Litera最新文献

{"title":"Formation of scientific-analytical and communication skills among students of humanities at the international university (Generation Z Humanities Students at an International University)","authors":"B. A. Bulgarova, Sara Tabatabai, Roula Elias, Kayan Jomaa","doi":"10.25136/2409-8698.2024.2.69627","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69627","url":null,"abstract":"\u0000 Today, recruiting organizations, when selecting potential candidates for vacant positions, emphasize the importance of university graduates having developed communicative and scientific-analytical competencies, which are the main components of \"soft skills\" for students of the humanities cycle, more conducive to the formation of professionalism than \"hard skills\", due to the shift in society's priorities towards democratization and humanization socio-psychological principles of performance of official duties within the framework of professions. The purpose of this study is to identify methods and techniques for the formation of scientific, analytical and communicative skills at the international University among students of humanities. Intercultural communication in the context of the educational process, on the one hand, complicates the development of these competencies, on the other hand, requires improving the principles of teaching in the context of cultural dialogues, which determines the formation of the studied skills, taking into account the national and cultural specifics of the studied language and communication of the university where the foreign student is studying. These aspects are a prerequisite for successful integration into a potential professional environment. Research methodology: theoretical analysis of scientific literature on the issue under consideration, content analysis, descriptive and comparative methods. The novelty of the research is due to modern trends in improving the \"soft competencies\" of representatives of all professions in harmony with the global scientific space through the prism of effective intercultural communication. The results of the study indicate a mutual correlation of scientific, analytical and communicative skills, the synthesis of the main components of which contributes to the formation of metacognitive characteristics of students. It is advisable to form the studied competencies through role-playing games, memes, situational tasks, communicative professionally oriented trainings, the method of active problem-situational analysis (\"case-study\")\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140464303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Russian historical and literary context of the novels by Guillaume Musso and prose by Marina Tsvetaeva","authors":"Svetlana Sergeevna Tsaregorodtseva, S. M. Pinaev","doi":"10.25136/2409-8698.2024.2.69875","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69875","url":null,"abstract":"\u0000 The purpose of this study is to identify the Russian historical and literary context in Marina Tsvetaeva's prose of the emigrant period and in the novels of Guillaume Musso. The modern French writer Guillaume Musso is the author of two dozen novels, which (except for \"Skidamarink\", 2001) were translated into Russian and published in Russia. In almost every one of these novels, one can \"discover\" the Russian historical and literary context. This will be the main object of our research in the framework of the article (the analysis of the entire multicultural contextual complex of G. Musso's novels requires a more extensive consideration). The main subject of the article is a trilogy of novels about writers: \"The Girl and the Night\", \"The Secret Life of writers\" and \"Life as a Novel\", as well as the adjacent novel \"Paper Girl\", the main character of which Tom Boyd is a famous writer. Since in the novels Musso refers to meta-narrative, the creation of a meta-text, which involves commenting on the novel by the author, inviting the reader to his creative laboratory, and also requires identifying the historical and cultural context. The novel \"The Girl and the Night\" by G. Musso is considered in comparison with the \"Tale of Sonechka\" by M. Tsvetaeva and requires an appeal to the vital biographical context. Russian historical and literary context of the \"writer's\" cycle of novels by Guillaume Musso and prose by Marina Tsvetaeva\" for the first time revealed intertextual connections of novels by the most popular French writer Guillaume Musso with works of Russian literature: emigrant prose by Marina Tsvetaeva, works by F.M. Dostoevsky, I.S. Turgenev and other writers. The authors of the article pay special attention not only to the intertextual connections of Russian and French prose of the XX-XXI century, but also to the peculiarities of the plot structure of modern literature. This study attempts to identify the main trends in modern literature and trace their reflection in the works of G. Musso. The main conclusion that the authors of the article make is that in Musso's prose, the Russian text can be identified at all contextual levels: vital-biographical, literary, historical, cross-cultural.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140467736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Coronavirus Pandemic» Conceptual Framework: Analysis of Verbal Representation in the English-Speaking Media","authors":"Olesya Yur'evna Polonskaya","doi":"10.25136/2409-8698.2024.2.39823","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.39823","url":null,"abstract":"\u0000 The article is devoted to the study of the \"coronavirus pandemic\" conceptual framework. The new conditions of existence could not but be reflected in the language — through the appearance of new words and phrases, as well as through the actualization of previously existing lexical units as a result of their transition from special spheres of functioning to general use, which in turn are united by one conceptual framework оf \"coronavirus pandemic\". The relevance of this work is determined by the constant development of the English language, the emergence of new lexical units that directly affect the expansion of vocabulary. This paper presents a selection of lexical units that verbalize the conceptual framework of the \"coronavirus pandemic\" in the English linguistic consciousness. The object of the study is the conceptual framework \"coronavirus pandemic\". The subject of the study is the lexical means of representing the concepts that make up the \"coronavirus pandemic\" conceptual framework. The purpose of this work is to study the linguistic ways of representing the conceptual framework of the \"coronavirus pandemic\" and to identify its structure. The empiric material is lexical units obtained by continuous sampling from English-language websites and online magazines for 2020-2022. The scientific novelty of the study lies in an attempt to study and model the conceptual framework of the \"coronavirus pandemic\" and consider the means of its representation. In this study, the following methods were used: continuous sampling method, analysis, synthesis, cognitive modeling method, contextual method, word-formation analysis, as well as quantitative analysis.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140467214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cyclic forms as a way of presenting existential issues in A. M. Remizov's story \"Sisters of the Cross\"","authors":"Nikita Mikhailovich Demidov","doi":"10.25136/2409-8698.2024.2.69954","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69954","url":null,"abstract":"\u0000 The article analyzes the forms of cyclization in the story \"The Sisters of the Cross\" by A.M. Remizov and their role in the realization of the existential problematic of the work. The originality of Remizov's creative consciousness and artistic method, his interest in the ontological foundations of personality are emphasized by a special narrative structure, which is characterized by the strengthening of the corresponding motional structures. The religious and mythopoetic understanding of reality, inextricably linked with the artistic method, allows us to talk about the cycle as a broad category, according to the concept of I. Pospisil, which implies, along with motives, the unification of various forms of lexical and semantic repetitions in order to actualize important issues of being for the writer. The author of this article believes that the logic of the writer's strategy and its embodiment in the composition of the work are unthinkable without understanding the elements of the cycle as contextually updated units of content that need active interpretation by the reader, which is necessary for a holistic perception of the work. This understanding of the cycle is complicated by the grotesque characterization of the motifs and their correlation with both the metatext of Remizov's early work (the concept of the \"artistic ensemble\" by E. Tyryshkina) and the metatext of the Russian novel, the evolution of the plot structure of which is associated with the complication of the existential aspect. Based on the tasks set, the article uses structural-descriptive and descriptive-functional methods to analyze the system of cyclic forms of the writer and their functions. Taking into account the large-scale content coverage of the existential issues in A. M. Remizov's novella \"The Sisters of the Cross\", when considering the forms of cyclization in the work, it is necessary to take into account not only the hierarchical levels of the text (lexico-semantic repetitions and motivic structures as part of the composition of the story itself and from the point of view of the metatext of Remizov's work) and the different functions of these forms, but also common features cyclical trends in the narrative. Thus, one of the aspects of Remizov's poetics receives a proper theoretical understanding. The analysis of the story shows that a broad understanding of the cycle allows us to group the heterogeneous elements of the composition in terms of their general content orientation, which in further research may be useful in a holistic analysis of Remizov's work, his writing strategy, as well as the author's place among other masters of ornamental prose in Russian literature.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140469225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Alice's Tales: the transformation of the composition, fairy-tale formulas and contexts of the voice assistant in the skill \"Let's come up with\"","authors":"Christina Petrovna Zhikulina","doi":"10.25136/2409-8698.2024.2.69760","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69760","url":null,"abstract":"\u0000 The subject of the study is a spontaneously generated text by the voice assistant Alice when it is creating a fairy tale together with the user, and the purpose of the study is the transformation of the structure, fairy-tale formulas and context in terms of the selection of linguistic elements and meanings using artificial intelligence technology. Particular attention has focused on the skill \"Let's make it up\", which became available to users in the spring of 2023. The collision and interaction of folklore canons with the realities of the 21st century give rise to an ambiguous reaction to the interactive opportunity to play the role of a storyteller together with a voice assistant. The main research method was a continuous sample, which was used to distribute the steps, stages and actions when it is creating a fairy-tale plot together with a voice assistant. In addition, methods such as comparative and contextual analyses were used to identify similarities and differences between traditional Russian fairy tales and a spontaneously generated fairy tale plot. To obtain the data and subsequent analysis of the components, a linguistic experiment with the voice assistant Alice from Yandex was conducted and described. The rapid development of neural network language models allows us to talk about the scientific novelty of the material under study, since this area is unexplored and is being modified too quickly. It is important to emphasize that to date, the texts of spontaneously generated fairy-tale, their structural division and the correspondence of fairy-tale formulas in them to folklore canons have not been studied. The main conclusion of the study is that the user's share in creating a fairy tale with the voice assistant Alice is greatly exaggerated.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139883296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"On the reasons for the removal of A.T. Tvardovsky from the position of head of the editorial office of the magazine “New World”","authors":"Chuyao Wang","doi":"10.25136/2409-8698.2024.2.69785","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69785","url":null,"abstract":"\u0000 The subject of the article is the activities of the “New World” journal in the 1950-1960s. The author examines the role of the magazine at the beginning of the reform of Russian literature; the position of the editor-in-chief of “New World” regarding the function of literature designed to reflect reality; the reasons why A. Tvardovsky was removed from the post of editorial director. The work indicates that A. Tvardovsky served as editor-in-chief of the “New World” for 16 years, but during his career he faced dismissal twice. The article reflects the direction and main ideas of liberal thought of the New World magazine, which in the 1950s and 1960s was under the leadership of the editor-in-chief A. Tvardovsky. When studying the problems associated with the magazine’s position on the need to provide literary creativity with a certain freedom. When considering the activities of the magazine and its editor in certain historical and sociocultural conditions, a comparative historical method was used. The main conclusion of the study is that A. Tvardovsky, through his activities as editor-in-chief of the publication “New World” and his principled position on the freedom of literary creativity, made it possible to outline the beginning of the Thaw period in the Soviet literary process. The novelty of the research lies in the fact that the article systematizes information about the reasons for the removal of A. Tvardovsky from the post of editorial director and proves the role of the periodical in question in the process of making a turn in Russian literature towards the realistic tradition. A. Tvardovsky even published those works that were rejected by other leading journals due to the discrepancy between the author’s ideas and the ideas of the ruling party.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139892726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The influence of Chinese idioms on the grammar of the modern Malay language","authors":"Aleksandra Sergeevna Chernykh","doi":"10.25136/2409-8698.2024.2.69807","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69807","url":null,"abstract":"\u0000 Malaysia is a multiethnic country in Southeast Asia with a population of 33.4 million people, where Chinese make up 22.6%. This article focuses on the grammatical structures that have emerged in the Malay language (ML) as a result of Malay-Chinese language contact. The object of this study is colloquial ML. Previous research has noted that due to the influence of Chinese idioms in \"low\" spoken varieties of ML, new structures have emerged that break traditional Malay grammar rules. The impact of colloquial and slang forms on modern ML leads to a simplification of its grammatical constructions. It is observed that Chinese idioms primarily influence spoken ML, while in the standard or literary variant, their influence is limited to the lexical sphere. This study examines the usage of such structures in the standard and coloquial variants of modern ML. An analytical approach was applied to analyze data from prescriptive (grammars, dictionaries, textbooks) and descriptive (corpora) sources, as well as conducting experiments with ML speakers. The results of the study indicate that the previously described changes in \"low\" ML variants have exceeded their boundaries and are actively used in modern colloquial language both orally and in written form. The findings contribute to the analysis of the degree of simplification of grammatical structures in ML due to language contact with other idioms, helping to determine the direction of ML development in terms of the synthesis-analytic spectrum: moving away from the typical Austronesian language structure characterized by rich verbal morphology. The results of the article can be used for developing educational materials and teaching methods for Malay, as well as be useful in studying interference phenomena and language evolution processes.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139822368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Spatial Concepts within Syntactic Structures: The Topology-Imagery Hypothesis","authors":"Junwen Jia","doi":"10.25136/2409-8698.2024.2.69810","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69810","url":null,"abstract":"\u0000 The aim of this study is the creation and implementation of a groundbreaking syntactic structure typology, anchored in fundamental cognitive processes. This involves an in-depth classification and analysis of a variety of sentence types, integrating imagistic and spatial categories. This methodology promotes an in-depth comparative analysis, facilitating the discovery of distinctive syntactic features among the languages examined. The research is dedicated to a thorough exploration of sentence structure's topological aspects, scrutinizing the configuration and interplay of linguistic elements. It places particular emphasis on sentences within three diverse linguistic frameworks: Russian, Chinese, and English, thus enabling a comprehensive analysis and the identification of both cross-linguistic similarities and distinctions. This research adopts a multifaceted approach, combining theoretical analysis with comparative study. Such integration of methodologies allows for a nuanced comparison of sentence structures and their semantic roles in Russian, Chinese, and English, highlighting linguistic and cultural differences between these languages. The novelty of this study lies in the cognitive approach to sentence structure analysis and the development of a classification based on three cognitive models: (i) a single main container, (ii) dual main containers without a defined trajectory, and (iii) multiple main containers with distinct trajectories. A key principle of this classification is the integration of topological and imagery elements, underscoring the diversity of syntactic structures against a backdrop of a unified cognitive base, shaped by cultural and linguistic specifics. The findings reveal that sentences in Russian, English, and Chinese exhibit both shared and unique syntactic characteristics, reflecting cultural-cognitive differences, including the Chinese cultural concept of harmonizing opposites, the Russian cultural notion of segmenting the whole into parts, and the English cultural stance situated between these extremes.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139832184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Television documentaries of the People's Republic of China (using the example of CCTV)","authors":"Xue Chen","doi":"10.25136/2409-8698.2024.2.69750","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69750","url":null,"abstract":"\u0000 Television documentaries in China, especially on the largest national television channel China Central Television (CCTV), is a unique object of research reflecting a wide range of socio-cultural, political and technological aspects of the development of Chinese society. CCTV is not only an important information and entertainment source, but also a powerful tool for influencing public opinion, forming national identity and promoting public policy. The analysis of the history of the development of television documentaries in China reflects the influence of political events and socio-cultural changes on its evolution. Starting from the early stages of the development of Chinese television, when it served as a tool of state propaganda, and up to the present, when new topics and genres appeared, the study will help to understand how television documentaries have become an important element of cultural heritage and a means of public communication. The organizational structure of CCTV, as a key player in the Chinese media space, plays a significant role in shaping content and influencing public opinion. The method or methodology of the study. The methodology of this study is devoted to a comprehensive analysis of television documentaries in China with an in-depth examination of the example of China Central Television (CCTV). This methodology is based on a comprehensive study of historical, cultural, political and technological aspects of the development of television documentaries in China. The study of television documentaries in China, with a focus on the example of China Central Television (CCTV), provides a significant contribution to understanding the diverse aspects of the formation and impact of this media format in the context of Chinese culture and society. The scientific novelty of this study is manifested in several key aspects. Firstly, an extensive historical analysis reveals the evolution of television documentaries in China over various periods, emphasizing the influence of political changes and socio-cultural factors on its development. Secondly, the structural analysis of CCTV reveals the organizational mechanisms that form documentary projects. Considering the interaction between the structure of the channel and the content of programs makes it possible to understand what factors influence the formation and implementation of documentary initiatives, as well as how these factors are related to public policy. The third important achievement is the thematic analysis, which highlights the main themes and directions of documentary on CCTV.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139890898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Style and language of television news on the Iraqi issue on TRT and RT","authors":"Safaa Radhi Vazir","doi":"10.25136/2409-8698.2024.2.69590","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.2.69590","url":null,"abstract":"\u0000 Interest in mass media discourse has increased significantly in recent decades, which is confirmed by numerous studies that are aimed at studying the features of the language and style used on news channels, the manifestation of the manipulative function, the rhetoric of the sender of the communication message and the reaction of recipients. TRT and RT are major international news channels. Having a similar mission (24-hour daily updates of news from politics, business, finance, sports, science, culture...), these TV channels actively use modern digital technologies in their activities, which allows them to take leading positions in the rankings in their niche. Already at the end of the twentieth century, there was a regular change in the forms of speech styles of communication due to the development of communication and other technologies. The information revolution and the subsequent technological development gave a new impetus to the journalistic profession, bringing it to a completely new level of the digital space. Research methods used in the article: systematization, generalization, critical analysis, discourse analysis, stylistic analysis, pragmatic analysis. Television which occupies an important place among the media due to its wide coverage acted as the subject of our consideration. The authors identified a common feature among many researchers of the language and style of television news - anxiety about their ambiguous influence on the broad masses of the population, as J. Bloomer talks about. This concern stems from concerns about the power of the media to influence modern democratic societies, the protection of various freedoms, and the dangers of propaganda tools and information manipulation.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140469690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}