor and self-governance during a global health crisis to establish a resilient persona and maintain their online visibility.
{"title":"Governing the Resilient Self: Influencers’ Digital Affective Labor in Quarantine Vlogs","authors":"Alkım Yalın","doi":"10.1177/20563051241247749","DOIUrl":"https://doi.org/10.1177/20563051241247749","url":null,"abstract":"This article explores quarantine vlogs on YouTube to examine the cultural production of influencers during the early days of the COVID-19 pandemic. By using a grounded theory approach to analyze 9 quarantine vlogs filmed by woman creators along with 480 user comments, this article argues that quarantine vlogs are shaped by influencers’ competing desires of (1) offering care and soothing content to the viewers and (2) instrumentalizing the discontents of the pandemic moment as a neoliberal device to preserve their aspirational self. In quarantine vlogs, influencers interact with their audiences by recognizing the emotional and mental strains of navigating the pandemic or their relative privilege, while they reframe the pandemic experience as an opportunity for productivity and self-growth. Consequently, influencers engage in significant affective labor and self-governance during a global health crisis to establish a resilient persona and maintain their online visibility.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"42 1","pages":""},"PeriodicalIF":5.2,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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