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Latent Profile Analysis of Working Memory: Relations with Creativity and Academic Achievement 工作记忆的潜像分析:与创造力和学业成绩的关系
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-03-07 DOI: 10.1080/10400419.2023.2183323
Isabelle C. de Vink, L. Hornstra, E. Kroesbergen
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引用次数: 0
A Quandary in Creativity Studies: Conflicting Theoretical Views from In Vivo versus In Vitro Research 创造力研究的困境:体内与体外研究的理论观点冲突
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-03-01 DOI: 10.1080/10400419.2023.2168890
R. Weisberg
ABSTRACT Much modern laboratory research on creative thinking, or in vitro research, is based on the “remote-associates” perspective, which assumes that creative advances arise through bringing together ideas which were previously “remotely associated,” that is, not directly linked. That view has provided the foundation for modern theorizing across a broad range of areas, including the role of associative processes in creativity, divergent thinking in creativity, attention in creativity, genius and madness, and the neuroscience of creativity. However, contrary to the remote-associates view, analyses of real-life – in vivo – creative thinking indicate that new ideas arose as variations on or extensions of old ideas, rather than through bringing together unrelated ideas in a far-ranging creative leap. This conflict between the in vitro and in vivo perspectives has resulted in a theoretical quandary for creativity studies – a “creativity quandary.” This article examines that quandary. The first section demonstrates the wide reach of the remote-associates view in laboratory research on creativity. The second section examines in vivo creative advances that raise questions for the remote-associates view. The third section presents an alternative conception of creative thinking, based on executive functioning, as a potential resolution of the creativity quandary. Similarities and differences between the present proposal and other recent theoretical analyses of creative thinking are discussed.
摘要许多关于创造性思维的现代实验室研究,或体外研究,都是基于“远程伙伴”的观点,该观点认为,创造性进步是通过将以前“远程关联”的想法(即没有直接联系的想法)结合在一起而产生的。这一观点为广泛领域的现代理论奠定了基础,包括联想过程在创造力中的作用、发散思维在创造力中、注意力在创造力、天才和疯狂以及创造力的神经科学。然而,与远程同事的观点相反,对现实生活中——在体内——创造性思维的分析表明,新想法是作为旧想法的变体或扩展而产生的,而不是通过将不相关的想法放在一起进行广泛的创造性飞跃。这种体外和体内视角之间的冲突导致了创造力研究的理论困境——“创造力困境”。本文探讨了这种困境。第一部分展示了远程同事观在创造力实验室研究中的广泛应用。第二部分考察了对远程同事观点提出问题的体内创造性进展。第三部分提出了一个基于执行功能的创造性思维的替代概念,作为解决创造性困境的潜在方法。讨论了本建议与其他最近关于创造性思维的理论分析之间的异同。
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引用次数: 0
The Development of Divergent Thinking in 4- to 6-Year-Old Children 4- 6岁儿童发散性思维的发展
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-03-01 DOI: 10.1080/10400419.2023.2182492
Honghong Bai, Hanna Mulder, M. Moerbeek, P. Leseman, E. Kroesbergen
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引用次数: 2
Limited Imagination: Effects of Constraints and Individual Differences in Working Memory Capacity on Idea Generation 有限的想象力:工作记忆容量的限制和个体差异对创意产生的影响
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-27 DOI: 10.1080/10400419.2023.2182038
Tim George, Kaila Lasher
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引用次数: 0
Imagination as a Facet of Openness/Intellect: A New Scale Differentiating Experiential Simulation and Conceptual Innovation 想象是开放/智力的一个方面:区分经验模拟和概念创新的新尺度
3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-21 DOI: 10.1080/10400419.2023.2177810
Tyler A. Sassenberg, David M. Condon, Alexander P. Christensen, Colin G. DeYoung
Previous research has investigated the nature of imagination as a construct related to multiple forms of higher-order cognition. Despite the emergence of various conceptualizations of imagination, few attempts have been made to explore the structure of imagination as a trait in the context of existing hierarchically-nested personality dimensions. We present the Dual Facet Imagination Scale (DFIS) for measuring trait imagination that distinguishes between experiential simulation and conceptual innovation, aligned with the two major subfactors (aspects) of the Big Five dimension Openness/Intellect. In two samples (N = 210 & 5771), we provide evidence of a consistent factor structure distinguishing experiential and conceptual descriptions of imagination, as well as validity as measures of facets of Openness and Intellect. The DFIS provides a trait measure of two major forms of imagination in line with mainstream models of the hierarchical structure of personality.
以前的研究已经调查了想象的本质,作为一种与多种形式的高阶认知相关的结构。尽管出现了各种想象力的概念化,但很少有人尝试在现有的等级嵌套人格维度的背景下探索想象力作为一种特质的结构。我们提出了双面想象量表(DFIS),用于测量区分经验模拟和概念创新的特质想象,与大五维度开放/智力的两个主要子因素(方面)保持一致。在两个样本(N = 210和5771)中,我们提供了一致的因素结构的证据,以区分想象力的经验和概念描述,以及作为开放性和智力方面的有效性措施。DFIS提供了与人格层次结构的主流模型一致的两种主要想象形式的特征测量。
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引用次数: 0
Personhood, QOL, and Well-being in People with Dementia undergoing Creative Arts-based Therapies: A Scoping Review 接受创造性艺术治疗的痴呆症患者的人格、生活质量和幸福感:一项范围综述
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-20 DOI: 10.1080/10400419.2023.2168895
Irfan Manji, Tanita Cepalo, Sergio Ledesma, P. Fallavollita
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引用次数: 0
Active procrastination incubates more creative thinking: The sequential mediating effect of personal mastery and creative self-concept 主动拖延孕育更多创造性思维:个人掌握和创造性自我概念的顺序中介效应
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-16 DOI: 10.1080/10400419.2023.2171721
Huizhi Bai, Xinyi Li, Xuewei Wang, Weishan Tong, Yadan Li, Weiping Hu
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引用次数: 0
Building More Accurate Shared Leadership Theory: The Double Threshold Effect of Shared Leadership on Multilevel Creativity 构建更准确的共享领导理论:共享领导对多层次创造力的双门槛效应
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-13 DOI: 10.1080/10400419.2023.2169515
Mingchuan Yu, D. Doty, Jie Yang
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引用次数: 0
On the Generalizability of the Bodily State Effect on Creativity 论身体状态对创造力影响的普遍性
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-09 DOI: 10.1080/10400419.2023.2171339
Yanyun Zhou, B. Hommel
Previous studies found that bodily states have an impact on divergent thinking, but it remains to be seen how generalizable this effect could be, how exactly it depends on cognitive control, and whether similar effects can be found on convergent thinking. To address these questions, we examined the bodily state effect on divergent thinking, convergent thinking, and cognitive control in two experiments. In Experiment 1, participants performed the Alternate Uses Task, the Remote Associates Task, and an auditory Stroop task under one of the three bodily states: sitting, standing, or roaming. In Experiment 2, participants completed the three tasks while standing and while roaming. Results showed that bodily state had no significant effect on divergent thinking and the Stroop effect, while roaming shorten the reaction times (Experiment 1) and increased accuracy (Experiment 2) comparing with sitting or standing in the convergent thinking task. Bayesian analysis provided strong or moderately strong evidence for the null hypothesis for these effects. Taken together, the present experiments showed no stable bodily state effect on divergent thinking or convergent thinking and Stroop effect. Possible explanations for the discrepancy between the current results and those reported in previous studies were discussed. ARTICLE HISTORY Received August 24, 2022
先前的研究发现,身体状态对发散性思维有影响,但这种影响有多普遍,它在多大程度上取决于认知控制,以及是否能在收敛性思维中发现类似的影响,仍有待观察。为了解决这些问题,我们在两个实验中研究了身体状态对发散思维、收敛思维和认知控制的影响。在实验1中,参与者在坐着、站着或漫游三种身体状态中的一种下完成了交替使用任务、远程关联任务和听觉Stroop任务。在实验2中,参与者在站立和走动时完成三项任务。结果表明,身体状态对发散性思维和Stroop效应没有显著影响,而在趋同性思维任务中,与坐着或站着相比,漫游缩短了反应时间(实验1),提高了反应准确性(实验2)。贝叶斯分析为这些效应的零假设提供了强有力或中等强有力的证据。综上所述,本实验未发现稳定的身体状态对发散性思维或收敛性思维以及Stroop效应的影响。讨论了当前结果与先前研究报告之间差异的可能解释。文章历史收到2022年8月24日
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引用次数: 0
Fostering Creative Agency through Screenwriting: An Intervention 通过编剧培养创意机构:一种干预
IF 2.6 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2023-02-02 DOI: 10.1080/10400419.2023.2168341
M. McVeigh, Andreia Valquaresma, M. Karwowski
ABSTRACT One of the main drivers of acting creatively is people’s belief that they can do so. Yet, most of the previous work on creative self-concept takes a domain-general perspective, telling us little about whether domain-specific interventions or activities can build people’s creative self-perception. This paper specifically considers the domain of screenwriting to investigate and enlighten the debate in the area. We analyze the impact of an intervention focused on the development of creative self-efficacy and creative personal identity in an undergraduate screenwriting course at the Griffith Film School, Griffith University, Australia. The intervention, scaffolded by a creative metacognitive framework was an integral part of the course and was delivered by a Creativity Coach. Our results suggest that enrolling in an intensive and elective screenwriting course which included targeted teaching and self-reflection about creativity and the creative process, significantly improved participants’ creative personal identity (valuing creativity) and creative performance, with no effect on their creative self-efficacy. We discuss the theoretical and practical implications of our findings and provide recommendations for future research.
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引用次数: 0
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Creativity Research Journal
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