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Inaugural Issue of CRJ as the Journal of the Society for the Neuroscience of Creativity: Introduction to the Special Issue 创刊号CRJ作为创造力神经科学学会杂志:特刊简介
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/10400419.2023.2235201
Adam E. Green
It is with considerable excitement that I mark the publication of this inaugural special issue, signifying a new era at Creativity Research Journal: CRJ is now the official journal of The Society for the Neuroscience of Creativity (SfNC). In joining forces, CRJ gains new reach among the SfNC’s global network of scholars, educators, artists, and innovators, and SfNC gains a new platform – built on CRJ’s rich tradition – for disseminating rigorous and thought-leading creativity scholarship. I am also pleased to note the adoption of CRJ’s new cover design, which can be found on the cover of this issue, and which is based on the winning entry to SfNC’s design concept competition (the winner was selected by the votes of SfNC membership). The partnership between CRJ and SfNC has been several years in the making, and it is with gratitude to the many efforts of the SfNC Executive Committee, the SfNC Advisory Board, the CRJ Editorial Board, members of the Taylor & Francis team, and others that I welcome this auspicious beginning. While affiliation with SfNC is an important development for the future of CRJ, this transition does not represent a fundamental change in CRJ’s longstanding mission and scope. CRJ will remain committed to publishing top-notch work that reflects the broad and diverse areas of scholarship that constitute the field of creativity research. Indeed, this breadth of scope is aligned with the broad scope of SfNC. While a core component SfNC’s work is to foster approaches to understandand bolster creative thinking and performance at the neural level, SfNC actively welcomes and supports research accross the spectrum of creativity scholarship. SfNC’s mission engages the arts, industry, and education as well as the sciences, and extends to all influences, contexts, applications, and outcomes of creative processes in individuals, organizations, artificial intelligence, and social systems. This inaugural special issue of CRJ represents the breadth of our field, and the vision of SfNC. The special issue is a remarkable collection of the work of fieldleading scholars and ranges from the development of fundamental theory to notable empirical and methodological advances. The quality and quantity of this work was so strong that it became necessary to publish this inaugural issue in two volumes, one appearing in 2023 and the other in 2024. Many of the papers included In these two volumes operate at the nexus of the theoretical and the empirical. Jonathan Plucker reviews current issues, recent advances, and future directions in creativity assessment, including the need for psychometric quality standards and the use of machine learning. Dean Keith Simonton provides an update on the Blind Variation and Selective Retention Theory of Creativity, emphasizing recent developments and the theory’s research implications. Yoed Kenett, Stacey Humphries, and Anjan Chatterjee discuss the shared psychological and neural mechanisms underlying curiosity, creativity,
我怀着相当激动的心情纪念这期创刊特刊的出版,标志着《创造力研究杂志》进入了一个新时代:《CRJ》现在是创造力神经科学学会(SfNC)的官方期刊。通过联合,CRJ在北卡罗来纳大学的全球学者、教育工作者、艺术家和创新者网络中获得了新的影响力,北卡罗来纳大学在CRJ丰富的传统基础上获得了一个新的平台,用于传播严谨和思想领先的创造力学术。我也很高兴地注意到CRJ的新封面设计的采用,这可以在本期封面上找到,它是基于SfNC设计概念竞赛的获奖作品(获奖者由SfNC成员投票选出)。CRJ和SfNC之间的伙伴关系已经建立了好几年,我怀着对SfNC执行委员会、SfNC咨询委员会、CRJ编辑委员会、Taylor&Francis团队成员和其他人的许多努力的感谢,欢迎这一良好的开端。虽然与SfNC的关系是CRJ未来的一个重要发展,但这一转变并不代表CRJ长期使命和范围的根本变化。CRJ将继续致力于出版反映创意研究领域广泛多样的学术领域的顶尖作品。事实上,这种范围的广度与SfNC的广泛范围是一致的。虽然SfNC工作的核心组成部分是培养在神经水平上理解和支持创造性思维和表现的方法,但SfNC积极欢迎并支持跨创造性学术领域的研究。SfNC的使命涉及艺术、工业、教育和科学,并延伸到个人、组织、人工智能和社会系统中创造性过程的所有影响、背景、应用和结果。CRJ的创刊特刊代表了我们领域的广度和SfNC的愿景。该特刊汇集了领域领先学者的杰出成果,从基础理论的发展到显著的实证和方法论进步。这部作品的质量和数量如此之高,以至于有必要将这本创刊号分两卷出版,一卷在2023年出版,另一卷在2024年出版。这两卷中的许多论文都是在理论和实证的结合点上发表的。Jonathan Plucker回顾了创造力评估的当前问题、最新进展和未来方向,包括心理测量质量标准的必要性和机器学习的使用。院长Keith Simonton介绍了创造力的盲变异和选择性保留理论的最新进展,强调了该理论的研究意义。Yoed Kenett、Stacey Humphries和Anjan Chatterjee讨论了好奇心、创造力和美学背后的共同心理和神经机制,强调了信息寻求和记忆系统的作用。Steve Smith和Zsolt Beda挑战了创造力中无意识工作的概念,提出了一个可测试的理论和孵化效应的替代解释。Robert Weisberg讨论了创造力研究中相互矛盾的理论观点,考察了远程联想的视角,并将其与现实生活中的创造性思维进行了对比。Keith Holyoak、Nicholas Ichien和Hongjing Lu探讨了类比在创造性思维过程中的作用,声称遥远的类比通过关系相似性对陌生情况进行新颖的表征,从而培养了创造性思维。James Kaufman、Roger Beaty、Yoed Kenett和我介绍了创造力的过程定义,将创造力定义为具有核心元素(受生成目标约束的内部定向注意力)的过程,与作为“标准”定义基础的产品描述符(新颖和有用)不同,然后强调过程定义与神经证据的一致性,以及其澄清本体论区别的能力。Ross Anderson、Ron Begheto、Vlad Glaveanu和Marina Basu从理论基础上汲取方法论指导,讨论了共识评估技术(CAT)在创造力评估中的局限性,并提出了解释创造性工件的分歧、开放和生成(DOG)方法。Rex Jung和Dan Hunter呼吁对《创造力研究杂志2023》第35卷第3期289–290进行更具想象力的研究https://doi.org/10.1080/10400419.2023.2235201
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引用次数: 0
Creativity, Emotion Regulation, and Maladaptive Daydreaming 创造力、情绪调节与适应性差的白日梦
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/10400419.2023.2230022
P. Thomson, S. Jaque
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引用次数: 1
Idea Evaluation and Creativity: Toward a Process-Specific Nomological Network 创意评估与创意:迈向特定过程的法理学网络
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/10400419.2023.2229153
Logan L. Watts
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引用次数: 0
Self-Regulation of Creativity: Toward Measuring Strategies of Creative Action 创造力的自我调节:创造性行为的测量策略
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-22 DOI: 10.1080/10400419.2023.2226494
Zorana Ivcevic, Eliana R. Grossman, Katherine N. Cotter, Emily C. Nusbaum
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引用次数: 2
Creative Omnivores: An Experience Sampling Study of the Variety and Diversity of Everyday Creative Activities 创意杂烩:日常创意活动多样性的经验抽样研究
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-21 DOI: 10.1080/10400419.2023.2226453
P. Silvia, Katherine N. Cotter, Alexander P. Christensen
ABSTRACT Studies of everyday creativity suggest that some people are like creative omnivores, dabbling in a broad range of creative pursuits, but others are like picky eaters, focusing on a single creative passion. A week-long experience sampling study examined the breadth vs depth of 125 university students’ everyday creative activities. Several times a day, people were asked if they were doing something creative, and if they were, to describe what they were doing. Diversity statistics quantified the variety (number of distinct domains) and balance (the relative predominance of any domain) of their creative activities. The sample varied widely in both aspects of diversity, reflecting differences in whether people’s creative efforts were relatively broad or focused. Notably, people who were high in openness to experience showed significantly higher variety (they did more kinds of creative activities) yet lower balance (one or two activities predominated), suggesting that they had a broad creative diet but a few favorite foods. Plain Language Summary When people are spending time in their everyday lives working on creative activities, what are they actually doing? A small but growing literature on creativity in everyday life shows that creativity is common – many people spend much of their time on creative hobbies, passions, and pursuits – but not much is known about the kinds of things people are opting to do. In the present research, we explored the diversity and complexity of creative activities across a typical week. Using the metaphor of omnivores vs picky eaters, we suggest that some people are like creative omnivores, dabbling in a broad range of creative pursuits, and that others are like picky eaters, focusing on a single creative passion. In a week-long study of 125 adults, several times a day people were asked if they were doing something creative, and if they were, to describe what they were doing. Using diversity statistics, we found broad differences in the variety (how many different kinds of activities people did) and balance (whether one or two activities predominated) of people’s creative engagement. Overall, there’s no single profile for everyday creativity: some people enjoy spending time on many different kinds of creative tasks, and others focus their creative efforts on one or two areas.
对日常创造力的研究表明,有些人就像创意杂食动物,涉猎广泛的创意追求,但有些人就像挑食者,专注于单一的创意激情。一项为期一周的经验抽样研究考察了125名大学生日常创造性活动的广度和深度。一天几次,人们被问及他们是否在做一些创造性的事情,如果是,描述他们在做什么。多样性统计量化了他们创造性活动的多样性(不同领域的数量)和平衡性(任何领域的相对优势)。样本在多样性的这两个方面差异很大,反映了人们的创造性努力是相对广泛的还是集中的差异。值得注意的是,经验开放性高的人表现出明显更高的多样性(他们做更多种类的创造性活动),但更低的平衡性(主要是一种或两种活动),这表明他们有广泛的创造性饮食,但喜欢的食物很少。当人们在日常生活中花时间从事创造性活动时,他们实际上在做什么?关于日常生活中创造力的文献很少,但越来越多的文献表明,创造力是很普遍的——许多人把大量时间花在创造性的爱好、激情和追求上——但人们选择做的事情却鲜为人知。在本研究中,我们探讨了创造性活动在一周内的多样性和复杂性。用杂食者和挑食者的比喻,我们认为有些人就像创造性的杂食者,涉足广泛的创造性追求,而另一些人就像挑食者,专注于单一的创造性激情。在一项对125名成年人进行的为期一周的研究中,研究人员每天多次询问人们是否在做一些有创意的事情,如果是的话,请他们描述他们在做什么。使用多样性统计数据,我们发现人们创造性投入的多样性(人们从事多少种不同的活动)和平衡性(一种或两种活动占主导地位)存在巨大差异。总的来说,日常创造力并没有单一的特征:有些人喜欢把时间花在许多不同的创造性任务上,而其他人则把创造性的努力集中在一两个领域。
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引用次数: 0
Creative Adaptability: A Measurable Personal Resource 创造性适应性:一种可测量的个人资源
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-20 DOI: 10.1080/10400419.2023.2223448
Hod Orkibi
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引用次数: 1
Shining a Light on Dark Creativity 照亮黑暗的创造力
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-13 DOI: 10.1080/10400419.2023.2224689
Hansika Kapoor
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引用次数: 1
Enhancement of Divergent Creative Thinking After Transcranial Near-Infrared Photobiomodulation Over the Default Mode Network 经颅近红外光生物调节在默认模式网络上增强发散性创造性思维
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-11 DOI: 10.1080/10400419.2023.2219953
J. Peña, M. Muthalib, R. Beaty, A. Sampedro, N. Ibarretxe‐Bilbao, L. Zubiaurre-Elorza, M. A. García-Guerrero, I. Cortázar, Mikel Niso, N. Ojeda
,
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引用次数: 1
Resting-State Functional Connectivity Reveals Differences in Large-Scale Network Interactions Between Eminent and Non-Eminent Thinkers 静息态功能连接性揭示了杰出和非杰出思想家之间大规模网络互动的差异
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-06-05 DOI: 10.1080/10400419.2023.2200617
E. Chrysikou, N. Wintering, Chloe Hriso, S. Shahrampour, D. Yaden, S. Kaufman, Mahdi Alizedah, F. Mohamed, A. Newberg
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引用次数: 0
Assessing the Robustness of the Factor Structure of TTCT-Figural: A Meta-CFA Replication-Extension 评估ttct - figure因子结构的稳健性:Meta-CFA复制扩展
IF 2.6 3区 心理学 Q1 Arts and Humanities Pub Date : 2023-05-29 DOI: 10.1080/10400419.2023.2209393
Selcuk Acar, L. Lee, Jaret Hodges
ABSTRACT Numerous primary studies and a recent meta-analytic confirmatory factor analysis (Meta-CFA; Said-Metwaly, Fernández-Castilla, Kyndt, & Van den Noortgate, 2018) have shown that Torrance Tests of Creative Thinking – Figural (TTCT-F) consists of two factors. However, recent research has raised questions regarding factor analysis of the TTCT-F due to poor discriminant validity and artificial clustering of indices. Additionally, the original meta-analysis did not include databases of dissertations and theses. In this study, we replicated and extended the meta-CFA study of the TTCT-F using 56 correlation matrices from 45 studies and a total of 11,142 participants. We investigated whether the problem of discriminant validity, participants’ age, the use of Form A or B, and the use of standardized or raw scores influence the factor structure. Our results show that a two-factor structure remains stronger than a one-factor structure in both replication and extension studies, and this conclusion is robust to score type, participant age, and issues related to discriminant validity. However, further research is needed to determine if this structure applies to less commonly used Form B, which had different factor loadings from Form A. We discuss the implications of our results for creativity research, the psychometrics of TTCT-F, and gifted identification.
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引用次数: 0
期刊
Creativity Research Journal
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