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Broadening Perspective on Creative Personality: Surface and Core Characteristics as Predictors of Creative Achievements 拓宽创意人格的视角:预测创造性成就的表面特征和核心特征
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2024-01-08 DOI: 10.1080/10400419.2023.2300198
Izabela Lebuda
While research on creative personality has a long history, most studies have focused on the relationship between traits and creative achievements. In this concise review, I propose broadening our p...
虽然对创造性人格的研究由来已久,但大多数研究都集中在特质与创造性成就之间的关系上。在这篇简明扼要的综述中,我建议拓宽我们的研究领域。
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引用次数: 0
Creative minds at rest: Creative individuals are more associative and engaged with their idle thoughts. 休息时的创造性思维:有创造力的人更容易联想,也更专注于他们空闲的想法
IF 2.5 3区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL Pub Date : 2024-01-01 Epub Date: 2023-06-23 DOI: 10.1080/10400419.2023.2227477
Quentin Raffaelli, Rudy Malusa, Nadia-Anais de Stefano, Eric Andrews, Matthew D Grilli, Caitlin Mills, Darya L Zabelina, Jessica R Andrews-Hanna

Despite an established body of research characterizing how creative individuals explore their external world, relatively little is known about how such individuals navigate their inner mental life, especially in unstructured contexts such as periods of awake rest. Across two studies, the present manuscript tested the hypothesis that creative individuals are more engaged with their idle thoughts and more associative in the dynamic transitions between them. Study 1 captured the real-time conscious experiences of 81 adults as they voiced aloud the content of their mind moment-by-moment across a 10-minute unconstrained baseline period. Higher originality scores on a divergent thinking task were associated with less perceived boredom, more words spoken overall, more freely moving thoughts, and more loosely-associative (as opposed to sharp) transitions during the baseline rest period. In Study 2, across 2,612 participants, those who reported higher self-rated creativity also reported less perceived boredom during the COVID-19 pandemic, a time during which many people experienced unusually extended periods of unstructured free time. Overall, these results suggest a tendency for creative individuals to be more engaged and explorative with their thoughts when task demands are relaxed, raising implications for resting state functional MRI and societal trends to devalue idle time.

尽管已有大量研究描述了具有创造力的人是如何探索外部世界的,但对于这些人是如何驾驭自己的内在精神生活,尤其是在清醒休息等非结构化情境中,人们却知之甚少。通过两项研究,本手稿对以下假设进行了测试:创造性个体会更多地参与到他们的闲暇思考中,并在它们之间的动态转换中产生更多联想。研究1捕捉了81名成年人的实时意识体验,他们在10分钟无限制的基线时间内逐一大声说出了自己的思想内容。在一项发散性思维任务中,较高的独创性得分与较少的无聊感、总体上较多的话语、较多的自由移动思维以及在基线休息时间内较多的松散关联(而不是尖锐的)转换有关。在研究2中,在2612名参与者中,那些自评创造力较高的人在COVID-19大流行期间也报告了较少的无聊感,在此期间,许多人都经历了异常漫长的非结构化空闲时间。总之,这些结果表明,当任务要求放松时,有创造力的人倾向于更多地参与和探索他们的想法,这对静息状态功能磁共振成像和贬低闲暇时间的社会趋势产生了影响。
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引用次数: 0
Creativity and Attention Control: An Individual Difference Approach 创造力与注意力控制:个体差异法
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-12-14 DOI: 10.1080/10400419.2023.2291631
Beatrice N. Ruiz, Lemira V. Esparza, Jeffery R. Mock, Thomas R. Coyle, Edward J. Golob
Prior work suggests that attention is related to creativity, in large part because creative individuals are more likely to attend to and remember irrelevant auditory information. However, the speci...
先前的研究表明,注意力与创造力有关,这在很大程度上是因为有创造力的人更有可能注意并记住无关的听觉信息。然而,具体来说,...
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引用次数: 0
The Receptive Brain: Up-Regulated Right Temporal Alpha Oscillation Boosting Aha! 接受性大脑上调右颞阿尔法振荡促进 "啊哈"!
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-12-06 DOI: 10.1080/10400419.2023.2289757
Amna Ghani, Caroline Di Bernardi Luft, Smadar Ovadio-Caro, Klaus-Robert Müller, Joydeep Bhattacharya
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引用次数: 0
Entrepreneurs’ Personal Values and the Innovative Behavior of Their Employees: A Cross-Level Mechanism 企业家个人价值观与员工创新行为:一个跨层次机制
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-27 DOI: 10.1080/10400419.2023.2285122
Ewelina Purc, Mariola Laguna, Juan Antonio Moriano
The aim of this study was to test the mechanisms that foster innovative behavior in small firms. We propose a model in which small business entrepreneurs, motivated by personal value preferences, s...
本研究的目的是检验促进小企业创新行为的机制。我们提出了一个模型,在这个模型中,受个人价值偏好的激励,小企业企业家……
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引用次数: 0
Gender Biases in Attributions of Creativity Across Domains 跨领域创造力归因中的性别偏见
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-26 DOI: 10.1080/10400419.2023.2285546
Christa L. Taylor, Baptiste Barbot
This study examined gender bias in attributions of creativity across domains, as well as whether this bias can be predicted by ascribing agentic-masculine or communal-feminine traits to gender-type...
本研究考察了跨领域创造力归因中的性别偏见,以及这种偏见是否可以通过将代理男性或公共女性特征归因于性别类型来预测。
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引用次数: 0
The After-Glow of Flow: Neural Correlates of Flow in Musicians 心流的余辉:音乐家心流的神经关联
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-22 DOI: 10.1080/10400419.2023.2277042
Jasmine Tan, Caroline Di Bernardi Luft, Joydeep Bhattacharya
Flow is a state of optimal or peak experience, commonly associated with expert and creative performance. Musicians often experience flow during playing, yet the neural mechanisms underlying this el...
心流是一种最佳或高峰体验的状态,通常与专业和创造性的表现有关。音乐家经常会在演奏过程中体验到心流,然而这种感觉背后的神经机制……
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引用次数: 0
Linking Creativity Anxiety to Two Creative Cognitive Styles Through Creative Self-Efficacy and Novelty Seeking 从创造性自我效能感和新颖性探索将创造性焦虑与两种创造性认知风格联系起来
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-19 DOI: 10.1080/10400419.2023.2275981
Shuoqi Xiang, Yadan Li, Richard J. Daker, Yangping Li, Xipei Guo, Weina Lei, Wenbo Deng, Weiping Hu
While creativity anxiety has been found to have negative relationships with various creative outcomes, whether creativity anxiety would also negatively influence creative cognitive styles (i.e. ide...
虽然创造性焦虑已被发现与各种创造性结果呈负相关,但创造性焦虑是否也会对创造性认知风格(即思想…
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引用次数: 0
The Process Definition of Creativity 创造力的过程定义
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-17 DOI: 10.1080/10400419.2023.2254573
Adam E. Green, Roger E. Beaty, Yoed N. Kenett, James C. Kaufman
The “standard” definition of creativity as novel and useful describes creative products, but creativity is constituted by processes. This misalignment contributes to the oft-noted challenges of ope...
创造力的“标准”定义是新颖和有用的,描述的是创造性的产品,但创造力是由过程构成的。这种错位导致了人们经常注意到的开放挑战。
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引用次数: 0
Empirics vs. art theory: Exploring a factor structure of pictorial expression based on contemporary artworks 经验主义与艺术理论:以当代艺术作品为例,探索绘画表达的因素结构
3区 心理学 Q1 Arts and Humanities Pub Date : 2023-11-07 DOI: 10.1080/10400419.2023.2272104
Kerstin Schoch, Thomas Ostermann
ABSTRACTThe RizbA scale combines psychometrics and art theory and enables a measurement of pictorial expression. This study explores its factor structure and a potential gap between theory and empirics. A sample of 275 pictorial works by artists and nonprofessionals was rated by 179 art experts. Three CFA path models were specified: models A and B based on the empirical results of previous studies, C on the theory of the initial study. Model C was additionally tested on a combined dataset. A and B did not converge, C was associated with fit indices as follows: RSMEA = .122, CFI = .712, TLI = .679, SRMR = .135, for the combined dataset: RSMEA = .086, CFI = .740, TLI = .696, SRMR = .084. Only model C partly suggests an acceptable fit. The results speak to a methodological gap between empirics and theory, that might be solved by a postdisciplinary measurement model.KEYWORDS: art theoryconfirmatory factor analysisformal picture analysispictorial expressionvisual art AcknowledgmentsThe authors gratefully acknowledge Thomas Gengenbach for providing theoretical and practical support regarding IT. Thanks also to Rebecca Kahn for the feedback on the manuscript.Disclosure statementNo potential conflict of interest was reported by the author(s).Ethics approvalThe authors received a positive vote of the Ethics Committee for Creative Arts Therapies at the Nürtingen-Geislingen University, Germany (Reference number 19C27J101W).Abbreviations API=Application programming interfaceCFA=Confirmatory factor analysisCFI=Comparative fit indexdf=Degrees of freedomMLE=Maximum likelihood estimateMLR=Robust maximum likelihood estimatorPAFA=Principal axis factor analysisPCA=Principal component analysisPHP=PHP: Hypertext PreprocessorRizbA=(Rating instrument for two-dimensional pictorial works) Ratinginstrument für zweidimensionale bildnerische ArbeitenRMSEA=Root mean square error of approximationSRMR=Standardized root-mean-square residualTLI=Tucker-Lewis Index
【摘要】RizbA量表结合了心理测量学和艺术理论,实现了对绘画表达的测量。本研究探讨其因素结构及理论与实证的潜在差距。179名艺术专家对艺术家和非专业人士的275幅绘画作品进行了评分。提出了三种CFA路径模型:A、B模型基于前人研究的实证结果,C模型基于初步研究的理论。模型C在一个组合数据集上进行了额外的测试。A和B不收敛,C与拟合指数相关如下:RSMEA = .122, CFI = .712, TLI = .679, SRMR = .135,对于组合数据集:RSMEA = .086, CFI = .740, TLI = .696, SRMR = .084。只有模型C部分表明可以接受。研究结果表明,实证和理论之间存在方法论上的差距,这可能会通过学科后测量模型来解决。关键词:艺术理论,验证性因素分析,形式图像分析,图像表现,视觉艺术感谢作者感谢Thomas Gengenbach在IT方面提供的理论和实践支持。也感谢Rebecca Kahn对手稿的反馈。披露声明作者未报告潜在的利益冲突。作者获得了德国n rtingen- geislingen大学创造性艺术疗法伦理委员会(参考编号19C27J101W)的赞成票。缩写API=应用程序编程接口ecfa =验证性因子分析iscfi =比较拟合indexdf=自由度mle =最大似然估计atemlr =稳健最大似然估计pafa =主轴因子分析pca =主成分分析PHP=PHP:超文本预处理器rizba =(二维图像作品的评级工具)评级工具 rzweidimensionale bildnerische ArbeitenRMSEA=近似的均方根误差srmr =标准化均方根残差li =塔克-刘易斯指数
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引用次数: 0
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Creativity Research Journal
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