Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69713
Bo Liu, N. Perfilieva
The article is devoted to clarifying the general patterns of intertextuality of modern news headlines in Russian and Chinese leading media against the background of globalization, informatization and digitalization. The subject is the intertextuality of digital media news headlines. The material is the headlines of the Russian and Chinese media leading digital information portals for 2023. The scientific novelty lies in the fact that for the first time a comprehensive comparative study was conducted on the main manifestations of intertextuality of world news headlines in modern Russian and Chinese leading digital media. The relevance of the research is due to the fact that digital technologies, hyperlinks, search engines, etc. have created a new unexplored textual reality in which news headlines form links with other texts in the context of the global digital Internet. The main research methods are functional-semantic, interpretative, linguistic and cultural analysis. The method of linguistic commenting was used to explain the headline texts of world news, the culturological method was used to explain the traditions of society reflected in the titles of online news articles. The contrastive method was used to identify common features of the news headlines of leading Russian and Chinese online media publications. The result of the study: intertextuality is characteristic of the news headlines of Russian and Chinese online publications, six main attributes of intertextuality of the headline texts of world news of Russian and Chinese leading digital media have been identified, such as citation, precedent, uncertainty, hypertextuality, polymodality and rhizomaticity. These attributes are widely used in the news headlines of Russian and Chinese digital media. The obtained research results can be the basis for the following studies and used in the practice of teaching university courses in such disciplines as linguistics, communication, cultural studies, political science, etc. The conclusions of the study are that the intertextuality of online media news headlines, as a concentrated manifestation of textual phenomena in the digital age, is characterized by rhizomatic diversity, entanglement, nonlinearity, polycode, openness and dynamism not only at the level of semantics, but also the form of the news headline text.
{"title":"The intertextuality of news headlines in the context of digital media based on the material of the Russian and Chinese languages","authors":"Bo Liu, N. Perfilieva","doi":"10.25136/2409-8698.2024.1.69713","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69713","url":null,"abstract":"\u0000 The article is devoted to clarifying the general patterns of intertextuality of modern news headlines in Russian and Chinese leading media against the background of globalization, informatization and digitalization. The subject is the intertextuality of digital media news headlines. The material is the headlines of the Russian and Chinese media leading digital information portals for 2023. The scientific novelty lies in the fact that for the first time a comprehensive comparative study was conducted on the main manifestations of intertextuality of world news headlines in modern Russian and Chinese leading digital media. The relevance of the research is due to the fact that digital technologies, hyperlinks, search engines, etc. have created a new unexplored textual reality in which news headlines form links with other texts in the context of the global digital Internet. The main research methods are functional-semantic, interpretative, linguistic and cultural analysis. The method of linguistic commenting was used to explain the headline texts of world news, the culturological method was used to explain the traditions of society reflected in the titles of online news articles. The contrastive method was used to identify common features of the news headlines of leading Russian and Chinese online media publications. The result of the study: intertextuality is characteristic of the news headlines of Russian and Chinese online publications, six main attributes of intertextuality of the headline texts of world news of Russian and Chinese leading digital media have been identified, such as citation, precedent, uncertainty, hypertextuality, polymodality and rhizomaticity. These attributes are widely used in the news headlines of Russian and Chinese digital media. The obtained research results can be the basis for the following studies and used in the practice of teaching university courses in such disciplines as linguistics, communication, cultural studies, political science, etc. The conclusions of the study are that the intertextuality of online media news headlines, as a concentrated manifestation of textual phenomena in the digital age, is characterized by rhizomatic diversity, entanglement, nonlinearity, polycode, openness and dynamism not only at the level of semantics, but also the form of the news headline text.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140524470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69518
Yunyun Cui
Anton Pavlovich Chekhov is a well-known Russian writer and playwright in China. During his life, he created many works that are familiar to the Chinese readers. It is generally recognized that Chekhov's plays open a new page in the history of drama and theater. The Cherry Orchard, Chekhov's last work, is considered one of his most mature dramatic works and today has a debatable character in literary criticism, its interpretations are offered to the audience on the theater stage all over the world, including in China. This article aims to trace the evolution of the reception of the named work in Chinese critical thought, as well as to reflect the history of the productions of The Cherry Orchard in the theater of China. The subject of this work is the reception of the play "The Cherry Orchard" in Chinese literary criticism, the study of the history of its translation and staging in various historical periods in China. The main research methods used are descriptive and historical. The author of the study tries to characterize the main features of the perception of the work and productions of The Cherry Orchard in China, which are determined by the change in the socio-historical conditions of the state. Critical and literary works of Chinese researchers of A.P. Chekhov's work are used as material for analysis. In this regard, the present study seems to be relevant, since the author develops a scientific discussion around the Chekhov work under consideration. The theoretical novelty of the article lies in the fact that the works of Chinese literary critics are introduced into scientific circulation, devoted to the problems of reception of the images of the play, its plot and ideological originality, and analyzes the performances of "The Cherry Orchard" by Chinese directors.
{"title":"Reception of A.P. Chekhov's play “The Cherry Orchard” in China","authors":"Yunyun Cui","doi":"10.25136/2409-8698.2024.1.69518","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69518","url":null,"abstract":"\u0000 Anton Pavlovich Chekhov is a well-known Russian writer and playwright in China. During his life, he created many works that are familiar to the Chinese readers. It is generally recognized that Chekhov's plays open a new page in the history of drama and theater. The Cherry Orchard, Chekhov's last work, is considered one of his most mature dramatic works and today has a debatable character in literary criticism, its interpretations are offered to the audience on the theater stage all over the world, including in China. This article aims to trace the evolution of the reception of the named work in Chinese critical thought, as well as to reflect the history of the productions of The Cherry Orchard in the theater of China. The subject of this work is the reception of the play \"The Cherry Orchard\" in Chinese literary criticism, the study of the history of its translation and staging in various historical periods in China. The main research methods used are descriptive and historical. The author of the study tries to characterize the main features of the perception of the work and productions of The Cherry Orchard in China, which are determined by the change in the socio-historical conditions of the state. Critical and literary works of Chinese researchers of A.P. Chekhov's work are used as material for analysis. In this regard, the present study seems to be relevant, since the author develops a scientific discussion around the Chekhov work under consideration. The theoretical novelty of the article lies in the fact that the works of Chinese literary critics are introduced into scientific circulation, devoted to the problems of reception of the images of the play, its plot and ideological originality, and analyzes the performances of \"The Cherry Orchard\" by Chinese directors.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140526569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-01DOI: 10.25136/2409-8698.2024.1.69495
Wenxuan Zheng
This article represents an in-depth linguistic analysis of the use of green color in the Russian and French languages. The richness of phraseological expressions and lexical turns associated with this color is examined in diverse contexts. The primary focus is on denoting plants, nature, and metaphorical meanings, such as associations with youth and emotions. The study covers various domains of green color use, including its connection with playing cards, money, and alcohol. The author aims to uncover how the color interacts with cultural concepts and perceptions in different linguocultural environments of Russian and French languages, providing a profound understanding of the multilayered semantics of the color green. The research is based on a comprehensive analysis of linguistic materials, including a comparative analysis of phraseological units in Russian and French. Methods of semantic analysis, cultural context, and historical-linguistic comparison are applied. The work relies on authentic texts and integrates cultural and linguistic history to reveal nuanced aspects of green color usage. The study offers a deep analysis of phraseological units involving the green color, identifying their cultural, linguistic, and semantic aspects in the context of Russian and French languages. The work unveils common features and unique characteristics of green color usage, providing readers with a profound understanding of its significance in various linguistic and cultural paradigms. The scientific novelty lies in the full-scale analysis of linguistic material and the exploration of the influence of cultural factors on color perception in language. The research enriches linguistic science, offering valuable insights into the realm of cultural interaction through the language prism. It inspires further investigations into the semantics of color and linguistic anthropology, introducing new perspectives and understanding into discussions on the impact of color perception on cultural norms and customs.
{"title":"Representation of the Green Color in Russian and French Linguo-Cultures","authors":"Wenxuan Zheng","doi":"10.25136/2409-8698.2024.1.69495","DOIUrl":"https://doi.org/10.25136/2409-8698.2024.1.69495","url":null,"abstract":"\u0000 This article represents an in-depth linguistic analysis of the use of green color in the Russian and French languages. The richness of phraseological expressions and lexical turns associated with this color is examined in diverse contexts. The primary focus is on denoting plants, nature, and metaphorical meanings, such as associations with youth and emotions. The study covers various domains of green color use, including its connection with playing cards, money, and alcohol. The author aims to uncover how the color interacts with cultural concepts and perceptions in different linguocultural environments of Russian and French languages, providing a profound understanding of the multilayered semantics of the color green. The research is based on a comprehensive analysis of linguistic materials, including a comparative analysis of phraseological units in Russian and French. Methods of semantic analysis, cultural context, and historical-linguistic comparison are applied. The work relies on authentic texts and integrates cultural and linguistic history to reveal nuanced aspects of green color usage. The study offers a deep analysis of phraseological units involving the green color, identifying their cultural, linguistic, and semantic aspects in the context of Russian and French languages. The work unveils common features and unique characteristics of green color usage, providing readers with a profound understanding of its significance in various linguistic and cultural paradigms. The scientific novelty lies in the full-scale analysis of linguistic material and the exploration of the influence of cultural factors on color perception in language. The research enriches linguistic science, offering valuable insights into the realm of cultural interaction through the language prism. It inspires further investigations into the semantics of color and linguistic anthropology, introducing new perspectives and understanding into discussions on the impact of color perception on cultural norms and customs.\u0000","PeriodicalId":506782,"journal":{"name":"Litera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140521858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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